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Famille jaune, noire, rose, verte

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124: 831: 859: 819: 796: 773: 19: 881: 309: 255: 274: 1603: 1611: 900: 234: 745: 757: 682: 392: 434: 293: 843: 407: 193:(unglazed pre-fired ware) with no underglaze blue, or over high-fired glaze, producing wares of different appearances. Wares with enamel painted on the biscuit usually have a solid-colour ground such as yellow, black or green, while those painted over the glaze may have a white ground. Occasionally both underglaze and overglaze blue may be seen in the same object. The firing to fuse the enamels was done at a relatively low temperature. 707:
intended for export, using white porcelain from Jingdezhen. In contrast to the more refined 'court-taste' porcelain, export wares particularly those from the 19th century tend to be highly and brightly decorated. The decorative patterns used in these export wares may be referred to as Rose Canton,
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was once highly appreciated by western collectors, which led to high prices and many pieces were then counterfeited, with the result that a large proportion of those believed to be surviving examples are actually forgeries. The popularity of this type of porcelain has since declined.
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era, and decorations became more elaborate and crowded in the later Qianlong period. The images may be painted on coloured grounds, including yellow, blue, pink, coral red, light green, 'cafe au lait' and brown. Black ground or
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are typically green, red, yellow, blue and aubergine (non-vivid purple). Black may also be used and occasionally gold. The blue colour is more violet or royal blue in tone, which is different in shade from the blue used in
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porcelain in the 19th century. They may have a copper-green lead-based enamel painted over dry black cobalt ground on the biscuit, and a transparent green glaze was then applied, giving it a near-iridescent appearance.
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in the mid-18th century. It remained popular throughout the 18th and 19th centuries and continued to be made in the 20th century. The quality of wares produced however declined after the Qianlong period.
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period. The pink of the early pieces of the 1720s were darker in colours made with ruby-coloured glass, but after 1725 softer shades were achieved by mixing with white enamels. At the Palace workshops in
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is limited. The coloured enamels are often painted over the pure white body of the porcelain which comes over through the glaze. The colours may also be set off on black or yellow grounds (known as
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which has a greater colour range. It continued to be made in small amounts in the subsequent periods, and its popularity revived in the West in the late 19th and early 20th centuries.
545:" or "France"), or through adaptation of enamels used in tin-glazed South German earthenware. Research has failed to show that the chemical composition of the pink colour pigment on 1602: 899: 18: 494:, lit. 'enamel colours'), is a type of porcelain defined by the presence of pink colour overglaze enamel. The colour palette was introduced in China during the reign of 233: 1860: 1610: 506:
is named after its pink-coloured enamel, although it ranged from pale pink to deep ruby. Apart from pink, a range of other soft colour palettes were used in
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enamels allow for a greater range of colour and tone than was previously possible, enabling the depiction of more complex images, particularly during the
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pieces, and some of the finest pieces were made there. However, from the late 18th century onwards, many pieces were decorated in the port city of
2207: 1772: 2064: 1480: 1230: 1992: 2270: 406: 2146: 1932: 1440: 578:. Court painters were employed to make drafts to decorate such wares, which produced a new aesthetic style of decoration on porcelain. 2136: 1914: 1277: 1203: 1153: 1085: 1058: 1004: 974: 842: 2168: 1884: 1394: 1031: 947: 1295:"A study of ruby-pink enamels on Chinese porcelain: with a comparison of Chinese pink glass and European pink enamels of ceramics" 625:('soft colours') was also a term used in the Yongzheng era as the colours used are softer in contrast to the 'hard colours' (硬彩, 565:
have been found in Chinese porcelain from the 1720s, although the technique was not fully developed until around 1730 during the
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palette used in Chinese porcelain. Export of Chinese porcelain then declined due to competition from the European factories.
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vase, probably Kangxi reign, Jingdezhen. Porcelain painted in polychrome enamels on the biscuit and on the glaze.
