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266:"This number was undoubtedly the highlight of the concert. The gifted pianist has a brilliant technique, her stroke is concise, her piano playing full of mildness and softness, the performance safe and correct. But we already know that based on our perception of other pianists that have emerged from the excellent school of Professor Epstein in Vienna. What Fraulein Mahler particularly emphasises is the objectivity of her game....We are convinced that the amiable artist is ahead of her colleagues, even the audience... and she fully deserved the thunderous and repeated applause which accompanied each of her performances."
33:
495:"The Federal President recently awarded title of professor to the excellent Viennese pianist Fanny Basch-Mahler. The artist, who is a teacher of the New Vienna Conservatoire, graduated from the Vienna Conservatoire herself and has enjoyed a brilliant reputation as an outstanding pianist and teacher for many years. Prof. Basch-Mahler was close friends with Johannes Brahms and Karl Goldmark. On the occasion of the well-deserved award the beloved and esteemed artist received a lot of congratulations from all social circles."
243:
585:. As part of the final liquidation of the Viennese Jews, IKG itself was closed down on 1 November 1942 and forced to hand over all its remaining assets to the authorities including the Old Age Home. Fanny died 10 days later. When she died there were fewer than 8,000 Jews remaining in the city, of those most (6,000) had only survived because they were married to Aryans.
283:
In 1879 she teamed up with the First
Austrian Ladies Quartet for a European tour. The Quartet consisted of three sisters—Fanni, Amalija and Maria—and a fourth singer called Marianne Gallowitsch, and were managed by their mother Ivanka Campa. Initially the Quartet exclusively sang Slovenian folk songs
372:
In the summer of 1891 Fanny and her children stayed at
Salzburgerstrasse 41, a few houses away from Brahms's house in Ischl. At the end of the summer she performed two concerts for holiday makers. The concerts consisted mostly of Brahms's compositions. Brahms, who was rarely seen out, attended the
404:
Despite her busy schedule Fanny was still able to find time to organise the first of several
Volksconcerts she would put on. The opportunity to listen to music was still very limited and there was a growing movement to democratise concerts. Concerts were mostly subscription events and therefore
368:
called "Perpetuum mobile" in
Gmunden that had been newly arranged by Brahms. Brahms and Fanny were both staying in nearby Ischl that summer and may well have spent time together. She performed the piece a second time in Vienna at a benefit concert that Brahms had organised for the actor Johann
303:. This time the critics paid her more attention and complimented her as an "excellent pianist with a brilliant technique, beautiful and delicate touch". The partnership clearly worked and so in November they announced a European tour in which they would perform thirty concerts across Germany.
396:. The program included music by Schumann, Beethoven and Schubert. Fanny played "with a confident, brilliant technique and a warm, lively performance. The excellent pianist, who is always welcome, received enthusiastic applause". She would perform many more times with them during the 1890s.
235:, in what is now called the Brahmssaal. At that time the musicians performed in the centre of the room and lit from the skylight above, rather than the stage on which concerts are performed today. Wallnorfer and Fanny "were both well received with lively well-deserved applause". The
413:
At the start of 1897 a festival was held to celebrate 100 years since the birth of Franz
Schubert. An exhibition opened in the Kunstlerhaus and numerous concerts were organised. Fanny organised and performed in a series of free volksconcerts around Vienna and then travelled to
161:" enjoyed her mother's musical instruction at an early age and showed a joyful affection for music. When, towards the end of the sixties, Brahms, Clara Schumann, Sophie Menter and A Rubinstein gave concerts in their hometown, it gave her a powerful exemplary stimulus".
479:
In 1922 she organised two concerts to showcase her students. The first took place on a Sunday afternoon at the
Concordia Club where some of her students would perform alongside established artists. The second took place two weeks later at the
459:
From 1898 onwards Fanny offered private piano tuition, then in August 1910 it was announced that "the pianist Frau Fanny Basch-Mahler had been won over by the management of the New
Conservatory as a teacher on the piano training course".
327:"Frau Basch-Mahler played the piano in Schumann's Quintet in E Flat in such a way that she never got stuck or lost the beat. She made no mistakes and broke no strings. Everything went smoothly and vigorously, with military precision."
226:
Basch-Mahler became a celebrated pianist within the late 19th century Austro-Hungarian musical community. Her first big break came at the beginning of 1876 when she was twenty one and invited to perform with Adolf
Wallnofer and
201:
Epstein taught Fanny privately for the first half of the year. For the remaining four months she was marked excellent for her diligence, progress and behaviour. At the end of the year she won first prize in the exams.
