Farseer trilogy - Knowledge

704: 214:, and as a character-driven and introspective work. Set in and around the fictional realm of the Six Duchies, it tells the story of FitzChivalry Farseer (known as Fitz), an illegitimate son of a prince who is trained as an assassin. Political machinations within the royal family threaten his life, and the kingdom is beset by naval raids. Fitz possesses two forms of magic: the telepathic Skill that runs in the royal line, and the socially despised Wit that enables bonding with animals. The series follows his life as he seeks to restore stability to the kingdom. 744:. In the world of the Six Duchies, the Wit is seen as an unnatural inclination and its practitioners are persecuted and may be publicly hanged or forced into hiding. Early in the series, Fitz's guardian Burrich punishes him when he tries to use the Wit, viewing it as emasculating and shameful; this is despite Burrich being Witted himself. Burrich rarely speaks of his Wit, having suppressed it for most of his life; he sees the Witted as worse even than the Forged, who have lost their humanity. Scholars regard this as akin to 760:, Fitz's Witted identity is revealed to the public and he is tortured. After he shifts to the wolf's body and returns, he more openly participates in his Wit-bond and finds a community of the Witted at the edge of society. Comparing the Old Blood to a queer support group, Melville views the sense of connection Fitz experiences in their midst as essential to his self-acceptance. The series then transitions from Fitz's personal struggle to the larger struggle for equal rights for the Witted, which is explored in 307: 682:

dream – as a perfectly natural, as opposed to fantastic, event – through language that is "lexically coherent" across the human and animal segments, in Mandala's view. Similarly, when Fitz first mentions the telepathic Skill, the narrative does not address the term directly, assuming that its meaning is known in-world, but instead focuses on the Skill's potential effect on Fitz's memory, and its addictive qualities.

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also a stereotypically masculine magic, since it functions as a weapon, and the Wit, used to bond with animals, is more feminine. According to Prater, the series deconstructs these stereotypical expectations through Fitz: he possesses both forms of magic and is simultaneously an outcast and a subject of the throne. The gendered attributes are blurred in later

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them, he is instead compelled to find Verity due to a Skill-summons. Traveling toward the Mountain Kingdom, he is hunted and twice captured by Regal's forces, but escapes. Pursued over the border and severely injured, he is found and tended to by the Fool, and later meets Kettricken, who fled from the Six Duchies after Shrewd's death.

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reviewer Ilana Teitelbaum described the novels as offering "complete immersion in Fitz's complicated personality", and remarked on the psychological complexity of Fitz's characterization, as well as Hobb's depiction of trauma. Teitelbaum praised the portrayal of Fitz's internal conflicts, noting that

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Hobb sharply contrasts the two forms of magic in the series, the Skill and the Wit: though addiction is portrayed as a negative consequence of both, according to Larsson, the Skill is "more insidious". The Skill is practiced by the ruling class, but the Wit is relegated to lower classes; the Skill is

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Hobb uses a style within the fantasy genre that casts the fantastic as an unquestioned, familiar aspect of the setting: this creates an "illusion of familiarity" for the reader, according to scholar Susan Mandala. When Fitz first shares a dream with a dog, the narration matches how he experiences the

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Returning to Buckkeep, the capital of the Six Duchies, Fitz develops a Wit bond with a wolf named Nighteyes, after buying him as a cub from a trapper. He also develops a romantic relationship with a maid, Molly, and a friendship with the enigmatic court jester, who is known as the Fool. Fitz attempts

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Regal negotiates a marriage for Verity with Princess Kettricken of the neighboring Mountain Kingdom to strengthen the Six Duchies against the threat of the Red-Ship Raiders. Fitz is sent to the mountains to assassinate Kettricken's brother. He finds Regal plotting to kill Verity and marry Kettricken

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son; he learns that his father is Prince Chivalry Farseer, heir to the throne. The shame of fathering a bastard leads Chivalry to relinquish his position and retreat to the countryside: he dies a few years later, without ever meeting Fitz. Chivalry's brother Prince Verity becomes heir to the throne.

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denotes "slippages between" nature and culture, according to scholar Lenise Prater. The Wit also makes Fitz aware of an interconnectedness between living creatures; by severing such connections, the Raiders turn people into the animalistic Forged. Thereby, Prater argues, Hobb is suggesting that the

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and Fitz is accused of his murder. Regal has him tortured, trying to wrest a confession; on the brink of death, he retreats to Nighteyes' body at the wolf's plea. His seemingly dead body is buried. Burrich and Chade later exhume the body and persuade Fitz to return to it, which he does with regret.

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Verity and Fitz are unable to turn the tide of the war, and so Verity departs on a journey in search of Elderlings, beings from myth who may be able to help his people. In Verity's absence, Regal plots to kill his father, King Shrewd, and the pregnant Kettricken. Shrewd dies despite Fitz's efforts,

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and chosen to match the Fitz novels, which were written in a first-person male narrative voice. Hobb explained in an interview that she chose the pseudonym because many readers expected a male narrator to have been written by a male author. She continued concealing her identity after publishing the

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series "undermines the heterosexual norms of traditional high fantasy" through the relationship between Fitz and the genderfluid Fool. While agreeing that Hobb promotes queer themes, Prater voiced disappointment at "conservative impulses" in the series due to a focus on monogamy and romance, which

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Sneaking into Regal's palace, Fitz is captured by Regal's Skilled coterie. He narrowly escapes with the help of Prince Verity, who uses the Skill from afar through their link. Fitz learns that Molly is pregnant with their child and that both Molly and Burrich believe him dead. Wishing to return to

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Fitz spends several months fighting trauma and seizures but is nursed back to health by Burrich. He learns that Regal has taken the throne, and moved the capital inland; taking on a new identity, Fitz travels west, intending to kill Regal. He encounters a community of Witted practitioners known as

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Fitz gradually grows aware of his ability to use the Wit, which lets him communicate and bond with animals, but the societal prejudice against this ability leads his guardian Burrich to discourage his early attempts to use it. Fitz's first Wit bond, with a dog named Nosy, ends when the dog is sent

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Fitz swears loyalty to King Shrewd and is trained in secret as a royal assassin and diplomat by master Chade. His bloodline grants him access to a form of telepathic magic called the Skill, which he begins to train in under Skillmaster Galen. Galen proceeds to telepathically torture Fitz and blunt

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invasions. Two magical powers exist: the Skill, which allows humans to communicate at great distances and for one person to impose their will on another; and the Wit, which allows a bonding without dominance between humans and animals. The former is passed on through the royal bloodline of the Six

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placed his narrative in the tradition of a "young misfit coming of age". While Fitz's quest has a significant impact on the Six Duchies, his roles as assassin and illegitimate royal force his actions to stay unseen and uncredited, and he is thus portrayed both as a leading and marginal character.

