2175:
elements of the picture - the sons, the father and the women - is framed by a section of a Doric arcade, and the figures are located in a narrow stage-like space. David split the picture between the masculine resolve of the father and brothers and the slumped resignation of the women.. The focal point of the work is occupied by the swords that old
Horatius is about to distribute to his sons. While the rear two brothers take the oath with their left hands, the foremost one swears with his right. Perhaps David did this simply as a way of grouping the figures together, but people at the time noticed this detail, and some supposed that this meant that the brother in the front would be the one to survive the combat.
606:
421:
908:
886:
865:
837:
687:
674:
639:
620:
517:
499:
481:
246:
238:
161:
667:
2167:
made by local craftsmen so that they could serve as props. Drouais is supposed to have assisted David, painting the arm of the rear
Horatii brother and the yellow garment of Sabina. The painting was finished at the end of July 1785, and was then exhibited in David's studio. David signed the painting and added the painting's place of origin to the signature and date: L David / faciebat / Romanae /Anno MDCCLXXXIV. The painting created a sensation, even the Pope wanted to view it.
43:
660:
216:
201:
943:
155:
712:
588:
325:
195:
1029:
1128:
582:
189:
1103:
95:
1020:
2166:
When he arrived to Rome, David rent a studio in the Via del
Babuino. He worked in a very methodical manner on The Oath of the Horatii, drawing from life models and draped mannequins, and some very detailed studies survive for many of the main figures. He had accessories such as the swords and helmets
2174:
Because of its austerity and depiction of dutiful patriotism, The Oath of the
Horatii is often considered to be the clearest expression of Neoclassicism in painting. The painting's uncompromising directness, economy and tension made it instantly memorable and full of visual impact. Each of the three
2170:
The story is from the 7th century B.C., and it tells of the triplet sons of
Publius Horatius, who decided the struggle between Rome and Albalonga. One survived, but he killed his own sister because she wept for one of the fallen foes, to whom she was betrothed. Condemned to death for the murder of a
1229:
Dieses Bild mit seiner strengen, zeichnerisch bestimmten
Komposition auf klar begrenzter Raumbühne, wurde von den Zeitgenossen als das Programmbild des Klassizismus verstanden. Es ist erfüllt von moralischem Pathos und tritt thematisch für sittlichen Ernst und Menschenwürde ein - somit ein politisch
1649:
2162:
David owed his rise to fame - after many reversals - to a painting for the execution of which he took his family to Rome, in order to absorb himself totally in the world of antique forms. It was The Oath of the
Horatii.
1265:
A pintura simboliza o princípio segundo o qual o dever público, o sacrifício pessoal, o patriotismo e a defesa das convicções tomadas em consciência são valores superiores à própria segurança, ou seja, aos seus
2131:
1666:{{Painting| |Title={{en|The Oath of the Horatii}} |Technique={{en|Oil on canvas}} |Dimensions=129 3/4 x 167 1/8 inches (329.8 x 424.8 cm) |Location=Paris, France |Country= |Gallery=
314:
920:
Das Bild verstand sich als
Initialbild einer neuen Kunstrichtung und kehrte sich sowohl im Thema, als auch in der Gestaltung radikal von der vorhergehenden Kunstrichtung ab.
2092:
1882:
1133:
2087:
1734:
734:
347:
1892:
1694:
721:
334:
61:
57:
53:
47:
106:
1116:
74:
666:
1784:
1724:
1143:
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
2082:
1482:
753:
366:
928:
492:
740:
353:
2142:
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
1394:
1358:
1322:
747:
360:
1178:
2047:
1779:
1577:
1540:
1503:
1448:
1414:
1342:
1475:
1378:
1306:
1049:
2188:
Author: DAVID, Jacques-Louis
Title: The Oath of the
Horatii
Form: painting
Time-line: 1801-1850
School: French
1759:
1709:
1704:
1812:
1982:
1867:
1744:
779:
392:
1897:
2145:
If the file has been modified from its original state, some details may not fully reflect the modified file.
1774:
1173:
This photographic reproduction is therefore also considered to be in the public domain in the United States.
