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465:. To the sober architecture and decoration Khnopff added a highly symbolic, spatial and decorative concept that turned his home into a "Temple of the self". The house functioned as a shrine in which the genius of the painter could flourish. His motto "On a que soi" (One has but oneself) was inscribed above the entrance door, in and his studio he painted in the middle of golden circle inscribed on the white mosaic floor. This almost theatrical setting was undoubtedly a reflection of Khnopff's passion for theatre and opera. Khnopff's first designs for the theatre date from 1903 when he sketched the sets for a production of
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374:) that Khnopff had designed to adorn the cover and in which Caron thought to recognise her own face. The vehement reaction of "La Caron" on this occasion made a scandal in the Belgian and Parisian press and would help to establish Khnopff's name as an artist. Khnopff continued to design illustrations for the works of PĂ©ladan, most notably for
1528:, Exhibition Catalogue: Brussels, Royal Museums for Fine Arts of Belgium; Salzburg, Museum der Moderne; Boston, McMullen Museum of Art, Brussel, 2003–2004. (With essays by: Frederik Leen, Jeffery Howe, Dominique Marechal, Laurent Busine, Michael Sagroske, Joris Van Grieken, Anne Adriaens-Pannier and Sophie Van Vliet.)
477:, and the sets evoking the gloomy streets of the mysterious city of Bruges where Khnopff had spent his early childhood, were much appreciated by the Berlin public and critics. After Khnopff had been engaged to design the costumes and the sets for the World premiere of
645:
The numbers accompanied by the abbreviation: "dCOZ" refer to the catalogue of the works of
Khnopff by Catherine de Croës and Gisèle Ollinger-Zinque (1987). See bibliographie. The titles between quotation marks are the original titles given by Khnopff himself.
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in 1914 Khnopff would be responsible for the rubric "Studio-Talks-Brussels" in which he reported about the artistic evolutions in
Belgium and continental Europe. In March 1898 Khnopff presented a selection of 21 works on the first exhibition of the
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who wrote a commending review. Verhaeren would remain a lifelong supporter and would write the first monograph on the painter. In 1883, Khnopff was one of the founding members of the group
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would play a significant role in his later work. In 1864, the family moved to
Brussels. In his childhood Khnopff spent part of his summer holidays in the hamlet of Tillet not so far from
382:(1892). On several occasions (1892, 1893, 1894 and 1897) Khnopff was invited as guest of honour on the exhibitions of the Parisian "Salon de la Rose + Croix" organised by PĂ©ladan.
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In 1881, he presented his works to the public for the first time at the "Salon de l'Essor" in
Brussels. The critics' appraisal of his work is very harsh, with the exception of
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commissioned him to decorate the ceilings of the "Salle des
Marriages" (Wedding Room) of the new Town Hall, and in the same year he was approached by the wealthy banker
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529:("L'Art ou Des Caresses"). His art often portrayed a recurring theme found in symbolist art: the dualistic vision of woman as either 'femme fatale' or angelic woman.
1502:, (with a catalogue of works by C. de Croës and G. Ollinger-Zinque and essays by R.L.Delevoy), Brussels, Lebeer-Hossmann, 1987. (2nd revised and augmented edition).
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274:, who made him familiar with the art of painting. On 25 October 1876, he enrolled for the Cours De Dessin Après Nature ("course of drawing after nature") at the
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and other mostly French authors. With his younger brother
Georges Khnopff – also a passionate amateur of contemporary music and poetry – he started to frequent
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Although not a very open man and a rather secluded personality, he already achieved cult status during his life. Acknowledged and accepted, he received the
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in
Brussels in 1903, he collaborated on more than a dozen opera productions given at "La Monnaie" in the following decade. In 1904 the city council of
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1495:, Exhibition Catalogue: Paris, Musée des Arts décoratifs; Brussels, Royal Museums for Fine Arts of Belgium; Hamburg, Hamburger Kunsthalle, 1979–1980.
