415:) and a nearby chapel, Faust becomes irritated that these two structures do not belong to him, and orders to have them removed. Mephistopheles overinterprets Faust's orders by murdering the old couple. The personification of Care breathes upon Faust's eyes, and he becomes blind. Upon disclosing his plans to better the lives of his subjects, motivated perhaps out of guilt, he recognizes the moment of sheer bliss which he would seek to prolong and drops dead. Mephistopheles believes Faust has lost his wager and tries to claim his soul. Angels suddenly appear, dropping rose-petals on the demons, who flee from the burning petals. While Mephistopheles had won his wager with Faust, Mephistopheles had lost his wager with God, made in the Prologue to Part I, that man could be swayed from righteous pursuits. Mephistopheles stands his ground, however, and under the aphrodisiac influence of the roses, lusts after the angels, who meanwhile make off with Faust's soul.
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Then
Mephistopheles, who has left behind his Greek appearance, joins Faust again. Mephistopheles strikes up a geognostic dispute about the genesis of terrestrial surface and especially the mountain region of this scene. Thereafter Faust states as his new higher purpose, that he wants to reclaim new land. Behind his desire stands the idea to control the elements or even to submit nature. Subsequently, Faust focuses on controlling the sea, from which he reclaims new ground by dams and drainage ditches. But a war breaks out between the Emperor and a rival Emperor, whereby Faust's plans are interrupted. Mephistopheles introduces the three mighty men (German:
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ourselves; the source from which we do so would not matter, if we did not have to fear the possibility of miscultivation by appealing to false models. For it is certainly a broader and purer insight into and around Greek and Roman literature to which we owe our liberation from the monkish barbarism of the period between the fifteenth and sixteenth centuries. Is it not from this high level that we can learn to appreciate everything in its true physical and aesthetic value, both what is oldest and what is newest?
402:) consisting of Bullyboy, Grab-quick and Hold-tight ("Raufebold", "Habebald", "Haltefest"), that should help to oppress the revolt and implement Faust's ambitious project. With the assistance of the three mighty men Faust achieves the victory for the Emperor. The three mighty men reveal dubious behaviours as looters, that cast a long shadow over their future services. As a reward for his military service Faust gets a district at the beach to administer.
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371:, constitute the chorus. The hideous Phorkyas appears at the hearth, and warns Helen that Menelaus means to sacrifice her and her attendants. Distraught at this new knowledge, Helen implores Phorkyas to save them. Phorkyas transports Helen and the chorus to Faust's fortress, where Helen and Faust declare their love for each other. After defeating Menelaus' army, Faust proclaims the pastoral beauty of the
698:"Zwecklose Kraft unbändiger Elemente! / Da wagt mein Geist sich selbst zu überfliegen, / Hier möcht' ich kämpfen, dieß möcht' ich besiegen." (10219–10221) Or: "If anything makes me despair, of my intent, / It's the aimless force of that wild element! / Then my spirit dared to soar high above: / Here I must fight, and this I must remove. / And it's possible! – However tides may flow." (10218–10222)
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319:, but the emperor and the male members of his court criticize Paris's appearance, while the women of the court criticize Helen's appearance. Faust falls in love with Helen. In a fit of jealously toward Paris, who is now abducting Helen, Faust destroys the illusion and the act ends in darkness and tumult.
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In the fourth act, Faust finds himself taken away from
Arcadia to a mountain top in Germany. Watching a cloud, that is separating into two parts, he recognizes in one part Helen and in the other Gretchen. The cloud with the form of Helen moves eastward, while the cloud of Gretchen rises heavenward.
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The scene changes in time and space: a range of rocky caverns, with a shadowy grove extending to the foot of the rocks. Phorkyas, now Faust and Helen's attendant, explains to the newly-woken chorus that during the past interval Faust and Helen have had a spirited son named
Euphorion, who charms all
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until 1818, the same year he began working again on the second part of his play). Right until his death, Goethe left all of his work beside to carefully examine and work on the second part of this play. In 1831, Goethe concluded the play, adding the final scene of the fifth act.