605:
594:
179:
145:
139:
188:
1680:
The following pages on the
English Knowledge (XXG) use this file (pages on other projects are not listed):
1012:
1877:
1714:
760:
473:
373:
2072:
659:
1754:
978:
965:
773:
491:
386:
303:
263:
1648:
1643:
200:
65:
42:
1764:
114:
878:
857:
420:
313:
160:
1065:
566:
275:
1249:
Oath of the Horatii (1784). Oil on canvas, 329.8 × 424.8 cm (129.8 × 167.2 in). Louvre, Paris
997:
1729:
1659:
1142:
929:
http://cartelen.louvre.fr/cartelen/visite?srv=car_not_frame&idNotice=22497&langue=en
1719:
1699:
1200:
581:
1111:
907:
836:
538:
1917:
1887:
958:
686:
619:
516:
498:
1168:
faithful reproductions of two-dimensional public domain works of art are public domain
673:
638:
480:
245:
237:
1074:
work of art. The work of art itself is in the public domain for the following reason:
1013:
276:
101:
2159:
The Oath of the Horatii
1784
Oil on canvas, 330 x 425 cm
Musée du Louvre, Paris
885:
864:
1739:
1037:
1032:
1028:
984:
1023:
1019:
1769:
1684:
991:
1071:
787:
474:
400:
1857:
1749:
1689:
952:
643:
572:
463:
Baba ve üç oğlunun savaş yeminidir arka plandakiler eşler ve kız kardeşlerdir.
942:
154:
1967:
1942:
766:
711:
587:
379:
324:
291:
256:
194:
2107:
871:
850:
727:
1837:
829:
297:
1852:
631:
510:
509:
340:
215:
2048:
Portal:Bildende Kunst/Europäische Kunst nach Epochen und Ismen bis 1945
1136:
to indicate why this work is in the public domain in the United States.
1922:
947:
2102:
1667:
2057:
1957:
716:
329:
2062:
1616:
Click on a date/time to view the file as it appeared at that time.
1070:
This is a faithful photographic reproduction of a two-dimensional,
1952:
1175:
In other jurisdictions, re-use of this content may be restricted;
971:
573:
1832:
1822:
1166:
The official position taken by the Wikimedia Foundation is that "
1115:
in its country of origin and other countries and areas where the
2117:
2032:
1947:
304:
264:
2171:
sibling, Horatius' son is pardoned by the will of the people.
2067:
1670:|Notes= |Source=[http://www.wga.hu/frames-e.html?/html/d/david_
632:
1937:
1188:
1097:
173:
89:
1932:
1992:
2012:
2007:
1972:
1927:
1827:
697:
2052:
1802:
656:
48° 51′ 40″ N, 2° 20′ 09″ E
2122:
2027:
2002:
830:
298:
227:
French painter, politician and architectural draftsperson
1907:
1847:
146:
2042:
872:
851:
79:(1,292 × 1,001 pixels, file size: 154 KB, MIME type:
2073:
Die Liktoren bringen Brutus die Leichen seiner Söhne
133:
113:
Commons is a freely licensed media file repository.
2037:
1150:https://creativecommons.org/publicdomain/mark/1.0/
542:medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
180:
140:
2022:
644:
551:height: 330 cm (10.8 ft); width: 425 cm (13.9 ft)
1290:El jurament dels Horacis (1784). Oli sobre tela.
