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silence, the first theme briefly reprises, building rapidly to concluding chords that echo the second theme before subsiding into a quiet end. It has been called "the most remarkable cadence in the whole of
Schubert's work", as he manages to condense the dichotomies of the two themes into the final eight bars of the work.
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The finale begins with a restatement of the first movement's primary theme in both F minor and F major, before transitioning into a fugue based on its second theme. The fugue builds to a climax, ending abruptly on the C major dominant, instead of resolving into either F major or minor. After a bar of
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that is reminiscent of the
Hungarian style. The theme is eventually repeated in F major, before briefly repeating in F minor, and transitioning into a somber, almost funereal, second theme. After developing the two themes, he eventually returns to a version of the second theme in F major, which
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minor, agitated second movement, the third movement scherzo is a bright, lively movement in the same key, reminiscent of the scherzos of other works
Schubert wrote at this time, like those of his piano trios. After a delicate D major trio, the scherzo returns, at first seemingly in
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124:(two players at one piano), is one of Schubert's most important works for more than one pianist and one of his most important piano works altogether. He composed it in 1828, the last year of his life. A dedication to his former pupil
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208:. The basic structure of the two fantasies is essentially the same: allegro, slow movement, scherzo, allegro with fugue. The form of this work, with its relatively tight structure (more so than the fantasias of
269:, the frequently double-dotted first theme lends a great deal of tension to this movement. Eventually the first theme gives way to a quiet, lyrical second theme. The first theme is reprised, ending on the C
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154:. The work was completed in March of that year, and first performed in May. Schubert's friend Eduard von Bauernfeld recorded in his diary on May 9 that a memorable duet was played, by Schubert and
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and
Orchestra Sinfonica Di Milano della RAI, conducted by Franco Caracciolo, for Archipel Records. Live recording of the Schubert-Kabalevsky orchestrated version. ("Emil Gilels in Italy")
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Schubert died in
November 1828. After his death, his friends and family undertook to have a number of his works published. This work is one of those pieces; it was published by
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The
Fantasia is divided into four movements, which are interconnected and played without pause. A typical performance lasts about 20 minutes.
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Musicologist
Christopher Gibbs has described the work as "among not only his greatest but his most original" compositions for piano duet.
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1128:"Vienna and Schubert: Fantasy in F Minor, D. 940 - Professor Christopher Hogwood CBE (Discussion and performance)"
546:, conducted by Alun Francis, for Chandos Records. Studio recording of the Schubert-Kabalevsky orchestrated version
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A page from the autograph manuscript, showing a portion of the secondo (left-side) part from the fourth movement
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Fantasia in F minor, at historic
Greystone Mansion in Beverly Hills, California. (Live recording April 13, 2019)
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orchestrated the work, producing a virtuoso piece for one piano soloist playing with a symphony orchestra.
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The fantasy has been recorded numerous times, including by the following notable performers:
158:. The work was dedicated to Caroline Esterházy, with whom Schubert was in (unrequited) love.
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The basic idea of a fantasia with four connected movements also appears in
Schubert's
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The second movement opens with an angry, somewhat turbulent fortissimo theme in F
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as a piano concerto, among other transcriptions he made of
Schubert's music.
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octaves that drive into a transition back toward F minor for the finale.
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can only be found in the posthumous first edition, not in Schubert's
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format, performed by Sivan Silver and Gil Garburg (archived on the
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minor. The repeat of the scherzo shifts between A major and F
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Recordings on 19th century pianos include the followings:
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in March 1829. The original manuscript resides at the
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Compositions by Franz Schubert published posthumously
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1743:Sonatas, duos and fantasies by Franz Schubert
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974:Weekly, Dallas A; Arganbright, Nancy (1990).
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978:. White Plains: Pro/Am Music Resources Inc.
661:R. J. Regier (1989) after Conrad Graf (1828)
275:major dominant. Schubert had recently heard
251:minor for the start of the second movement.
1081:Schubert's string and piano duos in context
240:The piece opens with a lyrical melody with
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1827:Music dedicated to students or teachers
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1748:List of compositions by Franz Schubert
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976:Schubert's Music for Piano Four-Hands
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685:Johann Nepomuk Tröndlin (1830-1835)
1016:Gibbs, Christopher Howard (2000).
530:and Anna Fedorova- Latso) for BHNT
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1802:Compositions for piano four-hands
1678:Sonata in A major "(Grand) Duo",
639:Christopher Clarke (Maître d'art)
599:Nicolas Callot and Lucas Blondeel
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1701:Sonata in A minor "Arpeggione",
1001:. University of Nebraska Press.
771:. Willi Kahl. pp. Preface.