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Verity, as a dragon, flies to Buckkeep carrying the rest of the group to combat the raiders. Fitz remains behind with Nighteyes and manages to awaken the other stone dragons, who follow Verity. Fitz battles Regal with the Skill and defeats him, and slays his coterie. Having seen in a Skill vision

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The group follows in Verity's footsteps, seeking to aid him. Journeying out of the Mountain Kingdom on a road wrought with the Skill, they find Verity in a quarry of magical stone, surrounded by inanimate stone dragons. Verity is attempting to carve a dragon himself and awaken it by Skilling his

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The kingdom continues to be harassed by the Red-Ship raiders of the Out Islands. The raiders are able to turn any captives into "Forged ones"; they are rendered emotionless and behave like feral animals. Prince Verity attempts to wage war on the Red-Ship Raiders through his use of the Skill, and

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termed it a "painfully confessional memoir". Fitz finds some of his recollections painful and imagines "the hurt of a boy" spilling into the ink; along with this self-commentary, the story is "rich" with implicit clues that "most effectively" uncover Fitz's character, according to Mandala. For

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that was in a new style and subgenre compared to her earlier work. Feeling that her shifts across genres had prevented her from building a consistent readership, and also that "the drama of adopting a 'secret identity' was irresistible", Lindholm took up a new byline, Robin Hobb, to brand her

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novels, where the Skill is shown to heal and create melodies, while the Wit can be used to manipulate humans. Larsson argues that the narrative "very cleverly" portrays the two abilities such that the reader arrives at a very different impression than the society of the story.

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instance, Fitz describes his immediate family in the same terms as the strangers he meets: his grandfather becomes "the tall man", and his mother is "a voice" that is distant and unfamiliar, signifying his emotional distance from them. Fitz is on occasion an

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review of the first book drew attention to the "wonderfully enigmatic" character of the Fool, whose riddles and predictions were only gifted to others similarly lonely. However, the reviewer criticized Galen, the Skillmaster, as "too manic to be credible".

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tradition, but departing from it in depicting far greater gender equality. A few other kingdoms exist that resemble non-Western societies. As the series begins, the Six Duchies is under assault from the "Red-ship Raiders", whose raids bear resemblance to

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Fitz's feeling of shame toward the Wit leads him to keep it hidden even from those he cares for, including his beloved Molly. The secret is one of many of Fitz's "multiple closeted lives" that eventually drives Molly away from him. Toward the end of

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called Bruno that moved into her Alaskan home in the 1950s inspired the relationship between Fitz and the wolf Nighteyes. The enigmatic Fool was initially not a big part of the series outline, but grew into a major character as she wrote the novels.

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fantasy; the main character is barred from the throne by his birth, but nonetheless embraces a quest without the reward of the throne. In Fitz's case, the quest is to restore the rightful king and bring stability to the kingdom. A review in

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has remarked on Hobb's writing of Fitz's perspective, describing it as a "quiet seduction" and "handled with consummate control, precision and intent". He uses chapters from the trilogy as reading material in his workshops for writers.

767:. Speaking of her motivation behind the Skill and the Wit, Hobb commented that "I think we can see that in almost any society, something that is accepted and OK in one society makes you a member of a despised group in another society." 463:, her residence following her marriage, but the final commissioned maps bore a greater similarity to an upside-down Alaska than she had intended. Hobb would write four other series using the same setting, referred to along with the 1862: 694:

who distrusts his own memories. The novels contain short memoirs prefacing each chapter that narrate a fictional history of the setting: these excerpts are also unreliable narratives, relaying "recollection and gossip".

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series was: "What if magic were addictive? And what if the addiction was destructive or degenerative?" She said she had mulled over that notion for many years before writing. The first book was initially titled

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that Molly and Burrich have fallen in love, he chooses to mask his identity and remain an outcast, living with Nighteyes at the edge of society. Verity destroys the Raiders, and Kettricken assumes the throne.

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Fitz's internal conflicts in the series – in particular, the sense of shame and trauma that result from his being Witted – have been described by scholars as an allegory for

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trilogy was Margaret Astrid Lindholm Ogden's first work under the pen name Robin Hobb and met with critical and commercial success. Hobb received particular praise for her characterization of Fitz: the

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Hobb felt her new pseudonym freed her from reader expectations of a Lindholm book, and she "wrote with a depth of feeling that I didn't usually indulge". The name Robin Hobb was intentionally

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The story is narrated as a first-person retrospective, with an adult protagonist reflecting on his childhood memories: this has been described as an unusual style in fantasy, and critic

1852: 748:: Burrich has repudiated a piece of his own identity and seeks to eradicate it in others. Fitz thus develops an "identity in shame", according to scholar Peter Melville, and withdraws 225:, but focuses on a stereotypically minor character in Fitz: barred by birth from becoming king, he nonetheless embraces a quest without the reward of the throne. It is narrated as a 3280:

Larsson, Mariah (2021). "Bringing Dragons Back into the World: Dismantling the Anthropocene in Robin Hobb's The Realm of the Elderlings". In Höglund, Anna; Trenter, Cecilia (eds.).

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described the wolf Nighteyes as her best creation, and Teitelbaum wrote that Hobb's "generosity with detail" allowed the castle of Buckkeep to become a "memorable setting".

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books as following in the "Tolkienian tradition", resembling the society of medieval England, but drawing also from the indigenous societies of the Pacific Northwest.

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noted that Hobb's had avoided the "more obvious clichés", and that the book was "very occasionally brilliant", but found it "stylistically patchy". Fellow novelist

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similarly remarked on her construction of a "convincingly textured society" with strong characters, including women, and added that "Hobb writes achingly well".

413:, followed in 1996, first as a UK hardcover in March by Voyager, and then as a Bantam US paperback in May. The trilogy was completed in 1997 with the release of 828:

described the book as a "gleaming debut" in a crowded fantasy market, praising Hobb's portrayal of political machinations within royalty. A similar review from

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The plot of the trilogy, according to Harris-Fain, was an "effectively balance" blend of dark occurrences and warm moments between characters. In a review of

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to keep both his Wit and obligations as an assassin a secret from Molly, but their relationship later ends as the result of conflict over Fitz's duties.

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self is entirely dependent on others, and cannot live autonomously. Scholar Mariah Larsson similarly writes that the depiction of the Wit contains an

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trilogy as "two halves of a whole, sundered and come together again" when they connect via the Skill, is also developed further in later trilogies.

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held that "Hobb is acknowledged – not least by her colleague, George RR Martin – as one of the pre-eminent writers of modern fantasy fiction", and

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praised Hobb's depiction of Fitz and stated that his bond with the wolf Nighteyes was as "passionate as the deepest romantic love". In 2014, the

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The narrative begins with the protagonist, aged six, being brought from his mother to the royal family of the Six Duchies. He is given the name

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praised the pacing of the third volume, adding that its "lively dialog" and divergence from a typical quest narrative made it a "great read".

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In the 1980s, American author Margaret Astrid Lindholm Ogden began publishing under the name Megan Lindholm in a variety of genres, including

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memories, thoughts, and feelings into the stone. With the group's aid, he is successful but loses his humanity to become the stone dragon.

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recruits Fitz as an apprentice, creating a Skill link between them. Fitz also hunts the Forged with Nighteyes, relying on their Wit link.

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Elliott, Geoffrey B. (2015). "Moving beyond Tolkien's Medievalism: Robin Hobb's Farseer and Tawny Man Trilogies". In Young, Helen (ed.).

