164:). Through participation in the experimental art scene of early 1970s Sydney, where the conventions of modern art were being challenged through the exploration of art forms outside of painting and sculpture, Hall became interested in photography. The ESTC did not offer a major in photography at that time, but her painting teacher John Firth-Smith mentored Hall in photography and she studied it under George Schwarz as a minor for her diploma. While still a student, Hall exhibited photographs as part of the
197:, for whom she was an assistant for the remainder of her time in London. Hall held her first solo exhibition in 1977 at London's Creative Camera Gallery. Hall returned to Australia in 1978 to visit her mother, who was ill. In that same year, she displayed her first Australian solo exhibition at Church Street Photography Centre, Melbourne, then moved to the United States to study for a
348:. In 2005, retrospectives of her work were held at the Queensland Art Gallery and the Art Gallery of South Australia. In the same year, Hall was commissioned to create a piece for the new Chancellery Building of the University of South Australia. In 2008–2009, another retrospective, entitled
181:
After graduating, Hall lived in London, England between
January 1976 and August 1978. In the summer of 1976, Hall spent three months travelling around Europe, during which she visited numerous art institutions and gifts two of her photographs with Jean-Claude Lemagny - the Chief Curator of
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289:, which included "early field photographs, a sampling from several series of studio photographs, as well as sculpture and ceramics." In the late 1990s, Hall stopped working in the medium of photography, and the photograph of her father, incorporated into her 1996 large-scale installation
313:, a 20-square-metre permanent installation of landscape art, opened to the public in 1998. In this same year, she spent the first six months in London at the London Visual Arts/Crafts Board studio, then moved back in Australia as the Artist in Residence at
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with objects such as banana peel and power cords, an early demonstration of a consistent theme in her work, "the transformation of the everyday... into creations of imaginative beauty." Also in 1981, five photographs by Fiona Hall were acquired by the
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The 1980s saw Hall establishing a significant artistic profile for herself through involvement in several solo and group exhibitions across
Australia. As part of her study, Hall returned to Australia in 1981 to live as the artist-in-residence at the
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said of Hall: "With infinite care, the patience of a scientist and the skill of a jeweller, she fashioned each plant and its corresponding human part. Her purpose is very serious but her sense of humour is always ready to bubble to the surface."
265:, in which Hall "used sardine tins to form exquisite sculptures of botanical specimens which sit on top of the open tin revealing human sexual parts which correspond physically to the attributes of the plant." In 1989, Hall was featured in an
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Creative Arts Fellow. While living in
Canberra, Hall planned and designed a commissioned work for the sculpture garden of the National Gallery of Australia. Instead of creating a sculpture for the gallery, as initially planned, Hall created
160:, which developed her interest in art. Hall was initially interested in studying architecture, but upon leaving high school she decided to pursue art and studied a Diploma of Painting at the East Sydney Technical College (ESTC) (part of the
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Hall attended Oatley West
Primary School between 1959 and 1965, and Penshurst High School between 1966 and 1971. Hall's mother recognised her artistic potential and took 14-year-old Hall to see the exhibition
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in 2015. She is known as "one of
Australia's most consistently innovative contemporary artists." Many of her works explore the "intersection of environment, politics and exploitation".
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group exhibition at the Ewing and George Paton
Galleries in 1974. Hall graduated from ESTC in 1975, her graduate exhibition solely featuring photography in lieu of any painting.
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and her parents often took her bushwalking on the weekends, encouraging an appreciation of nature that has had a strong influence on her art. She is the younger sister of the
352:, was displayed in Sydney, New South Wales, at the Museum of Contemporary Art, and in New Zealand at the City Gallery, Wellington, and the Christchurch Art Gallery.
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Between June and
October 1991, Hall was Artist in Residence at Philip Institute of Technology in Preston, Victoria. For four months over 1992–1993, the
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Throughout her artistic career, Hall has been involved in over 150 solo and group exhibitions, the most notable of which are listed below.
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In 2015, Hall represented
Australia in the 56th International Art Exhibition at the Venice Biennale, with a work entitled
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1601:"Finding Value(s) for a Currency of Caring: Exploring Children's Picture Books, A Dollar Bill, and Fine Art Sources"
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Kunda, Maria (2007). "An Other Place, Maria Kunda, Salamanca Arts Centre, Hobart, Tasmania, March - April 2007".
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In 2000, Hall was commissioned to create a public artwork in the Royal
Botanic Gardens in Sydney, and designed
429:"for distinguished service to the visual arts as a painter, sculptor and photographer, and to art education".
