Faeq Hassan - Knowledge (XXG)

129:(The Pioneers Group), in the 1930s and was its President for many years. The group attempted to incorporate local phenomena into art. They rejected the artificial atmosphere of the artist's studio and encouraged artists to engage with nature and traditional Iraqi life and held their first exhibition in 1931. This group was responsible for taking the first steps towards bridging the gap between modernity and heritage. Artists active in this group, like Hassan, had been educated abroad, returned with a European aesthetic, yet wanted to paint local scenes and landscapes. Members included: 188:, amongst other genres. As an art student, he had been heavily influenced by impressionism, but as he matured his work became more and more abstract. However, from a commercial standpoint, he found that impressionist works were popular and sold well, accordingly he returned again and again to that style. 154:); a group of local artists that attempted to incorporate local phenomena into art. Inspired by Mespotamian art and Iraqi folklore, the group was led by Hassan along with artist, Isma'il al-Shaykhali (Turkey b. 1927). This group was inspired by the 13th-century 105:

visited his school, he ordered that Hassan be sent to Paris to study art, thus fulfilling his father's earlier promise to the young boy. Hassan was also allocated a private French tutor so that he could learn French prior to his departure. He graduated from the

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noted for founding several 20th century art groups, which collectively were responsible for bridging the gap between Iraqi heritage and traditional art and modern art. He is often called the 'father of Iraqi modern art.'

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where the King saw the boy drawing a horse. Recognising his talent, the King promised to give the young artist a scholarship. However, the King died in 1933 before he could carry out his promise.

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Hassan participated exhibitions until 1967; including the first exhibition of his newly formed, Corner Groups. He also took part in the Friends of Art Society in 1943 and 1946.

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in 1938. Hassan was one a very small group of artists sent to study abroad. On their return to Iraq, this group became the cornerstone of modern art in Iraq.

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in 1914 into a poor family. His father had died before the infant, Hassan, was born. As a child, he helped his mother who made folkloric clay statues of Arab

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For most of his working life, he was a member of the Iraqi Artists' Society. He died in 1992 from heart failure.

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Hassan was a highly experimental painter. At different times, he explored the visual possibilities of

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Iraqi Artwork Red List: A Partial List of the Artworks Missing from the National Museum of Modern Art

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Iraqi Artwork Red List: A Partial List of the Artworks Missing from the National Museum of Modern Art

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and local farmers. As a young boy, he visited his uncle who was working as a gardener for

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During the early 1930s, Hassan gave art lessons at a local school, and when the new

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Memories of State: Politics, History, and Collective Identity in Modern Iraq,

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Organized a number of one-man exhibitions in Baghdad, in 1962-1967 and 1971.

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Institute in 1939-1940 in conjunction with his friend, artist and sculptor,

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On his return to Baghdad, Hassan founded the Painting Department at the

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Joined nine artists in the Iraq Art Exhibition in Beirut in 1965.

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Participated in the Avicenna Exhibition in Baghdad in 1952.

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The Monument: Art, Vulgarity, and Responsibility in Iraq,

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