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felt the plot was traditional but praised its execution. The second book contained plot twists that drew praise from reviewers including

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books, avoiding public readings or signings of the novels for multiple years, and eventually revealed her pseudonym in an interview with

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she sees as heteronormative and limiting its message. A more positive view was expressed by Melville, who contended that the concluding

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novels led to Hobb receiving broader recognition as an exemplar of fantasy writing. The trilogy, as well as its sequels, were viewed by

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away by Burrich. Fitz later adopts another dog, Smithy, and bonds with him in secret, but Smithy is killed defending Burrich.

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and ecological themes. Societal prejudice against the ability causes Fitz to experience persecution and shame, and he leads a

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as a hardcover by both publishers, in March in the UK and in April in the US. Bantam stylized the US titles in the form of

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retrospective. Through her portrayal of the Wit, a form of magic Fitz uses to bond with the wolf Nighteyes, Hobb examines

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noted her use of a pseudonym and remarked that the first two books appeared to be the "work of a seasoned professional".

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his ability to use the Skill; his actions are later revealed to have been at the behest of Fitz's uncle Prince Regal.

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Prater, Lenise (2016). "Queering Magic: Robin Hobb and Fantasy Literature's Radical Potential". In Roberts, Jude;

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felt the extra pages delivered in terms of "emotionally compelling scenes of both magic and battle". A review for

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described Hobb as "one of the great modern fantasy writers", and stated that her novels were "grown-up fantasy".

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The novels' prose and fictional setting also drew praise. Scholar Darren Harris-Fain felt that Hobb's "skill" at

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for Best Fantasy Novel in 1997 and 1998. The series as a whole was commercially successful: worldwide the

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his emotional scars shape his perspective and that Fitz isn't ever able to escape them completely. An

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sold more than a million copies by 2003, and UK sales alone had exceeded 1.25 million copies by 2017.

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Queer themes are also portrayed through the Fool, a character whose subversive aspect is hinted at in

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trilogy "confirms the series' place within the larger history of queerness in the fantasy genre".

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wrote that the story offered "complete immersion in Fitz's complicated personality", and novelist

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world, but with a recurring character. Hobb then returns to Fitz's first-person narration in the

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termed the sequel an "enthralling conclusion". The length of the third book was criticized by

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Gender and Sexuality in Contemporary Popular Fantasy: Beyond Boy Wizards and Kick-Ass Chicks

3416:"History in the Margins: Epigraphs and Negative Space in Robin Hobb's Assassin's Apprentice" 3384: 3349: 3329: 3153: 3124: 2714: 1479: 780: 733: 481: 365: 271: 186: 1853:"Fool's Quest, by Robin Hobb – Book Review: More Swords and Sorcery from a Dame of Thrones" 946:, though the reviewer found "ominous signs" of the narrative losing control. A year later, 3815: 3768: 3736: 3592: 3253: 2610: 2503: 1857: 1633: 1531: 1085: 916: 407:, a newly launched science fiction and fantasy imprint of HarperCollins. The second book, 331: 3855: 1751: 2512: 3776: 3689: 3103: 2698: 2669: 2589: 2580: 2558: 2549: 2483: 2459: 2309: 1591: 1161: 1005: 925: 897: 830: 543: 432: 409: 400: 256: 155: 115: 79: 3318:

Melville, Peter (2018). "Queerness and Homophobia in Robin Hobb's Farseer Trilogies".

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Cassada, Jackie (March 15, 1995). "Hobb, Robin. The Farseer: Assassin's Apprentice".

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described her as "the writer to press on those who turn up their noses at fantasy".

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element, highlighting the relevance of non-human life forms and thereby challenging

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in its characters and narrative motifs: Shrewd's decline recalls the legend of the

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Duchies; the latter is viewed with revulsion and its practitioners are persecuted.

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Fantasy and Science Fiction Medievalisms: From Isaac Asimov to A Game of Thrones

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The characters Hobb created received acclaim from several reviewers, and the

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and Langford, although both critics praised other facets of Hobb's writing.

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as "masterworks of character-based epic fantasy". Comparing the first nine

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novels have been praised as works of character-driven fantasy. Writing in

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The geography of the Six Duchies resembles the US state of Alaska and the

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Hollands, Neil (April 1, 2010). "Fiction's Fools: Wise and Witty Reads".

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series; this blurring of gender boundaries is explored further in the

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the Old Blood, whom he learns from but refuses to stay with for long.

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The wolf is one of the elements of otherness portrayed in the series.

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was viewed as the debut work of a new author, though a reviewer for

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trilogies. The dynamic between Fitz and the Fool, described in the

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Author Margaret Astrid Lindholm Ogden (pictured in 2017) wrote the

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Imagining Animals: Art, Psychotherapy and Primitive States of Mind

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The Enduring Fantastic: Essays on Imagination and Western Culture

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described its first-person narrative as a "quiet seduction". The

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Voices of Vision: Creators of Science Fiction and Fantasy Speak

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Cushman, Carolyn (March 1997). "Robin Hobb, Assassin's Quest".

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is slated for release in December 2022. Co-written by Hobb and

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The society of the fictional universe is comparable to Western

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Language in Science Fiction and Fantasy: The Question of Style

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in 1997; the second and third volumes were nominees for the

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life as a Wit user, which scholars see as an allegory for

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Green, Roland (April 1, 1995). "Assassin's Apprentice".

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work. She continued to write short fiction as Lindholm.

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trilogy. Next in chronology are the four novels of the

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Green, Roland (February 1, 1997). "Assassin's Quest".

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called her prose in the first volume "skillful", and

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illustrated the Voyager editions of all three books.

2417:"The Farseer: Assassin's Apprentice by Robin Hobb". 1008:, medieval scholar Patrick Moran commented that the 834:

termed it "a remarkably assured debut". The sequels

3953: 3913: 3874: 3834: 3787: 3747: 3708: 3668: 3657: 3650: 3603: 3575: 3568: 2935:"Dark Horse to Adapt 'Farseer' Trilogy into Comics" 2732:"Fool's Assassin by Robin Hobb, Review: 'High Art'" 896:and characters set the trilogy above most fantasy. 181: 173: 165: 151: 141: 133: 125: 107: 97: 3252: 3220: 3102: 2730: 1515: 423:; Voyager marketed the UK editions as part of the 293:trilogy, which the series concluded with in 2017. 3484:. Cambridge University Press. pp. 190–199. 2682: 2680: 2443: 2441: 1307: 1305: 1303: 1301: 1299: 1297: 1295: 2862:(in French). September 24, 2008. Archived from 2614:. Vol. 120, no. 5. pp. 100–101. 1088:, letterer Hassan Otsmane-Elhaou and publisher 908:also praised Hobb's "shimmering language", and 752:, even as he continues to explore the ability. 666: 263:trilogy is the first of five series set in the 3381:The Canons of Fantasy: Lands of High Adventure 2902:(in French). September 7, 2016. Archived from 2473: 2471: 2469: 2299: 2297: 1680: 1678: 1676: 1569: 1235: 1029:trilogy is followed by four series set in the 3542: 3482:The Cambridge Companion to Fantasy Literature 3133:The Locus Index to Science Fiction: 1984–1998 2639:The Magazine of Fantasy & Science Fiction 2636:"The Farseer: Royal Assassin by Robin Hobb". 2420:The Magazine of Fantasy & Science Fiction 1557: 1506: 1504: 1502: 1379: 1377: 1375: 1373: 1371: 1369: 1367: 8: 3472:Senior, W. A. (2012). "Quest Fantasies". In 2412: 2410: 1742: 1740: 1738: 1063: 41: 2575: 2573: 2536: 1223: 1132: 1130: 1128: 1126: 1124: 532:himself but is able to thwart the attempt. 3665: 3654: 3572: 3549: 3535: 3527: 2344: 2342: 2340: 2276: 2274: 1977: 1965: 1752:"Assassin's Apprentice and Royal Assassin" 1717: 1156: 1154: 1072:. An English-language comic adaptation of 52: 1483:. Vol. 40, no. 1. January 1998. 1331: 1329: 617:The trilogy is described as drawing from 372:Hobb has said that the core idea for the 2783: 2253: 2199: 2130: 2115: 2103: 2079: 2052: 1953: 1493: 1469: 1467: 1465: 1456: 1444: 1286: 1247: 846:. The first book was a finalist for the 32:For the series by Robert J. Sawyer, see 2953: 2933:Alverson, Brigid (September 12, 2022). 2819: 2554:"Robin Hobb: The Assassin's Apprentice" 2226: 2175: 2142: 2091: 2064: 2040: 2016: 1941: 1929: 1917: 1902: 1890: 1875: 1667: 1646: 1609: 1137:Teitelbaum, Ilana (September 8, 2014). 1100: 27:Trilogy of fantasy novels by Robin Hobb 2894:"Assassin Royal 10 – Vérité le Dragon" 2807: 2795: 2771: 2265: 2241: 2187: 2028: 2004: 1992: 1782: 1770: 1729: 1705: 1587:"How Megan Lindholm Became Robin Hobb" 1416: 1414: 1412: 1410: 1408: 1349: 1207:. In Clute, John; et al. (eds.). 40: 3522:Internet Speculative Fiction Database 2759: 1195: 1193: 1191: 1189: 1187: 1185: 1183: 1181: 1055:trilogy, which concludes the series. 314:books under the pseudonym Robin Hobb. 7: 3055:(hardcover). HarperCollins Voyager. 3017:(hardcover). HarperCollins Voyager. 2998:(hardcover). HarperCollins Voyager. 2211: 2155:Zutter, Natalie (October 24, 2019). 1795:Flood, Alison (September 10, 2014). 1109:"A New Look for The Farseer Trilogy" 920:considered it "gracefully written". 673:Fitz drifting into a dog's dream in 421:The Farseer I: Assassin's Apprentice 4012:Books illustrated by Michael Whelan 2979:(trade paperback). Bantam Spectra. 1865:from the original on June 18, 2022. 1210:The Encyclopedia of Science Fiction 3263:St. James Guide to Fantasy Writers 2729:Shilling, Jane (August 23, 2014). 711:Through its fantasy elements, the 625:, and Regal bears similarities to 25: 3222:"Contemporary Fantasy, 1957–1998" 2832:Templeton, Molly (June 7, 2019). 1336:Pomerico, David (June 21, 2010). 393:The first volume of the trilogy, 3109:. University of Nebraska Press. 2393:O'Neill, John (April 23, 2017). 2380:Locus Science Fiction Foundation 1271:Locus Science Fiction Foundation 459:, and the Six Duchies resembled 3127:; Contento, William G. (1999). 2854:"Assassin Royal 01 – Le Bâtard" 2375:Science Fiction Awards Database 1475:"Robin Hobb: Behind the Scenes" 1312:Flood, Alison (July 28, 2017). 1266:Science Fiction Awards Database 1004:In a discussion of the fantasy 217:The story contains motifs from 4007:Book series introduced in 1995 3383:. Cambridge University Press. 2585:"Robin Hobb: Assassin's Quest" 842:received starred reviews from 598:novels are often described as 221:legend and is structured as a 1: 3997:American fantasy novel series 3490:10.1017/CCOL9780521429597.018 3356:. Wesleyan University Press. 3181:Studies in Fantasy Literature 3175:Elliott, Geoffrey B. (2006). 3074:(hardcover). Bantam Spectra. 3036:(paperback). Bantam Spectra. 2693:. Vol. 93, no. 11. 2507:. Vol. 135, no. 6. 2454:. Vol. 91, no. 15. 1685:Morgan, Chris (August 1995). 911:Fantasy & Science Fiction 129:United Kingdom, United States 61:covers of the 2014 UK edition 3219:Harris-Fain, Darren (1999). 1622:Cardy, Tom (June 24, 2014). 1570:Holliday & Morgan (1996) 1236:Holliday & Morgan (1996) 1058:The series was adapted as a 2994:Hobb, Robin (August 1995). 2718:. Vol. 38, no. 3. 1834:The Encyclopedia of Fantasy 1760:. Vol. 21, no. 2. 