682:Jan Vermeulen and Veerle Peeters
95:Problems playing this file? See
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1619:Sonata in C major "Grand Duo",
1138:from the original on 2021-12-15
396:Bracha Eden and Alexander Tamir
1564:3 Impromptus "Klavierstücke",
1041:Nineteenth-century piano music
1024:. Cambridge University Press.
658:Inge Spinette and Jan Michiels
488:Vitya Vronsky and Victor Babin
204:and the essentially free-form
190:Finale. Allegro molto moderato
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1797:Piano music by Franz Schubert
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698:and Alexandra Nepomnyashchaya
434:and Ljupka Hadzigeorgieva on
310:minor, ultimately ending on C
16:Composition by Franz Schubert
993:Frisch, Walter, ed. (1986).
951:Schubert: A Musical Portrait
480:several times, including on
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932:. Munich: G. Henle Verlag.
928:(1986). Kahl, Willi (ed.).
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333:In 1961, Russian composer
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423:Duo Tal & Groethuysen
167:Austrian National Library
1058:Newbould, Brian (1998).
1043:. Taylor & Francis.
775: 979-0-2018-0180-3.
767:Schubert, Franz (1976).
674:Friedrich Hoxa (c. 1826)
79:and Anna Latso) perform
1817:Compositions in F minor
1538:Allegretto in C minor,
1077:Norman McKay, Elizabeth
1039:Todd, R. Larry (2004).
959:Oxford University Press
457:Lucas and Arthur Jussen
187:Scherzo. Allegro vivace
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281:second violin concerto
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181:Allegro molto moderato
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1628:Fantasia in F minor,
1431:D major "Gasteiner",
1109:Recording of Fantasia
1094:Schubert's manuscript
619:Conrad Graf (c. 1830)
544:NDR Sinfonieorchester
445:Emil and Elena Gilels
398:on Brilliant Classics
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58:"Fantasia in F minor"
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26:in 1827 (portrait by
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1529:6 Moments musicaux,
1414:C major "Reliquie",
1020:The Life of Schubert
524:The Latsos Piano Duo
505:Columbia Masterworks
406:Christoph Eschenbach
265:minor. While marked
73:The Latsos Piano Duo
1440:G major "Fantasy",
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668:Wyneke Jordans and
469:Deutsche Grammophon
220:, who arranged the
150:in January 1828 in
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106:Fantasia in F minor
1608:Marches Militaires
1520:12 Valses Nobles,
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634:Alexander Melnikov
602:Conrad Graf (1826)
360:Sviatoslav Richter
335:Dimitri Kabalevsky
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126:Caroline Esterházy
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1812:Fantasias (music)
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1031:978-0-521-59512-4
1008:978-0-8032-6892-0
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744:"Fantasie f-Moll"
742:Schubert, Franz.
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717:and Maryse Carlin
670:Leo van Doeselaar
582:Claire Chevallier
578:Jos van Immerseel
556:for Avanticlassic
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478:Paul Badura-Skoda
392:on Kml Recordings
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579:
576:
575:
571:
568:
565:
564:
561:
555:
551:
550:Sergio Tiempo
548:
545:
541:
538:
535:
532:
529:
525:
522:
519:
515:
511:
508:
506:
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498:
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446:
442:
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433:
430:
428:
424:
420:
416:
413:
411:
407:
403:
402:Justus Frantz
400:
397:
394:
391:
388:
386:
382:
378:
377:Evgeny Kissin
375:
373:
369:
368:Decca Records
365:
361:
358:
355:
351:
348:
347:
346:
340:
338:
336:
328:
326:
319:
317:
286:
284:
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278:
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254:
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172:
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168:
164:
159:
157:
156:Franz Lachner
153:
149:
145:
138:
136:
133:
131:
127:
123:
119:
115:
111:
107:
100:
98:
86:
82:
78:
74:
59:
40:
36:
29:
28:Anton Depauly
25:
21:
1725:
1702:
1679:
1670:
1666:
1662:
1661:Sonat(in)as
1629:
1627:
1620:
1611:
1607:
1598:
1565:
1556:
1547:
1539:
1530:
1521:
1512:
1504:
1500:
1493:
1472:
1458:
1450:
1441:
1432:
1423:
1415:
1406:
1398:
1389:
1381:
1366:
1354:/600/610/612
1351:
1342:
1333:
1318:
1303:
1288:
1274:
1253:
1244:
1240:
1231:
1222:
1140:. Retrieved
1080:
1059:
1040:
1019:
996:
975:
950:
929:
911:, pp. 78-79.
904:
859:
847:
835:
823:
781:
768:
762:
751:. Retrieved
747:
737:
708:Linn Records
559:
528:Giorgi Latso
514:Zhu Xiao-Mei
381:James Levine
344:
332:
323:
290:
266:
258:
239:
221:
195:
193:
176:
160:
142:
134:
105:
103:
77:Giorgi Latso
1591:Sonata in B
1399:D 769A
1142:10 November
1062:. Ashgate.
