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228:. include four to the floor with quarter note hi-hat ride, described as appropriate for "hard rock", with eighth-note ride pattern appropriate for a "pop song", with swung eighths on the backbeat of the ride pattern for a "jazz feel", and second notated pattern above, descried as "basic 4/4 'beat'... a sixteenth-note feel" with hi-hat ride.
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29.3: 868-892. ISSN 0161-2492. "The funk-derived breaks that have long served as hip-hop's rhythmic bedrock" are also characterized by, "their common features tend to include a kick drum on the downbeats...snares on the off beats...and a hi-hat dividing each measure at the level of the eighth or
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566:(Characteristic ] and ] (Bolton, Ross (2001). ''Funk Guitar: The Essential Guide'', p.5. {{ISBN|0634011685}}.) drum pattern followed by ] ] pattern. Schroedl, Scott (2001). Play Drums Today!, p.15. Hal Leonard. ISBN )
427:"), may be used in compositions by multiple composers ("common material"), and may not be readily apparent in compositions. As such, a rhythm is a musical concept or technique, which is considered
186:. notates the "basic beat" using half notes on the bass drum and a quarter note ride cymbal pattern while "four to the floor" (p.15) features steady quarter notes on the bass drum.
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209:, not the ride cymbal. Rock groups such as U2 and INXS have used the second beat, notated with one hand for the hi-hat/snare pattern and one for the bass (p.55).
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sixteenth note. Finally, a tempo of anywhere between 80 and 110 beats per minute will evoke the recognizable feel of a hip-hop beat."
205:. gives as the first, "commmonly used rock beats," featuring, "an eighth-note ride pattern," as the above pattern but riding the
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Add a one-line explanation of what this file represents
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Marshall, Wayne (2006). "Giving Up Hip-hop's
Firstborn
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233:A Quest for the Real after the Death of Sampling",
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