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Likewise in his final words, Faust prays to the Mater
Gloriosa using the titles "Virgin, Mother, Queen" (11995) and also "Goddess" (12100). This goes beyond orthodox Christian teaching, for although "Queen of heaven" is a Christian title of the Virgin Mary, Christian churches balk at calling her
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I never doubted that the readers for whom I effectively wrote would grasp the principal significance of the portrayal straight away. It is time that the impassioned dispute between classicists and romantics should finally be reconciled. The principal thing is that we should properly cultivate
631:"I can reveal to you no more except that I found, in Plutarch, that in ancient Greece mention was made of the Mothers as divinities. This is all that I owe to others, the rest is my own invention. Take the manuscript home with you, study it carefully, and see what you can make of it."
616:"Yet, ... it all appeals to the senses, and on the stage would satisfy the eye: more I did not intend. Let the crowd of spectators take pleasure in the spectacle; the higher import will not escape the initiated, as has been the case with the 'Magic Flute', and other things beside."
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The "Emperor of Thumb" (to use a devilish term of
Mephistopheles) describes how much he enjoyed the recent celebrations, and wants more "dergleichen Scherze" (5988). The Emperor appears and blesses the newly introduced paper money from Mephisto, which is adorned with pictures of
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An indefinite interval of time has passed since the end of the previous act, and Faust is now an old but powerful man favored by the king. Using dikes and dams to push back the sea, Faust has built a castle on the reclaimed land. Upon seeing the hut of an old peasant couple
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Apuleius also calls Isis "mother of all Nature ... whose sole divinity is worshipped in differing forms, with varying rites, under many names, by all the world." Goethe echoes this motif of the archetypal "mother of Nature", for instance at the beginning of
165:, the legend (at least in a version of the 18th century, which came to Goethe's attention) already contained Faust's marriage with Helen and an encounter with an Emperor. But certainly Goethe deals with the legendary material very freely in both parts.
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The final words are spoken by a "Chorus
Mysticus", i.e. a chorus related to the mysteries, which alludes to an "indescribable" process in which "the eternal feminine leads us on". This resembles ancient mystery religions, and particularly the
641:"But, in the second part, there is scarcely anything of the subjective; here is seen a higher, broader, clearer, more passionless world, and he who has not looked about him and had some experience, will not know what to make of it."
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Faust enters the "realm of the mothers" – variously described as the depths of the psyche or the womb – in order to bring back the "ideal form" of beauty for the
Emperor's delight. In this case, the ideal forms are
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Right after ending the play, Goethe sealed the manuscript and locked it in a drawer in his office; yet, he was tempted to work again on the play, and he pulled out the manuscript for a private reading to
387:). The chorus of women, undesirous of joining their mistress in the Underworld, revert to nature, which they extol in songs of praise. As the act ends, Phorkyas is revealed to be Mephistopheles in disguise.
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Mephistopheles transports the unconscious Faust into his old study. Mephistopheles, donning Faust's robe once again, resumes his conversation with the freshman, who is now a cynical baccalaureus. The
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Hall of the Throne. State
Council in anticipation of the emperor. Trumpets. Servants of all kinds, beautifully dressed, step forward. The emperor ascends the throne, to his right the astrologer.
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497:, more than it does orthodox Christian mysticism. In ancient rites of initiation into the mysteries of the goddess Isis, the initiate was guided by a nonverbal process called the "
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Speech by Dr Jens
Weidmann, President of the Deutsche Bundesbank, at the 18th colloquium of the Institute for Bank-Historical Research (IBF), Frankfurt, 18 September 2012.
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discloses the parable of nature, which is a harbinger of divine love. The angels bearing Faust's soul appear in heaven. After the enraptured Doctor
Marianus extols the
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Goethe had been writing Faust since 1771/1772, and he had kept working on it all the way to his death (1832), working for about 60 years on the play. Goethe, like
284:. The Emperor begins to understand its meaning and to squander it, as do his advisors. Goethe here satirizes the introduction of paper money during the
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This is by far the most extensive section of the first act, describing the Florentine carnival from the perspective of Goethe, above all based on
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Goethe, Schiller und die verschleierte Wahrheit. Ein kleiner Beitrag zur Mysterienkultur in Goethes "Faust"-Dichtung und der Weimarer Klassik
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Graceful area. Faust, bedded on flowery turf, weary, restless, seeking sleep. Dusk. Ghost circle, floating moves, graceful little figures.