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Chinese pottery and porcelain: an account of the potter's art in China from primitive times to the present day
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wares were popular for several decades until the 1720s after the reign of Kangxi when it became supplanted by
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decorations may be painted on a white ground, or on a coloured ground with yellow being the most popular. As
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enamels were known to have been used in Europe before its usage became established in China, for example in
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Auspicious bats and peaches on a dish, a popular subject in the Chinese taste. Yongzheng reign (1723–1735)
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ware, but they are not highly regarded. Many produced in the Qianlong period were on eggshell porcelain.
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wares produced for imperial use, but differences may be detected in the chemical composition of the
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Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam: The Ming and Qing Dynasties
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is the more modern term used by Chen Liu (陈浏) in the early 20th century and it then replaced
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Collectors, Collections and Museums: The Field of Chinese Ceramics in Britain, 1560-1960
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wares were made in the Kangxi era, although some clobbered wares had the black added to
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was produced at the palace for its exclusive use, there are relatively fewer pieces of
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porcelain was popular in the 18th and 19th century. Much of the Chinese production was
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porcelains were exported from China to the West, and many European factories such as
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of its enamel palette. These wares were initially grouped under the French names of
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It is generally believed that the new colour palette in China was introduced by
178: 1310: 2095: 1657: 1413: 561:("foreign colours"), indicating its foreign origin or influence. Rudimentary 175: 1527: 1521: 1449: 906: 700: 550: 182: 529:) to the Imperial court, initially on enamels used on metal wares such as 1944: 1672: 1515: 809: 165: 1294: 2195: 2040: 2004: 1509: 910: 571: 245: 549:
to be the same as that of the European one. However, the term used by
1080:(2nd Revised ed.). University of California Press. p. 248. 542: 495: 347: 299: 283: 264: 52: 936:
Jörg, C. J. A.; (Netherlands), Rijksmuseum; Campen, Jan van (1997).
1175:"Relationship between Falangcai, Yangcai, Fencai, and Famille rose" 836:
Rose Medallion plate with decorations that are divided into panels
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was used to refer to porcelain produced at Jingdezhen to imitate
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was also then made at the imperial kilns of Jingdezhen. The term