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Residency. Her subsequent work explored further the concepts of history, transporting and transplanting.
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392:. Hall continues to work with Roslyn Oxley9 Gallery in Sydney, where she has exhibited since 1995.
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1578:. South Brisbane, Queensland: Queensland Art Gallery / Gallery of Modern Art. pp. 80–83.
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Ryan, Kate (2012). "An interview with Fiona Hall - Fly away home". In
Ewington, Julie (ed.).
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of Australia, creating forty-four photographs for the Parliament House Construction Project.
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2011: Artist Award in the National Awards for the Visual Arts, Melbourne Art Foundation.
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1550:. Vol. 67, no. 21, 020. Australian Capital Territory, Australia. p. 49
1270:. Vol. 67, no. 21, 102. Australian Capital Territory, Australia. p. 24
1241:. Vol. 64, no. 17, 780. Australian Capital Territory, Australia. p. 10
1214:. Vol. 67, no. 21, 069. Australian Capital Territory, Australia. p. 25
261:, photographs of human figures made from painted and burnished aluminium cans; and
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During the 1980s, she created a number of series from everyday objects, including
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Thoughts and Images: An Exploratory Exhibition of Australian Student Photography
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Thoughts and Images: An Exploratory Exhibition of Australian Student Photography
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Edwards, Deborah (December 2001 – February 2002). "TRANSPORTED TRANSPLANTED".
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986:(4th ed.). Aus Art Editions with The Miegunyah Press. pp. 492–493.
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186:. Upon her return to London, Hall began working with Peter Turner, editor of
101:. Hall represented Australia in the 56th International Art Exhibition at the
333:
1041:"Overlooked No More: Ruby Payne-Scott, Who Explored Space With Radio Waves"
1014:"QUEENS BIRTHDAY HONOURS Honour icing on the cake for artist FIONA HALL AO"
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Works by Fiona Hall in the Queensland Art Gallery | Gallery of Modern Art
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a British photography Magazine. Through this job Hall was introduced to
1679:. No. 22, 103. Australian Capital Territory, Australia. p. 15
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in a series of informal residencies. She spent 1999 in Sri Lanka on an
125:), and telephone technician William Holman Hall in 1953 and grew up in
384:), focused on death, extinction and annihilation. The following year,
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McCulloch, Alan; McCulloch, Susan; Childs, Emily McCulloch (2006).
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Works by Fiona Hall in the Museum of Contemporary Art, Australia
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with the support of a grant from the Visual Arts Board of the
1458:"Tjanpi Desert Weavers and the Art of Indigenous Survivance"
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Paradisus terrestris Entitled/Paradisus terrestris Sri Lanka
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Works by Fiona Hall in the Art Gallery of South Australia
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Works by Fiona Hall in the National Gallery of Australia
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In full view: a exhibition of 20x24 Polaroid photographs
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Works by Fiona Hall in the National Gallery of Victoria
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Davidson, Kate (Spring 2005). "The Art of Fiona Hall".
364:. This included work created in collaboration with the
242:
In 1983, Hall began lecturing in photo studies at the
1108:. Annandale, Australia: Piper Press. pp. 180–5.
287:
The Garden of Earthly Delights: The Art of Fiona Hall
904:
Hurst, Rachel (2015). "Fiona Hall: Wrong Way Time".
1146:. Sydney, Australia: Craftsman House. p. 187.
936:Jasper, Adam (2015). "Fiona Hall: Wrong Way Time".
269:television program about Australian photographers,
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984:The New McCulloch's Encyclopedia of Australian Art
425:2013: Officer (AO) in the general division of the
93:(born 16 November 1953) is an Australian artistic
772:. Nationalgalerie im Hamburger Bahnhof, Berlin.
408:1998: Appointed to the Advisory Council of the
784:The Third Moscow Biennale of Contemporary Art.
296:In 1997, Hall took leave without pay from the
80:Officer for the Order of Australia (OA) (2013)
1716:Works by Fiona Hall in the Art Gallery of NSW
1167:Turner, Brook (May 2012), "The alchemist: ",
27:Australian photographer, sculptor (born 1953)
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657:. Ewing and George Paton Galleries, Sydney.
300:, and spent the second half of the year at
285:hosted an exhibition of Hall's work titled
1558:– via National Library of Australia.
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1278:– via National Library of Australia.
1262:"Glass to hang on the wall like paintings"
1249:– via National Library of Australia.
1222:– via National Library of Australia.