1038:http://www.wga.hu/html/d/david_j/2/201david.html
292:
257:
94:
8:
905:L.DAVID FACIEBAT ROMAE ANNO MDCCLXXXIV
1735:User:JPEsperanca&FernandaCorreia~enwiki
900:Signature, date and location bottom left:
2147:
1618:
1286:
1278:
1270:
1261:
1253:
1245:
1077:
906:
884:
879:
863:
858:
835:
685:
672:
637:
618:
515:
497:
479:
244:
236:
1795:The following other wikis use this file:
1695:List of paintings by Jacques-Louis David
1464:12cbda9f7154ee87f6a80382ff6d145acaed4d9b
2149:
1682:
1591:
1575:
1554:
1538:
1517:
1501:
1462:
1446:
1428:
1412:
1392:
1376:
1356:
1340:
1320:
1304:
1301:
1241:
1234:
1156:Creative Commons Public Domain Mark 1.0
2156:(b. 1748, Paris, d. 1825, Bruxelles)
1918:Viquipèdia:Articles seleccionats/juny
1102:
7:
1785:User talk:Johnbod/12 from October 08
1274:Tragedia scritta da Pierre Corneille
529:date QS:P571,+1784-00-00T00:00:00Z/9
1607:
2140:
1725:User:Icelandic Hurricane/Userboxes
1295:
1289:
1281:
1273:
1264:
1256:
1248:
457:
449:
441:
433:
126:
72:
1294:
1239:
1126:
1101:
1027:
1018:
941:
710:
665:
658:
604:
586:
580:
419:
323:
214:
199:
193:
187:
159:
153:
93:
31:
21:
1236:
1201:View the annotations at Commons
1134:United States public domain tag
458:
442:
434:
14:
2185:--- Keywords: --------------
1943:Combat dels Horacis i Curiacis
1235:
556:dimensions QS:P2049,425U174728
553:dimensions QS:P2048,330U174728
450:
26:
1:
2108:Art History/Printable version
36:
1780:User talk:Giano II/archive 9
1302:Items portrayed in this file
1257:El juramento de los Horacios
1121:life plus 100 years or fewer
1819:Usage on ast.wikipedia.org
1799:Usage on als.wikipedia.org
1179:Reuse of PD-Art photographs
1050:Jacques-Louis David 020.jpg
883:, 8 September 1791 -
2207:
2114:Usage on eo.wikipedia.org
2099:Usage on en.wikibooks.org
2079:Usage on el.wikipedia.org
2019:Usage on de.wikipedia.org
1999:Usage on da.wikipedia.org
1989:Usage on cy.wikipedia.org
1979:Usage on cv.wikipedia.org
1964:Usage on cs.wikipedia.org
1914:Usage on ca.wikipedia.org
1904:Usage on bs.wikipedia.org
1874:Usage on bg.wikipedia.org
1864:Usage on ba.wikipedia.org
1844:Usage on az.wikipedia.org
1809:Usage on ar.wikipedia.org
1710:User:Christian Historybuff
1705:Talk:The Third of May 1808
800:institution QS:P195,Q19675
702:
692:
679:
651:
625:
612:
601:
568:
417:
135:
1923:Plantilla:Article juny 11
1745:User:JoniyourGSI/archive1
1608:
1343:digital representation of
1198:This image is annotated:
1141:
1100:
1076:
706:
696:
683:
655:
633:Saint-Germain-l'Auxerrois
629:
616:
602:
569:
319:
312:
289:
286:
274:
271:
252:
231:
226:
223:
212:
176:
136:
16:
2103:Art History/18th Century
1238:
1132:You must also include a
903:
100:This is a file from the
2088:Οράτιος (θεατρικό έργο)
2058:Der Schwur der Horatier
1958:Portada/article juny 11
1775:User:Tamino/MyUserboxes
1760:User:Mannschaftskapitän
1665:
1395:The Oath of the Horatii
1359:The Oath of the Horatii
1323:The Oath of the Horatii
1045:
1036:reference_wga QS:P973,"
1008:
934:
924:
916:
894:
843:
825:
815:
805:
561:
547:
534:
523:
505:
487:
469:
439:The Oath of the Horatii
428:
253:Location of birth/death
186: (1748–1825)
167:
147:The Oath of the Horatii
104:. Information from its
2154:DAVID, Jacques-Louis
2093:Οράτιοι και Κουριάτιοι
2063:Klassizismus (Malerei)
1838:Arte de la Edá Moderna
455:Le Serment des Horaces
243:29 December 1825
107:description page there
46:Size of this preview:
1883:Гражданска добродетел
1715:User:Erdkunde Meister
810:Louvre, Paris, France
413:artist QS:P170,Q83155
1755:User:Larix/Interests
1644:20:38, 10 April 2007
1476:determination method
1109:This work is in the
684:10 August 1793
235:30 August 1748
66:1,292 × 1,001 pixels
2118:Jacques-Louis David
2033:Jacques-Louis David
1893:Клетва на Хорациите
1823:Jacques-Louis David
1282:Ο όρκος των Ορατίων
1009:Source/Photographer
617:Louvre Museum
281:era QS:P2348,Q14378
232:Date of birth/death
181:Jacques-Louis David
141:Jacques-Louis David
52:Other resolutions:
2068:Horace (Corneille)
1858:Fransa mədəniyyəti
1765:User:Redneckgaijin
1230:motiviertes Bild.
