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2535:(1974), Abramovic pushes not only her limits but her audience's limits as well, by presenting the public with 72 different objects ranging from feathers and perfume to a rifle and a bullet. Her instructions are simple; She is the object and the audience may do whatever they want with her body for the next six hours. Her audience has complete control while she lays motionless. Eventually, they become wilder and begin violating her body – at one point a man threatens her with a rifle – yet when the piece ends the audience gets into a frenzy and run away in fear as if they cannot come to terms with what just happened. In this emotional performance piece, Abramovic depicts the powerful message of the objectification of the female body while at the same time unravelling the complexity of human nature.
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2422:, performance art began to gain popularity in feminist artwork as a form of critical analysis on societal values on gender. In this work, Yoko Ono is seen kneeling on the ground with a pair of scissors in front of her. One by one, she invited the audience to cut a piece of her clothing off until she was eventually left kneeling in the tattered remains of her clothing and her underwear. This intimate relationship created between the subject (Ono) and the audience addressed the notion of gender in the sense that Ono has become the sexual object. By remaining motionless as more and more pieces of her clothing are cut away, she reveals a woman's social standing where she is regarded as an object as the audience escalates to the point where her bra is being cut away.
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2440:(1979), widely regarded as the first epic feminist artwork, emphasizes this idea of newfound female empowerment through the use of turning a dinner table – an association to the traditional female role – into an equilateral triangle. Each side has an equal number of plate settings dedicated to a specific woman in history. Each plate contains a dish. This served as a way of breaking the idea of women being subjugated by society. Looking at the historical context, the 1960s and 1970s served as a prominent era where women began to celebrate new forms of freedom. More women joining the workforce, legalization of birth control, fight towards equal pay, civil rights, and the
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in museums and gained a fair amount of publicity for her work. Dater displayed art that focused on women challenging stereotypical gender roles, such as the expected way women would dress or pose for a photograph. To see a woman dressed in men's clothing was rare and made the statement of supporting the feminist movement, and many people knew of Dater's passionate belief of equal rights. Dater also photographed nude women, which was intended to show women's bodies as strong, powerful, and as a celebration. The photographs grabbed the viewers attention because of the unusualness and never-before-seen images that do not necessarily fit into society.
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color and material as the metal pan completely takes away the pan's functionality, and – in a metaphorical sense – its association with women. The protrusions remove the item's gender by not only removing its function of being a metal pan women would use in the kitchen, but by also making it ugly. Before this era, common female work consisted of pretty and decorative things like landscapes and quilts, Christa
Dowling attempts to explain this theory by stating arguing that 'women are more sensitive by nature than man...'. Whereas more contemporary artwork by women was becoming bold or even rebellious, for example
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and self-critical response". The feminist spark from the 1960s and 1970s helped to carve a path for the activist and identity art of the 1980s. In fact, The meaning of feminist art evolved so quickly that by 1980 Lucy
Lippard curated a show where "all the participants exhibited work that belonged to 'the full panorama of social-change art,' though in a variety of ways that undercut any sense that 'feminism' meant either a single political message or a single kind of artwork. This openness was a key element to the future creative social development of feminism as a political and cultural intervention."
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women and domesticity, with traditionally women serving the home, Chicago is playing with gender roles. The way this piece is being presented evokes ideas of an altar, and brings on themes of sacrifice. In addition, there is no one seat that is at the center, and many people have said the idea of 13 on each side is very similar to the Last Supper, because there is Christ at the center with his 12 apostles. But in this case, there is no central figure. She is playing on the idea of the Last Supper, which is a male-dominated image and space.
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discontent, and equality would enable them to obtain jobs equal to men and gain rights and agency to their own bodies. Art was a form of media that was used to get the message across; this was their platform. Feminist art supports this claim because the art began to challenge previously conceived notions of the roles of women. The message of gender equality in feminist artworks resonates with the viewers because the challenging of the social norms made people question, should it be socially acceptable for women to wear men's clothing?
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Some women responded negatively to the idea that women are not just female genitalia, that they are more than that. But Judy
Chicago and other artists that saw this as the symbol of women's life-giving abilities, the idea that this is a symbol of femininity, this is kind of the ultimate symbol of femininity. And so that is why she chose it for this particular series. It was made by many people, she was very good at getting lots of individuals together to work on large projects. And this includes painted porcelain needlework.
2751:. In this regard, it becomes an image of beauty, but it also becomes an image of vanity because the goddess sees her beauty in the mirror. This representation becomes inverted and an example of male vanity. This portrayal is not an accidental choice at all. She is reflecting this same objectification onto men to highlight the biased way we objectify women. It shows the arbitrary way we view women's bodies, yet these bodies are in the same pose. Her paintings are beautiful and sincerely respectful of the male figure.
2669:?” Nochlin chaired the College Art Association session in 1972 entitled “Eroticism and the Image of Women in Nineteenth Century”, a great space where feminist language and thinking influenced concepts of art history. The session discussed the ways in which “raw sexism in the creation and use of female imagery was so memorably exposed,” which called for the need of decolonization within art history with regards to systemic beliefs and practices regarding the image of women or a woman.
2588:. In this work, we see a marble bust of a woman turned to its side. The lighting is harsh, creating sharp edges and shadows to emphasize the words "your gaze hits the side of my face" written in bold letters of black red and white down the left side of the work. In that one sentence, Kruger is able to communicate her protest on gender, society, and culture through language designed in a way that can be associated with a contemporary magazine, thus capturing the viewer's attention.
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body. As a result, women were forced to focus their attention to the less professionally acclaimed "decorative" art. With the 1970s, however, the fight towards equality extended to the arts. Eventually, more and more women began to enroll in art academies. For most of these artists, the goal was not to paint like the traditional male masters, but instead to learn their techniques and manipulate them in a way that challenged traditional views of women.
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Some 400 women and a few men–all selected to represent a cross-section of ages, backgrounds, and perspectives–gathered on the stoops along Park Place, a residential block in
Brooklyn, where they engaged in unscripted conversations about a variety of issues related to gender politics today. Thousands of members of the public came out to wander among the groups, listen to what they were saying, and form their own opinions.
2495:, was examining the historic 19th and early 20th-century academic document photos of nude model-settings in the academy's library. She rephotographed them and exhibited the photos as her own work. Later that year she projected the images of nude-model-settings, to her own naked body, photographed them and made performances titled NudeModel in which she exhibited herself as a woman artist drawing a female nude model.
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2805:, an art curator and critic in the foreground, gazing at her in this traditional female supine nude pose. He reclines and looks towards her. She also included other male figures who were her close friends and intellectually inspired her. There is also a strong naturalism in this painting. She is not shying away from tan lines and body hair the same way that we often see in
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to sexism, women artists used many different art styles to make themselves known and express their worth. A couple of these different outlets include crafts, paintings and even performing arts. Over fifty years ago, “the first feminist challenge was levied at the history of art with the publication in 1971 of Linda
Nochlin’s essay
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2518:, she is depicted naked with a short haircut, sunglasses, and a dildo positioned in her pubic region. Some saw this radical photo as "vulgar" and "disturbing". Others, however, saw an expression of the uneven balance between the genders in the sense that her photo was critiqued more harshly than a male counterpart,
2409:. To put it simply, this rebellion against the socially constructed ideology of a woman's role in art sparked the birth of a new standard of the female subject. Where once the female body was seen as an object for the male gaze, it then became regarded as a weapon against socially constructed ideologies of gender.
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The magazine and the rise of feminism occurred during the same time feminist artists became more popular, and an example of a feminist artist is Judy Dater. Starting her artistic career in San
Francisco, a cultural hub of different kinds of art and creative works, Dater displayed feminist photographs
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Although feminist art is fundamentally any field that strives towards equality among the genders, it is not static. It is a constantly changing project that "is itself constantly shaped and remodeled in relation to the living processes of women's struggles". It is not a platform but rather a "dynamic
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At this time, there was a large focus on rebelling against the "traditional woman". With this came the backlash of both men and women who felt their tradition was being threatened. To go from showing women as glamorous icons to showing the disturbing silhouettes of women (an artistic demonstration of
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There are 13 elaborate place settings on each side, making up 39 place settings. Also included are the names of 999 women inscribed on the heritage tile floor at the center. Each of these women are influential and important figures in the world. The idea of the dinner party relates to the history of
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In the 1970s, society started to become open to change and people started to realize that there was a problem with the stereotypes of each gender. Feminist art became a popular way of addressing the social concerns of feminism that surfaced in the late 1960s to 1970s. In order to try and put and end
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who devoted their time to fighting sexism and racism in the art world through the use of protest, posters, artwork and public speaking. Unlike the feminist art prior to the 1980s, the
Guerrilla Girls introduced a bolder more in-your-face identity and both captured attention and exposed sexism. Their
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of the late 1960s and 1970s. Feminist art highlights the societal and political differences women experience in their lives. The goal of this art form is to bring a positive and understanding change to the world, leading to equality or liberation. Media used range from traditional art forms, such as
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Judy
Chicago was very interested in the idea of flower symbolism and also a kind of female genitalia as a symbol representing the woman. So if one looks at these individual plates, not always but very frequently, they seem to allude to the idea of a flower and also symbolically to female genitalia.