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In 1889, Khnopff laid his first contacts with
England, where he would stay and exhibit regularly in the future. British artists such as
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his work was received with massive admiration. The works he presented at the
Secession would form a major influence on the oeuvre of
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P. & V. Berko, "19th
Century European Virtuoso Painters", Knokke 2011, p. 506, illustrations p. 138, 140, 142–143.
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282:, whom he disliked from the start. Between 1877 and 1880, Khnopff made several trips to Paris where he discovered the work of
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A description and photographs of the house and its interiors were published in "The Studio" in 1912. see the following link:
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310:. During his last year at the Académie in 1878–1879 he neglected his classes in Brussels and lived for a while in
235:) when he was 18 years old. During this period, he developed a passion for literature, discovering the works of
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P. & V. Berko, "Dictionary of Belgian painters born between 1750 & 1875", Knokke 1981, p. 387–389.
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where his father was appointed Substitut Du Procureur Du Roi. His childhood memories of the medieval city of
354:. Khnopff exhibited regularly at the annual "Salon" organised by Les XX. In 1885, he met the French writer
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descent. Most male members of his family had been lawyers or judges, and young Fernand was destined for a
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Khnopff left University due to a lack of interest in his law studies and began to frequent the studio of
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523:. His sister, Marguerite, was one of his favorite subjects. His most famous painting is probably
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1324:. Monografieen over Moderne Kunst (in Dutch). Brussels: Snoeck-Dukaju & Zoon. p. 360.
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would become friends. From 1895 Khnopff worked as a correspondent for the British art journal
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366:. Khnopff accepted this commission but destroyed the work later because the famous soprano
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where his maternal grandparents owned an estate. He painted several views of this village.
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362:"Ordre de la Rose + Croix". PĂ©ladan asked Khnopff to design the cover for his new novel
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Exhibition Review of 'Fernand Khnopff (1858–1921)' (Nineteenth-Century Art Worldwide)
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drawing by Fernand Khnopff, was inspired by the landscape of Woensdagmarkt square in
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for generations. Khnopff's ancestors had lived in the Vossenhoek area of Grembergen
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From 1900 onwards, Khnopff was engaged in the design of his new home and studio in
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was offended by the imaginary portrait of Leonora d'Este (a character in PĂ©ladan's
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A street in Grembergen (Belgium) is named after him: "Fernand Khnopffstraat"
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963:"Un Masque" (A mask), 1897. (dCOZ 299) Sculpture in polychromed plaster.
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Laurent Busine, '"To Sir Edward Burne-Jones from Fernand Khnopff"' in:
1246:(Head of a young English woman), 1895. (dCOZ 265) Drawing in red chalk.
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Fernand Khnopff was born to a wealthy family that was part of the high
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Joris Van Grieken, 'Khnopff and the Théâtre Royal de la Monnaie' in:
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501:. Here Khnopff came in touch again with prominent artists from the
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Fernand Khnopff (1858–1921) à Fosset, Ménil, Sprimont, Hérompont.
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Fernand Khnopff (1858–1921) à Fosset, Ménil, Sprimont, Hérompont.
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Robert L. Delevoy, Catherine de Croës, Gisèle Ollinger-Zinque,
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Fernand Khnopff et ses rapports avec la Secession Viennoise
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Fernand Khnopff et ses rapports avec la Secession Viennoise
184:"Portrait of Marguerite Khnopff" (1887), by Fernand Khnopff
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Obsession: My Lifetime with Fernand Khnopff (Jeffery Howe)
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is not in Liège but property of the Neumann Foundation in
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Royal Academy of Science, Letters and Fine Arts of Belgium
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who had designed a decorative mosaic for its dining room.
163:(12 September 1858 – 12 November 1921) was a Belgian
1295:, exhib.cat. Brussels, Salzburg, Boston, 2003–2004: 45–52
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career. In his early childhood (1859–1864), he lived in
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exhib.cat. Brussels, Salzburg, Boston, 2003–2004:65–69.
