Knowledge (XXG)

Festival Theatre, Malvern

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The Malvern Festival collapsed during World War II, and in the late 1940s, the theatre closed for renovation. A letter dated to 1948 remarks that the funding of the renovation caused considerable dispute among the Malvern District Council, and that Bernard Shaw would be delighted to learn that there
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to have "probably had its greatest flowering with the Malvern Festival". Shaw, a resident of Malvern. also regularly enjoyed watching theatrical productions by other playwrights for pleasure. The first Malvern Drama Festival took place for a fortnight from 19 August 1929, and was organised by
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In 1883, a bid was put in for the land in Malvern, then known as the Promenade Gardens, with the idea of building a centre of the arts in the town. Funding was raised by a company dedicated to building the theatre, and 200 shares amounting to £5 each were allotted. The foundation stone of the
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Over its history the theatre and festival has closed several times, including during World War II, in the early 1960s, in the early 1970s, and in the late 1990s when a new complex was built with an 850-seat Festival Theatre, a Forum Theatre, a 400-seat cinema, and a bar and restaurant.
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In 1986, Elgar's music still formed a major part of the annual music festival, with venues aside from the then 800-seat festival theatre being Malvern Winter Gardens (900 seats), Great Malvern Priory (600 seats), Martin Rogers Theatre (450 seats), and
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presided over the opening ceremony of the first summer season, and under director John Ridley, the Festival opened on 8 July and ran until 2 October. A production of Priestley's
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would be a Malvern Festival in 1949. In 1956 Malvern held a Shaw centenary week. However, for a few years up until 1965, the festival theatre lapsed.
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The theatre closed in the early 1970s but reopened in 1977, seeking to "revive the festival idea by creating an intriguing dual focus on Shaw and
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productions in the 1930s. Michael W. Pharand considers the friendship and artistic relationship between Bernard Shaw and
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In 1998, a further £7.2 million major redesign and refurbishment took place with the help of contributions from the
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A Malvern Treasury: An Illustrated History of Its People and Places, Troubles and Treasures, in Fact and Fable
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as an "acclaimed comedy" which "chronicles the more bizarre of America's attempts to kill the Cuban leader
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In February 1965 a Malvern Festival Theatre Trust was set up, and extensive refurbishment was undertaken.
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in two acts was performed at the theatre from 29 July 1933. A summer Malvern festival production of
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Festivals in Great Britain, Northern Ireland & Eire: A List with Forecast Dates and Policies
803: 207:, a satire on European political ideologies, was first performed at Malvern on 1 August 1938 by 194: 1074: 1068: 1053: 1032: 1000: 994: 979: 973: 958: 931: 910: 889: 883: 868: 847: 828: 822: 807: 780: 486: 480: 355: 216: 1047: 1026: 925: 904: 774: 319: 175: 105: 752: 607: 368: 328: 267: 212: 121: 48:, has been a provincial centre for the arts since 1885. The theatre became known for its 44:, England. Malvern Theatres, housed in the Winter Gardens complex in the town centre of 947: 796: 756: 299: 163: 58: 1135: 885:
McGraw-Hill Encyclopedia of World Drama: An International Reference Work in 5 Volumes
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in 1935 received much greater acclaim here than it had at previous theatres such as
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was produced. In February 1966, a successful production of Shakespeare's
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productions in the 1930s and from 1977 onwards, along with the works of
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British Theatre and the Red Peril: The Portrayal of Communism 1917–1945
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Anyway, Anyhow, Anywhere: The Complete Chronicle of the WHO 1958–1978
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took place at this festival and was performed four times, and Shaw's
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was produced at Malvern Theatre, causing initial controversy when
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and Dr. W. T. Fernie. The theatre was inaugurated on 1 July 1885.