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with his beauty and gift for music. The wild Euphorion, becoming increasingly bold in his flight, falls to his death (in allusion to
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Lustgarten, morning sun. Faust, Mephistopheles, decent, not remarkable, according to custom, dressed, and both knees exposed.
161:). The "Gretchen" subplot, although now the most widely known episode of the Faust legend, was of Goethe's own invention. In
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The first act sees Mephistopheles (playing the role of a fool) saving the imperial finances of the Emperor – and so the
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However, in the mysteries of Isis, a goddess was indeed invoked by the title "Queen of heaven" -- as witnessed by
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call to mind the "epopteia", which is a nonverbal and indescribable process, associated with the sense of sight.
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261:(1559) – a collection of contemporary "songs and hard lifts". A parade of Florentine notables, including
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The first act opens with an appeal by Ariel to forgive Faust and ease the cares of his suffering.
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In the context of Act IV "The Mothers! Mothers! nay, it sounds so strange." (6216–6217):
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608:– Goethe's letter to K. J. L. Iken September 27, 1827 (translation of Rüdiger Bubner)
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Similarly, a few lines earlier, Faust petitions the angels for a vision of the
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Spacious room with side chambers, decorated and dressed up for the masquerade.
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folk book) to gather inspiration for his Faust (Goethe didn't read Marlowe's
153:, which dates to at latest the beginning of the 16th century (thus preceding
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by Johann Peter Eckermann February 17, 1831 (translated by John Oxenford)
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by Johann Peter Eckermann January 10, 1830 (translated by John Oxenford)
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722:Ägyptische Mysterien. Reisen in die Unterwelt in Aufklärung und Romantik
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by Johann Peter Eckermann January 25, 1827 (translated by John Oxenford)
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begins his prayer to the "Goddess" by calling her "Queen of Heaven".
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Das zwingst du ihr nicht ab mit Hebeln und mit Schrauben. (672–675)
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https://www.poetryintranslation.com/PITBR/Latin/TheGoldenAssXI.php
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27:
Second part of the tragic play Faust by Johann Wolfgang von Goethe
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instead of gold to encourage spending (and economic recovery).
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The scene abruptly changes to a wilderness inhabited by holy
567:, who was also identified as goddess and mother of nature:
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The third act begins with Helen's arrival at the palace of
343:. Faust, still searching for Helen, is led by the sybil
142:. It was published in 1832, the year of Goethe's death.
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Exploits and Opinions of Dr. Faustroll, Pataphysician
339:", where they encounter gods and monsters from Greek
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687:Jens Weidmann: Money creation and responsibility
124:Faust. Der Tragödie zweiter Teil in fünf Akten.
586:Und was sie deinem Geist nicht offenbaren mag,
288:, with various advisors possibly representing
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832:
584:Läßt sich Natur des Schleyers nicht berauben,
8:
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367:in Sparta, accompanied by women, who, as in
30:
808:has original text related to this article:
422:: "Mountain-gorges, Forest, Rock, Desert".
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538:"Goddess", which would imply polytheism.
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577:Won't by screws and levers be displayed.
1408:2nd movement "Quasi-Faust" (1847, Alkan)
1225:The Black Bonspiel of Wullie MacCrimmon
679:
200:Nachgelassene Werke (Posthumous Works).
2419:The Green Snake and the Beautiful Lily
575:What your spirit can't bring to sight,
533:Dein Geheimniß schauen. (11997–12000)
1866:The Devil's Hands Are Idle Playthings
1102:The Year the Yankees Lost the Pennant
149:is directly related to the legend of
115:Faust: The Second Part of the Tragedy
18:Faust: The Second Part of the Tragedy
7:
573:Nature won't let her veil be raised:
301:Dark gallery. Faust. Mephistopheles.
