Knowledge (XXG)

Feedtime

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to Rough Trade in America, they're now licensed to Vinyl Solution in England and Europe, to Megadisc in the Benelux countries in Europe, so I guess that was satisfying in the way things happened, and a lot of people as a result of my involvement and us working together came to appreciate this band that I thought was really special."
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secondary school in the early 1970s. They formed Feedtime, in December 1979, as a duo with Johnson on guitar and lead vocals and Larkin on bass guitar and vocals. The band's name is stylised with a lowercase 'f'. They were soon joined on drums by Dave Carter who was replaced, in turn, by Nella Mobbs
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Bruce Griffiths of Aberrant Records said of his interaction with the group, "the most satisfying was feedtime, because they became extremely close friends as a result of working with them, and I guess part of the satisfaction with them was the fact that they achieved recognition; they were licensed
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The group had been planning their first US tour when "emotional and psychological issues" resulted in their break up: Johnson "later admitted to have suffered a nervous breakdown." He recalled, "I got to the point where I would either kill myself or commit murder." He later clarified that Feedtime
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Andrea Enthal and Ira Robbins observed that it "applies Feedtime's noisy shredder to cover versions... with its tuneless spirited roar, feedback slide experiments and an occasionally untuned bass. Without casting aspersions on Feedtime, it's safe to assume that none of the songs' authors would be
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opined that they "approached maximum if not R&B than blues-punk. Certainly raw, they reissued sound oddly spacious within unsettling digital clarity. Allen's frazzled bass, Rick's churning 'electric slide guitar', and Tom's primal drums thud like their names: no nonsense, no added frills." Ned
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McFarlane declared that they were "one of the most uncompromising and influential groups to emerge from 's early 1980s inner-city scene... there was only one other band that could match them for sheer sonic force and rhythmic density: the notorious X." Feedtime made four albums in the 1980s.
533:, was also a fan of Feedtime. In 2012, Al stated that they were unaware of any interest overseas: "the band were a bit socially dysfunctional, not really tuned into the world. ... it's great to think that feedtime might have had some role to play in the work of those US musicians". 271:. AllMusic's John Dougan felt it was "perhaps their best album, but it's definitely not for the faint of heart. Simplistic, crudely played, thuddingly repetitive rock muck punctuated by harsh vocals... some of the most extreme music to be considered rock & roll ever conceived." 318:, that's all. There was a lot of anger and darkness that underlaid a lot of feedtime's makeup. I had to remake myself or die. Allen felt that he might have to do some repair work as well. ... Some stuff about feedtime involves very hard stuff and needs to be left alone." 338:
that "' understands itself... we're not pushing a hype, we're not pushing a style, we're not pushing glamor, we're not pushing twinkly dinkly bloody little star how I wonder how sweet you are sort of shit.' Rick and Al have never played in a band other than feedtime."
285:; according to McFarlane it "featured all cover versions done in the inimitable feedtime style of raw and heavy thrash." Christgau felt "Most cover albums trip over their own roots – self-conscious simplicity is too neat a trick to bring off a dozen times running." 191:, that was initially formed as a duo in 1979 by Rick Johnson on guitar and vocals and Allen Larkin on bass guitar and vocals. They soon became a trio with various drummers until 1982, when they were joined by Tom Sturm. This line-up issued four albums, 275:
opined that they were a "little slower and more old-fashioned than the IRT the Ramones/Dolls came in on, which definitely doesn't mean they're slow or old-fashioned. Just an art band cum power trio that's spent nine years perfecting its sonic wisdom."
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The band chose the name 'Feedtime' "because it had no obvious association with tough, fast, or punk, and it had no other associations or meanings". When asked why they spell it with a lowercase 'f', they said: "Looks better."
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The mid-1980s line-up of Johnson, Larkin and Sturm reunited in 2011 for two shows in Sydney and one in San Francisco, for the tenth anniversary of S.S. Records, followed by a US tour the following year, in conjunction with
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Initially they recorded for Aberrant Records in Australia, but their second through fourth albums were released internationally by the indie label Rough Trade Records and by Megadisc in the Netherlands. The second album,
302:(early 1989), appeared prior to the group's disbandment in February. Raggett opined that the "last album of their 1980s existence makes for one hell of a farewell. Whether or not it was the exercise of the covers album 258:
described the album, "From the opening hoarse crawl and gargle of 'Ha Ha,' feedtime on its debut sounds like its members were out to not merely perforate eardrums, but flat out bludgeon skulls."