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Jackson and dedicated to Bernard Shaw. The English première of
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The Festival Theatre of Malvern became known for its
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Buildings and structures in Malvern, Worcestershire
96:assembly rooms of the theatre was laid down by the 993:Shaw, Bernard; Jackson, Sir Barry Vincent (2002). 946: 795: 1070:A Sustainable Theatre: Jasper Deeter at Hedgerow 735: 686:. British Theatre Association. 1981. p. 31. 670:. British Theatre Association. 1965. p. 31. 409: 407: 405: 403: 25:Malvern Festival Theatre. Taken from the top of 204:Geneva, a Fancied Page of History in Three Acts 69:Geneva, a Fancied Page of History in Three Acts 906:The Cambridge Companion to George Bernard Shaw 8: 589: 1046:Wilkins, Verna Allette (31 October 2011). 442:Bernard Shaw Centenary: Souvenir Programme 708: 529: 415:"History of Malvern Theatres (1884–1977)" 349:National Lottery Distribution Fund (NLDF) 40:, is a theatre complex on Grange Road in 903:Innes, Christopher (24 September 1998). 776:Shaw: The Annual of Bernard Shaw Studies 723: 632: 630: 20: 696: 652: 577: 565: 553: 455: 384: 953:. University of Exeter Press. p.  798:The Politics and Plays of Bernard Shaw 505: 924:Neill, Andrew; Kent, Matthew (2009). 541: 517: 467: 394: 7: 930:. Sterling Publishing Company, Inc. 343:The modern Malvern Theatres Complex 16:Theatre complex in Malvern, England 1025:Steggle, Matthew (24 March 2011). 861:Gregson-Williams, Richard (1986). 417:. Malvern Theatres. Archived from 222:In Good King Charles's Golden Days 75:In Good King Charles's Golden Days 14: 1067:Witham, Barry B. (13 June 2013). 219:in London. A year later, Shaw's 129: 120: 999:. University of Toronto Press. 996:Bernard Shaw and Barry Jackson 909:. Cambridge University Press. 1: 1020:. Leicester University Press. 1014:Smith, Brian Stanley (1965). 867:. John Offord Publications. 821:Evans, T. F. (4 July 2013). 482:Theatre History Studies 2009 252:Birmingham Repertory Theatre 100:on 6 July 1884, attended by 972:Pharand, Michel W. (2004). 197:, went on to appear at the 1163: 1142:Theatres in Worcestershire 755:. 25 May 2006 – via 358:", featuring Robin Hood's 1028:Volpone: A Critical Guide 945:Nicholson, Steve (1999). 882:Hochman, Stanley (1984). 315:Royal Shakespeare Company 1049:Rudolph Walker Biography 603:"Centenary celebration" 590:Shaw & Jackson 2002 42:Malvern, Worcestershire 1073:. Palgrave Macmillan. 842:Garrard, Rose (2010). 794:Evans, Judith (2003). 344: 227:Streatham Hill Theatre 201:, in May 1930. Shaw's 199:New Theatre, Cambridge 29: 802:. McFarland. p.  736:Gregson-Williams 1986 709:Neill & Kent 2009 342: 158:Barry Vincent Jackson 145:Barry Vincent Jackson 24: 1118:52.11028°N 2.32694°W 1017:A History of Malvern 978:. Penn State Press. 779:. Penn State Press. 445:. The Theatre. 1956. 182:Caesar and Cleopatra 27:Great Malvern Priory 1114: /  824:George Bernard Shaw 154:George Bernard Shaw 141:George Bernard Shaw 72:in August 1938 and 50:George Bernard Shaw 1123:52.11028; -2.32694 345: 273:An Inspector Calls 241:Sleeping Clergyman 217:St. James Theatres 170:Back to Methuselah 30: 1080:978-1-137-12185-1 1059:978-1-4481-0141-2 1038:978-0-8264-1153-2 1006:978-0-8020-3572-1 985:978-0-271-02519-3 964:978-0-85989-637-5 937:978-1-4027-6691-6 916:978-0-521-56633-9 895:978-0-07-079169-5 874:978-0-903931-71-7 853:978-1-905795-56-7 846:. Aspect Design. 