2835:, one sees she is exploring this particular pose with her arms raised making her connect with the earth and the heavens and associates that with the female role. This piece, like most of Mendieta's work, is phenomenal land art where she is part of the earth by bringing a mother goddess to the form.
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Traditionally, being able to expertly capture the nude on canvas or in a sculpture reflected a high level of achievement in the arts. In order to reach that level, access to nude models was required. While male artists were given this privilege, it was considered improper for a woman to see a naked
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It was a big project that involved many women who assisted her and men. This artwork is very large–measuring 48 feet on each side–and for a long time, it had no place to go, so it was put on as a temporary exhibit in a number of museums, and then it was going to be put into a university, but there
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in New York opened a gallery that claimed to exhibit the most-renowned works of contemporary art of the time. Of the 169 artists chosen, only 13 were women. As a result of this, an anonymous group of women investigated the most influential museums of art only to find out that they barely exhibited
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Before the 1960s, the majority of woman-made artwork did not portray feminist content that it either addressed or criticized the unique conditions faced by women. Women were more often the subject of art, rather than the artist. In the early 20th century, works that flaunted female sexuality – the
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On
Saturday, October 19, 2013, Creative Time and the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum presented Between the Door and the Street, a major work by the internationally celebrated artist Suzanne Lacy, perhaps the most important socially-engaged artist working today.
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Mendieta was originally from Cuba and lived her life in exile. She used her body in her performative works and she would often recreate crime, rape and assault scenes to comment on domestic and sexual assault. On
September 8, 1985, she was said to have fallen out of the window. However, there are
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The Turkish bath was the subject explored by the French painter Ingres, and one can see this circular work where women are in a variety of poses and it is this composite imagined image of women bathing. Their bodies are intertwined while listening to music, lack agency within the composition, and
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takes an object associated with women's work – in this case, a metal pan – and completely covers it with bulbous lumps of the same material. This is an early feminist example of female artists finding ways to break from the traditional role of women in society. Having the lumps made from the same
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was the first national magazine to make feminist voices prominent, make feminist ideas and beliefs available to the public, and support the works of feminist artists. Like the art world, the magazine used the media to spread the messages of feminism and draw attention to the lack of total gender
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was used in one of their posters where the female nude portrayed was given a gorilla mask. Beside it was written "Do women have to be naked to get into the Met. Museum? Less than 5% of the artists in the Modern Art Sections are women, but 85% of the nudes are female". By taking a famous work and
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ideas criticizing social values began to appear in which the mainstream ideology that had come to be accepted was denounced as not being neutral. It was also suggested, that the art world as a whole had managed to institutionalize within itself the notion of sexism. During this time there was a
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In order to gain recognition, many female artists struggled to "de-gender" their work in order to compete in a dominantly male art world. If a work did not "look" like it was made by a woman, then the stigma associated with women would not cling to the work itself, thus giving the work its own
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argued in 1980 that feminist art was "neither a style nor a movement but instead a value system, a revolutionary strategy, a way of life." This quote supports that feminist art affected all aspects of life. The women of the nation were determined to have their voices heard above the din of
2284:, or our empty internal spaces, but in our institutions and our education." Historically, women were thrust into caregiving roles, so most women could not devote time to creating art. In addition, women were rarely allowed entry into schools of art and almost never allowed into live
2546:. After Deming's death in 1984, the organization was renamed as The Barbara Deming Memorial Fund. Today, the foundation is the "oldest ongoing feminist granting agency" which "gives encouragement and grants to individual feminists in the arts (writers, and visual artists)".
2487:, Wilke used herself as the subject. She portrayed herself topless with various pieces of chewed gum in the shape of vulvas arranged throughout her body, metaphorically demonstrating how women in society are chewed up and then spit out. In 1975 in Hungary, Budapest
2747:. The male in Sleigh's painting holds the same reclining pose with his arm up as he regards himself and his beauty in a mirror. Additionally, just as Velasquez would often paint himself in the background of his paintings, Sleigh painted herself in the mirror of
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2468:, with the heads of notable women artists collaged over the heads of Christ and his apostles. This image, addressing the role of religious and art historical iconography in the subordination of women, became "one of the most iconic images of the
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equality in society. The co-founder of the magazine, Gloria Steinem, coined the famous quote, "A woman needs a man like a fish needs a bicycle", which demonstrates the power of independent women; this slogan was frequently used by activists.
2522:, who posed shirtless with chains around his neck as a sign of submission. At this time, the depiction of a dominant woman was highly criticized and in some cases, any female art depicting sexuality was perceived as pornographic.
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Sylvia Sleigh deals with this trope of challenging, gendered spaces, specifically dealing with gendered art in art history. She was a traditional painter, who painted with oil paint on canvas, she idealized the male nude.
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stated in 1980 that feminist art was, "neither a style nor a movement but instead a value system, a revolutionary strategy, a way of life." Emerging at the end of the 1960s, the feminist art movement was inspired by
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made in the 1970s. This mixed media work uses a variety of materials including gold chalices and utensils, embroidered runners and china-painted porcelain plates that is all made up like a dinner party.
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During the 1970s, feminist art continued to provide a means of challenging women's position in the social hierarchy. The aim was for women to reach a state of equilibrium with their male counterparts.
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took a self-portrait depicting her body in such a light. It showed the artist's ageing body and all her flaws in an attempt to portray herself as a human being rather than an idealized sex symbol.
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being a prime example – began to be produced. By the late 1960s, there was a plethora of feminine artwork that broke away from the tradition of depicting women in an exclusively
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and women identified and attempted to fix inequity. Artists used their artwork, protests, collectives, and women's art registries to shed light on inequities in the art-world.
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2612:. Building on earlier examples of feminist art that had incorporated technologies such as video and digital photography, feminist artists in the 1990s experimented with
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Feminist art often contains personal and political elements that are unique to each individual. There have been erroneous theories on the nature of feminist art.
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were government officials that objected to it because they saw it as pornography. Eventually, however, it was put on display in a Center for Feminist Art at the
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for fear of impropriety. Women who were artists were likely either wealthy women with leisure time who were trained by their fathers or uncles and produced
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2648:(1999), combined performance art with streaming video, live chat, and a website to interrogate gender, colonialism, and online consumerism. Works such as
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spread throughout the world, leading to gradual changes in feminist art. The slow and gradual change in feminist art started gaining momentum in 1960s.
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The first wave of feminist art was established in the mid-19th century. After women gained suffrage in the United States in the early 1920s, a wave of
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used subjugation as a form of exposing the position of women in a society that horrified rather than disturbed the audience. In her performance work
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2244:. Feminist art has served as an innovative driving force toward expanding the definition of art by incorporating new media and a new perspective.
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2640:(1996), utilized hypertext and digital images to create a non-linear narrative experience about gender, war, and trauma. Other works, such as
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Photography became a common medium used by feminist artists. It was used, in many ways, to show the "real" woman. For instance, in 1979
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founded The Money for Women Fund to support the work of feminist artists. Deming helped administer the Fund, with support from artist
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remodelling it to remove its intended purpose for the male gaze, the female nude is seen as something other than a desirable object.
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also used photography as her way of expressing a non-traditional representation of the female body. In her 1974 collection called
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2656:(1997) used virtual reality media such as 3D modeling and VRML to satirize the commodification of the body in digital culture.
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Confessions of the Guerrilla Girls / by the Guerrilla Girls (whoever They Really Are) ; with an Essay by Whitney Chadwick
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2446:(1973) decision to legalize abortion, were reflected in the artwork. Such freedoms, however, were not limited to politics.
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perhaps subjugates the ethics of Black feminism while challenging cultural concepts regarding the imago Dei of Black women.
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Rozsika Parker and Griselda Pollock, Framing Feminism: Art and the Women's Movement 1970-85 (New York Pandora Press 1987).
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posters aim to strip the role that women played in the art world prior to the feminist movement. In one case, the painting
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3426:"Cleaning Up the 1970s; The Work of Judy Chicago, Mary Kelly, and Mierle Laderman Ukeles." Rewriting Conceptual Art
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and that is where it lives today. This piece is a great way to learn about these different female figures.
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Throughout the 1970s and ’80s, Ana Mendieta brought an intimate, distinctly feminist approach to land art.
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About 100 years later, Sylvia Sleigh, is playing on that idea. In the foreground, we see her husband
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represents feminist art and political communication of Black feminist and political advocacy of Dr.
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1053:
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912:
871:
852:
847:
756:
722:
702:
689:
650:
645:
640:
613:
513:
452:
354:
88:
44:
5768:
3102:
2503:, underscored certain forms of degradation that popular culture failed to fully acknowledge.