723:"Portrait of Marguerite Khnopff", sister of the painter
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Royal Decree of H.M. King Albert I on 14 November 1919
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to design decorative panels for the music room of the
278:. At the Académie, his most famous fellow student was
251:("Young Belgium"), a group of young writers including
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since the early 17th century but were of Austrian and
1522:, Brussels, Crédit communal; Paris, Flammarion, 1995.
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918:(In Fosset, The forester who waits), 1883. (dCOZ 49)
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To please his parents, he went to law school at the
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792:(A mask of a young English woman), 1891. (dCOZ 181)
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678:Portrait of Edmond Khnopff, father of the painter
302:of 1878 he became acquainted with the oeuvre of
672:Koninklijk Museum voor Schone Kunsten Antwerpen
1487:Quelques notes sur l'oeuvre de Fernand Khnopff
942:(In Fosset, a track), ca. 1890–'95. (dCOZ 170)
565:: Painting used as a Twitter avatar by rapper
461:and more in particular by the architecture of
1387:"Khnopff's I Lock the Door Upon Myself, 1891"
737:(In Fosset, under the firs), 1894. (dCOZ 242)
473:. This production was directed by the famous
8:
660:Portrait of the violinist Achille Lerminiaux
457:(demolished). The house was inspired by the
1657:Royal Academy of Fine Arts, Brussels alumni
1146:(In Bruges, a portal), ca. 1904. (dCOZ 405)
1059:Khnopff's I Lock the Door Upon Myself, 1891
757:"Posthumous portrait of Marguerite Landuyt"
1228:(The immobile water), ca. 1894. (dCOZ 247)
18:
973:Musée d'art moderne et d'art contemporain
786:(White, black and gold), 1901. (dCOZ 365)
1489:, Brussels, Editions Veuve Monnom, 1887.
579:
576:List of some works in public collections
1622:Members of the Royal Academy of Belgium
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1210:(In Bruges, a church), 1904. (dCOZ 393)
314:, where he visited the Cours Libres of
101:Académie Royal des Beaux-Arts, Brussels
1515:, Ann Arbor, UMI Research Press, 1982.
1111:, Bayerische Staatsgemäldesammlungen,
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846:(In Fosset, A brook), 1897. (dCOZ 285)
979:"Portrait of the mother of the artist
814:(An abandoned city), 1904. (dCOZ 401)
707:Royal Museums of Fine Arts of Belgium
697:(Secret-Reflection), 1902. (dCOZ 378)
7:
1513:The Symbolist Art of Fernand Khnopff
946:"Des yeux bruns et une fleur bleue"
808:(Under the trees), 1894. (dCOZ 253)
790:"Un masque de jeune femme anglaise"
14:
1662:20th-century Belgian male artists
1642:19th-century Belgian male artists
1535:Tapuscrit, 105pp A4. Tillet 2012.
1282:Tapuscrit, 105pp A4. Tillet 2012.
1265:Since 1977 is Tillet part of the
1220:Ă–sterreichische Galerie Belvedere
763:"Portrait of His Royal Highness"
161:Fernand Edmond Jean Marie Khnopff
45:Fernand Edmond Jean Marie Khnopff
1627:Officers of the Legion of Honour
1459:The J. Paul Getty in Los Angeles
1163:(The offering), 1891. (dCOZ 187)
1069:
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772:"Portrait of Miss Van der Hecht"
29:
1175:"View from the bridge at Fosset
