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693:, pp. 71–72 "In a tissue of dramatic antitheses—furious realism and graceful elegance, details of low-life and mythological embellishments, emotional immediacy and ironic detachment, humour and melancholy—the poet presents what might be called a fragmentary chronicle of the seedy fringe of Stockholm life in the 'sixties.".
505:
Edvard Matz, author of a book about
Bellman's women, calls the song "familiar to everyone", writing that it contains the well-known exclamations "Hurra! si Ulla dansar" ("Hooray! See Ulla's dancing") and "Ulla Winblad kära Syster, Du är eldig, qvick och yster, Hvar dag så står du brud." (Ulla Winblad
338:
The source of the melody is an unknown minuet; Epistle 4's melody can be seen from an early manuscript to be from the same source. Bellman.net states that a possible source melody is a minuet in a contemporary Danish musicians' book, but if so, Bellman's melody is so different that he is at least in
373:
The epistle is one of the first that
Bellman wrote, between March and May 1770; it introduces Ulla Winblad to the world. The lyrics portray and mimic the rhythm of playing the horn, while Fredman enjoys the sight of Ulla dancing in her ruffled dress. Bellman's biographer,
203:(1712 or 1713–1767) was a real watchmaker of Bellman's Stockholm. The fictional Fredman, alive after 1767, but without employment, is the supposed narrator in Bellman's epistles and songs. The epistles, written and performed in different styles, from
378:, writes that it perfectly captures the sound of a horn with its minuet melody, whereas No. 2's melody "is exactly a fiddler's". He remarks how different the two are "in style, tempo, rhythm, even instrumental tone-colour".
502:
perspective with detailed observation of "white legs" and details of the nymphs' attire that
Bellman delights in; the arch-nymph Ulla Winblad is introduced in this Epistle, which is dedicated to her.
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154:. The epistle is subtitled "Till en och var av systrarna, men enkannerligen till Ulla Winblad" (To each and every one of the sisters, most especially to
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247:, but always graceful and sympathetic. The songs are "most ingeniously" set to their music, which is nearly always borrowed and skilfully adapted.
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571:"Carl Michael Bellmans liv och verk. En minibiografi (The Life and Works of Carl Michael Bellman. A Short Biography)"
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and prostitutes. At the same time as depicting this realist side of life, Bellman creates a
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144:(Father Berg blows his horn) is Epistle No. 3 in the Swedish poet and performer
131:
630:
Johnson, Anna (1989). "Stockholm in the
Gustavian Era". In Zaslaw, Neal (ed.).
295:
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dear sister, You are fiery, quick and frisky, Each day you stand as bride.")
162:, while Fredman enjoys the sight of Ulla Winblad dancing in a ruffled dress.
988:(contains the most popular Epistles and Songs, in Swedish, with sheet music)
499:
244:
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327:
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891:
The Life and Songs of Carl
Michael Bellman: Genius of the Swedish Rococo
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357:" ("Ulla Winblad, beloved sister. You are fiery, quick and frisky...")
228:
216:
194:
127:
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197:, accompanying himself as he performed his songs at the royal court.
95:
1017:(with facsimiles of sheet music from first editions in 1790, 1791)
996:
967:
346:
236:
632:
The
Classical Era: from the 1740s to the end of the 18th century
1090:
227:
picture, full of classical allusion, following the French post-
893:. New York: Allhem, Malmö American-Scandinavian Foundation.
262:
1436:
Fredmans
Epistlar & Sånger Sjungna Av Sven-Bertil Taube
303:
The song has four stanzas, each of 11 lines, with a corno (
354:
Ulla
Winblad kära syster. Du är eldig, qvick och yster...
307:) interlude before the first and fourth lines. It is in
914:
Fredman's
Epistles and Songs: A Selection in English
538:
536:
1622:
1554:
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1028:. Stockholm: Almqvist & Wiksell International.
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71:
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53:
21:
1505:Spring mot Ulla, spring! Cornelis sjunger Bellman
1026:The Musical-Poetic Method of Carl Michael Bellman
1049:Carl Michael Bellman: Nymphs and Lively Parties
382:Versions of the second stanza of Epistle No. 3
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48:First page of sheet music for the 1810 edition
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8:
1045:Carl Michael Bellman Nymfer och friska kalas
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563:
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714:
219:, a loose company of ragged men who favour
215:, with Fredman's cheerfully drunk Order of
1128:
1109:
1095:
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231:poets. The women, including the beautiful
42:
18:
1005:]. Stockholm: Informationsförlaget.
498:that the epistle illustrates the gently
380:
740:"Fredmans Epistel N:o 3: Kommentar tab"
554:
532:
462:Who in stockings white has dress'd her,
1051:] (in Swedish). Historiska Media.
824:
293:
1333:Träd fram du Nattens Gud (Aftonkväde)
1264:Ulla! min Ulla! Säj får jag dig bjuda
1162:Käre bröder, så låtom oss supa i frid
7:
1168:Fram med basfiolen, knäpp och skruva
788:
542:
415:- - - Si hon slänger handen trötter;
406:- - - Valdthorn bör man ha på Baler,
193:. A solo entertainer, he played the
995:; Ehrén, Svenolov (illus.) (1984).