1033:Info about artwork
1014:Web Gallery of Art
844:Exhibition history
2194:
2193:
2151:JPEG file comment
2132:more global usage
1853:Horatsilərin andı
1791:Global file usage
1673:
1288:
1280:
1272:
1263:
1255:
1247:
1207:
1206:
1187:
1186:
1148:
1147:
1137:
1096:
1095:
1055:
1054:
826:Place of creation
797:
796:
410:
409:
122:
121:
102:Wikimedia Commons
32:Global file usage
2198:
2190:Type: historical
2148:
2083:Ζακ-Λουί Νταβίντ
1953:Salutació romana
1730:User:Inge-Lyubov
1656:
1596:
1559:
1522:
1485:
1480:
1189:
1163:
1160:
1157:
1154:
1151:
1131:
1130:
1129:
1119:is the author's
1105:
1104:
1098:
1092:
1089:
1086:
1083:
1078:
1066:
1031:
1022:
1015:
1001:
1000:
988:
987:
975:
974:
962:
961:
945:
910:
888:
881:
874:
867:
860:
853:
839:
832:
816:Accession number
806:Current location
790:
783:
782:
770:
769:
757:
756:
744:
743:
741:000000012260177X
731:
730:
714:
689:
676:
670:
669:
663:
662:
646:
641:
634:
622:
609:
608:
598:
590:
584:
578:
575:
567:
519:
512:
511:Publius Horatius
501:
494:
493:history painting
483:
476:
462:
454:
452:Français :
446:
438:
423:
403:
396:
395:
383:
382:
370:
369:
357:
356:
354:0000000121374173
344:
343:
327:
316:
306:
305:City of Brussels
300:
294:
278:
266:
265:City of Brussels
259:
248:
240:
219:
218:
207:
203:
197:
191:
185:
182:
174:
163:
157:
151:
148:
142:
134:
118:
97:
96:
90:
84:
82:
69:
62:991 × 768 pixels
58:620 × 480 pixels
54:310 × 240 pixels
48:774 × 600 pixels
2206:
2205:
2201:
2200:
2199:
2197:
2196:
2195:
2184:
2181:
2178:
2136:
1993:Neo-glasuriaeth
1968:Přísaha Horatiů
1789:
1720:User:Ian Struan
1700:Rococo painting
1681:
1674:
1662:
1654:
1610:
1609:
1606:
1605:
1604:
1603:
1602:
1601:
1600:
1599:
1597:
1594:
1584:
1583:
1582:
1580:
1569:
1568:
1567:
1566:
1565:
1564:
1563:
1562:
1560:
1557:
1547:
1546:
1545:
1543:
1532:
1531:
1530:
1529:
1528:
1527:
1526:
1525:
1523:
1520:
1510:
1509:
1508:
1506:
1495:
1494:
1493:
1492:
1491:
1490:
1489:
1488:
1487:
1486:
1481:
1478:
1469:
1468:
1467:
1465:
1455:
1454:
1453:
1451:
1440:
1439:
1438:
1437:
1436:
1435:
1434:
1433:
1431:
1421:
1420:
1419:
1417:
1406:
1405:
1404:
1403:
1402:
1401:
1400:
1399:
1397:
1385:
1384:
1383:
1381:
1370:
1369:
1368:
1367:
1366:
1365:
1364:
1363:
1361:
1349:
1348:
1347:
1345:
1334:
1333:
1332:
1331:
1330:
1329:
1328:
1327:
1325:
1313:
1312:
1311:
1309:
1293:
1292:
1291:
1284:
1283:
1276:
1275:
1268:
1267:
1259:
1258:
1251:
1250:
1233:
1232:
1226:
1223:
1220:
1217:
1214:
1211:
1195:
1183:
1164:
1161:
1158:
1155:
1152:
1149:
1127:
1090:
1087:
1084:
1081:
1075:
1064:
1056:
1041:
1004:
996:
995:
983:
982:
970:
969:
957:
956:
912:
911:
821:
811:
801:
798:
793:
786:
778:
777:
765:
764:
752:
751:
739:
738:
726:
725:
664:
657:
648:
603:
592:
577:
570:
557:
554:
543:
530:
506:Depicted people
465:
464:
456:
448:
447:Клятва Горациев
440:
424:
415:
414:
411:
406:
399:
391:
390:
378:
377:
365:
364:
352:
351:
339:
338:
308:
282:
213:
208:
205:
184:
177:
150:
137:
131:
124:
123:
112:
111:
110:is shown below.