2153:Gesang der Geister ĂĽber den Wassern
665:sets the text of the last scene of
571:Mysterious, even in broad daylight,
442:(the Samaritan woman, John 4), and
315:. Faust summons their spirits from
2445:Wilhelm Meister's Journeyman Years
612:Rather in the context of Act III:
438:(the Great Sinneress, Luke 7:36),
25:
1729:El extraño caso del doctor Fausto
1571:The Mephistopheles of Los Angeles
1118:The Devil to Pay in the Backlands
811:Faust – Der Tragödie zweiter Teil
450:), plead for Faust's soul, while
2436:Wilhelm Meister's Apprenticeship
2102:
2101:
2036:
2035:
1593:The Laboratory of Mephistopheles
1324:Doctor Faustus Lights the Lights
799:
784:
769:
2672:Goethe Society of North America
1406:Grande sonate 'Les quatre âges'
1217:Will Success Spoil Rock Hunter?
516:Mightiest empress of the world,
1892:When the Devil Calls Your Name
1557:The Devil Went Down to Georgia
1348:Historia von D. Johann Fausten
1174:Johannes Cabal the Necromancer
926:Historia von D. Johann Fausten
720:Jan Assmann, Florian Ebeling:
501:". The last words of Goethe's
1:
2017:Mephistopheles and Margaretta
527:Höchste Herrscherin der Welt!
520:Pavilion of the sky unfurl'd,
2785:Books published posthumously
2687:Goethe in the Roman Campagna
2427:The Sorrows of Young Werther
1657:The Devil and Daniel Webster
1071:The Devil and Daniel Webster
750:The Golden Ass, Book XI:5–6.
582:GeheimniĂźvoll am lichten Tag
126:) is the second part of the
2206:Nur wer die Sehnsucht kennt
736:The Golden Ass, Book XI:1–4
669:as its concluding movement.
600:In the context of Act III:
198:in the first volume of the
2806:
2570:Catharina Elisabeth Goethe
2083:Johann Wolfgang von Goethe
1884:The Devil and Daniel Mouse
1413:Scenes from Goethe's Faust
593:Goethe's statements about
255:Antonio Francesco Grazzini
140:Johann Wolfgang von Goethe
52:Johann Wolfgang von Goethe
2229:The Sorcerer's Apprentice
2089:
2031:
1785:Faust: Love of the Damned
646:Conversations with Goethe
636:Conversations with Goethe
621:Conversations with Goethe
531:Ausgespannten Himmelszelt
239:, introducing the use of
35:
2709:(1939 Thomas Mann novel)
2646:Goethe–Schiller Monument
2638:Goethe Monument (Berlin)
2624:Goethe House (Frankfurt)
2363:The Magic Flute Part Two
2139:Die erste Walpurgisnacht
1055:The Master and Margarita
1008:The Devil and Tom Walker
580:
525:
196:Friedrich Wilhelm Riemer
2514:Metamorphosis of Plants
1452:Bagatelle sans tonalité
1356:Faustus, the Last Night
475:Here, grows to reality:
1609:The Damnation of Faust
1536:Sympathy for the Devil
1497:Beethoven's Last Night
650:
625:
610:
529:Lasse mich, im blauen,
398:
192:Johann Peter Eckermann
123:
2748:Pied Piper of Hamelin
2608:Goethe House (Weimar)
2465:Dichtung und Wahrheit
2345:Götz von Berlichingen
1809:Shortcut to Happiness
1801:I Was a Teenage Faust
1689:Marguerite de la nuit
1641:The Student of Prague
1625:The Student of Prague
1391:Gretchen am Spinnrade
1268:La damnation de Faust
1126:That Hell-Bound Train
629:
614:
602:
469:All of the transient,
2775:Epic poems in German
2739:Young Goethe in Love
2697:Goethe at the Window
2658:Monument (Milwaukee)
2543:Gespräche mit Goethe
2373:The Natural Daughter
2251:West–östlicher Divan
2243:Wanderer's Nightsong
2236:Welcome and Farewell
2184:Hermann and Dorothea
1923:Randy Newman's Faust
1681:Beauty and the Devil
1617:Faust and Marguerite
1601:Faust and Marguerite
1300:Faust and Marguerite
1158:The Devil's Own Work
1134:For a Breath I Tarry
1039:The Sorrows of Satan
1000:Melmoth the Wanderer
993:Daniel and the Devil
848:Works based on Faust
781:at Wikimedia Commons
93:German Confederation
2631:Goethe-Gesellschaft
2411:Elective Affinities
2366:(libretto fragment)
2354:Iphigenia in Tauris
2168:Harzreise im Winter
2107:Cultural depictions
1673:The Legend of Faust
1543:Friend of the Devil
1332:The Rake's Progress
1319:(1916–1925, Busoni)
1094:The Devil in Velvet
889:Theophilus of Adana
872:Deal with the Devil
711:. Norderstedt 2019.