6206:
6116:
5987:
5568:
5563:
5473:
5401:
5396:
5356:
5309:
5284:
5229:
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5019:
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4837:
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4347:
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4241:
4226:
4074:
3935:
3900:
3375:
3213:
2844:
2802:
2785:
2774:
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2605:
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2201:
1931:
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1719:
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1456:
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1233:
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907:
861:
837:
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734:
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545:
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447:
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376:
371:
124:
3343:
104:
6191:
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5910:
5874:
5736:
5190:
5049:
4981:
4857:
4797:
4777:
4735:
4673:
4647:
4635:
4574:
4520:
4468:
4431:
4352:
4315:
4251:
3865:
3844:
2965:
2889:
2685:
2564:
2401:
rebirth of various media that had been placed at the bottom of the aesthetic hierarchy by
2390:
2365:
2337:
2312:
2281:
2225:
2127:
1535:
1344:
1332:
1138:
1078:
1058:
1016:
954:
876:
766:
712:
670:
608:
603:
569:
481:
435:
6358:
3358:"This rebellious female painter of bold nude portraits has been overlooked for a century"
3128:
6310:
6201:
6186:
6106:
5905:
5865:
5704:
5543:
4993:
4842:
4652:
4603:
4453:
4337:
3217:
3076:
2649:
2629:
2617:
2581:
2539:
2344:
2229:
1906:
1349:
1314:
1123:
929:
881:
675:
635:
518:
3955:
and Linda Theung, "Selected Chronology of All-Women Group Exhibitions, 1943-1983," in
3317:
6448:
6340:
6216:
6111:
5979:
5820:
4927:
4887:
4882:
4792:
4586:
4458:
4266:
3225:
3201:
2989:
2984:
2702:
2613:
2597:
2511:
2488:
2397:
2361:
2277:
1208:
1168:
1163:
1073:
815:
778:
403:
398:
73:
3773:
2672:
The creation and publication of the first feminist magazine were published in 1972.
6426:
6378:
6171:
6156:
6151:
6126:
6121:
5885:
5003:
4942:
4877:
4872:
4832:
4782:
4547:
4525:
4384:
4379:
4305:
4271:
3952:
3861:
2961:
2909:
2839:
2813:
2743:
2641:
2633:
2580:
The critique of the male gaze and the objectification of women can also be seen in
2500:
2480:
2476:
2431:
2373:
2305:
2263:
2205:
1359:
1223:
1158:
1153:
1113:
1063:
820:
739:
717:
618:
493:
366:
3104:
Routledge International Encyclopedia of Women: Global Women's Issues and Knowledge
69:
6421:
6353:
6221:
6176:
6166:
6141:
6090:
4557:
4374:
4283:
3870:
The Power of Feminist Art The American Movement of the 1970s: History and Impact
2442:
2402:
2357:
2285:
2180:
2169:
832:
749:
623:
469:
2624:
and coding, interactive art, and streaming media. Artist and feminist theorist
6373:
6320:
6226:
5963:
5029:
4787:
3931:
3816:
2955:
2806:
2601:
2543:
2300:
work or became one of many assistants to other male artists. Examples include
2289:
2237:
1389:
1374:
1068:
17:
6416:
6161:
5024:
4618:
2795:
2621:
2418:
2241:
2189:
1369:
1364:
442:
3696:
Feminism and Contemporary Art: The revolutionary power of women's laughter
2507:
6196:
5069:
4862:
4730:
4473:
4003:
2531:
2413:
2406:
2297:
2267:
2233:
1143:
1011:
574:
96:
3500:. Washington, D.C.: National Museum of Women in the Arts. Archived from
3395:
3379:
2717:
6065:
4236:
2609:
2525:
Unlike Benglis' depiction of dominance to expose inequality in gender,
805:
3572:
2333:
2329:
2192:
understand feminist leadership and advocacy within the 20th century.
3886:
Heartney, E., Posner, H., Princenthal, N., & Scott, S. (2013).
3711:, ed. Claudia Reiche and Verena Kuni (Brooklyn: Autonomeida, 2004).
2859:
2779:
2716:
2195:
2179:
2163:
68:
6267:
3639:
Generations and Geographies in the Visual Arts: Feminist Readings
3525:"Body Horror." An Intimate Distance: Women, Artists, and the Body
3380:"Women, Art, and Ideology: Questions for Feminist Art Historians"
2596:
These are other works of the 1990s have been discussed alongside
2499:
the 'imprint' left behind by the victims of rape) in the case of
3919:
Generations and Geographies in the Visual Arts: Feminist Reading
6271:
5772:
3976:
2828:
still speculations that her husband pushed her out the window.
3895:
Carnal Aesthetics: transgressive imagery and feminist politics
3264:"The Other Art History: The Non-Western Women of Feminist Art"
2380:– part of a larger collection of works she referred to as the
2216:
29:
3888:
After the revolution: women who transformed contemporary art
3972:
3959:. Los Angeles: The Museum of Contemporary Art, 2007. Print.
2280:
wrote, "The fault lies not in our stars, our hormones, our
3735:
Matrixial Subjectivity, Aesthetics, Ethics Vol I 1990-2000
3594:
2491:
under her birth name Drozdik Orsolya as a student at the
3830:
3828:
3826:
3724:(Essais from 1994-1999) (Univ. of Minnesota Press, 2006)
2510:'s work focused on a serious issue, other artists, like
3759:
See chapter on Bindigirl in Mark Tribe and Reena Jana,
2960:
installation and performance space, 1972, organized by
3250:
Framing Feminism: Art and the Women's Movement 1970-85
3175:"Challenge Accepted: Can You Name Five Women Artists?"
2942:
poster, 1973. Photo provided by Sheila de Bretteville.
6033:
Heresies: A Feminist Publication on Art and Politics
4086:
Timeline of women's legal rights (other than voting)
6389:
6339:
6303:
6235:
6099:
6058:
6024:
6006:
5955:
5858:
5829:
5664:
5603:
5596:
5275:
4980:
4664:
4597:
4494:
4214:
4203:
4095:
4062:
4019:
4010:
3292:Mark, Lisa Gabrielle; Butler, Cornelia H. (2007).
2262:Art historians have noted that there is no female
3893:Bettina Papenberg, Marta Zarzycka (eds.) (2017).
3750:(New York: Thames & Hudson, 2003), pp. 113ff.
3101:Cheris Kramarae; Dale Spender (1 December 2000).
3799:Feminism and art history: questioning the litany
3617:"Quickhit: Calling all Feminist Fiction Writers"
3595:"Barbara Deming Memorial Fund, Inc. : Home"
3077:"Feminist Art Movement, Artists and Major Works"
2458:Some Living American Women Artists / Last Supper
2200:The emergence of digital graphic art created by
3774:"Bodies© INCorporated | Net Art Anthology"
3681:New Feminist Art Criticism: Critical Strategies
3411:Gender and Genius: Towards a Feminist Aesthetic
27:Art that reflects women's lives and experiences
3797:Broude, Norma; Garrard, Mary D., eds. (1982).
6283:
5784:
3988:
2769:(1973), is a gender-reversed version of
2563:women's art. With that came the birth of the
2224:painting, to more unorthodox methods such as
2145:
8:
5871:Elizabeth A. Sackler Center for Feminist Art
3653:The New Art History: A Critical Introduction
3294:Wack ! art and the feminist revolution
3248:Rozsika Parker and Griselda Pollock (1987).
2918:Elizabeth A. Sackler Center for Feminist Art
2384:. As with other works from that collection,
6049:Why Have There Been No Great Women Artists?
5849:New York School of Applied Design for Women
3872:. New York: Harry N. Abrams Publishers Inc.
3161:Why Have There Been No Great Women Artists?
2328:. By critiquing institutions that promoted
43:It has been suggested that this article be
6290:
6276:
6268:
5800:Feminist art movement in the United States
5791:
5777:
5769:
5600:
4751:African-American women's suffrage movement
4211:
4016:
3995:
3981:
3973:
3683:. Manchester: Manchester University Press.
3552:: CS1 maint: location missing publisher (
3538:Butler, Cornelia; Gabrielle, Lisa (2007).
3438:: CS1 maint: location missing publisher (
3000:Feminist art movement in the United States
2794:objectify the female form. Therefore, the
2667:Why Have There Been No Great Women Artists
2273:Why Have There Been No Great Women Artists
2258:Feminist art movement in the United States
2152:
2138:
1965:
1337:
1267:
1032:African-American women's suffrage movement
359:
117:
83:
3296:Los Angeles: Museum of contemporary art.
5837:American Association of University Women
4696:Discrimination against transgender women
3940:Madame & Eve. Women Portraying Women
3776:. Anthology.rhizome.org. 27 October 2016
3453:Hein, Hilde; Korsmeyer, Carolyn (1993).
3243:
3241:
3202:"Feminism art and political imagination"
3107:. Taylor & Francis. pp. 92–93.
