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After 1918, interest in Fidus' work as an illustrator ebbed. Despite his enthusiasm for the ideology of the Nazi Party, of which he became a member in 1932, he did not receive the support of the Nazi regime. In 1937 his work was seized and the sale of his images was forbidden. By the time he died in
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beliefs, and became interested in German mythology. His early illustrations contained dream-like abstractions, while his later work was characterised by motifs such as peasants, warriors, and other naked human figures in natural settings. He often combined mysticism, eroticism, and symbolism, in
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and other illustrated magazines. He created many ornamental drawings, especially for book decoration, as well as ex-libris, posters and designs. He was one of the first artists to use advertising postcards to promote his work. He also contributed to the early
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1948 in
Woltersdorf his art had been almost forgotten. It was rediscovered in the 1960s, and directly influenced the psychedelic concert posters which began to be produced at that time, initially in and around San Francisco.
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with teachings about self-redemption. In 1912 he designed a famous poster for a congress on "biological hygiene" in
Hamburg, showing a man in the process of breaking his bonds and rising up to the stars.
78:(1851–1913), and joined Diefenbach's commune near Munich. On Diefenbach's behalf, he served a brief prison sentence for public nudity, earning him the name Fidus ("faithful").
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232:["Baldur" and others. Or: "Warrior in the army of light". Imagery of sacred nationalism]. In Braungart, Wolfgang (ed.).
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240:]. Untersuchungen zur deutschen Literaturgeschichte (in German). Vol. 112. TĂĽbingen: Max Niemeyer. p. 144.
193:. Another large archive of Fidus materials (including artworks, diaries, correspondence, and photographs) is held by the
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near Berlin. This house was built after designs by Fidus between 1908 and 1910. Today it is a cultural heritage monument.
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styles. By 1900 he was one of the best known painters in
Germany, and had come under the influence of writers such as
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74:, Höppener demonstrated artistic talent at an early age. Around 1886 he met the "apostle of nature" and artist
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In 1892 he moved to Berlin, set up another commune, and worked as an illustrator on the magazine
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Monument for the killed First World War
Soldiers from Woltersdorf, Relief was made by Fidus.
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Jung's
Wandering Archetype: Race and religion in analytical psychology
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was the pseudonym used by German illustrator, painter and publisher
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is a
Jugendstil, Art Nouveau website featuring works by Fidus.
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Kitsch. Fascination and challenge of the banal and trivial
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216:Homosexuality and Male Bonding in Pre-Nazi Germany
54:(October 8, 1868 – February 23, 1948). He was a
267:. London and New York: Routledge. p. 111.
228:Schuster, Marina; Ulbricht, Justus H. (2002).
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58:artist, whose work directly influenced the
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197:Collection in Los Altos Hills, California.
62:style of graphic design of the late 1960s.
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355:Article with several images of Fidus' work
189:There is an archive of Fidus work at the
181:Fidus' Grave at the Woltersdorf cemetery.
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165:, a religious group led by the painter
148:movements. His most famous painting is
450:Wanderungen durch die Mark Brandenburg
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464:Wir sind des Geyers schwarzer Haufen
334:http://www.thedaultoncollection.com/
501:Deutsche Jungenschaft vom 1.11.1929
93:. His work appeared frequently in
70:Born the son of a confectioner in
52:Hugo Reinhold Karl Johann Höppener
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754:Adherents of Germanic neopaganism
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684:19th-century German male artists
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593:Back-to-the-land movement
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261:Dohe, Carrie B. (2016).
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443:Wandervogel
437:Lute guitar
159: [
145:Wandervogel
140:garden city
124:Art Nouveau
112:Adolf Brand
60:psychedelic
41:Woltersdorf
673:Categories
653:White Rose
457:Wild Geese
412:Jugendburg
201:References
107:Der Eigene
102:homosexual
360:Fidushaus
104:magazine
66:Biography
56:symbolist
36:Fidushaus
648:movement
646:Völkisch
305:Archived
586:Related
404:Culture
613:Hippie
525:People
474:Groups
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96:Jugend
91:Sphinx
72:LĂĽbeck
537:Fidus
425:Kohte
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269:ISBN
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