518:Let me, in the blue
430:, the virgin Mary,
413:Baucis and Philemon
399:Die drey Gewaltigen
296:and other figures.
175:Christopher Marlowe
32:
2192:Der König in Thule
1753:Oh, God! You Devil
1431:(1854–1857, Liszt)
1335:(1951, Stravinsky)
1142:The Damnation Game
877:in popular culture
867:Johann Georg Faust
522:Thy mystery view!
477:The indescribable,
335:to the "Classical
188:Ottilie von Goethe
2757:
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2699:(1786/7 painting)
2585:Weimar Classicism
2562:Christine Vulpius
2523:Theory of Colours
2280:Der BĂĽrgergeneral
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2048:
1902:
1901:
1633:Rapsodia satanica
1580:
1579:
1550:Bohemian Rhapsody
1423:(1906–07, Mahler)
789:Works related to
774:Media related to
495:mysteries of Isis
488:Ancient parallels
473:The insufficient,
471:Is parable, only:
458:grants her wish.
440:Mulier Samaritana
286:French Revolution
233:Holy Roman Empire
111:
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89:Publication place
16:(Redirected from
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1529:Cross Road Blues
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1436:Mephisto Waltzes
1416:(1853, Schumann)
1394:(1814, Schubert)
1308:Faust up to Date
1078:None but Lucifer
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481:Woman, eternal ,
465:ends the drama:
452:Una Poenitentium
444:Maria Aegyptiaca
428:Eternal Feminine
401:
99:Preceded by
80:Publication date
40:
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31:Faust, Part Two
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1504:The Black Rider
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1383:Classical music
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1271:(1846, Berlioz)
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1241:Il Dottor Faust
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959:Faust, Part One
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2160:Gingo biloba
2095:Bibliography
2015:
1996:
1988:
1973:
1964:
1945:
1937:
1929:
1921:
1915:Damn Yankees
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1697:Damn Yankees
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1316:Doktor Faust
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1311:(1888, Lutz)
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1303:(1855, Lutz)
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1092:
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1053:
1045:
1037:
1029:
1021:
1013:
998:
965:
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954:(1808 play)
950:
945:(1602, play)
940:
932:
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810:
791:
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561:Faust Part I
560:
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491:
468:
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178:
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162:
151:Johann Faust
146:
144:
133:
114:
113:
112:
102:
71:
2741:(2010 film)
2719:(1975 film)
1476:Epica Saga
1463:Other music
1419:Part II of
1284:Mefistofele
1058:(1929–1940)
937:(1592 play)
909:Stingy Jack
884:Simon Magus
855:Folk legend
565:veiled Isis
282:Simon Magus
269:, pass by.
