231:
270:
129:
910:
187:
22:
936:
67:, who composed the piece in 1895, received the following instructions: "The piece should be short: 5 or 6 minutes at most. I will leave the form of it entirely up to you; whether an Andante followed by an Allegro, or a single movement, but it needs to contain the wherewithal to test the examinees on matters of
86:
Fauré strictly adhered to the instructions, and received
Taffanel's help in creating the flute part, thanking him in a letter dated to June 1898: "Forgive me for not having thanked you immediately: I have been constantly busy here. Your revision is perfect and I beg you to make as many changes you
63:. Taffanel, who took over a flute class in 1893, regularly commissioned new compositions for the annual competition, and over time amassed a whole repertoire of technically challenging pieces suitable for the Conservatoire's requirements.
332:
956:
512:
961:
485:
530:
150:
377:
345:
588:
256:
98:, were given an eightfold premiere at the competition on 28 July 1898, namely by all of Taffanel's students. The first prize was awarded to
777:
804:
149:
828:
87:
want, and not to worry at all. I will be extremely grateful." As the autograph has been lost, it is unclear how much
Taffanel changed.
201:
442:
230:
971:
976:
752:
481:
715:
697:
691:
668:
646:
640:
505:
269:
709:
703:
620:
926:
462:
64:
836:
981:
966:
876:
614:
369:
197:
913:
894:
727:
498:
138:
76:
820:
769:
596:
337:
661:
940:
60:
860:
721:
675:
844:
812:
653:
361:
321:
261:, Op. 80, written at the same time. The long phrases in the flute part require good breath control.
292:
72:
868:
785:
580:
572:
438:
373:
341:
745:
521:
205:
157:
99:
68:
40:
412:
326:
545:
852:
553:
950:
255:
The first 18 bars of the introduction were also used for Fauré's incidental music to
110:
56:
114:
21:
148:
464:
Preface to
Fantaisie op. 79, Arrangement for Flute and Orchestra by Louis Aubert
36:
403:
190:
169:
80:
218:
59:
in 1898 for the "Concours de flute", a flute competition held by the
20:
490:
494:
295:, and towards the end, an even tone throughout the registers.
109:
has since become a firm part of the flute repertoire. It was
127:
301:
Fauré specified a playing time of four-and-a-half minutes.
924:
94:, together with a smaller sight-reading piece titled
887:
796:
761:
737:
633:
607:
564:
537:
179:
325:
437:. Oxford: Oxford University Press. p. 187.
291:The faster second section demands agility, good
217:consists of two movements separated only by a
39:79, is a chamber music composition written by
506:
8:
513:
499:
491:
456:
454:
83:. The accompaniment should be for piano."
486:International Music Score Library Project
931:
397:
395:
393:
391:
389:
316:
314:
310:
194:, Op. 79, orchestrated by Louis Aubert
176:
167:
156:Performed by Alex Murray (flute) and
55:was commissioned by and dedicated to
7:
202:Academy of St Martin in the Fields
14:
778:Messe des pêcheurs de Villerville
962:Compositions for flute and piano
934:
909:
908:
268:
229:
185:
168:Problems playing this file? See
146:
957:Chamber music by Gabriel Fauré
16:1898 piece for flute and piano
1:
617: (1878–1879; unfinished)
435:Taffanel: Genius of the Flute
366:Gabriel Fauré: A Musical Life
402:Oppermann, Annette (2015).
998:
370:Cambridge University Press
904:
829:Cinq mélodies "de Venise"
528:
433:Blakeman, Edward (2005).
327:"Fauré, Gabriel (Urbain)"
184:
972:Compositions in E minor
770:Cantique de Jean Racine
597:Masques et bergamasques
461:Wagstaff, John (2009).