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A History of Chinese Science and Technology: Volume 2, Volume 2
498:(1654–1722), possibly around 1720, but perfected only in the 1609: 1601: 1418: 609:. Visually there is little difference in appearance between 73:(pink family) by Albert Jacquemart in 1862. The other terms 113:, but some of the finest were made for the Imperial court. 541:
meaning enamel may have originated from the word for the "
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The Grove Encyclopedia of Decorative Arts: Two-volume Set
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made by the Du Paquier factory in 1725. Large number of
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Miller's Antiques Handbook & Price Guide 2020-2021
1372:. Wallace-Homestead Book Company. p. 42–46. 1023:
Understanding International Art Markets and Management
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respectively), and more rarely aubergine and green.
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with other overglaze colours. It developed from the
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(26 October 2005). 928: 876: 740: 387: 229: 43:are terms used in the West to classify 1773:Chinese porcelain in European painting 1169: 1167: 1165: 502:era when the finest pieces were made. 1481:Chinese influences on Islamic pottery 7: 804:soft paste porcelain flower holder, 1383:Miller, Judith (5 September 2019). 474:'pale colours' or 'soft colours'), 2137:Ehrenfried Walther von Tschirnhaus 708:Rose Mandarin and Rose Medallion. 14: 1582:Famille jaune, noire, rose, verte 1293:Mills, Paula; Kerr, Rose (2000). 1272:. Verlag Peter Lang. p. 39. 1255:. Funk and Wagnalls. p. 209. 471: 40:Famille jaune, noire, rose, verte 2196:Kuskovo State Museum of Ceramics 1614:Meissen hard porcelain vase 1735 898: 887:Saint-Cloud soft paste porcelain 879: 857: 841: 829: 817: 794: 771: 755: 743: 593:With the successful creation of 484:), lit. 'foreign colours'), and 405: 390: 307: 291: 272: 253: 232: 1142:Valenstein, Suzanne G. (1988). 1047:Valenstein, Suzanne G. (1988). 993:Valenstein, Suzanne G. (1988). 1145:A Handbook of Chinese Ceramics 1050:A Handbook of Chinese Ceramics 996:A Handbook of Chinese Ceramics 942:. Philip Wilson. p. 147. 466: 460: 415:vase, Kangxi reign, Jingdezhen 189:enamels may be painted on the 164:in a few different shades and 128:Dish with Bird on Peach Branch 109:, and a large proportion were 1: 2202:Sèvres – Cité de la céramique 2147:François Xavier d'Entrecolles 1414:Example of fencai enamal ware 963:Gordon Campbell, ed. (2006). 873:European pieces in the styles 691:with Rose Mandarin decoration 2184:Dresden Porcelain Collection 789:, first half of 18th century 557:) and in Qing documents was 2271:Types of pottery decoration 111:made for export to the West 2287: 2226:Victoria and Albert Museum 1370:Warman's Oriental Antiques 1311:10.1179/SIC.2000.45.S2.021 1192:Yongxiang Lu, ed. (2014). 1124:Victoria and Albert Museum 1074:Sullivan, Michael (1978). 1026:. Routledge. p. 177. 426: 320:, famille verte, 1730–1740 315:Saint-Cloud soft porcelain 2232:Museum of Royal Worcester 2208:Musée des Arts Décoratifs 2173:Percival David Foundation 2167:British Museum (London): 1641:Japanese export porcelain 1599: 1198:. Springer. p. 375. 