217:"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
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taken and publicly distributed to promote the subject or a work relating to the subject.
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writes in the conclusion of a 1993 conference of cinema scholars and editors
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in the United States between 1929 and 1977, inclusive,
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