1558:Brown & Contento (1999) 1144:Los Angeles Review of Books 878:Los Angeles Review of Books 715:trilogy explores themes of 252:Los Angeles Review of Books 4038: 3070:Hobb, Robin (April 1997). 3051:Hobb, Robin (March 1997). 3013:Hobb, Robin (March 1996). 2593:. No. 24 – via 1062:in French under the title 566: 541: 504: 498: 206:novels by American author 31: 3443:MacCallum-Stewart, Esther 2562:. No. 4 – via 1356:: CS1 maint: unfit URL ( 1213:(3rd ed.). Gollancz. 1139:"Bright Home, Dark Heart" 977:novels with the works of 66: 51: 3414:Oliver, Matthew (2022). 3251:; Morgan, Chris (1996). 3032:Hobb, Robin (May 1996). 2975:Hobb, Robin (May 1995). 1757:Asimov's Science Fiction 820:Asimov's Science Fiction 610:Asimov's Science Fiction 269:: it is followed by the 3992:Fantasy novel trilogies 3455:10.4324/9781315583938-3 3379:Moran, Patrick (2019). 3299:Mandala, Susan (2010). 3148:Case, Caroline (2005). 2305:"Assassin's Apprentice" 2282:"Assassin's Apprentice" 1837:. St. Martin's Griffin. 1624:"The Mother of Dragons" 1592:Sainsbury's eBooks Blog 1393:"Interview: Robin Hobb" 1261:"Megan Lindholm Awards" 1031:Realm of the Elderlings 1021:Sequels and adaptations 746:internalized homophobia 656:The Book of the New Sun 470:Realm of the Elderlings 302:Writing and publication 266:Realm of the Elderlings 3520:series listing at the 1514:(September 17, 2005). 1064: 708: 670: 315: 3682:Assassin's Apprentice 3612:Wizard of the Pigeons 3389:10.1017/9781108769815 3158:10.4324/9781315820156 2996:Assassin's Apprentice 2977:Assassin's Apprentice 2774:, pp. 21, 30–32. 1517:"Hits and Near Myths" 1074:Assassin's Apprentice 934:Assassin's Apprentice 848:British Fantasy Award 816:Assassin's Apprentice 706: 675:Assassin's Apprentice 649:, the protagonist of 560: 507:Assassin's Apprentice 500:Assassin's Apprentice 427:trilogy, and also as 396:Assassin's Apprentice 383:Assassin's Apprentice 309: 73:Assassin's Apprentice 4002:1990s fantasy novels 3899:"Her Father's Sword" 3790:Rain Wild Chronicles 3354:Rhetorics of Fantasy 3334:10.3828/extr.2018.17 3099:Blaschke, Jayme Lynn 2906:on November 5, 2016. 2866:on November 5, 2016. 2067:, pp. 126, 130. 1422:Anders, Charlie Jane 1203:(October 29, 2021). 1117:. February 26, 2014. 287:chronicles, and the 4022:HarperCollins books 3987:The Farseer Trilogy 3265:. St. James Press. 3233:. Scarecrow Press. 2738:The Daily Telegraph 2673:. February 1, 1997. 2370:"Robin Hobb Titles" 2256:, pp. 284–285. 2229:, pp. 132–133. 2214:, pp. 100–101. 2178:, pp. 126–127. 2118:, pp. 288–289. 2082:, pp. 285–287. 1944:, pp. 128–130. 1932:, pp. 101–102. 1920:, pp. 130–131. 1905:, pp. 100–102. 1878:, pp. 185–189. 1851:(August 14, 2015). 1785:, pp. 197–198. 1732:, pp. 197–199. 1649:, pp. 124–125. 1585:(August 13, 2015). 1389:Kirtley, David Barr 1273:. November 8, 2021. 1238:, pp. 364–365. 1051:chronicles and the 692:unreliable narrator 457:panhandle of Alaska 435:, and the third by 429:The Farseer Trilogy 324:prehistoric fiction 48: 4017:Bantam Books books 3231:Fantasy and Horror 2899:Soleil Productions 2859:Soleil Productions 2798:, pp. 29, 33. 2665:"Assassin's Quest" 2552:(September 1995). 2537:Harris-Fain (1999) 2382:. August 31, 2020. 2350:"Assassin's Quest" 1459:, pp. 55, 58. 1424:(April 14, 2011). 1385:Adams, John Joseph 1224:Harris-Fain (1999) 1164:(April 27, 2016). 1070:Soleil Productions 721:Western literature 709: 379:Chivalry's Bastard 316: 3974: 3973: 3970: 3969: 3927:Shaman's Crossing 3909: 3908: 3837:Fitz and the Fool 3646: 3645: 3569:As Megan Lindholm 3499:978-0-521-42959-7 3478:Mendlesohn, Farah 3464:978-1-317-13054-3 3398:978-1-108-76981-5 3368:Project MUSE 3363:978-0-8195-7391-9 3350:Mendlesohn, Farah 3310:978-1-4411-4106-4 3291:978-1-4766-8012-5 3272:978-1-55862-205-0 3254:"Lindholm, Megan" 3240:978-0-8108-3596-2 3211:978-1-62499-883-6 3204:. Cambria Press. 3167:978-1-317-82202-8 3125:Brown, Charles N. 3116:978-0-8032-6239-3 2913:978-2-302-05363-2 2873:978-2-302-00299-9 2355:Publishers Weekly 2330:Publishers Weekly 2287:Publishers Weekly 2244:, pp. 23–25. 2031:, pp. 25–26. 1995:, pp. 26–27. 1978:Mendlesohn (2014) 1966:Mendlesohn (2014) 1750:(February 1997). 1718:Mendlesohn (2014) 1687:"First Fantasies" 1629:The Dominion Post 1599:on June 12, 2016. 1090:Dark Horse Comics 1053:Fitz and the Fool 1015:Fitz and the Fool 906:Publishers Weekly 902:Publishers Weekly 844:Publishers Weekly 825:Publishers Weekly 791:Fitz and the Fool 453:Pacific Northwest 290:Fitz and the Fool 193: 192: 16:(Redirected from 4029: 3954:Standalone works 3943:Renegade's Magic 3824:Blood of Dragons 3711:Liveship Traders 3698:Assassin's Quest 3666: 3655: 3604:Standalone works 3573: 3551: 3544: 3537: 3528: 3503: 3468: 3437: 3410: 3375: 3345: 3314: 3295: 3276: 3256: 3244: 3224: 3215: 3196: 3171: 3144: 3120: 3108: 3085: 3072:Assassin's Quest 3066: 3053:Assassin's Quest 3047: 3028: 3009: 2990: 2957: 2951: 2945: 2944: 2930: 2924: 2907: 2890: 2884: 2867: 2850: 2844: 2843: 2829: 2823: 2817: 2811: 2805: 2799: 2793: 2787: 2781: 2775: 2769: 2763: 2757: 2751: 2750: 2734: 2726: 2720: 2719: 2709: 2703: 2702: 2684: 2675: 2674: 2661: 2655: 2654: 2633: 2627: 2626: 2605: 2599: 2598: 2577: 2568: 2567: 2546: 2540: 2534: 2525: 2524: 2498: 2489: 2488: 2487:. 