695:Jingdezhen produced many 597:porcelain at the palace, 490: 480: 450: 160:period around 1680, uses 2142:Johann Friedrich Böttger 1476:Chinese export porcelain 1266:Pierson, Stacey (2007). 783:Chinese export porcelain 675:blue and white porcelain 1389:. Octopus. p. 98. 1299:Studies in Conservation 282:plate for exportation, 263:plate for exportation, 248:period, circa 1650–1660 1615: 1607: 1337:National Palace Museum 785:with European figure, 692: 629:) previously used for 444:, known in Chinese as 438: 142: 84: 76: 66: 63:("green family"), and 58: 35: 22:Moon flask (right) in 1613: 1605: 1225:. 徐氏藝術館. p. 71. 684: 436: 196:The colours found in 126: 21: 2178:The David Collection 2101:Overglaze decoration 2091:Hard-paste porcelain 2086:Soft-paste porcelain 802:Jingdezhen porcelain 661:may also be used on 525:(through the use of 140:Jingdezhen porcelain 107:Jingdezhen porcelain 28:Jingdezhen porcelain 2035:Bing & Grøndahl 1999:Dihl & Guérhard 1897:Villeroy & Boch 2244:Ludwigsburg Palace 2238:Walters Art Museum 1636:Japanese porcelain 1616: 1608: 1506:(16th century BCE) 1333:"The Introduction" 693: 645:in Chinese usage. 439: 335:is a variation of 286:period, circa 1680 267:period, circa 1680 156:), adopted in the 143: 36: 2266:Chinese porcelain 2253: 2252: 2152:Dmitry Vinogradov 2074: 2073: 2047:Wagner & Apel 1763:List of companies 1742: 1741: 1691: 1690: 1597: 1596: 1554:(14th century on) 1548:(14th century on) 1542:(11th century on) 1471:Chinese porcelain 1232:978-962-7504-12-2 1077:The Arts of China 527:purple of Cassius 510:, hence the term 363:(Chinese: 墨地素三彩, 45:Chinese porcelain 34:reign (1723–1735) 2278: 1861:Saint Petersburg 1768:French porcelain 1753: 1710:Korean porcelain 1700: 1626: 1461: 1443: 1436: 1429: 1420: 1401: 1400: 1380: 1374: 1373: 1365: 1359: 1358: 1347: 1341: 1340: 1329: 1323: 1322: 1290: 1284: 1283: 1263: 1257: 1256: 1246: 1237: 1236: 1216: 1210: 1209: 1189: 1183: 1182: 1171: 1160: 1159: 1139: 1128: 1127: 1116: 1110: 1109: 1098: 1092: 1091: 1071: 1065: 1064: 1044: 1038: 1037: 1017: 1011: 1010: 990: 981: 980: 960: 954: 953: 933: 902: 883: 861: 848:Qianlong period 845: 833: 821: 798: 775: 759: 747: 716:Vienna porcelain 533:produced in the 523:Jesuits in China 493: 492: 483: 482: 473: 469: 468: 463: 462: 453: 452: 409: 394: 371:ground. Genuine 311: 295: 276: 257: 236: 87: 79: 71: 61: 51:by the dominant 2286: 2285: 2281: 2280: 2279: 2277: 2276: 2275: 2256: 2255: 2254: 2249: 2190:Gardiner Museum 2169:Asia Department 2156: 2120: 2070: 2011:Hutschenreuther 1783: 1780: 1738: 1715: 1712: 1687: 1646: 1643: 1617: 1593: 1492: 1489: 1452: 1447: 1410: 1405: 1404: 1397: 1382: 1381: 1377: 1367: 1366: 1362: 1349: 1348: 1344: 1331: 1330: 1326: 1292: 1291: 1287: 1280: 1265: 1264: 1260: 1248: 1247: 1240: 1233: 1218: 1217: 1213: 1206: 1191: 1190: 1186: 1173: 1172: 1163: 1156: 1141: 1140: 1131: 1118: 1117: 1113: 1102:"Famille noire" 1100: 1099: 1095: 1088: 1073: 1072: 1068: 1061: 1046: 1045: 1041: 1034: 1019: 1018: 1014: 1007: 992: 991: 984: 977: 962: 961: 957: 950: 935: 934: 930: 925: 918: 903: 894: 889:flower holder, 884: 868: 862: 853: 846: 837: 834: 825: 822: 813: 799: 790: 776: 767: 762:A selection of 760: 751: 748: 703:to produce the 537:workshop (珐琅作, 431: 425: 416: 410: 401: 395: 358: 330: 321: 312: 303: 296: 287: 277: 268: 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733: 729: 725: 721: 717: 713: 709: 706: 702: 698: 690: 687: 