261:
In the Autumn of 1877 she travelled to
Salzburg for a concert celebrating the Emperor's name day. In front of a large audience at the Kursaal she performed Beethoven's concerto in E flat which received a glowing
274:
in his last ever performance. Her reputation was growing and when at the end of the year she performed a benefit concert in aid of military invalids the advanced notices described her as a "piano virtuoso".
430:
had only started broadcasting five months earlier so this was still early days for radio. Her first and last numbers were piano solos. In between she would be accompanied for two pieces each by the soprano
360:"were all like dogs and cats to one another. Nobody wants to know anything about the other... Everyone only socialises with Frau Basch-Mahler because then her husband writes notes for the Extrablatt!"
574:) Old Age Home on GoldschlagstraĂźe with her husband Ludwig. In July 1942 the IKG was forced to close down the GoldschlagstraĂźe location and moved all the remaining residents to the Old Age Home on
1548:
KoncertnĂ Ĺľivot v BrnÄ› v letech 1850-1919 se zaměřenĂm na samostatnĂ© kvartetnĂ koncerty [Brno
Concert Life in 1850-1919 with the consideration of separate string quartet concerts]
145:, Basch-Mahler was a recognized and respected talent of the late 19th century Austrian-Hungarian music community. In 1928 she was awarded an honorary title by the President of Austria.
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1317:
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491:, awarded Fanny with the title of Professor on the recommendation of the Minister of Education. The title of Professor was one that only the President could bestow on an individual.
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On 4 December 1883 she gave the first ever public performance of Brahm's Five Piano Studies no.2 as an interlude between choral numbers during a concert by the Vienna Male Choir.
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818:
133:(27 July 1854 – 11 November 1942), was an Austro-Hungarian pianist and music teacher. A native of Budapest, she was a celebrated Viennese concert pianist. A student alongside
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on 19 March 1882. They had two children—Erwin (1883) and Helene (1884). The family lived in Alsergrund, first at Gruentorgasse 10 and then from 1894 in Porzellangasse 58.
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on 23 March 1871 at the tender age of sixteen. The hall had only opened fourteen months earlier. It was the last performance of the season and she performed
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tickets were always in short supply. Volksconcerts were intended to combat the high cost of tickets and enable ordinary citizens the opportunity to attend.
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critic went as far to say she was a "young, very talented pianist who, in addition to being very fluent, lets me praise many of her musical virtues".
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472:, where Fanny had once been a student herself, had held a monopoly on music education in Vienna for decades, but after a change in the law, the
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194:. A famous concert pianist himself he became a professor at the Conservatoire in 1867 and taught until 1901. Four years later he would teach
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258:, the first of over forty concerts that she would perform in the venue. Fanny performed a new sonata by Jakob Fischer "to much applause".
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553:) Fanny was listed in a register of experts and was seen as someone who could give advice on how to balance motherhood and a career.
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800:], Sociological databases No. 1. (in Hungarian), Budapest: Wesley János Lelkészképző Főiskola (wjlf.hu), p. 93
32:
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For two months they toured Moravia, Prussia, Silesia and Northern Germany before finishing the tour in Graz, Austria.
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After attending the Vienna Conservatoire she went to Paris "to broaden her artistic perspective" under the tuition of
529:
522:
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190:, one of the most prestigious music schools in the world. She was accepted for private piano tuition by Professor
228:
191:
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635:
Berühmte Klavierspieler der Vergangenheit und Gegenwart Eine Sammlung von 123 Biographien und 121 Porträts
174:
356:, Brahms's close friend and biographer, wrote that Brahms once commented that the many pianists in Ischl
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319:. It was one of the musical highlights of the year and as such attracted the attention of the critics.
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In October 1880 Fanny accompanied Adolf Wallnorfer for another two concerts; the first in
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Korotin, Ilse, ed. (2016), "biografiA. Lexikon österreichischer Frauen, Band 01, A-H",
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Coming from the usually acerbic Wolf this can be considered a positive review.
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At 8pm on Sunday 1 March 1925, Fanny performed live on the radio for an hour.
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642:] (in German). Leipzig: Albert Henry Payne. pp. 14–15 – via
1060:
Erinnerungen an Johannes Brahms – Tagebuchnotizen aus den Jahren 1875–1897
699:
186:
In 1871 Fanny travelled to Vienna where she auditioned for a place in the
153:
Fanny (or Fanni as her name appears on her birth certificate) was born in
154:
53:
1519:
1500:"The Jews of Vienna from the "AnschluĂź" to the Holocaust [1987]"
1499:
1476:
Mutterschaft und geistige Arbeit: Eine psychologische und soziologische
759:
57:
1551:(Ph.D. thesis) (in Czech). Masarykova univerzita, Filozofická fakulta.