2864:
977:Discrimination against transgender women
3068:
3047:
2899:
2789:(1862) by Jean-Auguste-Dominique Ingres
2092:
1968:
1405:
502:
419:
235:
198:
165:
95:
3957:Wack!: Art and the Feminist Revolution
3545:
3540:WACK!: Art and the Feminist Revolution
3431:
2600:and cyberfeminist collectives such as
5996:WACK! Art and the Feminist Revolution
5843:National Association of Women Artists
5045:Post-structuralist discourse analysis
4311:Gender-critical or trans-exclusionary
3879:WACK! Art and the Feminist Revolution
3792:
3790:
7:
5937:The Women's Building (San Francisco)
5896:National Museum of Women in the Arts
3473:The Frost Art Museum Drawing Project
3179:National Museum of Women in the Arts
3150:
3148:
3146:
2485:S.O.S - Stratification Object Series
3801:. Routledge, Taylor & Francis.
3615:Dusenbery, Maya (6 December 2010).
3424:Newman, Michael; Bird, Jon (1999).
2638:My Boyfriend Came Back From The War
2184:Images of Feminist leaders such as
5927:Women's Art Resources of Minnesota
3668:. New York: HarperPerennial. 1995.
3455:Aesthetics in Feminist Perspective
3218:10.1111/j.1527-2001.2003.tb01418.x
2586:Your gaze Hits the side of my face
25:
6259:Feminist movements and ideologies
3498:Clara - Database of Women Artists
2741:did in his famous nude painting,
2681:Effect of feminist art on society
5752:
5743:
5742:
5730:
5290:Democratic Republic of the Congo
4706:Diversity, equity, and inclusion
3969:. Ghent: Mer. Papers Kunsthalle.
3905:Visual Politics of Pychoanalysis
2947:
2928:
2914:Between the Door and the Street,
2902:
2121:
1653:Democratic Republic of the Congo
987:Diversity, equity, and inclusion
103:
34:
5901:New York Feminist Art Institute
2396:Towards the end of the decade,
6248:Women in the art history field
5932:Woman's Building (Los Angeles)
2493:Hungarian Academy of Fine Arts
2085:Women's suffrage organizations
1:
5916:Washington Women's Art Center
3709:Cyberfeminism: Next Protocols
3409:Battersby, Christine (1989).
3200:Mullin, Amy (November 2003).
2771:Jean Auguste Dominique Ingres
2574:Jean-Auguste-Dominique Ingres
5956:Exhibitions or installations
5652:Suffragists and suffragettes
3567:Barbara Deming; Mary Meigs.
3523:Betterton, Rosemary (1996).
2916:2013, Creative Time and the
2737:takes on the same form that
2070:Suffragists and suffragettes
2000:American feminist literature
60:Proposed since January 2024.
6081:Women Artists in Revolution
5921:Women Artists in Revolution
3921:. London and NY: Routledge
3015:Women Artists of Bangladesh
2168:Black male feminist artist
1310:Views on transgender topics
1300:Views on sexual orientation
6496:
3967:Women's Work is Never Done
3737:(Pelgrave Macmillan, 2020)
3637:Pollock, Griselda (1996).
3457:. Bloomington: Indiana UP.
3413:. Indiana UP: Bloomington.
3252:. New York: Pandora Press.
3131:. The Art Story Foundation
2628:developed the idea of the
2251:
6256:
5806:
5724:
4726:Female genital mutilation
4130:Majority-Muslim countries
3917:Griselda Pollock (1996).
3722:The Matrixial Borderspace
3384:Women's Studies Quarterly
3234:– via ResearchGate.
2775:painting of the same name
2101:Women's rights by country
1007:Female genital mutilation
6243:List of feminist artists
6041:The Feminist Art Journal
5699:Women's studies journals
5657:Women's rights activists
4206:Movements and ideologies
3679:Deepwell, Kathy (1995).
3005:List of feminist artists
2106:Feminists by nationality
2080:Women's studies journals
2075:Women's rights activists
793:Movements and ideologies
5947:Women's Studio Workshop
5942:Women's Interart Center
5859:Venues or organizations
5242:International relations
3694:Isaak, Jo Anne (1996).
3155:Nochlin, Linda (1973).
3129:"Feminist art movement"
2735:Philip Golub Reclining,
2693:Example of feminist art
1494:International relations
355:Intersectional variants
6331:Manic Pixie Dream Girl
6086:Women's Caucus for Art
6007:Films or documentaries
5881:Feminist Art Coalition
5672:Conservative feminisms
4970:Women in the workforce
4938:Violence against women
4913:Sexual objectification
4873:Opposition to feminism
4070:Bicycling and feminism
3876:Connie Butler (2007).
2922:Brooklyn Museum of Art
2876:
2869:
2790:
2749:Philip Golub Reclining
2730:
2707:Philip Golub Reclining
2660:Promoting feminist art
2632:. Some works, such as
2382:aggregation sculptures
2209:
2193:
2177:
2020:Conservative feminisms
1275:Bicycling and feminism
1251:Women in the workforce
1219:Violence against women
1194:Sexual objectification
1154:Opposition to feminism
411:Vegetarian ecofeminism
81:
6015:!Women Art Revolution
5816:Feminist art movement
5712:Women in peacekeeping
5252:Revisionist mythology
4689:Children's literature
3733:Ettinger, Bracha L.,
3720:Ettinger, Bracha L.,
3035:British women artists
2995:Feminist art movement
2936:Sheila de Bretteville
2868:
2863:
2783:
2720:
2470:feminist art movement
2322:civil rights movement
2254:Feminist art movement
2199:
2183:
2167:
2050:Feminist rhetoricians
2040:Feminist philosophers
1592:Revisionist mythology
1295:Views on prostitution
1280:Criticism of marriage
970:Children's literature
72:
50:Feminist art movement
5154:Pathways perspective
4999:Gender mainstreaming
4918:Substantive equality
4898:Reproductive justice
4848:Matriarchal religion
4701:Diversity (politics)
3698:. London: Routledge.
3641:. london: Routledge.
3527:. London: Routledge.
3163:. New York: Collier.
3030:French women artists
3020:Women in photography
2970:Feminist Art Program
2807:Old Master paintings
2654:Bodies© INCorporated
2560:Museum of Modern Art
2460:(1972) appropriated
2372:integrity. In 1963,
2326:Second-wave feminism
2302:Anna Claypoole Peale
2286:nude drawing classes
2219:associated with the
2188:can help readers of
2174:The Holy Virgin Mary
2030:Feminist art critics
2005:Feminist comic books
1962:Lists and categories
1641:By continent/country
1472:Pathways perspective
1355:Gender mainstreaming
1290:Views on pornography
1199:Substantive equality
1179:Reproductive justice
1129:Matriarchal religion
982:Diversity (politics)
918:Political lesbianism
228:Other women's rights
6147:Helen Frankenthaler
5891:Lesbian Art Project
5737:Feminism portal
5617:Ecofeminist authors
5467:Trinidad and Tobago
5407:Republic of Ireland
5267:Composition studies
4948:Women's empowerment
4903:Sex workers' rights
4828:Feminist capitalism
4808:Internalized sexism
4741:Feminism in culture
4619:Kurdish (Jineology)
3963:Catherine de Zegher
3575:on December 6, 2012
3494:"Mary Beth Adelson"
3469:"Mary Beth Edelson"
3181:. February 27, 2017
3010:Postmodern feminism
2570:La Grande Odalisque
2240:, video, film, and
2128:Feminism portal
2035:Feminist economists
2025:Ecofeminist authors
1830:Trinidad and Tobago
1770:Republic of Ireland
1462:Composition studies
1229:Women's empowerment
1184:Sex workers' rights
1109:Feminist capitalism
1089:Internalized sexism
1022:Feminism in culture
130:History of feminism
78:Beauty Interrupted,
6434:Literary criticism
6212:Carolee Schneemann
5972:Three Weeks in May
5112:Literary criticism
4989:Complementarianism
4711:Effects on society
4679:Complementarianism
4486:Women's liberation
3504:on 10 January 2014
3346:. 7 February 2015.
3344:"Is Art Feminine?"
2877:
2870:
2791:
2731:
2626:Bracha L. Ettinger
2210:
2194:
2178:
1440:Literary criticism
1305:Views on sexuality
992:Effects on society
960:Complementarianism
935:Women's liberation
690:Religious variants
664:trans-exclusionary
382:Radical lesbianism
82:
6442:
6441:
6410:Johanson analysis
6364:Female buddy film
6326:Celluloid ceiling
6265:
6264:
6137:Mary Beth Edelson
6132:Elaine de Kooning
5980:The Sister Chapel
5766:
5765:
5720:
5719:
5129:Political ecology
5035:Écriture féminine
4933:Triple oppression
4923:Toxic masculinity
4908:Sexual harassment
4768:Feminist stripper
4746:Feminist movement
4660:
4659:
4598:Ethnic and racial
4199:
4198:
3948:978-1-78627-156-3
3913:978-1-78076-316-3
3890:. Prestel Verlag.