86:
80:
78:
71:
70:
51:
12:
11:
5:
2204:
2202:
2192:
2191:
2152:
2139:
2134:of this file.
2128:
2127:
2126:
2125:
2120:
2112:
2111:
2110:
2105:
2097:
2096:
2095:
2090:
2085:
2077:
2076:
2075:
2070:
2065:
2060:
2055:
2050:
2045:
2040:
2035:
2030:
2025:
2017:
2016:
2015:
2013:Romersk hilsen
2010:
2008:Horatiernes ed
2005:
1997:
1996:
1995:
1987:
1986:
1985:
1977:
1976:
1975:
1970:
1962:
1961:
1960:
1955:
1950:
1948:Pintura rococó
1945:
1940:
1935:
1930:
1928:Neoclassicisme
1925:
1920:
1912:
1911:
1910:
1902:
1901:
1900:
1895:
1890:
1885:
1880:
1872:
1871:
1870:
1862:
1861:
1860:
1855:
1850:
1842:
1841:
1840:
1835:
1833:Antiguu Réxime
1830:
1825:
1817:
1816:
1815:
1813:هوراس (مسرحية)
1807:
1806:
1805:
1793:
1792:
1788:
1787:
1782:
1777:
1772:
1767:
1762:
1757:
1752:
1747:
1742:
1737:
1732:
1727:
1722:
1717:
1712:
1707:
1702:
1697:
1692:
1687:
1679:
1678:
1677:
1672:
1671:
1664:
1660:
1657:
1653:1,292 × 1,001
1651:
1646:
1641:
1637:
1636:
1633:
1630:
1627:
1624:
1621:
1614:
1613:
1598:
1592:
1590:
1589:
1588:
1587:
1586:
1585:
1581:
1576:
1574:
1573:
1572:
1571:
1570:
1561:
1555:
1553:
1552:
1551:
1550:
1549:
1548:
1544:
1539:
1537:
1536:
1535:
1534:
1533:
1524:
1518:
1516:
1515:
1514:
1513:
1512:
1511:
1507:
1502:
1500:
1499:
1498:
1497:
1496:
1474:
1473:
1472:
1471:
1470:
1466:
1463:
1461:
1460:
1459:
1458:
1457:
1456:
1452:
1447:
1445:
1444:
1443:
1442:
1441:
1432:
1429:
1427:
1426:
1425:
1424:
1423:
1422:
1418:
1413:
1411:
1410:
1409:
1408:
1407:
1398:
1393:
1391:
1390:
1389:
1388:
1387:
1386:
1382:
1377:
1375:
1374:
1373:
1372:
1371:
1362:
1357:
1355:
1354:
1353:
1352:
1351:
1350:
1346:
1341:
1339:
1338:
1337:
1336:
1335:
1326:
1321:
1319:
1318:
1317:
1316:
1315:
1314:
1310:
1305:
1303:
1300:
1299:
1298:
1297:
1296:
1285:
1277:
1269:
1260:
1252:
1244:
1243:
1240:
1237:
1227:
1224:
1221:
1218:
1215:
1212:
1209:
1208:
1205:
1204:
1196:
1193:
1185:
1184:
1165:
1146:
1145:
1139:
1138:
1117:copyright term
1106:
1094:
1093:
1069:
1063:
1060:
1053:
1052:
1047:
1046:Other versions
1043:
1042:
1035:
1010:
1006:
1005:
1003:
1002:
989:
976:
963:
950:
938:
936:
935:Authority file
932:
931:
926:
922:
921:
918:
914:
913:
904:
902:
901:
896:
892:
891:
890:
889:
868:
845:
841:
840:
827:
823:
822:
819:
817:
813:
812:
809:
807:
803:
802:
799:
795:
794:
792:
791:
784:
771:
758:
745:
732:
719:
707:
705:
704:Authority file
701:
700:
695:
691:
690:
682:
678:
677:
654:
650:
649:
630:
628:
624:
623:
615:
611:
610:
600:
599:
571:
565:
563:
559:
558:
555:
552:
549:
545:
544:
541:
536:
532:
531:
528:
525:
521:
520:
507:
503:
502:
489:
485:
484:
471:
467:
466:
432:
430:
426:
425:
418:
416:
412:
408:
407:
405:
404:
397:
384:
371:
358:
345:
332:
320:
318:
315:Authority file
310:
309:
290:
288:
284:
283:
280:
273:
269:
