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Secession’s sublevel gallery, Anne Speier intertwines painting and sculpture in a kind of utopian architecture, short-circuiting its spatial premises with its metaphorical purport. The show examines the challenges that teachers and students at art schools face along images and installations that limn psycho-emotional topographies. James Richards and Leslie Thornton are showing their first collaborative project Crossing (2016) at the Secession. This video installation materializes an intense phase of exchange between the artists who belong to two distinct generations and contexts. 14.09. – 04.11.2018. Anthea Hamilton bezeichnet ihre Installation The New Life im Hauptsaal der SECESSION als „performativen Raum“. Ihre Skulpturen, eigenwillige Gebilde an der Kippe von Entstehung und Zusammenbruch, fungieren darin wie Requisiten für Geschichten, die erst erzählt werden müssen. In ihrer Ausstellung im Untergeschoss der Secession verschränkt Anne Speier Malerei und Skulptur zu einer Form von utopischer Architektur, deren räumliche Bedingung mit ihrer metaphorischen Bedeutung kurzgeschlossen wird. James Richards und Leslie Thornton zeigen in der Secession ihr erstes gemeinsames Projekt, Crossing (2016). Die Videoinstallation materialisiert eine intensive Phase künstlerischer Kollaboration zwischen den KünstlerInnen, die zwei unterschiedlichen Generationen und Kontexten angehören. 14.09. – 04.11.2018.
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Anthea Hamilton refers to her installation The New Life in the main hall of the SECESSION as a ‘performative space’. Her sculptures, idiosyncratic constructions precariously balanced between emergence and collapse, function like props for stories that remain to be told. In her exhibition in the
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