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855:, already famous. Joanna Woods-Marsden suggests that it was for this latter reason that Raphael reworked the face, anxious that favourable comparison should be made between the two. Woods-Marsden describes the portrait as opening a new chapter in the history of Italian female imagery. Features such as the loose flowing hair, the widely separated arms exposing the torso, and the knees frankly spread apart (indeed the very depiction of the knees), eroticize the subject in a way new to Central Italian portraiture of the time (Brown pp. 80-1)
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862:. This was always rather unlikely given the nature of the portrait and that Jeanne was barely sixteen years old at the time of its commission and unmarried. In 1997 Michael Fritz established it as a portrait of Doña Isabel de Requesens, a celebrated beauty of the time married to
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following a design by
Raphael and executed entirely by Romano himself save for the face worked by Raphael (pp. 359-60). This is the only source for Raphael's intervention, but the same remarks could apply equally to the very similar
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This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
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Knowledge (XXG):Featured picture candidates/File:Portrait de Jeanne d'Aragon, by
Raffaello Sanzio, from C2RMF retouched.jpg
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Giulio_Romano_(school_of_Raphael)_-_Portrait_of_Doña_Isabel_de_Requesens_-_Louvre_612_Joconde_000PE026978.jpg
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This photographic reproduction is therefore also considered to be in the public domain in the United States.
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The following pages on the
English Knowledge (XXG) use this file (pages on other projects are not listed):
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for
Francis, known for his art collection of paintings of female beauty, a collection that included
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Vasari, Giorgio; Julia
Conaway Bondanella (translator); Peter Bondanella (translator) (2008)
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Woods-Marsden, Joanna (2003) "Portrait of the Lady, 1430 -1520" in Brown, David Alan , ed.
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Giulio Romano et Raphaël: La vice-reine de Naples ou la renaissance d'une beauté mythique
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faithful reproductions of two-dimensional public domain works of art are public domain
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work of art. The work of art itself is in the public domain for the following reason:
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Vasari mentions that Romano painted a portrait of the "viceroy of Naples' wife" for
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Virtue and Beauty: Leonardo's
Ginevra de' Benci and Renaissance Portraits of Women
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Portrait of Doña Isabel de
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Talk:Portrait of Doña Isabel de
Requesens y Enríquez de Cardona-Anglesola
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Click on a date/time to view the file as it appeared at that time.
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This is a faithful photographic reproduction of a two-dimensional,
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In other jurisdictions, re-use of this content may be restricted;
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The official position taken by the
Wikimedia Foundation is that "
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in its country of origin and other countries and areas where the
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label QS:Lfr,"Portrait de Doña Isabel de
Requesens y Enríquez"
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48° 51′ 40″ N, 2° 20′ 09″ E
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Birth name: Giulio di Pietro de' Gianuzzi (Giulio Pippi)
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Knowledge (XXG):Featured picture candidates/August-2014
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Add a one-line explanation of what this file represents
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Knowledge (XXG):Featured picture candidates/July-2014
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Commons is a freely licensed media file repository.
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date QS:P571,+1518-00-00T00:00:00Z/9,P1480,Q5727902
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label QS:Len,"Portrait of Doña Isabel de Requesens"
1251:https://creativecommons.org/publicdomain/mark/1.0/
507:medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
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818:Image: RMN (Musée du Louvre) / Hervé Lewandowski
517:height: 95 cm (37.4 in); width: 120 cm (47.2 in)
46:(463 × 585 pixels, file size: 30 KB, MIME type:
1028:on 16 January 2018. Retrieved on 20 July 2014.
461:. It was formerly believed to be a portrait of
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842:The portrait was commissioned from Raphael by
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1136:A very similar portrait by Giulio Romano of
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476:Isabel de Requesens i Enríquez
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1000:jeannedepompadour.blogspot.fr
992:de Pompadour, Jeanne (2012).
519:dimensions QS:P2048,95U174728
204:Italian architect and painter
1316:Items portrayed in this file
1213:life plus 100 years or fewer
1101:museis.wordpress.com :
1280:Reuse of PD-Art photographs
929:Fritz, Michael (1997)
776:Denon wing, floor 1, room 8
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509:(transferred from oak)
370:artist QS:P170,Q215305
74:description page there
1235:U.S. Copyright Office
903:Dixon, Erica (2012).
215:1 November 1546
1675:Coat of Many Colours
1601:determination method
1219:This work is in the
1201:This work is in the
866:, viceroy of Naples.
650:10 August 1793
1658:22:28, 20 July 2014
1098:Source/Photographer
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803:Francis I of France
583:Louvre Museum
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