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From the early
Renaissance, Mannerism and the Baroque through 18th-, 19th- and 20th-century painting Figurative art has steadily broadened its parameters. An important landmark in the evolution of figurative art is the first known reclining
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is derived (or abstracted) from a figurative or other natural source. However, "abstract" is sometimes used as a synonym of non-representational art and non-objective art, i.e. art which has no derivation from figures or objects.
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referred to the strictures of this schematic imagery, the adherence to that which was already known, rather than that which is seen, as the "Egyptian method", an allusion to the memory-based clarity of imagery in
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1145:"In Cave in Borneo Jungle, Scientists Find Oldest Figurative Painting in the World - A cave drawing in Borneo is at least 40,000 years old, raising intriguing questions about creativity in ancient societies"
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In
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Since the arrival of abstract art the term figurative has been used to refer to any form of modern art that retains strong references to the real world.
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Painting and sculpture can therefore be divided into the categories of figurative, representational and abstract, although, strictly speaking,
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style whose work predominantly features clarity, logic, and order, and favors line over color, served as an alternative to the more narrative
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The formal elements, those aesthetic effects created by design, upon which figurative art is dependent, include
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Figurative art is itself based upon a tacit understanding of abstracted shapes: the figure sculpture of
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style of the 17th century. He was a major inspiration for such classically oriented artists as
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sculpture by 480 B.C. The Greeks referred to the reliance on visual observation as
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First known reclining nude in
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landscape below suggests its subject matter without directly representing it
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leading to the multi-faceted figurative art of the 20th century.
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View of the
Piazzetta and The Bassin of San Marco in Venice
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The
Gombrich Archive: Press statement on The Story of Art
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art of
Jacques-Louis David ultimately engendered the
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1063:, pages 31-2. Princeton University Press, 1990.
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558:Ancient Roman woman on a balcony (9–14 CE),
1171:Aubert, M.; et al. (7 November 2018).
893:Still Life with Compote, Apples and Oranges
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682:Seated Dress Impression with Drapery
16:Art that depicts real object sources
857:Still Life with Lobster and Oysters
649:, from approximately 9000 years ago
246:, for its forms were idealized and
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922:art, c. 17,300 years old, showing
509:Christ In The House Of His Parents
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1173:"Palaeolithic cave art in Borneo"
594:Groupe de femmes (Group of Women)
63:landscape by the American artist
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224:Le Bain Turc (The Turkish bath)
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380:Courtyard of Innsbruck Castle
315:Jean-Auguste-Dominique Ingres
219:Jean Auguste Dominique Ingres
633:Marcia Sewing, Variation III
33:("A Seaport"), a figurative
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1199:10.1038/s41586-018-0679-9
1040:Adams, Laurie Schneider,
875:Nature morte au compotier
203:108.5×175 cm (42.7×69 in)
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1081:October 6, 2008, at the
1042:The Methodologies of Art
948:, over 7,000 years old.
746:Pieter Bruegel the Elder
469:The Battle of San Romano
267:. Until the time of the
356:Architecture, townscape
77:, sometimes written as
37:by the Austrian artist
1125:: CS1 maint: others (
804:Wheat Field with Crows
771:The Fighting Temeraire
610:Raymond Duchamp-Villon
297:(1594–1665), a French
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165:(a.k.a. Dresden Venus)
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61:abstract expressionist
1016:"Glossary:Figurative"
362:Architecture painting
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1001:Notes and references
926:, horses, and deer.
700:Mother and her child
524:Lawrence Alma-Tadema
504:John Everett Millais
39:Johann Anton Eismann
1191:2018Natur.564..254A
1143:(7 November 2018).
853:Alexander Coosemans
708:Landscape, seascape
647:ʿAin Ghazal statues
489:Oath of the Horatii
484:Jacques-Louis David
398:The Church at Veere
342:Lubang Jeriji Saléh
311:Jacques-Louis David
1150:The New York Times
1022:on 3 February 2012
728:Albrecht Altdorfer
528:The Egyptian Widow
394:Jan van der Heyden
321:. The rise of the
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1185:(7735): 254–257.
990:Neofigurative Art
920:Upper Paleolithic
702:by Leah Michlson.
576:(1896) Nude study
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244:naturalistic
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103:abstract art
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91:abstract art
81:, describes
79:figurativism
78:
74:
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1241:at TATE.org
730:(c. 1528),
684:(2005), by
666:(1504), by
560:Getty Villa
535:Human forms
155:perspective
67:(1911–1963)
1220:8 November
1156:8 November
1026:21 October
972:Art portal
855:(c. 1660)
839:Still life
833:Still life
824:(1916) by
806:(1890) by
629:Ian Hornak
574:Kenyon Cox
432:(1851) by
414:(c. 1737)
348:island of
346:Indonesian
287:(1510) by
200:Dimensions
65:Jay Meuser
1121:cite book
1113:966186187
943:Neolithic
616:, plaster
597:, plaster
545:Sculpture
412:Canaletto
327:realistic
303:classical
289:Giorgione
261:Classical
248:geometric
240:antiquity
210:Evolution
186:Giorgione
59:Untitled
35:landscape
1249:Category
1215:53208538
1207:30405242
1079:Archived
995:Stuckism
958:See also
946:rock art
930:, France
242:was not
43:abstract
1187:Bibcode
952:, Egypt
928:Lascaux
924:aurochs
891:(1899)
873:(1879)
788:(1886)
768:(1839)
748:(1565)
631:(1978)
612:(1914)
526:(1872)
486:(1786)
396:(1652)
378:(1494)
344:on the
307:Baroque
301:in the
299:painter
265:mimesis
231:, Paris
195:c. 1510
151:texture
83:artwork
1213:
1205:
1178:Nature
1111:
1101:
1014:Tate.
437:
350:Borneo
229:Louvre
182:Artist
153:, and
147:volume
1211:S2CID
663:David
237:Greek
135:light
131:color
127:shape
1222:2018
1203:PMID
1158:2018
1127:link
1109:OCLC
1099:ISBN
1028:2012
543:and
333:and
317:and
277:nude
192:Year
143:mass
139:dark
137:and
123:line
1195:doi
1183:564
283:in
279:in
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