936:(incense), ca. 1898. (dCOZ 325)
916:"Ă€ Fosset, Le garde qui attend"
1244:"TĂŞte de jeune femme anglaise"
1177:, ca. 1882–1883. (dCOZ, 41bis)
1171:, Museum voor Schone Kunsten:
358:the future grandmaster of the
276:Académie Royale des Beaux-Arts
1:
1647:20th-century Belgian painters
1632:19th-century Belgian painters
1520:Khnopff, ou l’ambigu poétique
1455:"Jeanne KĂ©fer (Getty Museum)"
1238:Graphische Sammlung Albertina
229:Université Libre de Bruxelles
1119:"I lock my door upon myself"
778:"Portrait of Germaine Wiener
469:'s play "Le Mirage" at the
1547:I Lock the Door Upon Myself
1526:Fernand Khnopff (1858–1921)
1310:, exhib.cat. Brussels, 1987
1030:(Hair), 1892. (dCOZ 218bis)
1016:), ca. 1890–1894. Part II,
751:"Memories" or "Lawn Tennis"
735:"A Fosset, sous les sapins"
731:(Silence), 1890. (dCOZ 151)
487:Théâtre Royal de la Monnaie
225:Free University of Brussels
114:Painter, sculptor, designer
16:Belgian painter (1858–1921)
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1617:Burials at Laeken Cemetery
1602:Belgian Symbolist painters
1346:Villa Khnopff on ArtMagick
1156:Metropolitan Museum of Art
928:Museum of Fine Arts, Ghent
880:"Portrait of Charles Maus"
233:Vrije Universiteit Brussel
1570:Villa Khnopff (ArtMagick)
1493:Fernand Khnopff 1858–1921
1365:Fernand Khnopff 1858–1921
1293:Fernand Khnopff 1858–1921
1190:"Portrait of Marie Monnom
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910:Städelsches Kunstinstitut
800:) in polychromed plaster"
765:Prince Leopold of Belgium
548: : Commander of the
342:Fernand Khnopff – Incense
35:Fernand Khnopff (c. 1900)
28:
1652:20th-century printmakers
1563:14 February 2006 at the
1421:"Khnopff's Jeanne KĂ©fer"
1320:Draguet, Michel (1995).
1100:Portrait of Jeanne KĂ©fer
912:und Städtische Galerie:
471:Deutsches Theater Berlin
414:. Until the outbreak of
326:Early career with Les XX
900:), ca. 1910. (dCOZ 470)
844:"Ă€ Fosset, Un ruisseau"
840:, Museum of Fine Arts:
505:; the architect of the
1607:Académie Julian alumni
1208:"A Bruges, une Ă©glise"
1144:"A Bruges, un portail"
1075:Khnopff's Jeanne KĂ©fer
940:"A Fosset, Un sentier"
860:, ca. 1894. (dCOZ 254)
812:"Une ville abandonnée"
713:"En Ă©coutant Schumann"
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614:
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343:
335:
227:(now divided into the
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1637:Belgian male painters
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1194:Théo van Rysselberghe
832:, ca. 1885. (dCOZ 89)
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620:
609:
600:A young English woman
594:
585:Listening to Schumann
583:
532:Khnopff is buried in
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341:
333:
316:Jules Joseph Lefebvre
183:
1575:Ten Dreams Galleries
1204:, Musées Communaux:
1092:J. Paul Getty Museum
876:/Museum van Elsene:
854:, Stedelijke Musea:
822:, Collection of the
743:Caress of the Sphinx
638:Caress of the Sphinx
526:Caress of the Sphinx
463:Joseph Maria Olbrich
126:Caress of the Sphinx
1612:Belgian printmakers
1131:Clemens Sels Museum
991:), 1913. (dCOZ 519)
830:"Portrait of a man"
784:"Blanc, noir et or"
334:"The Garden" (1886)
86:Province of Brabant
1549:at Arcadian Dreams
1545:Fernand Khnopff –
1465:on 1 October 2013.