3843:Norma Broude and
3808:978-0-429-50053-4
3746:Christiane Paul,
3651:Harris, Jonathan
3619:. Feministing.com
3376:Pollock, Griselda
3303:978-0-914357-99-5
3114:978-0-415-92088-9
3025:Women Surrealists
2875: (1974–1979)
2462:Leonardo da Vinci
2454:Mary Beth Edelson
2221:feminist movement
2215:is a category of
2186:Elena Poniatowska
2162:
2161:
2113:
2112:
1632:
1631:
1622:womanist theology
1565:Political ecology
1396:Écriture féminine
1323:
1322:
1214:Triple oppression
1204:Toxic masculinity
1189:Sexual harassment
1049:Feminist stripper
1027:Feminist movement
583:
582:
514:Africana womanism
345:
344:
67:
66:
62:
16:(Redirected from
6487:
6470:Feminist theatre
6465:Feminist artists
6460:Contemporary art
6292:
6285:
6278:
6269:
6207:Rachel Rosenthal
6182:Georgia O'Keeffe
6117:Louise Bourgeois
5988:The Dinner Party
5793:
5786:
5779:
5770:
5756:
5755:
5746:
5745:
5735:
5734:
5733:
5601:
5584:History of women
5060:Political theory
4960:
4953:Women-only space
4838:Likeability trap
4803:Invisible labour
4721:Female education
4212:
4207:
4167:African-American
4097:Women's suffrage
4088:
4075:Feminist history
4017:
3997:
3990:
3983:
3974:
3936:Kathleen Soriano
3901:Griselda Pollock
3873:
3848:
3841:
3835:
3832:
3821:
3820:
3794:
3785:
3784:
3782:
3781:
3770:
3764:
3763:(Taschen, 2007).
3757:
3751:
3744:
3738:
3731:
3725:
3718:
3712:
3706:
3700:
3699:
3691:
3685:
3684:
3676:
3670:
3669:
3662:
3656:
3655:Routledge, 2001.
3649:
3643:
3642:
3634:
3628:
3627:
3625:
3624:
3612:
3606:
3605:
3603:
3602:
3597:. Demingfund.org
3591:
3585:
3584:
3582:
3580:
3571:. Archived from
3564:
3558:
3557:
3551:
3543:
3535:
3529:
3528:
3520:
3514:
3513:
3511:
3509:
3490:
3484:
3483:
3481:
3479:
3465:
3459:
3458:
3450:
3444:
3443:
3437:
3429:
3421:
3415:
3414:
3406:
3400:
3399:
3372:
3366:
3365:
3354:
3348:
3347:
3340:
3334:
3333:
3331:
3329:
3314:
3308:
3307:
3289:
3283:
3282:
3280:
3279:
3270:. Archived from
3260:
3254:
3253:
3245:
3236:
3235:
3233:
3232:
3197:
3191:
3190:
3188:
3186:
3171:
3165:
3164:
3152:
3141:
3140:
3138:
3136:
3125:
3119:
3118:
3098:
3092:
3091:
3089:
3087:
3073:
3056:
3052:
2951:
2932:
2906:
2873:The Dinner Party
2854:The Dinner Party
2845:The Dinner Party
2833:The Tree of Life
2818:The Tree of Life
2803:Lawrence Alloway
2786:The Turkish Bath
2766:The Turkish Bath
2757:The Turkish Bath
2744:The Rokeby Venus
2723:The Rokeby Venus
2606:Old Boys Network
2527:Marina Abramović
2437:The Dinner Party
2318:student activism
2282:menstrual cycles
2154:
2147:
2140:
2126:
2125:
2124:
2065:Feminist parties
2060:Muslim feminists
2055:Jewish feminists
1966:
1947:History of women
1570:Political theory
1338:
1268:
1241:
1234:Women-only space
1119:Likeability trap
1084:Invisible labour
1002:Female education
811:Anti-pornography
666:
665:
661:
377:Lesbian of color
360:
237:Women's suffrage
213:Muslim countries
208:Women's suffrage
125:Feminist history
118:
107:
84:
58:
38:
37:
30:
21:
6495:
6494:
6490:
6489:
6488:
6486:
6485:
6484:
6475:Feminist theory
6445:
6444:
6443:
6438:
6385:
6335:
6299:
6296:
6266:
6261:
6252:
6231:
6192:Louise Nevelson
6095:
6071:Guerrilla Girls
6054:
6020:
6002:
5951:
5911:tArt Collective
5875:Brooklyn Museum
5854:
5825:
5802:
5797:
5767:
5762:
5753:
5731:
5729:
5716:
5660:
5592:
5591:
5590:
5499:Northern Cyprus
5271:
5262:Science fiction
5055:Oedipus complex
5015:Women's studies
4976:
4975:
4974:
4958:
4868:Oedipus complex
4858:Men in feminism
4823:Language reform
4798:Ideal womanhood
4778:Gender equality
4773:Formal equality
4736:Feminationalism
4674:Cognitive labor
4656:
4624:Native American
4593:
4592:
4591:
4490:
4400:Post-structural
4205:
4195:
4091:
4084:
4080:Women's history
4058:
4006:
4001:
3866:Mary D. Garrard
3860:
3857:
3855:Further reading
3852:
3851:
3845:Mary D. Garrard
3842:
3838:
3833:
3824:
3809:
3796:
3795:
3788:
3779:
3777:
3772:
3771:
3767:
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3732:
3728:
3719:
3715:
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3703:
3693:
3692:
3688:
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3646:
3636:
3635:
3631:
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3614:
3613:
3609:
3600:
3598:
3593:
3592:
3588:
3578:
3576:
3566:
3565:
3561:
3544:
3537:
3536:
3532:
3522:
3521:
3517:
3507:
3505:
3492:
3491:
3487:
3477:
3475:
3467:
3466:
3462:
3452:
3451:
3447:
3430:
3423:
3422:
3418:
3408:
3407:
3403:
3374:
3373:
3369:
3356:
3355:
3351:
3342:
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3337:
3327:
3325:
3324:. 30 March 2024
3316:
3315:
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3304:
3291:
3290:
3286:
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3275:
3262:
3261:
3257:
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3246:
3239:
3230:
3228:
3199:
3198:
3194:
3184:
3182:
3173:
3172:
3168:
3154:
3153:
3144:
3134:
3132:
3127:
3126:
3122:
3115:
3100:
3099:
3095:
3085:
3083:
3081:theartstory.org
3075:
3074:
3070:
3065:
3060:
3059:
3053:
3049:
3044:
3039:
2980:
2973:
2966:Miriam Schapiro
2952:
2943:
2933:
2924:
2907:
2898:
2890:Brooklyn Museum
2755:Sylvia Sleigh,
2728:Diego Velázquez
2726:(1647–1651) by
2695:
2686:Lucy R. Lippard
2683:
2662:
2594:
2565:Guerrilla Girls
2552:
2466:The Last Supper
2428:
2391:Suzanne Valadon
2353:
2338:people of color
2313:Lucy R. Lippard
2270:equivalent. In
2260:
2252:Main articles:
2250:
2226:performance art
2158:
2122:
2120:
2115:
2114:
2016:
1963:
1955:
1954:
1953:
1862:Northern Cyprus
1642:
1634:
1633:
1628:
1450:Science fiction
1401:
1380:Women's studies
1345:Feminist method
1335:
1325:
1324:
1319:
1265:
1257:
1256:
1255:
1239:
1149:Oedipus complex
1139:Men in feminism
1104:Language reform
1079:Ideal womanhood
1059:Gender equality
1054:Formal equality
1017:Feminationalism
955:Cognitive labor
949:
941:
940:
939:
896:Post-structural
795:
785:
784:
783:
692:
682:
681:
680:
663:
660:Gender-critical
659:
658:
609:Femonationalism
593:
585:
584:
579:
558:Native American
498:
453:Critical theory
415:
357:
347:
346:
341:
296:Second Republic
224:
194:
161:
135:Women's history
115:
63:
39:
35:
28:
23:
22:
15:
12:
11:
5:
6493:
6491:
6483:
6482:
6477:
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6462:
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6447:
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6440:
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6429:
6424:
6419:
6412:
6407:
6402:
6396:
6394:
6387:
6386:
6384:
6383:
6382:
6381:
6376:
6366:
6361:
6356:
6351:
6349:Women's cinema
6345:
6343:
6337:
6336:
6334:
6333:
6328:
6323:
6318:
6313:
6311:Hawksian woman
6307:
6305:
6301:
6300:
6298:Women in media
6297:
6295:
6294:
6287:
6280:
6272:
6263:
6262:
6257:
6254:
6253:
6251:
6250:
6245:
6239:
6237:
6233:
6232:
6230:
6229:
6224:
6219:
6214:
6209:
6204:
6202:M. C. Richards
6199:
6194:
6189:
6187:Barbara Kruger
6184:
6179:
6174:
6169:
6164:
6159:
6154:
6149:
6144:
6139:
6134:
6129:
6124:
6119:
6114:
6109:
6107:Alison Bechdel
6103:
6101:
6097:
6096:
6094:
6093:
6088:
6083:
6078:
6076:The Waitresses
6073:
6068:
6062:
6060:
6056:
6055:
6053:
6052:
6045:
6037:
6028:
6026:
6022:
6021:
6019:
6018:
6010:
6008:
6004:
6003:
6001:
6000:
5992:
5984:
5976:
5968:
5959:
5957:
5953:
5952:
5950:
5949:
5944:
5939:
5934:
5929:
5924:
5918:
5913:
5908:
5906:SOHO20 Gallery
5903:
5898:
5893:
5888:
5883:
5878:
5868:
5866:A.I.R. Gallery
5862:
5860:
5856:
5855:
5853:
5852:
5846:
5840:
5833:
5831:
5827:
5826:
5824:
5823:
5818:
5813:
5807:
5804:
5803:
5798:
5796:
5795:
5788:
5781:
5773:
5764:
5763:
5761:
5760:
5750:
5740:
5725:
5722:
5721:
5718:
5717:
5715:
5714:
5709:
5705:SCUM Manifesto
5701:
5696:
5691:
5690:
5689:
5684:
5674:
5668:
5666:
5662:
5661:
5659:
5654:
5649:
5644:
5639:
5634:
5629:
5624:
5619:
5614:
5609:
5607:
5598:
5594:
5593:
5589:
5588:
5587:
5586:
5576:
5574:United Kingdom
5571:
5566:
5561:
5556:
5551:
5546:
5541:
5536:
5531:
5526:
5521:
5516:
5511:
5506:
5501:
5496:
5491:
5486:
5481:
5476:
5471:
5470:
5469:
5464:
5459:
5454:
5449:
5444:
5439:
5434:
5424:
5419:
5414:
5409:
5404:
5399:
5394:
5389:
5384:
5379:
5374:
5369:
5364:
5359:
5354:
5349:
5344:
5339:
5334:
5329:
5328:
5327:
5322:
5317:
5312:
5307:
5302:
5297:
5292:
5281:
5280:
5279:
5277:
5273:
5272:
5270:
5269:
5264:
5259:
5254:
5249:
5247:Existentialism
5244:
5239:
5234:
5233:
5232:
5222:
5217:
5216:
5215:
5210:
5205:
5203:Existentialism
5200:
5199:
5198:
5196:Justice ethics
5188:
5183:
5178:
5168:
5163:
5158:
5157:
5156:
5146:
5141:
5136:
5131:
5126:
5121:
5120:
5119:
5114:
5109:
5099:
5094:
5089:
5084:
5079:
5078:
5077:
5072:
5062:
5057:
5052:
5047:
5042:
5037:
5032:
5027:
5022:
5017:
5012:
5006:
5001:
4996:
4994:Gender studies
4991:
4986:
4984:
4978:
4977:
4973:
4972:
4967:
4965:Women's rights
4962:
4959:Women's health
4955:
4950:
4945:
4940:
4935:
4930:
4925:
4920:
4915:
4910:
4905:
4900:
4895:
4890:
4885:
4880:
4875:
4870:
4865:
4860:
4855:
4850:
4845:
4843:Male privilege
4840:
4835:
4830:
4825:
4820:
4812:International
4810:
4805:
4800:
4795:
4790:
4785:
4780:
4775:
4770:
4765:
4764:
4763:
4758:
4753:
4743:
4738:
4733:
4728:
4723:
4718:
4713:
4708:
4703:
4698:
4693:
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4691:
4681:
4676:
4670:
4669:
4668:
4666:
4662:
4661:
4658:
4657:
4655:
4650:
4645:
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4633:
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4626:
4621:
4611:
4606:
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4572:
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4562:
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4533:
4528:
4523:
4513:
4508:
4502:
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4471:
4466:
4461:
4456:
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4445:
4444:
4434:
4429:
4424:
4419:
4414:
4409:
4408:
4407:
4397:
4392:
4387:
4382:
4377:
4372:
4367:
4362:
4357:
4356:
4355:
4345:
4340:
4335:
4330:
4329:
4328:
4318:
4313:
4308:
4303:
4298:
4293:
4292:
4291:
4281:
4276:
4275:
4274:
4264:
4259:
4254:
4249:
4244:
4239:
4234:
4229:
4224:
4218:
4216:
4209:
4201:
4200:
4197:
4196:
4194:
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4192:
4191:
4190:
4189:
4184:
4179:
4169:
4164:
4154:
4153:
4152:
4145:United Kingdom
4142:
4137:
4132:
4127:
4122:
4117:
4112:
4107:
4101:
4099:
4093:
4092:
4090:
4089:
4082:
4077:
4072:
4066:
4064:
4060:
4059:
4057:
4056:
4051:
4046:
4045:
4044:
4034:
4029:
4023:
4021:
4014:
4008:
4007:
4002:
4000:
3999:
3992:
3985:
3977:
3971:
3970:
3960:
3950:
3929:
3915:
3903:(ed.) (2013).
3898:
3891:
3884:
3883:The MIT Press.
3874:
3856:
3853:
3850:
3849:
3836:
3822:
3807:
3786:
3765:
3752:
3739:
3726:
3713:
3701:
3686:
3671:
3657:
3644:
3629:
3607:
3586:
3569:"Our Founders"
3559:
3542:. Los Angeles.
3530:
3515:
3485:
3460:
3445:
3416:
3401:
3367:
3349:
3335:
3309:
3302:
3284:
3255:
3237:
3212:(4): 189–213.
3192:
3166:
3142:
3120:
3113:
3093:
3067:
3066:
3064:
3061:
3058:
3057:
3046:
3045:
3043:
3040:
3038:
3037:
3032:
3027:
3022:
3017:
3012:
3007:
3002:
2997:
2992:
2987:
2981:
2979:
2976:
2975:
2974:
2972:in Fresno, CA.
2953:
2946:
2944:
2934:
2927:
2925:
2908:
2901:
2897:
2894:
2871:Judy Chicago,
2852:Judy Chicago,
2831:In her piece,
2733:Her painting,
2694:
2691:
2682:
2679:
2661:
2658:
2650:Victoria Vesna
2630:Matrixial Gaze
2618:World Wide Web
2616:, such as the
2593:
2590:
2582:Barbara Kruger
2551:
2548:
2540:Barbara Deming
2427:
2424:
2416:'s 1964 work,
2352:
2349:
2345:liberalization
2249:
2246:
2230:conceptual art
2160:
2159:
2157:
2156:
2149:
2142:
2134:
2131:
2130:
2117:
2116:
2111:
2110:
2109:
2108:
2103:
2095:
2094:
2090:
2089:
2088:
2087:
2082:
2077:
2072:
2067:
2062:
2057:
2052:
2047:
2045:Feminist poets
2042:
2037:
2032:
2027:
2022:
2015:
2014:
2012:Feminist songs
2009:
2008:
2007:
2002:
1992:
1991:
1990:
1988:by nationality
1980:
1974:
1971:
1970:
1964:
1961:
1960:
1957:
1956:
1952:
1951:
1950:
1949:
1939:
1937:United Kingdom
1934:
1929:
1924:
1919:
1914:
1909:
1904:
1899:
1894:
1889:
1884:
1879:
1874:
1869:
1864:
1859:
1854:
1849:
1844:
1839:
1834:
1833:
1832:
1827:
1822:
1817:
1812:
1807:
1802:
1797:
1787:
1782:
1777:
1772:
1767:
1762:
1757:
1752:
1747:
1742:
1737:
1732:
1727:
1722:
1717:
1712:
1707:
1702:
1697:
1692:
1691:
1690:
1685:
1680:
1675:
1670:
1665:
1660:
1655:
1644:
1643:
1640:
1639:
1636:
1635:
1630:
1629:
1627:
1626:
1625:
1624:
1614:
1609:
1604:
1599:
1594:
1589:
1588:
1587:
1577:
1572:
1567:
1562:
1561:
1560:
1555:
1550:
1548:Existentialism
1545:
1544:
1543:
1541:Justice ethics
1533:
1528:
1523:
1513:
1508:
1503:
1502:
1501:
1499:Constructivism
1491:
1486:
1481:
1476:
1475:
1474:
1464:
1459:
1454:
1453:
1452:
1447:
1442:
1437:
1427:
1422:
1417:
1411:
1408:
1407:
1406:Areas of study
1403:
1402:
1400:
1399:
1392:
1387:
1382:
1377:
1372:
1367:
1362:
1357:
1352:
1350:Gender studies
1347:
1341:
1336:
1331:
1330:
1327:
1326:
1321:
1320:
1318:
1317:
1315:SCUM Manifesto
1312:
1307:
1302:
1297:
1292:
1287:
1282:
1277:
1271:
1266:
1263:
1262:
1259:
1258:
1254:
1253:
1248:
1246:Women's rights
1243:
1240:Women's health
1236:
1231:
1226:
1221:
1216:
1211:
1206:
1201:
1196:
1191:
1186:
1181:
1176:
1171:
1166:
1161:
1156:
1151:
1146:
1141:
1136:
1131:
1126:
1124:Male privilege
1121:
1116:
1111:
1106:
1101:
1093:International
1091:
1086:
1081:
1076:
1071:
1066:
1061:
1056:
1051:
1046:
1045:
1044:
1039:
1034:
1024:
1019:
1014:
1009:
1004:
999:
994:
989:
984:
979:
974:
973:
972:
962:
957:
951:
950:
947:
946:
943:
942:
938:
937:
932:
930:Technofeminism
927:
926:
925:
920:
915:
905:
904:
903:
893:
888:
887:
886:
885:
884:
874:
869:
859:
858:
857:
856:
855:
840:
835:
830:
829:
828:
823:
813:
808:
803:
797:
796:
791:
790:
787:
786:
782:
781:
776:
775:
774:
764:
759:
754:
753:
752:
747:
742:
732:
731:
730:
725:
720:
715:
705:
700:
694:
693:
688:
687:
684:
683:
679:
678:
673:
668:
655:
654:
653:
648:
643:
633:
628:
627:
626:
616:
611:
606:
601:
595:
594:
592:Other variants
591:
590:
587:
586:
581:
580:
578:
577:
572:
567:
562:
561:
560:
550:
549:
548:
538:
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536:
531:
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516:
510:
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417:
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369:
363:
358:
353:
352:
349:
348:
343:
342:
340:
339:
338:
337:
327:
326:
325:
320:
318:Cayman Islands
313:United Kingdom
310:
305:
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303:
298:
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285:
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275:
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196:
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6480:Political art
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6400:Art criticism
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6341:Women in film
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6217:Cindy Sherman
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6112:Lynda Benglis
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6100:Notable women
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5821:Women artists
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5427:Latin America
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5257:Technoscience
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5107:Art criticism
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4928:Transmisogyny
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4888:Purplewashing
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4883:Protofeminism
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4464:Transnational
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4333:Individualist
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4232:Anti-abortion
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4157:United States
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3927:0-415-14128-1
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3907:. I.B.Tauris
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3897:. I.B.Tauris.
