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mitologię. Ważny jest ich związek z domem-pracownią, którą artystka traktuje nie tylko jako miejsce pracy, ale jako swoje alter ego. Dla Brătescu, która uwielbiała podróżować i prowadziła rodzaj dziennika w formie notatników-kolaży, podróż jest metaforą stanu mentalnego, w którym czas i przeżycia ulegają nawarstwieniu.
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Podróżnik to żartobliwy autoportret – starodawny, drewniany, rozkładany taboret „ożywiają” przyklejone do okrągłego siedziska fotografie oczu artystki. Geta Brătescu często sięga po przedmioty z najbliższego otoczenia, sprzęty domowe, które, nosząc różne historie, tworzą jej osobistą
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Zakup dzieła do kolekcji Muzeum Sztuki
Nowoczesnej w Warszawie został dofinansowany ze środków Ministra Kultury i Dziedzictwa Narodowego w ramach programu "Narodowe kolekcje sztuki współczesnej”.
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52° 13′ 59.8″ N, 21° 00′ 02.8″ E
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg){kind=link}