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among the five albums he wish he'd released. This prompted Bruce Griffiths of Aberrant Records to offer Sub Pop the chance to reissue Feedtime's albums. In 2012, Sub Pop released
215:(early 1989), before disbanding in February 1989. They reunited in 1995 with Johnson and Larkin joined by the latter's younger brother, John Larkin, on drums for another album, 378:
Feedtime reunited in 1995 with Johnson and Larkin joined by the latter's younger brother, John Larkin on drums. In April 1996 the trio released their fifth studio album,
1658: 513:, as one of their main musical influences. Describing Feedtime's sound, Arm said: "I liked the reduction—the sonic reduction that was only promised with 525:", and "the delay on the vocals and maybe even the slide guitar" on "Sweet Young Thing Ain't Sweet No More" was modelled on Feedtime's "Curtains". 877: 1708: 1683: 1678: 1673: 1668: 457:. It has been described as deliberately meaningless and "anti-punk". In the music video for "Melody Line", the band recreates the logo using 1698: 1663: 261:
Their debut single, "Fractured", was issued in September 1986 via Sydney-based label, Aberrant Records. It presaged their second album,
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for a tour of the Australian east coast, followed in April 1997 with an Australian support slot for UK group,
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easily challenges (and often beats) the Jesus and Mary Chain when it comes to the 'melody + noise' equation."
267:(February 1987), which, along with the subsequent Aberrant albums, was also released in the United States via 247:, felt their "music mixed grinding guitars and driving beats with an unsettling ambience." John L. Murphy of 1602: 1543: 619: 380: 217: 915: 776: 770: 764: 723: 631: 522: 469:
Despite limited impact at home, Feedtime exerted influence in the United States, particularly in the
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Feedtime's sound is heavily referenced rural American country and blues. A large influence from
221:(April 1996), before disbanding again in 1997. The Rick-Al-Tom line up reunited again, in 2011. 1536: 1443: 1403: 1007: 890: 470: 425:
In October 2015, the reunited Johnson-Larkin-Sturm line-up recorded their sixth studio album,
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7" (Treehouse Records, 1990, TR 023; yellow or black vinyl): "Plymouth Car is a Limousine"
611: 298: 211: 188: 1202: 1581: 595: 526: 510: 414:. On 3 April 2012, they performed their first ever in-studio live radio performance on 355: 351: 263: 199: 1372: 1652: 1373:"Jonathan Poneman from Sub-Pop takes five with the albums he wishes he'd released..." 1308: 1096: 1059: 868: 671: 514: 389: 244: 977: 1033: 486: 343: 1477: 1460: 1122: 530: 363: 1322: 924: 419: 249: 230: 180: 50: 947: 1422: 331: 46: 505:, assistant DJs at KCMU and founders of the pioneering Seattle grunge band 1164: 1588: 1368: 1185: 955: 553: 506: 498: 326:, received the greatest critical acclaim. The last of these four albums, 255: 205: 1492: 1269: 1252: 822: 716: 681: 557: 494: 482: 478: 454: 405: 359: 1516: 1440:
1001 Songs You Must Hear Before You Die: And 10,001 You Must Download
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1001 Songs You Must Hear Before You Die: And 10,001 You Must Download
474: 184: 572:, a 4-CD/LP reissue of the first four Feedtime full-length records. 243:, was independently released late in 1985. Australian musicologist, 306:
that found the trio letting its hooks come forward more than ever,
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able to recognize their handiwork in these rumbling renditions."