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3761:New Media Art
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3579:September 25,
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3274:on 2018-03-03
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2990:Cyberfeminism
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2763:The painting
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2703:Sylvia Sleigh
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2614:digital media
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2598:cyberfeminism
2591:
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2578:
2575:
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2561:
2558:In 1985, the
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2520:Robert Morris
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2512:Lynda Benglis
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2489:Orshi Drozdik
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2278:Linda Nochlin
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1615:
1613:
1612:Technoscience
1610:
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1435:Art criticism
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1385:Men's studies
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1285:Views on BDSM
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1210:
1209:Transmisogyny
1207:
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1197:
1195:
1192:
1190:
1187:
1185:
1182:
1180:
1177:
1175:
1172:
1170:
1169:Purplewashing
1167:
1165:
1164:Protofeminism
1162:
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1077:
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1074:Honor killing
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865:
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854:
851:
850:
849:
846:
845:
844:
843:Individualist
841:
839:
836:
834:
831:
827:
824:
822:
819:
818:
817:
816:Cyberfeminism
814:
812:
809:
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632:
629:
625:
622:
621:
620:
617:
615:
612:
610:
607:
605:
602:
600:
599:Anti-abortion
597:
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589:
588:
576:
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571:
568:
566:
563:
559:
556:
555:
554:
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547:
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520:
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512:
511:
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504:Multicultural
501:
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487:Transnational
485:
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412:
409:
405:
404:Postgenderism
402:
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399:Transfeminism
397:
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330:United States
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283:Liechtenstein
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86:
85:
79:
75:
74:Mary Schepisi
71:
61:
56:
52:
51:
46:
41:
32:
31:
19:
18:Feminist film
6455:Feminist art
6427:Bechdel test
6391:Feminist art
6390:
6379:Scream queen
6359:Woman's film
6172:Jane Kaufman
6157:Nancy Graves
6152:Mary Garrard
6127:Judy Chicago
6122:Norma Broude
6039:
6031:
6025:Publications
6013:
5994:
5986:
5978:
5970:
5962:
5886:Hera Gallery
5811:Feminist art
5810:
5728:
5703:
5647:Rhetoricians
5637:Philosophers
5529:Saudi Arabia
5325:South Africa
5186:Epistemology
5139:Anthropology
5134:Architecture
5101:
5097:Legal theory
5004:Gynocentrism
4943:War on women
4878:Pro-feminism
4833:Gender-blind
4783:Gender quota
4756:Art movement
4548:Dianic Wicca
4427:Sex-positive
4390:Postcolonial
4257:Conservative
4237:Anti-fascist
3966:
3956:
3953:Jenni Sorkin
3939:
3918:
3904:
3894:
3887:
3877:
3869:
3862:Norma Broude
3839:
3798:
3778:. Retrieved
3768:
3760:
3755:
3747:
3742:
3734:
3729:
3721:
3716:
3708:
3704:
3695:
3689:
3680:
3674:
3665:
3660:
3652:
3647:
3638:
3632:
3621:. Retrieved
3610:
3599:. Retrieved
3589:
3577:. Retrieved
3573:the original
3562:
3539:
3533:
3524:
3518:
3506:. Retrieved
3502:the original
3497:
3488:
3476:. Retrieved
3472:
3463:
3454:
3448:
3425:
3419:
3410:
3404:
3390:(1/2): 2–9.
3387:
3383:
3370:
3361:
3352:
3338:
3326:. Retrieved
3321:
3312:
3293:
3287:
3276:. Retrieved
3272:the original
3267:
3258:
3249:
3229:. Retrieved
3209:
3205:
3195:
3183:. Retrieved
3178:
3169:
3160:
3157:Hess, Thomas
3133:. Retrieved
3123:
3103:
3096:
3084:. Retrieved
3080:
3071:
3050:
2985:Art+Feminism
2962:Judy Chicago
2954:
2939:
2913:
2910:Suzanne Lacy
2886:
2882:
2878:
2872:
2853:
2851:
2843:
2840:Judy Chicago
2838:
2837:
2832:
2830:
2826:
2823:
2817:
2814:Ana Mendieta
2812:
2811:
2800:
2792:
2784:
2764:
2762:
2756:
2754:
2753:
2748:
2742:
2734:
2732:
2721:
2712:
2706:
2701:
2700:
2696:
2684:
2673:
2671:
2666:
2663:
2653:
2645:
2642:Prema Murthy
2637:
2634:Olia Lialina
2595:
2585:
2579:
2569:
2557:
2553:
2537:
2530:
2524:
2515:
2508:Ana Mendieta
2505:
2501:Ana Mendieta
2497:
2484:
2481:Hannah Wilke
2477:Judith Black
2474:
2465:
2457:
2452:
2448:
2441:
2435:
2432:Judy Chicago
2429:
2417:
2411:
2395:
2385:
2381:
2377:
2374:Yayoi Kusama
2370:
2354:
2342:
2310:
2306:Mary Cassatt
2271:
2264:Michelangelo
2261:
2213:Feminist art
2212:
2211:
2206:Angela Davis
1892:Saudi Arabia
1688:South Africa
1531:Epistemology
1506:Legal theory
1429:
1425:Architecture
1415:Anthropology
1394:
1360:Gynocentrism
1224:War on women
1159:Pro-feminism
1114:Gender-blind
1064:Gender quota
1037:Art movement
806:Anti-fascist
740:Dianic Wicca
619:Postfeminism
494:Xenofeminism
477:Postcolonial
394:Sex-positive
77:
59:
48:
6422:Female gaze
6405:Film theory
6354:Chick flick
6222:Alma Thomas
6177:Lee Krasner
6167:Lila Katzen
6142:Suzi Ferrer
6091:Where We At
6044:(1972–1977)
6036:(1977–1992)
5983:(1974–1978)
5687:Comic books
5612:Art critics
5534:South Korea
5514:Philippines
5494:New Zealand
5489:Netherlands
5220:Pornography
5208:Metaphysics
5149:Criminology
5144:Archaeology
5117:Film theory
4818:Women's Day
4558:Ecofeminist
4417:Reactionary
4365:Materialist
4140:Switzerland
4135:New Zealand
4054:Fourth-wave
4037:Second-wave
3748:Digital Art
3185:February 9,
2848:(1974–1979)
2798:enjoys it.