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No. 98. 1672: 1668:Elliott (2006) 1651: 1647:Larsson (2021) 1639: 1614: 1612:, p. 188. 1610:Elliott (2015) 1602: 1574: 1572:, p. 364. 1562: 1537: 1498: 1486: 1461: 1449: 1437: 1404: 1391:(April 2012). 1363: 1325: 1291: 1276: 1252: 1240: 1228: 1226:, p. 388. 1216: 1177: 1150: 1120: 1099: 1097: 1094: 1022: 1019: 926:Steven Erikson 898:David Langford 836:Royal Assassin 812: 809: 758:Royal Assassin 700: 697: 665: 600:epic fantasies 591: 588: 567:Main article: 564: 559: 544:Royal Assassin 542:Main article: 539: 537:Royal Assassin 534: 505:Main article: 502: 497: 495: 492: 448: 445: 433:Michael Whelan 410:Royal Assassin 401:Bantam Spectra 303: 300: 298: 295: 257:Steven Erikson 191: 190: 183: 179: 178: 175: 171: 170: 167: 163: 162: 153: 149: 148: 143: 139: 138: 135: 131: 130: 127: 123: 122: 116:Michael Whelan 109: 105: 104: 99: 95: 94: 91: 90: 83: 80:Royal Assassin 76: 68: 64: 63: 57: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 4034: 4023: 4020: 4018: 4015: 4013: 4010: 4008: 4005: 4003: 4000: 3998: 3995: 3993: 3990: 3988: 3985: 3984: 3982: 3962: 3961:"The Triumph" 3959: 3958: 3956: 3952: 3945: 3944: 3940: 3937: 3936: 3932: 3929: 3928: 3924: 3923: 3921: 3919: 3917: 3912: 3901: 3900: 3896: 3893: 3892: 3888: 3885: 3884: 3880: 3879: 3877: 3875:Short fiction 3873: 3866: 3865: 3861: 3858: 3857: 3853: 3850: 3849: 3845: 3844: 3842: 3840: 3838: 3833: 3826: 3825: 3821: 3818: 3817: 3813: 3810: 3809: 3805: 3802: 3801: 3800:Dragon Keeper 3797: 3796: 3794: 3792: 3791: 3786: 3779: 3778: 3774: 3771: 3770: 3766: 3763: 3762: 3761:Fool's Errand 3758: 3757: 3755: 3753: 3751: 3746: 3739: 3738: 3734: 3731: 3730: 3726: 3723: 3722: 3721:Ship of Magic 3718: 3717: 3715: 3713: 3712: 3707: 3700: 3699: 3695: 3692: 3691: 3687: 3684: 3683: 3679: 3678: 3676: 3674: 3672: 3667: 3664: 3662: 3659:Realm of the 3656: 3653: 3651:As Robin Hobb 3649: 3638: 3637: 3633: 3630: 3629: 3625: 3622: 3621: 3620:Cloven Hooves 3617: 3614: 3613: 3609: 3608: 3606: 3602: 3595: 3594: 3590: 3587: 3585: 3581: 3580: 3578: 3574: 3571: 3567: 3563: 3559: 3552: 3547: 3545: 3540: 3538: 3533: 3532: 3529: 3523: 3519: 3517: 3513: 3512: 3508: 3501: 3495: 3491: 3487: 3483: 3479: 3475: 3474:James, Edward 3470: 3466: 3460: 3456: 3452: 3449:. Routledge. 3448: 3444: 3439: 3435: 3431: 3427: 3423: 3422: 3417: 3412: 3408: 3404: 3400: 3394: 3390: 3386: 3382: 3377: 3373: 3369: 3365: 3359: 3355: 3351: 3347: 3343: 3339: 3335: 3331: 3327: 3323: 3322: 3321:Extrapolation 3316: 3312: 3306: 3303:. Continuum. 3302: 3297: 3293: 3287: 3284:. McFarland. 3283: 3278: 3274: 3268: 3264: 3260: 3255: 3250: 3249:Holliday, Liz 3246: 3242: 3236: 3232: 3228: 3223: 3217: 3213: 3207: 3203: 3198: 3194: 3190: 3186: 3182: 3178: 3173: 3169: 3163: 3159: 3155: 3152:. Routledge. 3151: 3146: 3142: 3138: 3134: 3130: 3129:"Hobb, Robin" 3126: 3122: 3118: 3112: 3107: 3106: 3100: 3096: 3095: 3093: 3092: 3083: 3081:0-553-10640-6 3077: 3073: 3068: 3064: 3062:0-00-224608-2 3058: 3054: 3049: 3045: 3043:0-553-37563-6 3039: 3035: 3030: 3026: 3024:0-00-224607-4 3020: 3016: 3011: 3007: 3005:0-00-224606-6 3001: 2997: 2992: 2988: 2986:0-553-37445-1 2982: 2978: 2973: 2972: 2970: 2969: 2962: 2955: 2950: 2947: 2942: 2941: 2936: 2929: 2926: 2922: 2918: 2914: 2910: 2905: 2901: 2900: 2895: 2889: 2886: 2882: 2878: 2874: 2870: 2865: 2861: 2860: 2855: 2849: 2846: 2841: 2840: 2835: 2828: 2825: 2821: 2816: 2813: 2810:, p. 33. 2809: 2808:Prater (2016) 2804: 2801: 2797: 2796:Prater (2016) 2792: 2789: 2785: 2780: 2777: 2773: 2772:Prater (2016) 2768: 2765: 2762:, p. 64. 2761: 2756: 2753: 2748: 2744: 2740: 2739: 2733: 2725: 2722: 2717: 2716: 2708: 2705: 2700: 2696: 2692: 2691: 2683: 2681: 2677: 2672: 2671: 2666: 2660: 2657: 2652: 2648: 2647: 2641: 2640: 2632: 2629: 2624: 2620: 2619: 2613: 2612: 2604: 2601: 2596: 2592: 2591: 2586: 2582: 2576: 2574: 2570: 2565: 2561: 2560: 2555: 2551: 2545: 2542: 2538: 2533: 2531: 2527: 2522: 2518: 2514: 2510: 2506: 2505: 2497: 2495: 2491: 2486: 2485: 2480: 2474: 2472: 2470: 2466: 2461: 2457: 2453: 2452: 2444: 2442: 2438: 2433: 2429: 2428: 2422: 2421: 2413: 2411: 2407: 2402: 2401: 2396: 2389: 2386: 2381: 2377: 2376: 2371: 2365: 2362: 2357: 2356: 2351: 2345: 2343: 2341: 2337: 2332: 2331: 2326: 2320: 2317: 2312: 2311: 2306: 2300: 2298: 2294: 2289: 2288: 2283: 2277: 2275: 2271: 2268:, p. 25. 2267: 2266:Prater (2016) 2262: 2259: 2255: 2250: 2247: 2243: 2242:Prater (2016) 2238: 2236: 2232: 2228: 2223: 2221: 2217: 2213: 2208: 2205: 2201: 2196: 2193: 2190:, p. 29. 2189: 2188:Prater (2016) 2184: 2181: 2177: 2172: 2169: 2164: 2163: 2158: 2151: 2148: 2144: 2139: 2136: 2132: 2127: 2125: 2121: 2117: 2112: 2109: 2105: 2100: 2097: 2093: 2088: 2085: 2081: 2076: 2074: 2070: 2066: 2061: 2058: 2054: 2049: 2046: 2042: 2037: 2034: 2030: 2029:Prater (2016) 2025: 2022: 2018: 2013: 2010: 2007:, p. 23. 2006: 2005:Prater (2016) 2001: 1998: 1994: 1993:Prater (2016) 1989: 1987: 1983: 1980:, p. 16. 1979: 1974: 1971: 1968:, p. 11. 