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used the opportunity of the Treaty of London to commission
Lawrence to paint distinguished visitors. The group of portraits grew during the next decade as Lawrence continued to obtain portrait sittings at the various congresses following the Battle of Waterloo in 1815 and, in some cases, by making special journeys. Most of the twenty eight portraits were delivered after his death on 7 January 1830. By this time work was already begun of the space of the Waterloo Chamber created by covering a courtyard at Windsor Castle with a huge sky-lit vault; the room was completed during the reign of William IV (1830-7). The first illustration of the interior is provided by Joseph Nash (1809-78) in 1844 (RCIN 919785) and shows the arrangement which survives to this day: full-length portraits of warriors hang high, over the two end balconies and around the walls; at ground level full-length portraits of monarchs alternate with half-lengths of diplomats and statesmen.
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This portrait was commissioned by George IV at a cost of 300 guineas and was painted in in 1818 at Aix-la-Chapelle and Vienna, though it remained in
Lawrence's studio until his death. The portrait seems to have always been intended for what became the 'Waterloo Chamber' and acknowledges the sitter’s
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The
Waterloo Chamber is a great hall on the public route at Windsor Castle displaying portraits of those soldiers, sovereigns and diplomats responsible for the overthrow of Napoleon and the re-establishment of the monarchies and states of Europe thereafter. The concept began in 1814 when George IV
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1355:(1780-1862)}} |Source=http://www.royalcollection.org.uk/egallery/object.asp?category=276&pagesize=100&object=404945&row=1514 |Author=Sir Thomas Lawrence |Date=1818 |Permission= |other
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In this portrait Count
Nesselrode is seated in an armchair at a table; he wears the ribbon of St Alexander Newski, and the collar of the Order of the Annunciation
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This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
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This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
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If the file has been modified from its original state, some details may not fully reflect the modified file.
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This photographic reproduction is therefore also considered to be in the public domain in the United States.
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User:Chickstarr404/Gather lists/16000 – "A Russian
Journal of Lady Londonderry 1836-37"
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faithful reproductions of two-dimensional public domain works of art are public domain
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work of art. The work of art itself is in the public domain for the following reason:
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to indicate why this work is in the public domain in the United States.
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This is a faithful photographic reproduction of a two-dimensional,
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In other jurisdictions, re-use of this content may be restricted;
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The official position taken by the
Wikimedia Foundation is that "
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in its country of origin and other countries and areas where the
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51° 29′ 01.68″ N, 0° 36′ 17.39″ W
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role as plenipotentiary for Russia at the
Congress of Vienna.
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Commons is a freely licensed media file repository.
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height: 143 cm (56.2 in); width: 112.4 cm (44.2 in)
893:https://creativecommons.org/publicdomain/mark/1.0/
501:medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
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1051:Charles Robert, Count Nesselrode (1770-1862)
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1468:Нессельроде, Карл Васильевич
1380:Portrait of Count Nesselrode
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864:life plus 100 years or fewer
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_by_Sir_Thomas_Lawrence,_PRA.jpg)