268:
261:
254:
250:
249:
241:
233:
229:
228:
225:
221:
220:
210:
209:
204:
178:
172:
171:
169:
165:
164:
138:
132:
130:
127:
125:
120:
119:
98:
88:
87:
45:
41:
40:
39:
34:
29:
24:
19:
13:
10:
9:
6:
4:
3:
2:
2203:
2189:
2186:
2182:
2179:
2176:
2172:
2168:
2164:
2160:
2157:
2153:
2150:
2146:
2143:
2137:
2135:
2133:
2124:
2121:
2119:
2116:
2115:
2113:
2109:
2106:
2104:
2101:
2100:
2098:
2094:
2091:
2089:
2086:
2084:
2081:
2080:
2078:
2074:
2071:
2069:
2066:
2064:
2061:
2059:
2056:
2054:
2053:Saluto romano
2051:
2049:
2046:
2044:
2041:
2039:
2036:
2034:
2031:
2029:
2026:
2024:
2021:
2020:
2018:
2014:
2011:
2009:
2006:
2004:
2001:
2000:
1998:
1994:
1991:
1990:
1988:
1984:
1983:Жак Луи Давид
1981:
1980:
1978:
1974:
1971:
1969:
1966:
1965:
1963:
1959:
1956:
1954:
1951:
1949:
1946:
1944:
1941:
1939:
1936:
1934:
1931:
1929:
1926:
1924:
1921:
1919:
1916:
1915:
1913:
1909:
1906:
1905:
1903:
1899:
1896:
1894:
1891:
1889:
1886:
1884:
1881:
1879:
1876:
1875:
1873:
1869:
1868:Жак-Луи Давид
1866:
1865:
1863:
1859:
1856:
1854:
1851:
1849:
1846:
1845:
1843:
1839:
1836:
1834:
1831:
1829:
1828:Neoclasicismu
1826:
1824:
1821:
1820:
1818:
1814:
1811:
1810:
1808:
1804:
1801:
1800:
1798:
1797:
1796:
1790:
1786:
1783:
1781:
1778:
1776:
1773:
1771:
1768:
1766:
1763:
1761:
1758:
1756:
1753:
1751:
1748:
1746:
1743:
1741:
1738:
1736:
1733:
1731:
1728:
1726:
1723:
1721:
1718:
1716:
1713:
1711:
1708:
1706:
1703:
1701:
1698:
1696:
1693:
1691:
1688:
1686:
1683:
1675:
1669:
1663:
1658:
1652:
1650:
1647:
1645:
1642:
1639:
1638:
1634:
1631:
1628:
1625:
1622:
1620:
1619:
1617:
1611:
1579:
1542:
1505:
1484:
1477:
1450:
1416:
1396:
1380:
1360:
1344:
1324:
1308:
1231:
1203:
1202:
1197:
1191:
1190:
1182:
1180:
1174:
1171:
1169:
1144:
1140:
1135:
1125:
1124:
1122:
1118:
1114:
1113:
1112:public domain
1107:
1099:
1085:Public domain
1082:Public domain
1080:
1079:
1073:
1072:public domain
1068:
1067:
1061:
1059:
1058:
1051:
1048:
1044:
1039:
1034:
1030:
1025:
1021:
1016:
1011:
1007:
999:
993:
990:
986:
980:
977:
973:
967:
964:
960:
954:
951:
949:
944:
940:
939:
937:
933:
930:
927:
923:
919:
915:
909:
899:
898:
897:
893:
887:
882:
876:
875:
873:Salon of 1791
869:
866:
861:
855:
854:
852:Salon of 1785
848:
847:
846:
842:
838:
833:
828:
824:
818:
814:
808:
804:
789:
785:
781:
775:
772:
768:
762:
759:
755:
749:
746:
742:
736:
733:
729:
723:
720:
718:
713:
709:
708:
703:
699:
698:www.louvre.fr
693:
688:
680:
675:
668:
661:
652:
647:
640:
635:
626:
621:
613:
607:
596:
589:
583:
576:
574:Louvre Museum
564:
560:
550:
546:
540:
539:oil on canvas
537:
533:
526:
522:
518:
513:
508:
504:
500:
495:
490:
486:
482:
477:
472:
468:
461:
453:
445:
437:
431:
427:
422:
402:
398:
394:
388:
385:
381:
375:
372:
368:
362:
359:
355:
349:
346:
342:
336:
333:
331:
326:
322:
321:
317:
311:
307:
301:
295:
287:Work location
285:
279:
277:neoclassicism
270:
267:
262:
260:
255:
251:
247:
242:
239:
234:
230:
222:
217:
211:
202:
196:
190:
183:
175:
170:
166:
162:
156:
149:
143:
128:
116:
109:
108:
103:
99:
92:
91:
85:
76:
75:Original file
67:
63:
59:
55:
49:
44:
38:
35:
33:
30:
28:
25:
23:
20:
18:
15:
2187:
2183:
2180:
2177:
2173:
2169:
2165:
2161:
2158:
2155:
2144:
2141:
2129:
2123:Romia saluto
2028:Klassizismus
2003:Klassicismen
1938:Gens Horàcia
1898:Римски салют
1803:Klassizismus
1794:
1740:User:Johnbod
1615:
1612:File history
1379:main subject
1228:
1199:
1181:for details.
1176:
1172:
1167:
1120:
1110:
1108:
1057:
895:Inscriptions
870:
849:
459:
451:
443:
435:
115:You can help
105:
73:
22:File history
1933:Antic Règim
1770:User:Tamino
1685:1784 in art
1661:Grendelkhan
1266:interesses.
1192:Annotations
998:000PE000822
880:Salon Carré
859:Salon Carré
681:Established
653:Coordinates
614:Native name
470:Object type
272:Work period
224:Description
1908:Klasicizam
1878:Класицизъм
1848:3 may 1808
1750:User:Larix
1690:Classicism
1676:File usage
1629:Dimensions
1430:image/jpeg
1415:media type
1262:Portuguese
925:References
562:Collection
548:Dimensions
81:image/jpeg
27:File usage
1973:Horatiové
1626:Thumbnail
1623:Date/Time
1504:data size
1271:Esperanto
1194:InfoField
1062:Licensing
985:12074622t
972:4113280-4
959:010062239
767:n80020283
754:500125189
728:257711507
595:Inventory
444:Русский:
436:English:
380:n50035639
367:500115221
2138:Metadata
2043:Horatier
1655:(154 KB)
1519:157,290
1449:checksum
1242:Captions
1017::
788:WorldCat
780:35912436
627:Location
475:painting
460:Türkçe:
401:WorldCat
393:35033606
341:66575297
37:Metadata
1888:Хорации
1640:current
1635:Comment
1307:depicts
1287:Catalan
1254:Spanish
1246:English
992:Joconde
948:Q476458
694:Website
129:Summary
77:
2038:Schwur
1668:Louvre
1593:1,292
1556:1,001
1541:height
1026:
953:Louvre
862:
834:
717:Q19675
671:
645:France
636:
591:
585:
579:
535:Medium
514:
496:
478:
330:Q83155
206:
198:
192:
168:Artist
158:
152:
2130:View
1595:pixel
1578:width
1558:pixel
1483:SHA-1
1279:Greek
1162:false
1159:false
1091:false
1088:false
1024:Image
917:Notes
488:Genre
429:Title
293:Paris
258:Paris
2023:1784
1632:User
1521:byte
1225:1001
1222:1292
1210:1087
1177:see
831:Rome
820:3692
761:LCCN
748:ULAN
735:ISNI
722:VIAF
527:1784
524:Date
374:LCCN
361:ULAN
348:ISNI
335:VIAF
299:Rome
17:File
1213:934
1153:PDM
979:BNF
966:GND
774:NLA
387:NLA
1479::
1219:48
1216:57
1170:".
1123:.
994::
981::
968::
955::
946::
877:,
856:,
776::
763::
750::
737::
724::
715::
642:,
389::
376::
363::
350::
337::
328::
302:,
296:,
144::
64:|
60:|
56:|
50:.
1040:"
597:)
593:(
117:.
83:)
68:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