1967: 1962: 1959: 1955: 1950: 1947: 1943: 1938: 1935: 1931: 1926: 1923: 1919: 1914: 1912: 1908: 1904: 1899: 1896: 1892: 1887: 1885: 1881: 1877: 1872: 1869: 1864: 1860: 1859: 1854: 1850: 1849:Craig, Amanda 1844: 1841: 1836: 1835: 1830: 1826: 1822: 1818: 1812: 1809: 1804: 1803: 1798: 1791: 1788: 1784: 1783:Senior (2012) 1779: 1776: 1773:, p. 46. 1772: 1771:Oliver (2022) 1767: 1764: 1759: 1758: 1753: 1749: 1743: 1741: 1739: 1735: 1731: 1730:Senior (2012) 1726: 1723: 1720:, p. 56. 1719: 1714: 1711: 1707: 1706:Senior (2012) 1702: 1699: 1694: 1693: 1688: 1681: 1679: 1677: 1673: 1669: 1664: 1662: 1660: 1658: 1656: 1652: 1648: 1643: 1640: 1635: 1631: 1630: 1625: 1618: 1615: 1611: 1606: 1603: 1598: 1594: 1593: 1588: 1584: 1583:Johnson, Jane 1578: 1575: 1571: 1566: 1563: 1559: 1554: 1552: 1550: 1548: 1546: 1544: 1542: 1538: 1533: 1529: 1525: 1524: 1518: 1513: 1512:Craig, Amanda 1507: 1505: 1503: 1499: 1496:, p. 57. 1495: 1490: 1487: 1482: 1481: 1476: 1470: 1468: 1466: 1462: 1458: 1453: 1450: 1447:, p. 59. 1446: 1441: 1438: 1433: 1432: 1427: 1423: 1417: 1415: 1413: 1411: 1409: 1405: 1400: 1399: 1394: 1390: 1386: 1380: 1378: 1376: 1374: 1372: 1370: 1368: 1364: 1359: 1353: 1345: 1344: 1339: 1332: 1330: 1326: 1321: 1320: 1315: 1308: 1306: 1304: 1302: 1300: 1298: 1296: 1292: 1289:, p. 58. 1288: 1283: 1281: 1277: 1272: 1268: 1267: 1262: 1256: 1253: 1250:, p. 55. 1249: 1244: 1241: 1237: 1232: 1229: 1225: 1220: 1217: 1212: 1211: 1206: 1205:"Hobb, Robin" 1202: 1196: 1194: 1192: 1190: 1188: 1186: 1184: 1182: 1178: 1173: 1172: 1167: 1163: 1157: 1155: 1151: 1146: 1145: 1140: 1133: 1131: 1129: 1127: 1125: 1121: 1116: 1115: 1114:HarperVoyager 1110: 1104: 1101: 1095: 1093: 1091: 1087: 1083: 1079: 1075: 1071: 1066: 1061: 1056: 1054: 1050: 1049: 1044: 1040: 1036: 1032: 1028: 1020: 1018: 1016: 1011: 1007: 1002: 1000: 999: 994: 993: 992:The Telegraph 988: 984: 980: 976: 972: 968: 963: 961: 957: 953: 949: 945: 941: 940: 935: 930: 927: 923: 919: 918: 913: 912: 907: 903: 899: 895: 894:worldbuilding 890: 887: 886: 880: 879: 874: 870: 869: 864: 859: 857: 853: 849: 845: 841: 837: 833: 832: 827: 826: 821: 817: 810: 808: 805: 799: 797: 793: 792: 787: 783: 782: 777: 773: 768: 766: 764: 763:The Tawny Man 759: 753: 751: 747: 743: 737: 735: 731: 726: 722: 718: 714: 705: 698: 696: 693: 688: 683: 678: 676: 669: 664: 662: 658: 657: 652: 648: 644: 643:Frodo Baggins 640: 636: 635:liminal being 632: 628: 624: 620: 615: 612: 611: 605: 601: 597: 589: 587: 583: 579: 575: 570: 563: 558: 554: 550: 545: 538: 535: 533: 529: 525: 521: 518: 515:, meaning an 514: 508: 501: 493: 491: 488: 483: 479: 474: 472: 471: 466: 462: 461:Kodiak Island 458: 454: 446: 444: 442: 438: 437:Stephen Youll 434: 430: 426: 422: 418: 417: 412: 411: 406: 402: 398: 397: 391: 388: 384: 380: 375: 370: 368: 367: 361: 356: 354: 349: 345: 341: 340:Nebula Awards 337: 333: 329: 328:urban fantasy 325: 321: 313: 308: 301: 296: 294: 292: 291: 286: 285: 281:trilogy, the 280: 279: 275:trilogy, the 274: 273: 268: 267: 262: 258: 254: 253: 247: 242: 240: 236: 232: 228: 224: 220: 215: 213: 209: 205: 201: 199: 189: 188: 184: 180: 176: 172: 168: 164: 161: 157: 154: 150: 147: 144: 140: 136: 132: 128: 124: 121: 120:Stephen Youll 117: 113: 110: 106: 103: 100: 96: 89: 88: 84: 82: 81: 77: 75: 74: 70: 69: 65: 60: 59:Jackie Morris 55: 50: 47: 45: 39: 35: 30: 19: 3941: 3933: 3925: 3915: 3897: 3891:"Blue Boots" 3889: 3883:"Homecoming" 3881: 3862: 3856:Fool's Quest 3854: 3846: 3836: 3822: 3814: 3808:Dragon Haven 3806: 3798: 3788: 3775: 3767: 3759: 3749: 3735: 3729:The Mad Ship 3727: 3719: 3709: 3696: 3688: 3680: 3670: 3669: 3658: 3634: 3626: 3618: 3610: 3591: 3583: 3515: 3481: 3446: 3428:(1): 45–66. 3425: 3419: 3380: 3353: 3325: 3319: 3300: 3281: 3262: 3230: 3227:Barron, Neil 3201: 3184: 3180: 3149: 3132: 3104: 3090: 3089: 3071: 3052: 3033: 3014: 2995: 2976: 2967: 2966: 2949: 2938: 2928: 2904:the original 2897: 2888: 2864:the original 2857: 2848: 2842:. Macmillan. 2837: 2827: 2815: 2803: 2791: 2779: 2767: 2760:Moran (2019) 2755: 2736: 2724: 2713: 2707: 2688: 2668: 2659: 2645: 2637: 2631: 2617: 2609: 2603: 2588: 2557: 2544: 2502: 2482: 2449: 2426: 2418: 2398: 2388: 2373: 2364: 2353: 2328: 2319: 2308: 2285: 2261: 2249: 2207: 2195: 2183: 2171: 2165:. Macmillan. 2160: 2150: 2138: 2111: 2099: 2087: 2060: 2048: 2036: 2024: 2012: 2000: 1973: 1961: 1949: 1937: 1925: 1898: 1871: 1856: 1843: 1832: 1817:Kaveney, Roz 1811: 1802:The Guardian 1800: 1790: 1778: 1766: 1755: 1725: 1713: 1701: 1690: 1642: 1632:– via 1627: 1617: 1605: 1597:the original 1590: 1577: 1565: 1532:IF0502926968 1521: 1489: 1478: 1452: 1440: 1429: 1396: 1341: 1319:The Guardian 1317: 1264: 1255: 1243: 1231: 1219: 1208: 1174:. Macmillan. 