834:978-1-136-21364-9 813:978-0-7864-1323-2 786:978-0-271-01779-2 773:Crawford (1998). 492:978-0-8173-5554-8 185:were also shown. 1154: 1129: 1128: 1126: 1125: 1124: 1119: 1115: 1112: 1111: 1110: 1107: 1095:Official website 1084: 1063: 1042: 1021: 1010: 989: 968: 952: 941: 920: 899: 878: 857: 838: 817: 801: 790: 761: 760: 745: 739: 733: 727: 721: 712: 706: 700: 694: 688: 687: 678: 672: 671: 662: 656: 650: 644: 643: 634: 625: 624: 622: 620: 599: 593: 587: 581: 575: 569: 563: 557: 551: 545: 539: 533: 527: 521: 515: 509: 503: 497: 496: 477: 471: 465: 459: 453: 447: 446: 437: 431: 430: 428: 426: 421:on 28 March 2012 411: 398: 392: 320:Man and Superman 290:William Roderick 176:Heartbreak House 133: 124: 106:Lady Emily Foley 78:in August 1939. 64:Malvern Festival 38:Malvern Theatres 34:Festival Theatre 1162: 1161: 1157: 1156: 1155: 1153: 1152: 1151: 1132: 1131: 1122: 1120: 1116: 1113: 1108: 1105: 1103: 1101: 1100: 1091: 1081: 1066: 1060: 1045: 1039: 1024: 1013: 1007: 992: 986: 971: 965: 944: 938: 923: 917: 902: 896: 881: 875: 860: 854: 841: 835: 820: 814: 793: 787: 772: 764: 753:Birmingham Mail 747: 746: 742: 734: 730: 722: 715: 707: 703: 695: 691: 680: 679: 675: 664: 663: 659: 651: 647: 636: 635: 628: 618: 616: 608:Malvern Gazette 601: 600: 596: 588: 584: 576: 572: 564: 560: 552: 548: 540: 536: 528: 524: 516: 512: 504: 500: 493: 479: 478: 474: 466: 462: 454: 450: 439: 438: 434: 424: 422: 413: 412: 401: 393: 386: 382: 369:Birmingham Mail 337: 329:Malvern College 268:J. B. Priestley 264: 150: 149: 148: 147: 136: 135: 134: 126: 125: 114: 93: 88: 62:at the opening 36:, now known as 17: 12: 11: 5: 1160: 1158: 1150: 1149: 1144: 1134: 1133: 1098: 1097: 1090: 1089:External links 1087: 1086: 1085: 1079: 1064: 1058: 1043: 1037: 1022: 1011: 1005: 990: 984: 975:Dionysian Shaw 969: 963: 942: 936: 921: 915: 900: 894: 879: 873: 858: 852: 839: 833: 818: 812: 791: 785: 769: 768: 763: 762: 757:TheFreeLibrary 740: 728: 713: 701: 689: 673: 657: 655:, p. 148. 645: 626: 594: 592:, p. 188. 582: 580:, p. 254. 570: 558: 556:, p. 412. 546: 544:, p. 360. 534: 532:, p. 173. 530:Nicholson 1999 522: 510: 508:, p. 165. 498: 491: 472: 470:, p. 131. 460: 458:, p. 253. 448: 432: 399: 397:, p. 255. 383: 381: 378: 356:Killing Castro 336: 335:1998 – present 333: 317:production of 300:Rudolph Walker 263: 260: 191:Julian d'Albie 187:The Apple Cart 164:The Apple Cart 138: 137: 128: 127: 119: 118: 117: 116: 115: 113: 110: 98:Earl Beauchamp 92: 89: 87: 84: 59:The Apple Cart 15: 13: 10: 9: 6: 4: 3: 2: 1159: 1148: 1145: 1143: 1140: 1139: 1137: 1130: 1127: 1096: 1093: 1092: 1088: 1082: 1076: 1072: 1071: 1065: 1061: 1055: 1051: 1050: 1044: 1040: 1034: 1031:. Continuum. 1030: 1029: 1023: 1019: 1018: 1012: 1008: 1002: 998: 997: 991: 987: 981: 977: 976: 970: 966: 960: 956: 951: 950: 943: 939: 933: 929: 928: 922: 918: 912: 908: 907: 901: 897: 891: 887: 886: 880: 876: 870: 866: 865: 859: 855: 849: 845: 840: 836: 830: 827:. Routledge. 826: 825: 819: 815: 809: 805: 800: 799: 792: 788: 782: 778: 777: 771: 770: 766: 765: 758: 754: 750: 744: 741: 738:, p. 40. 737: 732: 729: 726:, p. 86. 