1435:on 11 October 2014
1401:on 14 October 2014
1322:Khnopff: 1858–1921
1196:), 1887. (dCOZ 98)
1121:, 1891. (dCOZ 174)
958:Kunsthalle Hamburg
948:, 1905. (dCOZ 415)
890:), 1885. (dCOZ 84)
858:"Paysage Ă Fosset"
780:, 1893. (dCOZ 237)
768:, 1912. (dCOZ 499)
759:, 1896. (dCOZ 280)
753:, 1889. (dCOZ 131)
747:, 1896. (dCOZ 275)
725:, 1887. (dCOZ 100)
719:), 1883. (dCOZ 52)
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439:The abandoned city
344:
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218:Luxemburg province
186:
176:Youth and training
1485:Emile Verhaeren,
1103:, 1885. (dCOZ 82)
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981:, 1882. (dCOZ 39)
906:Frankfurt-am-Main
806:"Sous les arbres"
774:, 1883. (dCOZ 57)
680:, 1881. (dCOZ 33)
662:, 1885. (dCOZ 75)
467:Georges Rodenbach
257:Georges Rodenbach
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146:Commander in the
48:12 September 1858
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1518:Michel Draguet,
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695:"Secret-Reflect"
550:Order of Leopold
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503:Vienna Secession
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421:Vienna Secession
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1028:"Les cheveux"
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475:Max Reinhardt
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1499:
1492:
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1463:the original
1458:
1449:
1437:. Retrieved
1433:the original
1429:Khan Academy
1425:Smarthistory
1415:
1403:. Retrieved
1399:the original
1395:Khan Academy
1391:Smarthistory
1381:
1372:
1364:
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1340:
1321:
1315:
1307:
1292:
1287:
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1261:
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1225:
1207:
1189:
1174:
1161:"l'Offrande"
1160:
1143:
1118:
1097:
1079:Smarthistory
1063:Smarthistory
1027:
1017:
1009:
1005:
998:
994:
984:
978:
945:
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829:
811:
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796:"Sculpture (
795:
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783:
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734:
729:"Du silence"
728:
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514:Gustav Klimt
491:Saint Gilles
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429:Gustav Klimt
411:
389:
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269:
222:
187:
160:
159:
124:
120:Notable work
76:(1921-11-12)
1597:1921 deaths
1592:1858 births
1134: [
1088:Los Angeles
884:Octave Maus
882:(father of
852:Dendermonde
626:Lawn Tennis
416:World War I
408:Burne-Jones
386:Later years
378:(1888) and
360:Rosicrucian
308:Burne-Jones
280:James Ensor
261:Iwan Gilkin
190:bourgeoisie
1586:Categories
1331:9050661416
1267:Sainte-Ode
1253:References
1018:"Solitude"
1012:Brittomart
1006:"Solitude"
934:"L'Encens"
412:The Studio
380:Le Panthée
368:Rose Caron
300:World Fair
253:Max Waller
237:Baudelaire
198:Portuguese
59:Grembergen
52:1858-09-12
894:"Chimère"
651:Amsterdam
481:'s opera
443:symbolist
284:Delacroix
202:juridical
167:painter.
165:symbolist
137:Symbolism
94:Education
88:, Belgium
65:, Belgium
1561:Archived
1439:28 March
1405:28 March
1349:Archived
1269:commune.
1202:Verviers
985:"Orphée"
898:Chimaera
838:Budapest
820:Brussels
717:Schumann
703:Brussels
622:Memories
455:Brussels
400:Rossetti
241:Flaubert
231:and the
214:Bastogne
194:Flanders
133:Movement
82:Brussels
1474:Sources
1182:Paris,
1022:Gingins
1001:Acrasia
989:Orpheus
954:Hamburg
870:Ixelles
668:Antwerp
628:, 1889.
611:Silence
587:, 1883.
540:Honours
485:at the
318:at the
304:Millais
296:Stevens
216:in the
106:, Paris
50: (
1328:
1234:Vienna
1216:Vienna
1169:Ostend
1109:Munich
888:Les XX
866:Elsene
686:Bruges
641:, 1896
613:, 1890
602:(1898)
567:Bladee
512:, and
447:Bruges
425:Vienna
292:Moreau
288:Ingres
263:, and
210:Bruges
206:Bruges
143:Awards
1138:]
1127:Neuss
969:Liège
924:Ghent
824:BOZAR
596:Futur
423:. In
404:Brown
396:Watts
312:Passy
1441:2013
1407:2013
1326:ISBN
1008:and
798:bust
563:2021
546:1919
441:, a
406:and
392:Hunt
306:and
294:and
171:Life
71:Died
41:Born
1427:at
1393:at
624:or
598:or
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1457:.
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559:.
552:.
449:.
54:)
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