1169: 1142: 1112: 1103: 1073: 1057: 1052: 1046: 1042: 1038: 1034: 1030: 1026: 1024: 1014: 1009: 1003: 998:The Guardian 996: 990: 986: 974: 970: 966: 964: 959: 955: 951: 947: 943: 937: 933: 931: 921: 915: 909: 905: 901: 891: 883: 876: 873:Amanda Craig 866: 862: 860: 855: 843: 839: 835: 829: 823: 819: 815: 814: 803: 800: 795: 789: 785: 779: 775: 771: 769: 762: 757: 754: 738: 712: 710: 684: 680: 674: 671: 667: 660: 654: 616: 608: 595: 593: 584: 580: 576: 572: 561: 555: 551: 547: 536: 530: 526: 522: 517:illegitimate 510: 499: 475: 468: 464: 450: 428: 424: 420: 414: 408: 394: 392: 382: 378: 373: 371: 364: 357: 352: 348:epic fantasy 346:trilogy, an 343: 320:high fantasy 317: 311: 288: 282: 276: 270: 264: 260: 250: 245: 243: 227:first-person 216: 212:epic fantasy 197: 196: 194: 185: 174:No. of books 108:Cover artist 85: 78: 71: 43: 42: 38: 29: 3935:Forest Mage 3916:Soldier Son 3777:Fool's Fate 3636:Alien Earth 3588:(1983–1989) 3584:Windsingers 2212:Case (2005) 1829:Grant, John 1825:Clute, John 1748:Heck, Peter 1201:Clute, John 1084:, colorist 1078:Jody Houser 852:Locus Award 730:ecocritical 623:Fisher King 369:, in 1998. 360:androgynous 182:Followed by 3981:Categories 3661:Elderlings 3562:Robin Hobb 3342:2156322163 2747:1555423441 2651:9611124569 2623:9503177634 2513:A223749292 2432:9611124567 2400:Black Gate 1398:Lightspeed 1096:References 1082:Ryan Kelly 1060:comic book 1039:Elderlings 1010:Elderlings 975:Elderlings 856:Elderlings 804:Elderlings 776:Elderlings 723:, and the 687:John Clute 661:Elderlings 651:Gene Wolfe 482:Tolkienian 297:Background 208:Robin Hobb 102:Robin Hobb 3750:Tawny Man 3628:The Gypsy 3407:213876317 3193:133466088 3187:: 70–78. 3135:. Locus. 3091:Secondary 2921:964524643 2881:904568192 2699:A19122084 2521:196819155 2460:A16849560 1692:Interzone 1523:The Times 1048:Rain Wild 1043:Tawny Man 987:The Times 922:Interzone 885:Interzone 868:The Times 811:Reception 786:Tawny Man 742:queerness 717:otherness 645:, and to 478:feudalism 441:John Howe 387:half-wolf 284:Rain Wild 278:Tawny Man 239:queerness 231:otherness 219:Arthurian 169:1995–1997 166:Published 152:Publisher 112:John Howe 3480:(eds.). 3445:(eds.). 3434:48692593 3421:Mythlore 3352:(2014). 3338:ProQuest 3141:47672336 3101:(2005). 2743:ProQuest 2690:Booklist 2517:ProQuest 2451:Booklist 1863:Archived 1831:(eds.). 1819:(1997). 1352:cite web 956:Booklist 952:Booklist 939:Booklist 725:werewolf 647:Severian 235:closeted 134:Language 34:Far-Seer 3918:trilogy 3839:trilogy 3752:trilogy 3673:trilogy 3671:Farseer 3518:trilogy 3516:Farseer 3261:(ed.). 3229:(ed.). 2968:Primary 2963:Sources 2839:Tor.com 2595:Ansible 2564:Ansible 2162:Tor.com 1171:Tor.com 1027:Farseer 983:Tolkien 979:Le Guin 967:Farseer 863:Farseer 796:Farseer 765:trilogy 713:Farseer 627:Mordred 596:Farseer 465:Farseer 447:Setting 425:Farseer 405:Voyager 374:Farseer 353:Farseer 344:Farseer 312:Farseer 261:Farseer 246:Farseer 204:fantasy 200:trilogy 198:Farseer 160:Voyager 156:Spectra 146:Fantasy 137:English 126:Country 46:trilogy 44:Farseer 3963:(2005) 3946:(2007) 3938:(2006) 3930:(2005) 3902:(2017) 3894:(2010) 3886:(2003) 3867:(2017) 3859:(2015) 3851:(2014) 3827:(2013) 3819:(2011) 3811:(2010) 3803:(2009) 3780:(2003) 3772:(2002) 3764:(2001) 3740:(2000) 3732:(1999) 3724:(1998) 3701:(1997) 3693:(1996) 3685:(1995) 3639:(1992) 3631:(1992) 3623:(1991) 3615:(1985) 3596:(1988) 3586:series 3576:Series 3496: 3461: 3432: 3405: 3395: 3370: 3360: 3340: 3307: 3288: 3269: 3237: 3208: 3191: 3164: 3139: 3113: 3078: 3059: 3040: 3021: 3002: 2983: 2919: 2911: 2879: 2871: 2745: 2697: 2649: 2621: 2519: 2511: 2458: 2430: 1530: 1343:Suvudu 948:Kirkus 944:Kirkus 831:Kirkus 699:Themes 639:Hamlet 631:Merlin 487:Viking 98:Author 3558:Works 3430:JSTOR 3403:S2CID 3257:. In 3225:. In 2715:Locus 2644:EBSCO 2616:EBSCO 2425:EBSCO 1823:. In 1634:Stuff 1480:Locus 1006:canon 960:Locus 641:, to 604:quest 590:Style 366:Locus 223:quest 142:Genre 3494:ISBN 3459:ISBN 3393:ISBN 3358:ISBN 3305:ISBN 3286:ISBN 3267:ISBN 3235:ISBN 3206:ISBN 3189:OCLC 3162:ISBN 3137:OCLC 3111:ISBN 3076:ISBN 3057:ISBN 3038:ISBN 3019:ISBN 3000:ISBN 2981:ISBN 2940:ICv2 2917:OCLC 2909:ISBN 2877:OCLC 2869:ISBN 2695:Gale 2646:host 2618:host 2509:Gale 2456:Gale 2427:host 1528:Gale 1358:link 1025:The 981:and 965:The 838:and 788:and 594:The 513:Fitz 494:Plot 338:and 336:Hugo 330:and 244:The 195:The 3560:by 3486:doi 3451:doi 3385:doi 3330:doi 3154:doi 2590:SFX 2559:SFX 1431:io9 653:'s 3983:: 3492:. 3476:; 3457:. 3426:41 3424:. 3418:. 3401:. 3391:. 3366:. 3336:. 3326:59 3324:. 3183:. 3179:. 3160:. 3131:. 2937:. 2915:. 2896:. 2875:. 2856:. 2836:. 2741:. 2735:. 2679:^ 2667:. 2587:. 2572:^ 2556:. 2529:^ 2515:. 2493:^ 2481:. 2468:^ 2440:^ 2409:^ 2397:. 2378:. 2372:. 2352:. 2339:^ 2327:. 2307:. 2296:^ 2284:. 2273:^ 2234:^ 2219:^ 2159:. 2123:^ 2072:^ 1985:^ 1910:^ 1883:^ 1861:. 1855:. 1827:; 1799:. 1754:. 1737:^ 1689:. 1675:^ 1654:^ 1626:. 1589:. 1540:^ 1526:. 1520:. 1501:^ 1477:. 1464:^ 1428:. 1407:^ 1395:. 1387:; 1366:^ 1354:}} 1350:{{ 1340:. 1328:^ 1316:. 1294:^ 1279:^ 1269:. 1263:. 1180:^ 1168:. 1153:^ 1141:. 1123:^ 1111:. 985:, 936:, 784:, 736:. 473:. 439:. 326:, 322:, 158:, 118:, 114:, 3550:e 3543:t 3536:v 3502:. 3488:: 3467:. 3453:: 3436:. 3409:. 3387:: 3374:. 3344:. 3332:: 3313:. 3294:. 3275:. 3243:. 3214:. 3195:. 3185:4 3170:. 3156:: 3143:. 3119:. 3084:. 3065:. 3046:. 3027:. 3008:. 2989:. 2943:. 2923:. 2883:. 2749:. 2701:. 2653:. 2625:. 2597:. 2566:. 2523:. 2462:. 2434:. 2403:. 1805:. 1670:. 1636:. 1560:. 1534:. 1434:. 1360:) 1322:. 1147:. 177:3 36:. 20:)

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