478:"serves both to segregate the domains of their activities by gender and to differentiate the degree of their radicalism." For instance Feng notes that Qin does not come into conflict with male characters in her immediate or extended family and "acts as a dutiful and loving daughter to her widowed mother" while Juehui "usually displays an antagonistic attitude" towards older men in the Gao family and Juehui leaves the Gao family home. Feng concluded that the fact that Juehui leaves his house means that "his conflicts with the traditional family system are more fundamental and irreconcilable than those in Qin's case." Feng argued that the author "deployed Qin to magnify Juehui's revolutionary zeal" by emphasizing differences that the two characters have in their emotional responses and respective relationships to the members of the Gao family and also "located the source of Qin's weakness in her gender and thus reaffirmed Juehui's superiority."
330:. Feng said that while Juehui "is apparently the most fearless and rebellious of the three brothers" he also "is by no means the heroic role model that he has read about in new books and journals—the sources of all his new ideas." Feng argues that "Juehui betrays the most pronounced contradictions through his interactions with his family" and that Juehui "often finds himself helplessly entangled in ambivalent feelings" while dealing with his family, using his interactions with Juexin as an example. Han argued that while being "high-spirited youth rebelling against his family's restrictions", Juehui "still possesses ideas" from the Gao Family traditions. As an example she cites his pattern of affection for Mingfeng. Han argues that despite the fact that he likes her, "he never expresses his love or his hidden dreams: If only Mingfeng were a lady like Qin, he would marry her in a heartbeat."
248:, said that Juexin is "a character used by a foil to impress upon the reader Juehui's revolutionary courage as compared to people of his own generation and gender." Feng added that while Juehui believes that Juexin is a '"coward who makes "unnecessary sacrifices" of himself and the women he loves', Juehui "cannot help but sympathize with Juexin's dilemma, and in fact often depends on him as a buffer against abuses by their grandfather and uncles." Han says that Juexin is also an "accomplice" since he helps Master Gao try to find Juemin, and that Juexin "insists on nonresistance" despite the fact that he agrees with his brothers. Han argued that Juexin's obedience to the family angers Juehui despite the mercy that Juehui feels for Juexin, "reflecting the author's own attitude toward" Juexin.
704:
540:, Ba Jin's biographer. The New York edition omits the article "the" from the title, which makes "family" a more general concept rather than limiting it to this particular family. In her Editor's Note, Lang discusses the history of the text, pointing out that certain passages, the anarchist elements, had been deleted from the 1958 Foreign Languages Press edition. The Anchor edition restored three prefaces by the author, newly translated, as well as some of the omitted passages.
27:
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608:, a richly poetic and tragic chronicle of the life of a prominent family living within a great house. Though he did not mention it as a model, Ba Jin, like all educated Chinese of his time, had been familiar with the work from his youth. Where the earlier work is fatalistic and told with philosophical allegory, however, the young heroes of
237:. After Juemin escapes from the Gao household, Master Gao asks Juexin to find Juemin. Juexin asks Juehui to help him, but the youngest brother accuses Juexin of being a coward. After learning about Mei's death, Juexin is saddened. Han said that "he miserable experience" awakens Juexin, who begins opposing Master Gao.
181:
and patriarchal family. The idealistic, if rash Juehui, the youngest brother, is the main protagonist, and he is frequently contrasted with the weak eldest brother Juexin, who gives in to the demands from his grandfather, agrees to an arranged marriage and carries on living a life he does not like to
433:
Han describes
Mingfeng as "another tragic woman" in the Gao family. Mingfeng wants to marry Juehui but Master Gao arranges to have her be a mistress to Milord Feng, a man who is at the same age level as Mingfeng's grandfather would be. Mingfeng begs other members to remove her from the situation but
361:
Han said that Ruijue "is beautiful and mild, and their intensive love produces their first boy, Hai Chen." After Master Gao dies, as Ruijue is pregnant with a second child, relatives cajole Juexin into moving Ruijue out of the city to avoid giving the coffin of Master Gao. Despite Juehui's pleas to
492:
Han argues that Master Gao is "complex". She explained that Master Gao in fact loves his family and takes steps to enlarge it to accomplish his goal of having a large family, and that he does not believe that his decisions, which are based on ancestral rules, would harm his children. Han concluded
279:
Juemin wears glasses. Juemin is in love with Qin, his cousin. Juemin anticipates the time when his academy begins admitting female students so that the two can get together and marry. Master Gao asks Juemin to marry the
Grandniece of Milord Feng, but Juemin instead leaves the house, with Juehui
473:
Feng said that Qin "is ensconced, somewhat ironically, in extensive and complex familial relationships" so that the book rarely mentions her life away from the Gao family. Feng explained that because Ba Jin made the female student Qin as a more "feminine" and "inferior" counterpart to the male
434:
nobody can challenge Master Gao. At midnight before she is to be given to Feng, she appears in Juehui's bedroom but he is so busy working on academic articles that he does not notice
Mingfeng and her pleas. She commits suicide by drowning herself in a pool of water. Han says "Jue Min [
401:
Han said that Mei "lives a miserable life." Within a year from the start of the novel she marries and becomes a widow. Because her mother-in-law had not treated her well, she lives with her mother. Han said that the Gao family's younger members, especially Juexin, "are sympathetic" to
587:
mentions many of the books and authors which inflamed the young protagonists, giving a vivid picture of intellectual life in a provincial capital. The tone and theme was influenced by works that also influenced many
Chinese authors of Ba Jin's generation, for instance
