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File:Anonymous Venetian orientalist painting, The Reception of the Ambassadors in Damascus', 1511, the Louvre.jpg

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background leads us to suppose that the workshop worked on different studies. The emblems depicted – a cup and two gunpowder vessels – belonged to the sultan Qâ’it Bay. But the date the work was finished: 1511, inscribed under the cavalier, situates this embassy under the reign of Qânsûh al-Ghawrî. The characters appear to be the governor Sîbay, and on the Venetian side Nicolò Malipiero, consul to Damascus that year, or perhaps Pietro Zen, whose face we know from one of Titian’s protraits. This considerable character, who fell to disgrace with the Mamluks because he was involved with the Persian shah Ismâ‘îl, had handed in his accreditation letters in 1508. This is perhaps the moment which is set in the painting. (Press "edit" to read more)
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This famous canvas, probably painted in the workshop of Gentile Bellini (d. 1507), depicts the Mamluk governor of Damascus granting and audience to some Venetians at the beginning of the sixteenth century. The very exact description of the Mosque of the Omeyyads and Damascan houses in the picture’s
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Unknown Venetian artist, The Reception of the Ambassadors in Damascus, 1511, Louvre. The deer with antlers in the foreground is not known ever to have existed in the wild in Syria.
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This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
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This photographic reproduction is therefore also considered to be in the public domain in the United States.
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The following pages on the English Knowledge (XXG) use this file (pages on other projects are not listed):
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faithful reproductions of two-dimensional public domain works of art are public domain
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work of art. The work of art itself is in the public domain for the following reason:
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https://www.qantara-med.org/public/show_document.php?do_id=1156&lang=en
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to indicate why this work is in the public domain in the United States.
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This is a faithful photographic reproduction of a two-dimensional,
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https://www.universalcompendium.com/gen_images/ucg/mansueti/001.htm
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In other jurisdictions, re-use of this content may be restricted;
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The official position taken by the Wikimedia Foundation is that "
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in its country of origin and other countries and areas where the
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date QS:P,+1507-02-23T00:00:00Z/7,P1326,+1507-02-23T00:00:00Z/11
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48° 51′ 40″ N, 2° 20′ 09″ E
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Reception of a Venetian Delegation in Damascus in 1511
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Reception of a Venetian Delegation in Damascus in 1511
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The reception of the Venetian ambassadors in Damascus
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Commons is a freely licensed media file repository.
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Information from its 1732:Orientismo (ideologio) 1010:image with frame  106:description page there 41:Size of this preview: 1524:19:07, 27 August 2018 1812:Ориентализам (книга) 1747:Comercio transíndico 1494:16:10, 2 August 2020 1326:determination method 1074:This work is in the 832:Louvre Museum ARK ID 609:10 August 1793  482:L. 201 cm; H. 175 cm 171:Anonymous Venetian, 65:2,000 × 1,176 pixels 1922:Pablo Martín Asuero 967:Source/Photographer 786:La Galerie du temps 745:La Galerie du temps 542:Louvre Museum  229:Date of birth/death 47:Other resolutions: 1817:Мамелучки Султанат 1624:Other (philosophy) 1619:Orientalism (book) 1604:Indian Ocean trade 778:Exhibition history 757:INV 100 and MR 61 61:1,280 × 753 pixels 57:1,024 × 602 pixels 1635:Global file usage 1582: 1174: 1166: 1152: 1151: 1113: 1112: 1102: 1061: 1060: 1023: 1022: 766: 722: 721: 384: 383: 367:b/bellini/gentile 121: 120: 101:Wikimedia Commons 32:Global file usage 1961: 1657:الدولة المملوكية 1609:Mamluk Sultanate 1566: 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File:Anonymous Venetian orientalist painting, The Reception of the Ambassadors in Damascus', 1511, the Louvre.jpg
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Reception of a Venetian Delegation in Damascus in 1511
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Gentile Bellini

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