683: 679: 676: 672: 671:famille verte 668: 664: 660: 659:famille noire 655: 651: 646: 644: 640: 636: 632: 631:famille verte 628: 624: 620: 616: 612: 608: 604: 600: 596: 591: 589: 585: 581: 577: 573: 568: 564: 560: 556: 552: 548: 544: 540: 536: 532: 528: 524: 519: 517: 513: 509: 505: 501: 497: 487: 477: 457: 447: 443: 435: 430: 423: 420: 414: 413:Famille noire 408: 403: 399: 398:Famille jaune 393: 388: 386: 383: 382:Famille noire 378: 377:famille verte 374: 373:famille noire 370: 366: 365:Modi susancai 362: 361:Famille noire 356: 355:Famille noire 353: 351: 349: 345: 342: 341:famille verte 338: 337:famille verte 334: 333:Famille jaune 328: 327:Famille jaune 325: 319: 318:spitting bowl 316: 310: 305: 301: 294: 289: 285: 281: 275: 270: 266: 262: 256: 251: 247: 243: 242: 235: 230: 228: 226: 222: 221:Famille verte 218: 216: 215:famille jaune 212: 211:famille noire 208: 207:famille verte 204: 199: 198:famille verte 194: 192: 188: 187:famille verte 185:colours. The 184: 180: 177: 173: 172: 167: 163: 159: 155: 151: 147: 146:Famille verte 141: 137: 133: 132:famille verte 129: 125: 119: 118:Famille verte 116: 114: 112: 108: 104: 100: 96: 95:Famille verte 92: 91:famille verte 88: 86: 85:famille noire 81:(yellow) and 80: 78: 77:famille jaune 72: 70: 69: 62: 60: 59:famille verte 54: 50: 46: 42: 41: 33: 29: 25: 20: 16: 2180:(Copenhagen) 2116:Factory mark 2079:Technologies 1987:Clignancourt 1581: 1385: 1378: 1369: 1363: 1354: 1345: 1336: 1327: 1302: 1298: 1288: 1268: 1261: 1251: 1221: 1214: 1194: 1187: 1178: 1144: 1123: 1114: 1105: 1096: 1076: 1069: 1049: 1042: 1022: 1015: 995: 965: 958: 938: 931: 915:famille rose 914: 891:famille rose 890: 864: 850:famille rose 849: 806:famille rose 805: 787:famille rose 786: 763: 736:famille rose 735: 720:famille rose 719: 712:Famille rose 711: 710: 697:famille rose 696: 694: 686:Famille rose 685: 670: 667:Famille rose 666: 663:famille rose 662: 658: 650:famille rose 649: 647: 642: 638: 634: 630: 626: 622: 614: 610: 606: 602: 598: 594: 592: 587: 583: 579: 575: 563:famille rose 562: 558: 547:famille rose 546: 538: 534: 520: 515: 511: 508:famille rose 507: 504:Famille rose 503: 485: 475: 455: 445: 442:Famille rose 441: 440: 429:Famille rose 422:Famille rose 421: 412: 397: 381: 376: 372: 364: 360: 359: 354: 340: 336: 332: 331: 326: 279: 260: 239: 225:famille rose 224: 220: 219: 214: 210: 206: 203:Ming dynasty 197: 195: 186: 169: 153: 152:, also 素三彩, 150:Kangxi wucai 149: 145: 144: 136:Kangxi reign 131: 127: 117: 103:famille rose 102: 94: 90: 82: 74: 68:famille rose 64: 56: 49:Qing dynasty 39: 38: 37: 24:famille rose 23: 15: 2240:(Baltimore) 2234:(Worcester) 2161:Collections 1927:Ludwigsburg 1909:Frankenthal 1885:Nymphenburg 1879:Fürstenberg 1855:Capodimonte 1807:Saint-Cloud 1179:Koh Antique 917:, 1760–1780 893:, 1730–1740 824:Canton ware 734:copied the 705:Canton ware 689:Canton ware 669:supplanted 590:porcelain. 181:with a few 179:cobalt blue 101:era, while 2260:Categories 2222:(Istanbul) 2096:Bone china 1981:Copenhagen 1975:Loosdrecht 1957:Wallendorf 1540:Jingdezhen 923:References 766:porcelains 555:Jingdezhen 176:underglaze 2216:(Beijing) 2192:(Toronto) 2186:(Dresden) 2059:Porsgrund 2053:Rosenthal 1993:Hollóháza 1903:Worcester 1843:Vincennes 1831:Chantilly 1825:Rörstrand 1668:Nabeshima 1450:Porcelain 1319:191567275 907:Delftware 865:Falangcai 764:falangcai 732:Chantilly 611:falangcai 607:falangcai 599:falangcai 595:falangcai 588:falangcai 584:falangcai 580:Falangcai 576:falangcai 567:Yongzheng 551:Tang Ying 531:cloisonné 500:Yongzheng 486:falangcai 367:) uses a 183:overglaze 32:Yongzheng 2228:(London) 2198:(Moscow) 2132:Chinamen 2065:Augarten 1945:Wedgwood 1891:Plymouth 1756:General: 1703:General: 1673:Kakiemon 1629:General: 1464:General: 810:Qianlong 654:Qianlong 516:boli bai 350:ground. 