1504:
Historical Social Research / Historische Sozialforschung. Supplement
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1506:(28). GESIS - Leibniz Institute for the Social Sciences: 316–334.
693:] (in German), vol. 1 (A-H), Wien : Böhlau, p. 211,
446:
241:
897:"Kaiser-Concert des Dom-Musik-Vereins und Mozarteums zu Salzburg"
311:
In April 1884 she was invited to accompany the highly celebrated
845:"Privat vortragsabend, veranstaltet von Hr. Professor J.Epstein"
415:
214:. One of the other 33 students taught by Mamontel that year was
1546:
270:
In the Spring of 1878 she accompanied the elderly opera singer
376:
In 1915 Fanny and her husband Ludwig attended the funeral of
610:
The spirit of Vienna: encyclopedia of artists and writers
612:] (in German). C. Daberkow. p. 19 – via
605:
Das geistige Wien: KĂĽnstler- und Schriftsteller-Lexikon
453:
BerĂĽhmte Klavierspieler der Vergangenheit und Gegenwart
567:
548:
418:
to perform in the city's own Schubert celebrations.
284:
but in later years they broadened their repertoire.
178:
as a piano duet which was met with lively applause.
120:
84:
76:
64:
39:
23:
16:
Austro-Hungarian pianist, music teacher (1854–1942)
1062:(in German). Tutzing: Hans Schneider. p. 61.
743:, in Flotzinger, Rudolf; Boisits, Barbara (eds.),
254:A couple of months later she would perform in the
476:was able to open and offer a broader curriculum.
335:Friendship with Johannes Brahms and Karl Goldmark
509:She retired in 1929 at the age of seventy-five.
506:described her as having a "fiery personality".
157:on 27 July 1854 to Leopold and Therese Mahler.
1479:(in German). Berlin: Georg Reimer. p. 343
541:In Adele Gerhard and Helene Simon's 1901 book
279:Touring with the First Austrian Ladies Quartet
165:Fanny's first recorded performance was at the
1037:. Holmes & Meier Publishers. p. 41.
8:
561:
542:
339:Fanny was said to be a close friend of both
388:In 1890 Fanny was invited to accompany the
949:"Der erste osterreichische Damen-Quartett"
741:"Basch-Mahler, Fanny (Fanni, geb. Mahler)"
686:BiografiA. Lexikon österreichischer Frauen
487:On 25 June 1928 the President of Austria,
31:
20:
758:
698:
691:biografiA: Encyclopedia of Austrian Women
1614:Hungarian Jews who died in the Holocaust
1298:(in German). 14 February 2022. p. 9
1272:(in German). 22 January 1897. p. 22
1266:"Schubert-feier um Volksbildnungsverein"
1220:(in German). 18 February 1890. p. 6
1116:(in German). 17 October 1889. p. 12
1007:(in German). 8 October 1880. p. 439
798:Database of the Hungarian Jewish Lexicon
1609:Austrian Jews who died in the Holocaust
1194:(in German). 5 January 1915. p. 15
1168:(in German). 23 August 1891. p. 34
955:(in German). 15 October 1879. p. 1
825:(in German). 29 January 1876. p. 6
640:Famous pianists of the past and present
594:
110:
1473:Gerhard, Adele; Simon, Helene (1901).
