38:
371:
346:
90:
548:
219:
to
Nestorian Christians. We have good reason to believe that Nestorian believers are familiar with this doctrine and have an attitude of acceptance. However, it must be highlighted here that Nestorian Christians are more willing to emphasize the concept of resurrection than the
56:
52:
48:
42:
69:
101:
252:, triumphal symbol of victory and Resurrection from the dead. This is why it may be seen in one of the medallions of the paten of Semirechye, inside the empty sepulcher.'" –
376:
215:. Sankt-Peterburg: Izd-vo. Gos. Ermitazha, 2013, pp. 331–338). "The examples above all revolve around the crucifixion, reflecting the importance of the
184:
359:
565:
Uploaded a work by {{author|unknown}} from https://geoexplorersclub.com/en/zabytye-hristianskie-motivy-tyan-shanya/ with UploadWizard
547:
542:
60:
37:
681:
386:
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
254:
Yixing Zhou. "Studies on
Nestorian Iconology in China and part of Central Asia during the 13th and 14th Centuries" (pp. 69–70)
696:
595:
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
258:
421:
479:
462:
229:
192:
245:
228:
states: 'The friar could verify this assumption personally when
Guillaume Boucher made a cross for him in the
598:
If the file has been modified from its original state, some details may not fully reflect the modified file.
416:
This photographic reproduction is therefore also considered to be in the public domain in the United States.
284:
575:
The following pages on the
English Knowledge (XXG) use this file (pages on other projects are not listed):
216:
180:
253:
241:
172:
160:
199:
inscriptions. In 2013, Vera
Zalesskaia has suggested that this paten is inspired by the apocryphal
176:
156:
579:
109:
240:
hastened to conceal it. But this unusual reaction was due to the fact that in the tradition of
308:
221:
385:
200:
196:
188:
354:
183:
is not depicted in the
Ascension). In the triangular spaces, clockwise from upper left:
558:
249:
225:
411:
faithful reproductions of two-dimensional public domain works of art are public domain
317:
work of art. The work of art itself is in the public domain for the following reason:
96:
167:; acquired 1899. In the medallions, counterclockwise from bottom left: women at the
707:
168:
152:
314:
237:
164:
233:
159:
milieu. Silver, gilding. Diameter 23 cm. Found 1897 village
Grigorovskoe,
148:
285:
https://geoexplorersclub.com/en/zabytye-hristianskie-motivy-tyan-shanya/
584:
379:
to indicate why this work is in the public domain in the United States.
205:
K interpretatsii siuzheta na nestorianskom diskose iz sela
Grigorovskoe
144:
515:
Click on a date/time to view the file as it appeared at that time.
313:
This is a faithful photographic reproduction of a two-dimensional,
418:
In other jurisdictions, re-use of this content may be restricted;
409:
The official position taken by the
Wikimedia Foundation is that "
358:
in its country of origin and other countries and areas where the
134:
Dish with biblical scenes, Church of the East, line drawing.jpg
340:
84:
446:
Add a one-line explanation of what this file represents
74:(1,209 × 1,217 pixels, file size: 762 KB, MIME type:
213:
Sogdians, Their
Precursors, Contemporaries and Heirs
128:
108:
Commons is a freely licensed media file repository.
393:https://creativecommons.org/publicdomain/mark/1.0/
248:that was represented, but rather the cross of the
89:
8:
600:
517:
442:
320:
244:it was not the torture instrument of the
189:St. Peter denying Jesus with the rooster
185:Roman soldiers sleeping at the sepulchre
731:
723:
715:
705:
694:
686:
676:
668:
660:
652:
644:
636:
618:
610:
602:
577:
493:
477:
460:
457:
438:
431:
399:Creative Commons Public Domain Mark 1.0
345:
236:, realized in relief, the priests of
7:
506:
147:with biblical scenes. 9th–10th c.,
593:
451:
445:
232:: dismayed by the presence of the
138:
121:
67:
682:Adobe Photoshop CC 2017 (Windows)
450:
195:. All the scenes are labelled in
720:ABEAEA41EE9CC9BBA80A77C1215E82CF
436:
369:
344:
275:date QS:P,+950-00-00T00:00:00Z/7
271:date QS:P,+850-00-00T00:00:00Z/7
193:prophet Daniel in the lions' den
88:
21:
733:Date metadata was last modified
433:
377:United States public domain tag
139:
14:
717:Unique ID of original document
432:
26:
1:
209:Sogdiitsy doma i na chuzhbine
31:
458:Items portrayed in this file
364:life plus 100 years or fewer
725:Date and time of digitizing
422:Reuse of PD-Art photographs
753:
242:Central Asian Christianity
688:File change date and time
507:
384:
343:
319:
16:
435:
375:You must also include a
95:This is a file from the
564:
290:
280:
268:
265:
131:
99:. Information from its
736:23:56, 24 January 2020
728:22:09, 24 January 2020
691:17:56, 24 January 2020
102:description page there
41:Size of this preview:
662:Horizontal resolution
217:resurrection of Jesus
654:Number of components
543:04:19, 10 April 2023
352:This work is in the
151:(modern-day Eastern
61:1,209 × 1,217 pixels
670:Vertical resolution
234:dead body of Christ
230:French Gothic style
201:Gospel of St. Peter
47:Other resolutions:
620:Bits per component
580:Church of the East
740:
739:
638:Pixel composition
568:
444:
430:
429:
391:
390:
380:
339:
338:
301:
300:
155:), probably from
117:
116:
97:Wikimedia Commons
744:
601:
555:
406:
403:
400:
397:
394:
374:
373:
372:
362:is the author's
348:
347:
341:
335:
332:
329:
326:
321:
309:
297:
259:Color photograph
143:
135:
129:
113:
92:
91:
85:
79:
77:
64:
57:763 × 768 pixels
53:477 × 480 pixels
49:238 × 240 pixels
43:596 × 600 pixels
752:
751:
747:
746:
745:
743:
742:
741:
589:
576:
569:
561:
553:
509:
508:
505:
504:
503:
502:
501:
500:
499:
498:
496:
486:
485:
484:
482:
471:
470:
469:
468:
467:
465:
449:
448:
447:
426:
407:
404:
401:
398:
395:
392:
370:
333:
330:
327:
324:
318:
307:
302:
295:
276:
272:
261:
133:
126:
119:
118:
107:
106:
105:is shown below.