338:Oxford University Press
977:Music with dedications
895:Emmanuel Fauré-Fremiet
132:
61:Conservatoire de Paris
26:
805:Trois mélodies, Op. 7
131:
35:for flute and piano,
24:
877:L'horizon chimérique
589:Pelléas et Mélisande
531:List of compositions
362:Nectoux, Jean-Michel
322:Nectoux, Jean-Michel
258:Pelléas et Mélisande
845:le plus doux chemin
716:Piano Quintet No. 2
698:Violin Sonata No. 2
692:Piano Quintet No. 1
669:Piano Quartet No. 2
647:Piano Quartet No. 1
641:Violin Sonata No. 1
738:Piano solo and duo
710:Cello Sonata No. 2
704:Cello Sonata No. 1
333:Grove Music Online
133:
96:Morceau de lecture
27:
982:Fantasias (music)
967:1898 compositions
922:
921:
482:Fantaisie, Op. 79
405:Preface to HN 580
379:978-0-521-23524-2
347:978-1-56159-263-0
211:
210:
151:
989:
939:
938:
937:
930:
912:
911:
888:Related articles
861:La chanson d'Ève
837:la bonne chanson
515:
508:
501:
492:
484:: Scores at the
469:
468:
458:
449:
448:
430:
424:
423:
421:
419:
410:
399:
384:
383:
358:
352:
351:
336:(8th ed.).
329:
318:
288:
287:
286:
285:
273:
272:
251:
250:
249:
248:
236:
235:
233:
206:Neville Marriner
189:
188:
177:
158:Martha Goldstein
153:
152:
130:
100:Gaston Blanquart
65:Joachim Andersen
997:
996:
992:
991:
990:
988:
987:
986:
947:
946:
945:
941:Classical Music
935:
933:
925:
923:
918:
900:
883:
864: (1906–10)
840: (1892–94)
808: (1870–78)
792:
789: (1887–90)
773: (1864–65)
757:
749: (1895–97)
733:
730: (1923–24)
671: (1885–86)
649: (1876–79)
629:
615:Violin Concerto
603:
560:
533:
524:
519:
478:
473:
472:
460:
459:
452:
445:
432:
431:
427:
417:
415:
413:G. Henle Verlag
408:
401:
400:
387:
380:
372:. p. 548.
360:
359:
355:
348:
320:
319:
312:
307:
299:
284:
279:
278:
277:
276:
275:
267:
247:
242:
241:
240:
239:
238:
228:
227:
198:William Bennett
196:, performed by
186:
175:
174:
166:
164:
163:
162:
161:
154:
147:
144:
134:
128:
123:
49:
17:
12:
11:
5:
995:
993:
985:
984:
979:
974:
969:
964:
959:
949:
948:
944:
943:
920:
919:
917:
916:
905:
902:
901:
899:
898:
891:
889:
885:
884:
882:
881:
873:
865:
857:
853:Le jardin clos
849:
841:
833:
825:
817:
809:
800:
798:
794:
793:
791:
790:
782:
774:
765:
763:
759:
758:
756:
755:
750:
741:
739:
735:
734:
732:
731:
728:String Quartet
725:
719:
713:
707:
701:
695:
689:
680:
672:
666:
658:
650:
644:
637:
635:
631:
630:
628:
627:
618:
611:
609:
605:
604:
602:
601:
593:
585:
577:
568:
566:
562:
561:
559:
558:
550:
541:
539:
535:
534:
529:
526:
525:
520:
518:
517:
510:
503:
495:
489:
488:
477:
476:External links
474:
471:
470:
450:
443:
425:
385:
378:
353:
346:
309:
308:
306:
303:
298:
297:
296:
280:
264:
263:
262:
243:
223:
209:
208:
182:
181:
180:External audio
165:
155:
145:
137:
136:
135:
126:
125:
124:
122:
119:
48:
45:
15:
13:
10:
9:
6:
4:
3:
2:
994:
983:
980:
978:
975:
973:
970:
968:
965:
963:
960:
958:
955:
954:
952:
942:
932:
928:
915:
907:
906:
903:
896:
893:
892:
890:
886:
879:
878:
874:
871:
870:
866:
863:
862:
858:
855:
854:
850:
847:
846:
842:
839:
838:
834:
831:
830:
826:
823:
822:
821:Clair de lune
818:
815:
814:
810:
807:
806:
802:
801:
799:
795:
788:
787:
783:
780:
779:
775:
772:
771:
767:
766:
764:
760:
754:
751:
748:
747:
743:
742:
740:
736:
729:
726:
723:
720:
717:
714:
711:
708:
705:
702:
699:
696:
693:
690:
687:
685:
681:
678:
677:
673:
670:
667:
664:
663:
659:
656:
655:
651:
648:
645:
642:
639:
638:
636:
632:
625:
623:
619:
616:
613:
612:
610:
606:
599:
598:
594:
591:
590:
586:
583:
582:
578:
575:
574:
570:
569:
567:
563:
556:
555:
551:
548:
547:
543:
542:
540:
536:
532:
527:
523:
522:Gabriel Fauré
516:
511:
509:
504:
502:
497:
496:
493:
487:
483:
480:
479:
475:
466:
465:
457:
455:
451:
446:
444:0-19-517098-9
440:
436:
429:
426:
414:
407:
406:
398:
396:
394:
392:
390:
386:
381:
375:
371:
368:. Cambridge:
367:
363:
357:
354:
349:
343:
339:
335:
334:
328:
323:
317:
315:
311:
304:
302:
294:
290:
283:
271:
265:
260:
259:
254:
253:
246:
232:
225:
224:
222:
220:
216:
207:
203:
199:
195:
193:
183:
178:
173:
171:
159:
143:
141:
120:
118:
116:
112:
108:
103:
101:
97:
93:
88:
84:
82:
79:control, and
78:
74:
70:
66:
62:
58:
57:Paul Taffanel
54:
46:
44:
42:
41:Gabriel Fauré
38:
34:
33:
25:Fauré in 1895
23:
19:
880: (1921)
875:
872: (1919)
867:
859:
856: (1914)
851:
848: (1904)
843:
835:
832: (1891)
827:
824: (1887)
819:
816: (1883)
811:
803:
784:
781: (1881)
776:
768:
744:
724: (1923)
718: (1921)
712: (1921)
706: (1917)
700: (1916)
694: (1906)
688: (1898)
683:
682:
679: (1898)
674:
665: (1883)
660:
657: (1879)
652:
643: (1875)
626: (1918)
621:
595:
592: (1898)
587:
584: (1890)
579:
576: (1887)
571:
557: (1913)
552:
549: (1900)
544:
463:
434:
428:
416:. Retrieved
404:
365:
356:
331:
300:
281:
257:
244:
214:
212:
191:
139:
115:Louis Aubert
111:orchestrated
106:
104:
95:
91:
89:
85:
52:
50:
31:
30:
28:
18:
897: (son)
753:Piano music
608:Concertante
289:, C major)
252:, E minor)
219:grand pause
951:Categories
722:Piano Trio
676:Sicilienne
565:Orchestral
411:. Munich:
305:References
293:intonation
226:Andantino
170:media help
81:virtuosity
73:expression
684:Fantaisie
624:, Op. 111
622:Fantaisie
546:Prométhée
215:Fantaisie
192:Fantaisie
140:Fantaisie
121:Structure
117:in 1957.
107:Fantaisie
92:Fantaisie
53:Fantaisie
43:in 1898.
32:Fantaisie
914:Category
813:Madrigal
686:, Op. 79
654:Berceuse
554:Pénélope
364:(1991).
324:(2001).
266:Allegro
200:and the
142:, Op. 79
69:phrasing
869:Mirages
786:Requiem
634:Chamber
581:Shylock
418:8 March
274:= 144 (
160:(piano)
47:History
927:Portal
762:Choral
662:Élégie
600:(1919)
573:Pavane
441:
376:
344:
237:= 50 (
204:under
797:Songs
746:Dolly
538:Opera
409:(PDF)
439:ISBN
420:2021
374:ISBN
342:ISBN
213:The
105:The
90:The
77:tone
51:The
29:The
113:by
37:Op.
953::
453:^
388:^
340:.
330:.
313:^
221::
102:.
75:,
71:,
929::
514:e
507:t
500:v
467:.
447:.
422:.
382:.
350:.
282:4
245:8
234:.
172:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