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No. 5 7" (Howl! Magazine, HOWL!-5, 1989): "Don't Tell Me"
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No. 2 7" (Red Records, AFTP 002/TR-520845-7, 1988; with
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EP double 7" (Aberrant Records, ACT-13/MX211861, 1986, with
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LP (Aberrant Records, 1985): "Don't Tell Me"/"Small Talk"
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Grunge Is Dead: The Oral History of Seattle Rock Music
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discovered Feedtime through the college radio station
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inspired Arm to use the technique on songs such as "
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fanzine No. 13): "Plymouth Car is a Limousine"
141: 137: 106: 56: 42: 34: 27: 804:CD (Amphetamine Reptile, 1997, AMREP-097): "Billy" 509:, cite Feedtime, alongside fellow Australian band 279:In May 1988 they issued their third studio album, 517:, but this was the real deal". Feedtime's use of 1116:Coats, Dimitri; Maurer, Justin (2 April 2012). 1544: 8: 863: 1163:. No. 15. NKVD Records. Archived from 1087:"Major grunge influence sure to be a blast" 1001: 999: 861: 859: 857: 855: 853: 851: 849: 847: 845: 843: 229:Rick Johnson and Allen Larkin had met at a 1551: 1537: 1529: 1064:– feedtime | Songs, Reviews, Credits" 982:– feedtime | Songs, Reviews, Credits" 24: 1417: 1415: 1323:"Feedtime - Melody Line (official video)" 786:double LP (Au-Go-Go ANDA 70, 1988): "Ann" 536:The title track of the band's 1996 album 1394: 1392: 1298: 1296: 1294: 1292: 1290: 1253:Brian Turner: Playlist from 3 April 2012 384:via Black Hole Records in Australia and 346:is most easily heard on their covers LP 878:Encyclopedia of Australian Rock and Pop 813: 358:in addition to punk forebears like the 1364: 1362: 1032:Enthal, Andrea; Robbins, Ira (2007). 760:fanzine No. 2): "Take the Buick" 7: 1442:. Quintessence Editions Ltd., 2010. 388:in the US. They supported US group, 1659:Amphetamine Reptile Records artists 1421:Curran, Aaron (15 September 2011). 1228:"SS Records 10th Anniversary Party" 873:"Encyclopedia entry for 'Feedtime'" 821:Curran, Aaron (14 September 2011). 1493:"feedtime Biography & History" 1085:Emery, Patrick (17 January 2014). 396:, alongside fellow Sydney-siders, 38:Sydney, New South Wales, Australia 14: 1137:"The Hardest Hard-Luck Band Ever" 1118:"feedtime: The Threats Were Real" 314:"broke up because I was having a 914:Murphy, John L (22 March 2012). 768:"Freebie Compilation" Flexi 7" ( 334:. Johnson told Steve Gardner of 1498:Profile and short interview in 449:The Feedtime logo is a cartoon 418:, a community radio station in 1348:"feedtime: The Aberrant Years" 1346:Masters, Marc (8 March 2012). 1304:"The Resurrection of feedtime" 1155:Gardner, Steve (Winter 1989). 485:, where DJs and Feedtime fans 1: 1709:Black Hole Recordings artists 1684:Australian garage punk groups 1679:Australian garage rock groups 1302:Cohan, Brad (28 March 2012). 1135:Segal, Dave (14 March 2012). 738:Why March When You Can Riot?! 540:is featured in the 2010 book 18:Feeding Time (disambiguation) 1674:Australian noise rock groups 1669:Australian blues rock groups 1509:magazine (referenced in the 1480:(discography, Grunnen Rocks) 1429:. Retrieved 31 January 2013. 1386:. Retrieved 4 February 2013. 1356:. Retrieved 31 January 2013. 1312:. Retrieved 30 January 2013. 1259:. Retrieved 5 February 2013. 1145:. Retrieved 29 January 2013. 1126:. Retrieved 5 February 2013. 433:. The album was released on 234:and, in 1982, by Tom Sturm. 1699:Rough Trade Records artists 1664:Australian punk rock groups 952:: feedtime | Overview" 552:During a 2008 interview on 1725: 1495:by AllMusic's Mark Deming. 658:Buffalo Bob/More Than Love 350:on which they covered the 15: 1689:Punk blues musical groups 1517:biography at Sub Pop site 1092:The Sydney Morning Herald 237:The group's debut album, 1461:"It's Feedtime - Alissa" 1402:. ISBN ECW Press, 2009. 