725: 724:Crawford 1998 720: 718: 714: 711:, p. 82. 710: 705: 702: 699:, p. 31. 698: 693: 690: 685: 684: 677: 674: 669: 668: 661: 658: 654: 649: 646: 641: 640: 639:Theatre World 633: 631: 627: 615:. 2 June 2006 614: 610: 609: 604: 598: 595: 591: 586: 583: 579: 574: 571: 568:, p. 38. 567: 562: 559: 555: 550: 547: 543: 538: 535: 531: 526: 523: 520:, p. 86. 519: 514: 511: 507: 502: 499: 494: 488: 484: 483: 476: 473: 469: 464: 461: 457: 452: 449: 444: 443: 436: 433: 420: 416: 410: 408: 406: 404: 400: 396: 391: 389: 385: 379: 377: 375: 371: 370: 365: 361: 360:Michael Praed 357: 352: 350: 341: 334: 332: 330: 324: 322: 321: 316: 312: 307: 305: 301: 297: 296: 291: 287: 283: 279: 275: 274: 269: 261: 259: 255: 253: 249: 248: 243: 242: 236: 232: 228: 224: 223: 218: 214: 210: 206: 205: 200: 196: 192: 188: 184: 183: 178: 177: 172: 171: 166: 165: 159: 155: 146: 142: 132: 123: 111: 109: 107: 103: 99: 91:Early history 90: 85: 83: 79: 77: 76: 71: 70: 65: 61: 60: 55: 51: 47: 46:Great Malvern 43: 39: 35: 28: 23: 19: 1099: 1069: 1048: 1027: 1016: 995: 974: 948: 926: 905: 884: 863: 843: 823: 797: 775: 767:Bibliography 743: 731: 704: 697:Wilkins 2011 692: 682: 676: 666: 660: 653:Garrard 2010 648: 638: 617:. Retrieved 606: 597: 585: 578:Pharand 2004 573: 566:Steggle 2011 561: 554:Hochman 1984 549: 537: 525: 513: 501: 481: 475: 463: 456:Pharand 2004 451: 441: 435: 423:. Retrieved 419:the original 374:Fidel Castro 367: 364:Clive Mantle 353: 346: 325: 318: 308: 293: 286:Daphne Heard 282:Julian Curry 278:Anne Kristen 271: 265: 256: 245: 240: 235:James Bridie 220: 202: 186: 180: 174: 168: 162: 151: 94: 80: 73: 67: 57: 54:Edward Elgar 37: 33: 31: 18: 1121: / 619:13 November 506:Witham 2013 425:13 November 276:, starring 231:New Theatre 209:Roy Limbert 189:, starring 1136:Categories 888:. VNR AG. 542:Evans 2013 518:Innes 1998 468:Evans 2003 395:Smith 1965 380:References 102:Jenny Lind 1109:2°19′37″W 1106:52°6′37″N 613:Newsquest 262:1965–1997 233:in 1940. 195:Rita John 143:. Right: 112:1929–1964 66:in 1929, 1052:. RHCP. 229:and the 304:The Who 295:Othello 247:Volpone 213:Saville 86:History 1077:  1056:  1035:  1003:  982:  961:  934:  913:  892:  871:  850:  831:  810:  783:  489:  139:Left: 683:Drama 667:Drama 311:Elgar 1075:ISBN 1054:ISBN 1033:ISBN 1001:ISBN 980:ISBN 959:ISBN 932:ISBN 911:ISBN 890:ISBN 869:ISBN 848:ISBN 829:ISBN 808:ISBN 781:ISBN 621:2013 487:ISBN 427:2013 362:and 288:and 215:and 193:and 179:and 32:The 955:173 804:131 237:'s 1138:: 957:. 806:. 751:. 716:^ 629:^ 611:. 605:. 402:^ 387:^ 331:. 323:. 284:, 280:, 254:. 239:A 173:, 104:, 1083:. 1062:. 1041:. 1009:. 988:. 967:. 940:. 919:. 898:. 877:. 856:. 837:. 816:. 789:. 759:. 623:. 495:. 429:. 354:"

Index


Great Malvern Priory
Malvern, Worcestershire
Great Malvern
George Bernard Shaw
Edward Elgar
The Apple Cart
Malvern Festival
Geneva, a Fancied Page of History in Three Acts
In Good King Charles's Golden Days
Earl Beauchamp
Jenny Lind
Lady Emily Foley


George Bernard Shaw
Barry Vincent Jackson
George Bernard Shaw
Barry Vincent Jackson
The Apple Cart
Back to Methuselah
Heartbreak House
Caesar and Cleopatra
Julian d'Albie
Rita John
New Theatre, Cambridge
Geneva, a Fancied Page of History in Three Acts
Roy Limbert
Saville
St. James Theatres

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