445:Nymphs, and mugs for our potations,
1240:Tjenare Mollberg, hur är det fatt?
1204:I går såg jag ditt barn, min Fröja
917:. Stockholm: Reuter & Reuter.
470:Hark how ev'ry note he's spelling,
14:
1174:Käraste Bröder Systrar och Vänner
1003:The songs and epistles of Fredman
509:The Epistle has been recorded by
468:Silky pleats and ruffles welling!
1375:
881:. Stockholm: By Royal Privilege.
519:, where it was the first track.
294:Problems playing this file? See
278:
1228:Ge rum i Bröllopsgåln din hund!
943:] (in Swedish). Stockholm:
634:. Macmillan. pp. 327–349.
1315:Hör klockorna med ängsligt dån
1216:Bröderna fara väl vilse ibland
998:Fredmans epistlar & sånger
408:Strufvor, Nympher och Pocaler;
1:
1543:Music of Carl Michael Bellman
1528:Songs of Carl Michael Bellman
1246:Solen glimmar blank och trind
1222:Vår Ulla låg i sängen och sov
478:Ah, bravely blown, mon cher!
105:The sisters, and Ulla Winblad
1449:sjunger Carl Michael Bellman
443:we need for these occasions,
423:Minsta veck i kjolen fräser,
177:and a powerful influence in
1345:Fjäriln vingad syns på Haga
466:Hurrah, her bosom swelling!
464:And skirt of heav'nly blue?
425:Si hur Fader Berg han läser
173:is a central figure in the
1697:
1156:Fader Berg i hornet stöter
417:Hvita ben och röda fötter;
141:Fader Berg i hornet stöter
58:Father Berg blows his horn
26:Fader Berg i hornet stöter
1411:Maria Kristina Kiellström
1373:
1180:Gråt Fader Berg och spela
148:'s 1790 song collection,
41:
34:
25:
16:18th century Swedish song
1321:Så lunka vi så småningom
1252:Movitz blåste en konsert
976:]. En bok för alla.
496:her biography of Bellman
429:Hej! kära far blås bra.
421:Hurra! si bröstet jäser,
175:Swedish ballad tradition
1599:Hendrik Willem van Loon
837:Hassler & Dahl 1989
765:"N:o 3 (Kommentar tab)"
715:Hassler & Dahl 1989
1022:Massengale, James Rhea
974:Bellman – an anthology
941:Bellman: The Biography
681:, pp. 81–83, 108.
601:"Bellman in Mariefred"
370:
353:
267:
1614:Charles Wharton Stork
1294:Hvila vid denna källa
1043:Matz, Edvard (2015).
969:Bellman – en antologi
873:Bellman, Carl Michael
419:Si himmelsblåa kjoln.
350:
266:
181:, known for his 1790
1480:Vila vid denna källa
1464:Fred sjunger Bellman
1276:Charon i Luren tutar
1234:Värm mer Öl och Bröd
1118:Carl Michael Bellman
964:Dahl, Peter (illus.)
909:Britten Austin, Paul
887:Britten Austin, Paul
855:Fred sjunger Bellman
516:Fred sjunger Bellman
487:Reception and legacy
388:Carl Michael Bellman
256:Music and verse form
171:Carl Michael Bellman
146:Carl Michael Bellman
77:Carl Michael Bellman
1564:Paul Britten Austin
1288:Märk hur vår skugga
839:, pp. 281–283.
827:, pp. 65, 170.
813:Britten Austin 1977
801:Britten Austin 1967
703:Britten Austin 1967
691:Britten Austin 1967
679:Britten Austin 1967
667:Britten Austin 1967
655:Britten Austin 1967
410:Stor sak uti Fioln.
394:Paul Britten Austin
383:
376:Paul Britten Austin
339:part its composer.
274:Melody of Epistle 3
1681:18th-century songs
1576:Bellman. Biografin
1498:Cornelis Vreeswijk
1282:Liksom en herdinna
936:Bellman. Biografin
605:The Royal Palaces
513:on his 1969 album
427:Noterna. :||:
381:
371:
268:
184:Fredman's Epistles
151:Fredman's Epistles
116:Fredman's Epistles
1676:Fredmans epistlar
1663:
1662:
1638:Bellmansällskapet
1493:Sven-Bertil Taube
1371:
1370:
1134:Fredmans epistlar
1081:Text of Epistle 3
1058:978-91-7545-218-0
900:978-3-932759-00-0
878:Fredmans epistlar
803:, pp. 63–68.
717:, pp. 25–27.
657:, pp. 60–61.
581:on 10 August 2015
484:
483:
335:is AABCCB-DDDEE.
