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bands Psiglo and Dias de Blues. He is credited with incorporating jazz, blues and rock influences to urban
Uruguayan music as it is ascertained in the book "De las Cuevas al SolĂs" by Fernando Peláez. Federico later moved to southern Spain and eventually to Los Angeles where he is a specialty studio
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of Yusef Lateef and Adam
Rudolph (Eternal Wind) performed by 12 musicians, was released by Meta Records. This live performance at the Jazz Bakery of Los Angeles features Federico playing acoustic, electric and midi guitars throughout the session as well as his performance of percussion instruments
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followed. Federico toured as lead guitarist on Jon's Latin
American tour of nine countries in 1993. In Belo Horizonte, Brazil, Federico was guest guitarist performing with Milton Nascimento, Simone and James Taylor, for a benefit presentation in the fight against hunger, Natal Sem Fome (Christmas
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In 1990, Federico Ramos, Eduardo Márquez Del
Signore and Bernardo Rubaja worked in a debuting ensemble of compositions and performances. The ensemble fused ancient folk traditions of South America with an array of influences spanning jazz, pop, avant-garde and classical music. The instrumental
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When
Federico arrived in the United States in 1980, soon began expanding his musical and cultural spectrum. He settled in Santa Monica. In the eighties Federico co-founded Eternal Wind, a band whose music style was characterized by improvisational compositions of world sounds. Eternal Wind Dr.
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In 1995 Federico again joined with
Uruguayan drummer José Luis Pérez and Uruguayan bassist Eduardo Márquez Del Signore (Jon Anderson's Latin Band). The Trio found in the combination of their sounds the name of Ritual and the compact disc Presencia was released by Amazone Records.
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was awarded the Grammy for the 2006 best live disc. Also released in 2006 was a DVD of the Latin
American Tour with Jon Anderson. For 2007, an educational disc for DW drums under the guide of Alex Acuña includes a vast array of Latin American styles.
262:(MI). In Valencia, at the California Institute of the Arts, he was the recipient of full scholarships. In due course Federico obtained a bachelor's degree in Fine Arts and taught a course on Cross-Cultural Improvisation at the
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During the early months of 1997, Sony Music contracted
Federico as producer of Alexis Peña's recording project. For this occasion Federico convoked the participation of renowned musicians such as
400:. From 1996, Federico engaged in different work projects, collaborations and special guest performances. Among these musical productions Federico's highlighted participations are: Cielo y Tierra:
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Charles Moore, Adam
Rudolph, Ralphs Jones and Federico, recorded several albums that were released by the Chicago-based Flying Fish Records Co.. Soon, Eternal Wind toured extensively with Dr.
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was presented in
Montevideo, in the Teatro SolĂs in July 1997 with sold out tickets. Ritual traveled to Montevideo accompanied by their guest artist, pianist, composer and producer
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was recorded in Germany with the Köln Radio Orchestra in 1993, and released in Europe by ACT Records. As a member of Eternal Wind, Federico also participated in the recording of
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in Chicago, and throughout Argentina and Uruguay, where he also taught clinics. He is a dedicated studio musician collaborating in recordings, and music for films and TV shows.
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on trumpet, Alex Acuña on drums and percussion and Steve Fowler on flutes. In 1991, Federico was introduced to the Englishman and pioneer artist
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was well-reviewed after being released by World Alchemy Records in February 1994. During the year 1994, Federico was co-producer on the project
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was granted the Gold Sales Award in Denmark in 2002. The recording of "En Vivo Desde el Auditorio Nacional" with Mexican superstar
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featured melodic songs with an array of exotic rhythms of Latin and Spanish compositions. Soon followed the collaboration with
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and African kudu horn. References to Lateef and Eternal Wind association are further explored in Yusef Lateef's autobiography
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textures and harmonic tints of their native cultures offered a unique and personalized style. Their recorded work
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of the legendary progressive rock group "Yes", with whom he recorded. Subsequently, the Windham Hill releases of
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During those years, Ramos co-founded the group Hecho en MĂ©xico with musicians Luis PĂ©rez Ixoneztly and
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Later, the Uruguayan drummer José Luis Pérez joined Federico to create Pérez & Ramos. Their work
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throughout Mexico, Guatemala, El Salvador, and the U.S.. In 2016 and 2017, Federico toured with The
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is a Uruguayan guitarist, arranger, producer and composer based in Santa Monica, California.
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expressed a contemporary improvisational music based primarily on the Uruguayan rhythms of
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For over a decade, Federico toured with famed, multi-Grammy award winner Mexican singer
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en el SolĂs with Federico Ramos, Eduardo Márquez, JosĂ© Luis PĂ©rez & Tommy Eyre
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and African rhythms blending tango, Brazilian melodies and jazz. PĂ©rez & Ramos
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musician. He has shared stage, collaborated with, or recorded for artists
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with Dionne Warwick in the recording of Brazilian artist Eliana EstevĂŁo.
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Federico Ramos with The Alphonso Johnson Quartet in Montevideo Uruguay
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and Adam Del Monte), soloist guitars, composer and arranger.
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The African-American Epic Suite for Quintet and Orchestra
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in the year 1994. The duet of Federico and guitarist
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