339:, using 166:iron red 154:Susancai 2210:(Paris) 2204:(Paris) 2111:Biscuit 2041:Zsolnay 2017:Doulton 2005:Mintons 1969:Limoges 1867:Mennecy 1849:Chelsea 1813:Meissen 1534:Qingbai 1510:Celadon 911:faience 909:plate, 781:period 728:Chelsea 724:Meissen 643:yangcai 627:yingcai 623:Ruancai 615:yangcai 603:yangcai 572:Beijing 559:yangcai 476:yangcai 456:ruancai 344:enamels 246:Shunzhi 191:biscuit 148:(康熙五彩, 47:of the 2125:People 2067:(1923) 2061:(1885) 2055:(1879) 2049:(1877) 2043:(1853) 2037:(1853) 2031:(1826) 2029:Herend 2025:(1822) 2023:Lichte 2019:(1815) 2013:(1814) 2007:(1793) 2001:(1781) 1995:(1777) 1989:(1775) 1983:(1775) 1977:(1774) 1971:(1771) 1965:(1768) 1959:(1764) 1953:(1763) 1951:Berlin 1947:(1759) 1941:(1760) 1939:Retiro 1935:(1759) 1929:(1758) 1923:(1757) 1917:(1756) 1915:Sèvres 1911:(1755) 1905:(1751) 1899:(1748) 1893:(1748) 1887:(1747) 1881:(1747) 1875:(1747) 1869:(1745) 1863:(1744) 1857:(1743) 1851:(1743) 1845:(1740) 1839:(1735) 1837:Doccia 1833:(1730) 1827:(1726) 1821:(1718) 1819:Vienna 1815:(1710) 1809:(1693) 1803:(1673) 1797:(1575) 1795:Medici 1788:Types: 1748:Europe 1733:Joseon 1727:Goryeo 1720:Types: 1683:Hirado 1678:Kutani 1651:Types: 1588:Canton 1576:Kangxi 1570:Tianqi 1564:Swatow 1497:Types: 1488:(1338) 1393:  1317:  1276:  1229:  1202:  1152:  1120:"Vase" 1084:  1057:  1030:  1003:  973:  946:  905:Dutch 812:period 701:Canton 639:Fencai 621:used. 543:Franks 539:falang 535:falang 512:fencai 496:Kangxi 446:fencai 348:yellow 302:period 300:Kangxi 298:Vase, 284:Kangxi 265:Kangxi 244:vase, 158:Kangxi 99:Kangxi 53:colour 1963:Revol 1933:Weesp 1921:Derby 1801:Rouen 1696:Korea 1663:Imari 1658:Arita 1622:Japan 1558:Kraak 1457:China 1315:S2CID 635:wucai 454:) or 369:black 346:on a 280:Wucai 261:Wucai 241:Wucai 171:wucai 162:green 1528:Ding 1522:Xing 1391:ISBN 1274:ISBN 1227:ISBN 1200:ISBN 1150:ISBN 1082:ISBN 1055:ISBN 1028:ISBN 1001:ISBN 971:ISBN 944:ISBN 867:vase 852:vase 779:Qing 730:and 648:The 619:flux 613:and 472:lit. 213:and 1873:Bow 1516:Yue 1307:doi 633:or 491:珐琅彩 470:), 2262:: 2171:/ 1353:. 1335:. 1313:. 1303:45 1301:. 1297:. 1241:^ 1177:. 1164:^ 1132:^ 1122:. 1104:. 985:^ 913:, 726:, 637:. 481:洋彩 467:软彩 464:/ 461:軟彩 451:粉彩 138:, 134:, 130:, 93:. 30:, 26:, 1442:e 1435:t 1428:v 1399:. 1357:. 1339:. 1321:. 1309:: 1282:. 1235:. 1208:. 1181:. 1158:. 1126:. 1108:. 1090:. 1063:. 1036:. 1009:. 979:. 952:. 488:( 478:( 458:( 448:(

Index


Jingdezhen porcelain
Yongzheng
Chinese porcelain
Qing dynasty
colour
famille rose
Kangxi
Jingdezhen porcelain
made for export to the West

Kangxi reign
Jingdezhen porcelain
Kangxi
green
iron red
wucai
underglaze
cobalt blue
overglaze
biscuit
Ming dynasty
Wucai vase, Shunzhi period, circa 1650–1660
Wucai
Shunzhi
Wucai plate for exportation, Kangxi period, circa 1680
Kangxi
Wucai plate for exportation, Kangxi period, circa 1680
Kangxi
Vase, Kangxi period

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