903:(in German). 2 October 1877. p. 1
1246:(in German). 4 March 1894. p. 15
1090:(in German). 8 August 1889. p. 6
751:Austrian Encyclopedia of Music Online
746:Oesterreichisches Musiklexikon online
664:(in German). 25 March 1871. p. 5
291:Tour of Germany with Adolf Wallnorfer
106:
7:
1142:(in German). 7 July 1891. p. 15
739:Kornberger, Monika (12 April 2019),
627:
625:
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392:for three nights, performing at the
1448:"Frau Professor Fanny Basch-Mahler"
929:(in German). 2 May 1878. p. 5
851:(in German). 5 May 1876. p. 1
14:
364:In 1889 she performed a piece by
1452:Wiener Sonn- und Montags-Zeitung
1422:"Frau Professor F. Basch-Mahler"
1348:Wiener Sonn- und Montags-Zeitung
1031:The Music Criticism of Hugo Wolf
790:"Basch-Mahler Fanny (entry 428)"
550:Motherhood and intellectual work
544:Mutterschaft Und Geistige Arbeit
871:"Kaiser-concert des Mozarteums"
102:
1396:"Theater und kunstnachrichten"
1370:"Ein Musikalischer Nachmittag"
1292:"Theater und kunstnachrichten"
1214:"Theater und kunstnachrichten"
1084:"Theater, kunst und literatur"
981:(in German). 1880. p. 244
877:. 22 September 1877. p. 3
819:"Theater, kunst und literatur"
560:occurred Fanny moved into the
524:Illustrirtes Wiener Extrablatt
80:Concert pianist, piano teacher
1:
1629:Pianists from Austria-Hungary
923:"Theatre und kunstachrichten"
1604:Hungarian classical pianists
563:Israelitische Kultusgemeinde
137:and a familiar of composers
1594:Austrian classical pianists
1426:Illustrierte Kronen Zeitung
1350:. 29 August 1910. p. 7
1110:"Theater in der Josefstadt"
1058:Heuberger, Richard (1976).
788:Tibor, PĂ©ter Nagy (2013) ,
568:
549:
474:Neues Wiener Konservatorium
1645:
1545:Hnátová, Kateřina (2011).
1402:. 27 March 1922. p. 9
1376:. 17 March 1922. p. 6
1005:Neue Zeitschrift fĂĽr Musik
792:, in Újvári, Péter (ed.),
658:"Der lezte kunstler-abend"
602:Eisenberg, Ludwig (1893).
570:Jewish Community of Vienna
409:The Schubert Festival 1897
1619:Jewish classical pianists
1454:. 25 June 1928. p. 6
1428:. 24 June 1928. p. 8
1324:. 1 March 1925. p. 5
632:Ehrlich, A., ed. (1898).
504:Sonn- und Montags-Zeitung
307:The Hellmesberger Quartet
30:
1599:Hungarian women pianists
1162:"Concert Marie von Lidl"
464:New Vienna Conservatoire
1589:Austrian women pianists
1579:Musicians from Budapest
1498:Botz, Gerhard (2016) .
953:(Neuigkeits) Welt Blatt
849:(Neuigkeits) Welt Blatt
794:Magyar ZsidĂł Lexikonban
246:The Brahms-Saal of the
1624:Jewish women musicians
979:Deutsche Musik-Zeitung
562:
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451:Fanny Basch-Mahler in
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299:and the second at the
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250:concert hall in Vienna
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1584:Musicians from Vienna
1344:"Personalnachrichten"
1192:Neues Wiener Tagblatt
1088:Neues Wiener Tagblatt
1001:"Personalnachrichten"
901:Salzburger Volksblatt
875:Salzburger Volksblatt
700:10.26530/oapen_611232
493:
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313:Hellmesberger Quartet
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1240:"Vereinsnachrichten"
1033:. Trans. and ed. by
521:, the editor of the
470:Vienna Conservatoire
366:Carl Maria von Weber
229:Joseph Hellmesberger
188:Vienna Conservatoire
182:Vienna Conservatoire
109:; died
1166:Ischler Wochenblatt
823:Neues Fremden-Blatt
753:] (in German),
437:Josef von Manowarda
206:Paris Conservatoire
175:Die schöne Melusine
1140:Ischler Bade-Liste
760:10.1553/0x003b114a
709:20.500.12657/32407
517:Fanny married Dr.
457:
252:
131:Fanny Basch-Mahler
25:Fanny Basch-Mahler
1400:Neue Freie Presse
1374:Neue Freie Presse
1318:"Konzertakademie"
1296:Neue Freie Presse
1218:Neue Freie Presse
1136:"Privatwohnungen"
975:"Concertberichte"
927:Neue Freie Presse
718:978-3-205-79590-2
435:and opera singer
373:concert himself.
354:Richard Heuberger
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369:Jungwirth.
317:Musikverein
248:Musikverein
233:Musikverein
167:Musikverein
1563:Categories
1322:Radio Wien
1244:Die Presse
1114:Die Presse
1069:3795201810
1027:Wolf, Hugo
804:21 January
774:21 January
727:1030822487
644:HathiTrust
589:References
556:After the
482:Mozartsaal
428:Radio Wien
422:Radio Wien
297:St. Pölten
149:Early life
46:1854-07-27
1512:0936-6784
769:246852208
558:Anschluss
534:, in the
321:Hugo Wolf
315:, at the
1528:Author:
1520:43941256
1029:(1978).
576:Seegasse
443:Teaching
323:observed
155:Budapest
121:Children
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