1206:"The imaginative and absorbing Fiona Hall"
1144:A Dictionary of Women Artists of Australia
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823:. National Gallery of Australia, Canberra.
731:Contemporary Art Centre of South Australia
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809:Art Gallery of South Australia, Adelaide.
711:. Art Gallery of New South Wales, Sydney.
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770:Face Up: Contemporary Art from Australia
1542:"ART A varied use of botanical imagery"
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880:Fiona Hall : When My Boat Comes In
747:Art Gallery of New South Wales, Sydney.
513:Medicine Bundle for the Non-Born Child,
259:Illustrations to Dante's Divine Comedy
255:Morality Dolls - The Seven Deadly Sins
1673:"Coherent and challenging collection"
1494:. National Gallery of Australia. 2016
1345:"Major grant for commission at UniSA"
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1020:. Adelaide: News Limited. p. 11
664:. Ewing and Paton Galleries, Sydney.
662:- The Grid Show - A Structured Space
471:Illustrations to 'The Divine Comedy'
1456:Biddle, Jennifer (2 October 2019).
1039:Halleck, Rebecca (29 August 2018).
848:Fiona Hall : Canberra projects
777:Prism: Contemporary Australian Art.
293:, was the last that she exhibited.
1776:Officers of the Order of Australia
1204:Barron, Sonia (19 December 1992).
754:. Centre for Visual Arts, Cardiff.
669:Six Australian Women Photographers
55:Oatley, New South Wales, Australia
25:
1540:Barron, Sonia (31 October 1992).
779:Bridgestone Museum of Art, Tokyo.
677:Australian Centre for Photography
1671:Ennis, Helen (23 October 1995).
1599:Reisberg, Mira (November 2008).
1513:Churcher, Betty (7 April 2024),
1385:Sanders, Anne (1 October 2008).
1260:Ennis, Helen (23 January 1993).
154:Two Decades of American Painting
30:For the British politician, see
1791:20th-century Australian artists
1781:Australian contemporary artists
133:. Hall's family lived close to
1786:Visual Studies Workshop alumni
1422:Martin, Colin (October 2015).
752:Terra Mirabilis/Wonderful Land
410:Australian National University
401:1997: Contempora 5 Art Award,
306:Australian National University
244:South Australian School of Art
233:Art Gallery of New South Wales
158:Art Gallery of New South Wales
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1576:Contemporary Australia: Women
1474:10.1080/08164649.2019.1697179
867:Fiona Hall : force field
763:Museum Boijmans Van Beuningen
403:National Gallery of Australia
390:National Gallery of Australia
298:University of South Australia
283:National Gallery of Australia
1488:"Fiona Hall: Wrong Way Time"
673:National Gallery of Victoria
417:National Gallery of Victoria
1462:Australian Feminist Studies
1012:Lloyd, Tim (10 June 2013).
415:1999: Clemenger Art Award,
315:Mt Coot-tha Botanic Gardens
201:(MFA) (Photography) at the
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1771:National Art School alumni
1424:"56TH VENICE ART BIENNALE"
557:, 2000 (commissioned work)
533:, 1998 (commissioned work)
382:Tragedy, Grief and Sadness
29:
1387:"Fiona Hall: Force Field"
1343:Jenkins, Rebecca (2006).
807:Adelaide Biennial of Art.
720:Bridgestone Museum of Art
555:A Folly for Mrs Macquarie
374:Animals from Another Time
346:A Folly for Mrs Macquarie
139:mathematical statistician
1766:Australian women artists
1761:Australian photographers
1517:, Melbourne University,
1428:Craft Arts International
1391:Craft Arts International
1104:Ewington, Julie (2005).
109:Early life and education
52:16 November 1953, age 69
412:'s Centre for the Mind.
327:South Australian Museum
220:Tasmanian School of Art
203:Visual Studies Workshop
32:Fiona Hall (politician)
1142:Germaine, Max (1991).
906:Architecture Australia
489:Historia Non-Naturalis
396:Recognition and awards
325:), and finally at the
302:Canberra School of Art
184:Bibliothèque nationale
72:Photography, Sculpture
800:Royal Academy of Arts
693:. Parco Space, Tokyo.
686:. Touring exhibition.
501:The Syntax of Flowers
465:The Seven Deadly Sins
453:The Antipodean Suite,
388:was exhibited at the
366:Tjanpi Desert Weavers
226:. There, she created
182:Photography - at the
1515:Australian Notebooks
814:Creative Accounting.