2796:male viewer
2674:Ms Magazine
2443:Roe v. Wade
2403:art history
2398:progressive
2366:objectified
2358:pin-up girl
2290:still lives
2170:Chris Ofili
1897:South Korea
1877:Philippines
1857:New Zealand
1852:Netherlands
1575:Pornography
1553:Metaphysics
1467:Criminology
1445:Film theory
1420:Archaeology
1099:Women's Day
891:Libertarian
833:Ecofeminism
750:Ecofeminist
631:Reactionary
624:Neofeminism
565:Multiracial
470:Ecofeminist
465:Materialist
308:Switzerland
288:New Zealand
6449:Categories
6374:Final girl
6321:Jouissance
6227:June Wayne
5964:Womanhouse
5830:Precursors
5677:Literature
5622:Economists
5342:Bangladesh
5276:By country
5225:Psychology
5181:Empiricism
5176:Aesthetics
5171:Philosophy
5030:Patriarchy
5010:Matriarchy
4814:Girl's Day
4788:Girl power
4761:In hip hop
4684:Literature
4614:Indigenous
4553:Reclaiming
4449:Standpoint
4422:Separatism
4395:Postmodern
4289:Vegetarian
4279:Difference
4222:Analytical
4049:Third-wave
4032:First-wave
3932:Liz Rideal
3817:1028731181
3780:2020-05-30
3623:2015-09-25
3601:2015-09-25
3508:10 January
3478:11 January
3322:Walker Art
3318:"Oven-Pan"
3278:2019-03-17
3231:2022-01-15
3135:13 January
3063:References
2956:Womanhouse
2602:VNS Matrix
2544:Mary Meigs
2405:, such as
2362:sexualized
2294:landscapes
2238:craftivism
2093:Categories
1995:Literature
1705:Bangladesh
1580:Psychology
1526:Empiricism
1521:Aesthetics
1516:Philosophy
1390:Patriarchy
1375:Matriarchy
1095:Girl's Day
1069:Girl power
1042:In hip hop
965:Literature
923:Separatist
901:Postmodern
867:Difference
801:Analytical
745:Reclaiming
553:Indigenous
458:Standpoint
387:Separatist
239:by country
6417:Male gaze
6316:Seriality
6162:Eva Hesse
5432:Argentina
5392:Indonesia
5382:Hong Kong
5337:Australia
5237:Seriality
5161:Geography
5087:Sociology
5040:Economics
5025:Kyriarchy
4516:Christian
4496:Religious
4437:Socialist
4227:Anarchist
4172:States of
4110:Australia
3548:cite book
3434:cite book
3428:. London.
3226:143993527
2968:, at the
2739:Velasquez
2646:Bindigirl
2622:hypertext
2538:In 1975,
2434:'s work,
2419:Cut Piece
2368:fashion.
2242:fiber art
2190:Knowledge
1983:Feminists
1795:Argentina
1755:Indonesia
1745:Hong Kong
1700:Australia
1607:Sociology
1489:Geography
1479:Economics
1370:Male gaze
1365:Kyriarchy
826:Networked
708:Christian
443:Jineology
431:Anarchist
421:Socialist
301:Francoist
253:Australia
199:Timelines
6197:Yoko Ono
6051:" (1971)
5748:Category
5682:American
5554:Thailand
5509:Pakistan
5479:Malaysia
5462:Paraguay
5452:Honduras
5300:Ethiopia
5166:Pedagogy
5092:Rhetoric
5082:Sexology
5075:Womanist
5070:Thealogy
5065:Theology
4863:Misogyny
4731:Femicide
4716:Equality
4665:Concepts
4580:Orthodox
4543:Neopagan
4531:Womanist
4511:Buddhist
4479:Africana
4474:Womanism
4370:Maternal
4360:Lipstick
4326:Activism
4296:Equality
4262:Cultural
4247:Carceral
4182:Virginia
4162:Timeline
4105:Timeline
4042:timeline
4027:Timeline
4004:Feminism
3965:(2015).
3938:(2018).
3868:(1994).
3396:40004832
3378:(1987).
3328:30 March
3268:Artspace
2978:See also
2532:Rhythm 0
2516:Artforum
2414:Yoko Ono
2407:quilting
2386:Oven-Pan
2378:Oven-Pan
2376:created
2298:portrait
2268:Da Vinci
2234:body art
1978:Articles
1917:Thailand
1872:Pakistan
1842:Malaysia
1825:Paraguay
1815:Honduras
1663:Ethiopia
1617:Theology
1602:Sexology
1597:Sex wars
1511:Pedagogy
1264:Outlooks
1144:Misogyny
1012:Femicide
997:Equality
948:Concepts
913:Cultural
872:Equality
853:Stiletto
848:Lipstick
772:Orthodox
735:Neopagan
723:Womanist
703:Buddhist
651:Embedded
646:Imperial
641:Carceral
614:Maternal
575:Womanism
263:Colombia
150:Canadian
140:American
97:Feminism
89:a series
87:Part of
6066:subRosa
5694:Parties
5569:Ukraine
5564:Vietnam
5474:Lebanon
5372:Germany
5362:Finland
5357:Denmark
5332:Albania
5320:Senegal
5315:Nigeria
5230:Therapy
5213:Science
5124:Biology
4641:Mizrahi
4609:Chicana
4570:Islamic
4506:Atheist
4442:Marxist
4412:Radical
4348:Liberal
4343:Lesbian
4321:Hip hop
4301:Eugenic
4242:Atheist
4215:General
4187:Wyoming
4020:General
4012:History
3206:Hypatia
3159:(ed.).
3086:4 April
2896:Gallery
2610:subRosa
2248:History
1932:Ukraine
1927:Vietnam
1837:Lebanon
1735:Germany
1725:Finland
1720:Denmark
1695:Albania
1683:Senegal
1678:Nigeria
1585:Therapy
1558:science
1457:Biology
908:Radical
862:Liberal
838:Eugenic
762:Islamic
698:Atheist
546:Lesbian
541:Chicana
534:Ratchet
529:Lesbian
524:Hip hop
448:Marxist
372:Lesbian
248:Austria
145:British
114:History
55:Discuss
6393:theory
6369:Horror
6304:Tropes
6059:Groups
5999:(2007)
5991:(1979)
5975:(1977)
5967:(1972)
5851:(1892)
5845:(1889)
5839:(1881)
5708:(1967)
5632:Muslim
5627:Jewish
5605:People
5559:Turkey
5549:Taiwan
5539:Sweden
5524:Russia
5519:Poland
5504:Norway
5457:Mexico
5437:Brazil
5412:Israel
5377:Greece
5367:France
5347:Canada
5285:Africa
5191:Ethics
5050:Method
4982:Theory
4893:Racism
4648:Romani
4636:Jewish
4575:Jewish
4521:Mormon
4469:Victim
4432:Social
4405:French
4353:Equity
4316:Global
4252:Choice
4125:Kuwait
4115:Canada
4063:Social
3946:
3925:
3911:
3815:
3805:
3394:
3300:
3224:
3111:
2820:(1976)
2759:(1973)
2709:(1971)
2608:, and
2604:, OBN/
2506:While
2334:racism
2330:sexism
2324:, and
2320:, the
1922:Turkey
1912:Taiwan
1902:Sweden
1887:Russia
1882:Poland
1867:Norway
1820:Mexico
1800:Brazil
1775:Israel
1740:Greece
1730:France
1710:Canada
1648:Africa
1536:Ethics
1333:Theory
1174:Racism
877:Social
767:Jewish
713:Mormon
671:Victim
604:Equity
570:Romani
482:Global
335:states
292:Spain
278:Kuwait
258:Canada
190:Fourth
180:Second
155:German
45:merged
6236:Lists
5923:(WAR)
5758:Index
5665:Other
5642:Poets
5597:Lists
5544:Syria
5484:Nepal
5447:Haiti
5442:Chile
5422:Japan
5417:Italy
5387:India
5352:China
5305:Ghana
5295:Egypt
4853:Media
4653:White
4604:Black
4565:Hindu
4536:Asian
4459:Trans
4454:State
4385:Post-
4338:Labor
4267:Cyber
4150:Wales
4120:Japan
3392:JSTOR
3222:S2CID
3042:Notes
2940:Pink,
2592:1990s
2550:1980s
2426:1970s
2412:With
2351:1960s
2296:, or
1969:Lists
1907:Syria
1847:Nepal
1810:Haiti
1805:Chile
1785:Japan
1780:Italy
1750:India
1715:China
1668:Ghana
1658:Egypt
1134:Media
882:Labor
757:Hindu
728:Asian
676:White
636:State
519:Black
436:Queer
323:Wales
273:Japan
268:India
185:Third
175:First
166:Waves
47:into
5402:Iraq
5397:Iran
5310:Mali
4816:and
4629:Sámi
4587:Sikh
4375:Neo-
4177:Utah
3944:ISBN
3934:and
3923:ISBN
3909:ISBN
3813:OCLC
3803:ISBN
3581:2015
3554:link
3510:2014
3480:2014
3440:link
3330:2024
3298:ISBN
3187:2018
3137:2014
3109:ISBN
3088:2018
2964:and
2332:and
2304:and
2256:and
2172:’s
1765:Iraq
1760:Iran
1673:Mali
1484:FDPA
1097:and
779:Sikh
80:2011
5102:Art
4526:New
4380:New
4306:Fat
4284:Eco
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