241:paper money
179:Volksbuch (
177:, used the
2770:1832 plays
2764:Categories
2679:Goetheanum
2213:Prometheus
2125:Epiphanias
1998:Frau Faust
1844:Television
1817:Goat Story
1793:Fausto 5.0
1761:Crossroads
1233:Temptation
1166:Jack Faust
806:Wikisource
752:See also:
748:Apuleius:
733:Apuleius,
553:Golden Ass
420:anchorites
329:Homunculus
169:Background
2494:Propyläen
2023:Paintings
1966:Gods' Man
1777:Bedazzled
1713:Bedazzled
949:Goethe's
942:Cenodoxus
341:antiquity
70:Goethe's
2648:(Weimar)
2572:(mother)
2485:Journals
2316:Faust II
2132:Erlkönig
2041:Category
1991:(comics)
1931:Success!
1907:Musicals
1868:" (2003)
1861:" (1963)
1851:Episodes
1737:Mephisto
1573:" (2015)
1566:" (2012)
1559:" (1979)
1552:" (1975)
1545:" (1970)
1538:" (1968)
1531:" (1936)
1201:Gretchen
1073:" (1937)
1063:Mephisto
1010:" (1824)
986:Bearskin
894:Erdgeist
794:(Goethe)
779:(Goethe)
777:Faust II
724:. p. 29.
667:Faust II
653:See also
595:Faust II
543:Apuleius
499:epopteia
373:Arcadian
365:Menelaus
163:Faust II
58:Language
2731:(novel)
2554:Related
2307:Faust I
2289:Clavigo
2146:Ganymed
1976:(manga)
1455:(Liszt)
1447:(Brian)
1439:(Liszt)
1367:Ballets
385:Orpheus
359:Act III
353:Proteus
155:Marlowe
147:Faust I
2564:(wife)
2382:Stella
2327:Egmont
2260:Xenien
2001:(2014)
1993:(1987)
1978:(1950)
1969:(1929)
1958:Comics
1950:(2004)
1942:(2003)
1934:(1993)
1926:(1995)
1918:(1955)
1895:(2019)
1887:(1978)
1836:(2019)
1828:(2011)
1820:(2008)
1812:(2007)
1804:(2002)
1796:(2001)
1788:(2000)
1780:(2000)
1772:(1994)
1764:(1986)
1756:(1984)
1748:(1982)
1740:(1981)
1732:(1969)
1724:(1967)
1716:(1967)
1708:(1960)
1700:(1958)
1692:(1955)
1684:(1950)
1676:(1949)
1668:(1949)
1660:(1941)
1652:(1926)
1644:(1926)
1636:(1915)
1628:(1913)
1620:(1904)
1612:(1903)
1604:(1900)
1596:(1897)
1470:Albums
1359:(2006)
1351:(1994)
1343:(1955)
1327:(1938)
1252:Operas
1244:(2018)
1236:(1986)
1228:(1965)
1220:(1955)
1212:(1955)
1204:(1879)
1185:(2019)
1177:(2009)
1169:(1997)
1161:(1991)
1153:(1990)
1145:(1986)
1137:(1966)
1129:(1958)
1121:(1956)
1113:(1956)
1105:(1954)
1097:(1951)
1089:(1947)
1081:(1939)
1066:(1936)
1050:(1898)
1042:(1896)
1034:(1892)
1026:(1844)
1023:Auriol
1018:(1830)
1003:(1820)
391:Act IV
381:Icarus
349:Graeae
323:Act II
294:Sieyès
290:Danton
128:tragic
120:German
106:
66:Series
61:German
48:Author
2402:Prose
2298:Faust
2271:Plays
2117:Poems
1989:Faust
1974:Faust
1939:Faust
1876:Other
1825:Faust
1769:Faust
1705:Faust
1649:Faust
1585:Films
1514:Songs
1481:Epica
1276:Faust
1260:Faust
1193:Plays
978:Prose
951:Faust
862:Faust
792:Faust
674:Notes
406:Act V
345:Manto
317:Hades
313:Paris
263:Dante
235:– by
210:Act I
135:Faust
72:Faust
1150:Eric
461:The
265:and
205:Acts
190:and
159:play
131:play
84:1832
2009:Art
661:'s
545:'s
257:'s
157:'s
138:by
2766::
644:–
634:–
619:–
512::
292:,
122::
2075:e
2068:t
2061:v
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840:e
833:t
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411:(
118:(
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