740:Copenhagen, Denmark.
709:Australian Perspecta
593:, 2002-2004 (series)
587:, 2002-2005 (series)
581:, 2001-2002 (series)
575:, 2001-2004 (series)
569:, 2000-2003 (series)
477:Paradisus terrestris
263:Paradisus terrestris
228:The Antipodean Suite
199:Masters of Fine Arts
1318:Art & Australia
1291:Art & Australia
1171:(May 2012): 40–43,
938:Art & Australia
816:Touring exhibition.
640:Notable exhibitions
545:, 1999 (exhibition)
539:, 1998 (exhibition)
317:(where she created
207:Rochester, New York
162:National Art School
135:Royal National Park
87:Fiona Margaret Hall
43:Fiona Margaret Hall
18:Fiona Margaret Hall
1677:The Canberra Times
1642:Circa Art Magazine
1547:The Canberra Times
1267:The Canberra Times
1239:The Canberra Times
1235:"Visual Instincts"
1211:The Canberra Times
1045:The New York Times
791:Bienale of Sydney.
738:Art across oceans.
525:Occupied Territory
519:The price is right
438:Famed art curator
427:Order Of Australia
321:(series), part of
237:Biennale of Sydney
835:Subject to change
702:Adelaide Festival
675:, Melbourne; and
648:Group exhibitions
440:Betty Churcher AO
291:Give a Dog a Bone
224:Australia Council
113:Hall was born to
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1681:. Retrieved
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1353:the original
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1324:(1): 14–15.
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1017:
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944:(2): 37–44.
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912:(4): 28–30.
909:
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828:Publications
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765:, Rotterdam.
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119:radiophysics
112:
95:photographer
86:
85:
36:
1751:1953 births
1644:(120): 84.
733:, Adelaide.
623:, 2010-2012
609:Scar Tissue
603:Earth Tones
573:Understorey
567:Leaf Litter
531:Fern Garden
479:, 1989–1990
350:Force Field
311:Fern Garden
195:Fay Goodwin
143:probabilist
61:Nationality
1745:Categories
1683:11 January
1441:11 January
1106:Fiona Hall
886:References
797:Australia.
745:Perspecta.
507:Cargo Cult
64:Australian
1554:7 January
1436:1038-846X
1404:7 January
1399:1038-846X
1349:UniSANews
1330:0004-301X
1303:0004-301X
1274:7 January
1245:7 January
1218:7 January
1177:1328-3774
1050:31 August
1024:7 January
950:0004-301X
918:0003-8725
874:301562576
855:222157210
821:Earth/Sky
812:2016-7 -
802:, London.
768:2003-4 -
682:1986-7 -
679:, Sydney.
627:Fall Prey
611:, 2003–04
591:Snowdomes
561:Gene pool
543:Fieldwork
515:1993-1994
334:Lunuganga
1658:25564816
1627:27696307
842:37062315
722:, Tokyo.
331:Asialink
99:sculptor
878:2011 -
865:2007 -
859:1998 -
846:1997 -
833:1995 -
819:2018 -
805:2014 -
795:2013 -
789:2010 -
786:Moscow.
782:2009 -
775:2006 -
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750:2000 -
743:1997 -
736:1996 -
727:Biodata
725:1994 -
714:1991 -
707:1991 -
696:1990 -
689:1987 -
667:1975 -
653:1974 -
459:Genesis
434:Reviews
304:as the
156:at the
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1498:3 June
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1359:3 June
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629:, 2012
617:, 2005
599:, 2003
585:Tender
563:, 2000
527:, 1995
521:, 1995
509:, 1993
473:, 1988
467:, 1984
461:, 1984
376:) and
172:Career
131:Sydney
127:Oatley
77:Awards
1654:JSTOR
1623:JSTOR
861:Water
660:1975
483:Words
356:2010s
340:2000s
277:1990s
213:1980s
177:1970s
1685:2019
1580:ISBN
1556:2019
1519:ISBN
1500:2016
1443:2019
1432:ISSN
1406:2019
1395:ISSN
1361:2016
1326:ISSN
1299:ISSN
1276:2019
1247:2019
1220:2019
1173:ISSN
1148:ISBN
1110:ISBN
1052:2018
1026:2019
988:ISBN
946:ISSN
914:ISSN
870:OCLC
851:OCLC
838:OCLC
615:Mire
455:1981
141:and
121:and
97:and
49:Born
1646:doi
1613:doi
1470:doi
910:104
267:SBS
205:in
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