898:Henle score
715:Seth Carlin
642: [
587:Conrad Graf
569:Fortepiano
534:Emil Gilels
482:Westminster
372:BBC Legends
218:Franz Liszt
202:sonata form
1791:Categories
1713:piano trio
1703:D 821
1692:arpeggione
1680:D 574
1663:D 384
1630:D 940
1621:D 812
1612:D 733
1599:D 617
1583:four hands
1566:D 946
1557:D 935
1548:D 899
1540:D 915
1531:D 780
1522:D 969
1513:D 779
1505:D 760
1494:D 718
1473:D 960
1459:D 959
1451:D 958
1442:D 894
1433:D 850
1424:D 845
1416:D 840
1407:D 784
1390:D 664
1382:D 655
1367:D 625
1352:D 613
1343:D 575
1334:D 571
1319:D 568
1304:D 567
1289:D 566
1275:D 557
1254:D 537
1245:D 459
1232:D 279
1223:D 157
919:References
753:2023-02-27
648:after Graf
474:Jörg Demus
385:RCA Victor
356:on Vox Box
341:Recordings
97:media help
30:from 1828)
1726:D 28
1694:and piano
1457:A major,
1449:C minor,
1422:A minor,
1405:A minor,
1397:E minor,
1388:A major,
1359:F minor/D
1350:C major,
1341:B major,
1281:E minor/A
1252:A minor,
1239:E major "
1204:two hands
1111:from the
566:Pianists
415:Radu Lupu
210:Beethoven
206:tone poem
173:Structure
130:autograph
1752:by genre
1721:♭
1682:, Op.162
1673:, Op.137
1632:, Op.103
1623:, Op.140
1594:♭
1559:, Op.142
1468:♭
1409:, Op.143
1392:, Op.120
1377:♯
1362:♭
1345:, Op.147
1336:/570/604
1329:♯
1321:, Op.122
1314:♭
1299:♭
1284:♭
1270:♭
1264:♭
1256:, Op.164
1136:Archived
955:New York
949:(1951).
881:, p. 281
879:Einstein
866:, p. 138
788:, p. 161
689:Etcetera
492:US Decca
461:Maurizio
313:♯
307:♯
301:♯
294:♯
277:Paganini
272:♯
262:♯
248:♯
148:Fantasia
1724:major,
1644:sonatas
1614:, Op.51
1601:, Op.30
1597:major,
1550:, Op.90
1533:, Op.94
1524:, Op.77
1515:, Op.50
1471:major,
1444:, Op.78
1435:, Op.53
1426:, Op.42
1380:minor,
1365:major,
1332:minor,
1317:major,
1302:major,
1273:major,
1267:major/E
1213:Sonatas
1186:sonatas
938:3681881
842:, p. 75
818:, p. 72
803:, p. 71
623:Archive
139:History
1767:Portal
1066:
1047:
1028:
1005:
982:
967:602553
965:
936:
909:Frisch
840:Frisch
816:Weekly
801:Weekly
704:(1848)
702:Pleyel
677:Globe
632:&
605:Klara
589:(1826)
572:Label
497:Robert
459:, and
421:, and
320:Finale
214:Mozart
152:Vienna
116:.940 (
1642:Other
1581:Piano
1484:Other
1247:/459A
1202:Piano
852:Gibbs
828:Gibbs
786:Gibbs
729:Notes
646:]
593:Alpha
451:with
436:Tacet
352:with
267:largo
184:Largo
1669:and
1369:/505
1306:/568
1291:/506
1225:/154
1184:and
1144:2018
1064:ISBN
1045:ISBN
1026:ISBN
1003:ISBN
980:ISBN
963:OCLC
934:OCLC
864:Todd
773:ISMN
613:and
580:and
552:and
542:and
512:and
499:and
476:and
463:and
417:and
404:and
379:and
362:and
212:and
104:The
1671:408
1667:385
1243:",
1188:by
1117:MP3
1115:in
516:on
503:on
490:on
467:on
425:on
410:EMI
408:on
383:on
366:on
279:'s
108:by
83:'s
1793::
1665:,
1610:,
1606:3
1503:,
1130:.
1079:,
961:.
957::
953:.
886:^
871:^
808:^
793:^
746:.
644:fr
520:Fr
455:,
447:,
443:,
169:.
132:.
118:Op
112:,
1769::
1754:)
1750:(
1465:B
1374:C
1326:F
1311:E
1296:D
1261:A
1174:e
1167:t
1160:v
1146:.
1123:)
1072:.
1053:.
1034:.
1011:.
988:.
969:.
940:.
756:.
526:(
370:/
298:F
114:D
99:.
75:(
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