536:), with a third edition in 1978. Shapiro's translation was based on the 1953 People's Publishing House text, in which the author made corrections. Ba Jin made further changes for Shapiro's translation. The 1972 Anchor Books (New York) edition was edited by
315:. Juehui has a romantic interest in Mingfeng. Han says that Juehui "pays more attention to the rebellion" than to Mingfeng. After Mingfeng's death he feels remorse. At the end of the novel, he believes staying in the family is too suffocating, so he leaves
474:
student Juehui, the "domestication" of Qin is "necessary". Feng argued that "at first glance" Qin and Juehui "seem to me more similar than different", and their parallel and symmetrical placement within the storyline of
233:
Juexin obeys the Gao family, despite the disapproval from his two brothers. Even though Juexin is in love with Mei, his cousin, he marries Li Ruijue on the orders of Master Gao after he graduates from
244:, said that Juexin "is a victim of conservatism" who is asked to stop observing idealism, loses the women who are dear to him, and "does nothing but cries in the corner." Jin Feng, author of
142:, the pen-name of Li Feigan (1904–2005). His most famous novel, it chronicles inter-generational conflict between old ways and progressive aspirations in an upper-class family in the city of
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have it reversed, Juexin allows the move to happen, and Ruijue dies of childbirth as Juexin is prevented from entering the delivery room during the period of mourning for Master Gao.
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Stapleton, Kristin, “Generational and
Cultural Fissures in the May Fourth Movement: Wu Yu (1872–1949) and the Politics of Family Reform,” in Kai-Wing Chow, et al., eds.
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translation Wu Yu is not mentioned by name; instead he is referred to as "the man who wrote that article, 'Cannibal
Confucian Morality' in the
358:) - Juexin's wife. She marries him and falls in love with him, but realizes that Juexin still loves Mei more than her. She dies in childbirth.
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The novel focuses on three brothers from the Gao family, Juexin, Juemin and Juehui, and their struggles with the oppressive autocracy of their
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that "Withdrawing his order on his deathbed shows that he remained a kind grandfather at the end, even if he was an ironhanded patriarch."
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566:(a.k.a. Wu Youling), when Juemin and Juexin discuss in a favorable manner how he is going to teach at their school. In the
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Decker, David. "Chronicle of Revolt: Fate vs. Choice." in: Lin, Phylis Lan, Ko-wang Mei, and Huai-chen Peng (editors).
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The novel was first serialized in 1931-2 and then released in a single volume in 1933. The original title was
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helping him escape. Master Gao later ends the engagement and gives permission for Juemin and Qin to marry.
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Han, Mei. "Family." Located in: Sollars, Michael David and
Arbolina Llamas Jennings (contributors)
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A play and two films were based on the novel. The play was adapted by famous playwright
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The Facts on File
Companion to the World Novel: 1900 to the Present
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The Facts on File
Companion to the World Novel: 1900 to the Present
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The Facts on File
Companion to the World Novel: 1900 to the Present
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93:
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As Master Gao grows older, he attempts to reunite the Gao family.
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Pa Chin and His Writings: Chinese Youth Between Two Revolutions
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Pa Chin and His Writings: Chinese Youth Between Two Revolutions
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Beyond the May Fourth Paradigm: In Search of Chinese Modernity
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According to Feng, Juehui is "the center of consciousness" in
169:), but changed after Ba Jin released it as a single volume.
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Anchor edition., Editor's Note, p. v; Introduction, p. xix.
940:(Cambridge, MA: Harvard University Press, 1967), pp. 83-84
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The New Woman in Early Twentieth-century Chinese Fiction
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The novel was first serialized in 1931-2. Together with
440:] and others pity the girl, while Jue Hui [
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The New Woman in Early Twentieth-Century Chinese Fiction
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in 1941. A Mainland Chinese TV adaptation, starring
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1933 autobiographical novel by Chinese author Ba Jin
1009:Family. Stanford: Stanford University Press, 2016.
612:leaves home to pursue lives of worldly engagement.
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146:, a prosperous but provincial city in the fertile
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628:were the deaths of Mingfeng, Mei, and Ruijue.
1085:Chinese novels adapted into television series
996:The Family Novel: Toward a Generic Definition
660:(Facts on File library of world literature).
602:is often compared to the 18th-century novel,
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311:Juehui has an interest in the ideals of the
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978:Harvard University Press
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559:, was produced in 2007.
519:Turbulent Stream Trilogy
276:) - The middle brother.
1034:Oregon State University
927:Anchor edition., p. 34.
643:Purdue University Press
580:Comparative perspective
530:Foreign Languages Press
132:autobiographical novel
1075:Novels set in Sichuan
1005:Stapleton, Kristin.
976:. Cambdridge, Mass.
156:New Culture Movement
741:"Ba Jin (Obituary)"
662:Infobase Publishing
313:May Fourth Movement
196:traditional Chinese
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756:.
532:(
456:琴
454:(
410:(
376:梅
370:(
338:(
323:.
288:(
256:(
194:(
55:家
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