652:Don't Tell Me/Small Talk 1522:15 January 2012 at the 758:Away From The Pulsebeat 754:Away From The Pulsebeat 668:Weekend Warrior/No Soul 646:Fractured/Safari/Rumble 296:A fourth studio album, 1012:Consumer Guide Reviews 802:Amrep Equipped Sampler 678:flatiron/stick up jack 429:, with Mikey Young of 1378:26 April 2016 at the 1371:(26 September 2008). 591:(1985, Self-released) 493:joined to launch the 1232:The Brown Paper Blog 1167:on 27 September 2011 777:Bucketfull of Brains 771:Bucketfull of Brains 765:Bucketfull of Brains 674:) (1996, Black Hole) 16:For other uses, see 1006:Christgau, Robert. 796:Scumbait No. 2 780:fanzine): "Trouble" 774:, 1988; flexi with 727:(2012, S-S Records) 670:(split single with 660:(split single with 625:Amphetamine Reptile 386:Amphetamine Reptile 269:Rough Trade Records 179:) is an Australian 1694:In the Red artists 1621:The Aberrant Years 1274:In the Red Records 1203:"Feedtime - Billy" 1192:No. 17, 1989) 918:The Aberrant Years 903:on 13 August 2004. 748:Trousers In Action 744:Trousers In Action 712:The Aberrant Years 701:feedtime + suction 664:) (1988, Aberrant) 635:(2017, In The Red) 570:The Aberrant Years 564:listed Feedtime's 441:Band name and logo 435:In the Red Records 411:The Aberrant Years 330:, was produced by 1646: 1645: 1423:"Icons: Feedtime" 1384:Mornings with Zan 887:Allen & Unwin 823:"Icons: Feedtime" 523:Touch Me I'm Sick 477:". 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AllMusic 925:PopMatters 827:Mess+Noise 809:References 732:Appears on 420:New Jersey 394:the Damned 250:PopMatters 231:Parramatta 183:band from 181:noise rock 130:In The Red 119:Black Hole 51:noise rock 1507:Adderlaid 1369:Rowe, Zan 1353:Pitchfork 1171:8 January 1102:8 January 1070:8 January 1043:8 January 1017:7 January 988:7 January 961:7 January 931:7 January 832:7 January 332:Butch Vig 316:breakdown 161:Tom Sturm 47:Punk rock 1589:Cooper-S 1575:Feedtime 1560:Feedtime 1520:Archived 1478:feedtime 1450:, p. 900 1376:Archived 956:AllMusic 950:feedtime 871:(1999). 604:Cooper-S 588:feedtime 554:Triple J 548:Reissues 507:Mudhoney 499:Mark Arm 374:Reunions 362:and the 354:and the 348:Cooper S 304:Cooper-S 282:Cooper-S 256:AllMusic 240:Feedtime 206:Cooper-S 194:Feedtime 177:feedtime 173:Feedtime 116:Aberrant 113:Feedtime 102:–present 29:Feedtime 1596:Suction 1327:YouTube 1207:Discogs 1062:Suction 717:Sub Pop 715:(2012, 703:(1989, 682:Sub Pop 680:(2015, 640:Singles 623:(1996, 612:Suction 558:Sub Pop 527:Nirvana 495:Sub Pop 479:Seattle 455:woodcut 406:Sub Pop 364:Stooges 360:Ramones 356:Animals 328:Suction 308:Suction 299:Suction 225:History 212:Suction 127:Sub Pop 96: ( 88: ( 80: ( 72: ( 64: ( 1582:Shovel 1513:piece) 1446:  1406:  1270:"News" 980:Shovel 893:  672:Unsane 596:Shovel 566:Shovel 475:grunge 465:Legacy 390:Unsane 324:Shovel 264:Shovel 200:Shovel 185:Sydney 107:Labels 94:, 2011 78:, 1995 43:Genres 35:Origin 1603:Billy 790:Howl! 620:Billy 538:Billy 519:slide 381:Billy 290:' 218:Billy 86:–1997 70:–1989 1444:ISBN 1404:ISBN 1334:2024 1281:2017 1257:WFMU 1240:2017 1214:2017 1173:2017 1104:2017 1072:2017 1045:2017 1019:2017 990:2017 963:2017 933:2017 891:ISBN 834:2017 501:and 489:and 483:KCMU 451:frog 416:WFMU 98:2011 90:1997 82:1995 74:1989 66:1979 62:1979 632:Gas 427:gas 1655:: 1463:. 1425:, 1414:^ 1391:^ 1382:, 1361:^ 1350:, 1325:. 1306:, 1289:^ 1272:. 1255:, 1230:. 1205:. 1159:. 1139:, 1120:, 1095:. 1089:. 1036:. 1010:. 998:^ 954:. 922:. 889:. 885:: 881:. 875:. 842:^ 825:. 556:, 544:. 461:. 422:. 400:. 366:. 187:, 49:, 1552:e 1545:t 1538:v 1467:. 1336:. 1283:. 1242:. 1216:. 1175:. 1106:. 1074:. 1060:" 1047:. 1021:. 992:. 978:" 965:. 948:" 935:. 920:" 836:. 719:) 707:) 684:) 627:) 398:X 100:) 92:) 84:) 76:) 68:) 20:.

Index

Feeding Time (disambiguation)
Punk rock
noise rock
Rough Trade
noise rock
Sydney
New South Wales
Feedtime
Shovel
Cooper-S
Suction
Billy
Parramatta
Feedtime
Ian McFarlane
PopMatters
AllMusic
Shovel
Rough Trade Records
Robert Christgau
Cooper-S
Suction
breakdown
Butch Vig
classic rock
Rolling Stones
Animals
Ramones
Stooges
Billy

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