284:
137:
136:
1688:
1604:James Massengale
1536:Mikael Samuelson
1433:1960, 1963
1392:Barbara Ekenberg
1379:
1186:Ack du min moder
1150:Nå skruva Fiolen
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962:Hassler, Göran;
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607:. Archived from
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577:. Archived from
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384:
365:illustration by
359:Fredmans Epistle
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94:An unidentified
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1609:Michael Roberts
1591:Ljuva karneval!
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1513:Movitz! Movitz!
1442:William Clauson
1426:
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1402:Lovisa von Plat
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1305:Fredmans sånger
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1258:Fader Bergström
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850:Åkerström, Fred
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727:Massengale 1979
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611:on 21 June 2022
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190:Fredman's Songs
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1083:on Bellman.net
1076:
1075:External links
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993:Kleveland, Åse
989:
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954:978-9100141790
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931:Burman, Carina
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641:978-0131369207
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573:(in Swedish).
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511:Fred Åkerström
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460:ev'ry gesture;
456:- - - Languid
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1649:Illustrators
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1633:Bellmanmuseet
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815:, p. 15.
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684:
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669:, p. 39.
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544:
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497:
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492:Carina Burman
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187:and his 1791
186:
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179:Swedish music
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20:
1589:
1574:
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1503:
1488:Martin Bagge
1478:
1470:
1462:
1447:
1434:
1407:Ulla Winblad
1397:Jean Fredman
1360:
1303:
1210:Stolta Stad!
1155:
1132:
1048:
1044:
1025:
1002:
997:
973:
968:
940:
934:
913:
890:
877:
858:. Metronome.
853:
844:
832:
820:
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796:
784:
772:. Retrieved
768:
759:
747:. Retrieved
743:
734:
722:
710:
698:
686:
674:
662:
650:
631:
625:
615:19 September
613:. Retrieved
609:the original
604:
595:
583:. Retrieved
579:the original
555:Bellman 1790
550:
514:
508:
504:
490:
473:
457:
453:
436:
435:
412:
403:
402:
372:
367:Carl Wahlbom
358:
337:
326:
315:
302:
233:Ulla Winblad
221:strong drink
201:Jean Fredman
199:
188:
182:
169:
156:Ulla Winblad
149:
140:
139:
138:
114:
57:
1643:Par Bricole
1557:Translators
1521:Martin Best
1339:Gubben Noak
1192:Kära syster
825:Burman 2019
774:12 February
769:Bellman.net
749:10 December
744:Bellman.net
500:voyeuristic
476:! :||:
447:Yea, and a
1670:Categories
1588:2005
1573:2019
1540:1988
1525:1982
1510:1977
1502:1971
1477:1977
1469:1974
1461:1969
1446:1963
1385:Characters
528:References
494:writes in
363:Lithograph
296:media help
209:pastorales
166:Background
102:Dedication
1555:Scholars,
1343:64:
1337:35:
1331:32:
1325:31:
1319:21:
1292:82:
1286:81:
1280:80:
1274:79:
1268:72:
1262:71:
1256:63:
1250:51:
1244:48:
1238:45:
1232:43:
1226:40:
1220:36:
1214:35:
1208:33:
1202:28:
1196:25:
1190:24:
1184:23:
1178:12:
1067:941607965
923:186784336
789:Matz 2015
543:Matz 2015
325:, marked
245:burlesque
239:", while
213:demimonde
110:Published
1313:6:
1172:9:
1166:7:
1160:5:
1154:3:
1148:2:
1024:(1979).
966:(1989).
947:Förlag.
933:(2019).
911:(1977).
889:(1967).
875:(1790).
852:(1969).
585:25 April
328:Menuetto
113:1790 in
83:Language
75:poem by
36:Art song
866:Sources
472:Father
396:, 1977
361:No. 3.
251:Epistle
241:Neptune
235:, are "
229:Baroque
217:Bacchus
195:cittern
128:cittern
126:voice,
123:Scoring
86:Swedish
64:Written
54:English
1427:Albums
1065:
1055:
1032:
1009:
980:
951:
921:
897:
638:
458:Ulla's
454:Corno.
449:fiddle
439:- - -
437:Corno.
413:Corno.
404:Corno.
390:, 1770
343:Lyrics
331:. The
237:nymphs
225:rococo
130:, and
96:minuet
91:Melody
1623:Other
1354:Other
1125:Works
1047:[
1001:[
972:[
939:[
523:Notes
441:Horns
1140:List
1063:OCLC
1053:ISBN
1030:ISBN
1007:ISBN
978:ISBN
949:ISBN
919:OCLC
895:ISBN
776:2022
751:2021
636:ISBN
617:2022
587:2015
474:Berg
451:too.
323:time
305:horn
160:horn
132:horn
72:Text
1672::
1409:/
1061:.
767:.
742:.
603:.
562:^
535:^
1142:)
1138:(
1110:e
1103:t
1096:v
1069:.
1038:.
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986:.
957:.
925:.
903:.
778:.
753:.
644:.
619:.
589:.
557:.
351:"
316:4
298:.
30:"
22:"
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