81:
75:
73:
66:
65:
46:
12:
11:
5:
750:
748:
738:
737:
734:
730:
729:
726:
722:
721:
718:
714:
713:
710:
704:
703:
700:
693:
692:
689:
685:
684:
679:
675:
674:
671:
667:
666:
663:
659:
658:
655:
651:
650:
647:
643:
642:
639:
635:
634:
633:
632:
629:
626:
621:
617:
616:
613:
609:
608:
605:
592:
588:
587:
582:
574:
573:
572:
567:
566:
563:
559:
556:
552:1,209 × 1,217
550:
545:
540:
536:
535:
532:
529:
526:
523:
520:
513:
512:
497:
494:
492:
491:
490:
489:
488:
487:
483:
478:
476:
475:
474:
473:
472:
466:
461:
459:
456:
455:
454:
453:
452:
441:
440:
437:
434:
428:
427:
408:
389:
388:
382:
381:
360:copyright term
349:
337:
336:
312:
306:
303:
299:
298:
296:Unknown author
294:Unknown author
292:
288:
287:
282:
278:
277:
274:
270:
267:
263:
262:
136:
127:
125:
122:
120:
115:
114:
93:
83:
82:
40:
36:
35:
34:
29:
24:
19:
13:
10:
9:
6:
4:
3:
2:
749:
735:
732:
727:
724:
719:
716:
711:
709:
706:
701:
698:
695:
690:
687:
683:
680:
678:Software used
677:
672:
669:
664:
661:
656:
653:
648:
645:
640:
637:
630:
627:
624:
623:
622:
619:
614:
611:
606:
603:
599:
596:
590:
586:
583:
581:
578:
570:
562:
557:
551:
549:
546:
544:
541:
538:
537:
533:
530:
527:
524:
521:
519:
518:
516:
510:
481:
464:
425:
423:
417:
414:
412:
387:
383:
378:
368:
367:
365:
361:
357:
356:
355:public domain
350:
342:
328:Public domain
325:Public domain
323:
322:
316:
315:public domain
311:
310:
304:
293:
289:
286:
283:
279:
264:
260:
257:
256:
255:
251:
247:
243:
239:
235:
231:
227:
226:Michele Bacci
223:
218:
214:
210:
206:
202:
198:
194:
190:
186:
182:
178:
174:
170:
166:
165:Perm province
162:
158:
154:
150:
146:
142:
137:
130:
123:
111:
104:
103:
98:
94:
87:
86:
80:
71:
70:Original file
62:
58:
54:
50:
44:
39:
33:
30:
28:
25:
23:
20:
18:
15:
712:Uncalibrated
597:
594:
514:
511:File history
424:for details.
419:
415:
410:
363:
353:
351:
273:– 10 century
212:
208:
204:
140:
110:You can help
100:
68:
22:File history
708:Color space
646:Orientation
181:Virgin Mary
173:crucifixion
161:Solikamskii
132:Description
571:File usage
528:Dimensions
495:image/jpeg
480:media type
191:, and the
175:, and the
169:empty tomb
153:Kazakhstan
149:Semirech'e
76:image/jpeg
27:File usage
560:Uriel1022
525:Thumbnail
522:Date/Time
305:Licensing
269:9 century
238:Karakorum
177:Ascension
157:Nestorian
141:English:
615:2,560 px
607:2,502 px
591:Metadata
554:(762 KB)
439:Captions
250:Parousia
32:Metadata
699:version
585:Karluks
539:current
534:Comment
463:depicts
443:English
222:Passion
124:Summary
72:
673:96 dpi
665:96 dpi
649:Normal
612:Height
291:Author
281:Source
246:Savior
197:Syriac
171:, the
604:Width
405:false
402:false
334:false
331:false
207:, in
145:Paten
702:2.21
697:Exif
531:User
420:see
266:Date
17:File
641:RGB
396:PDM
413:".
366:.
224:.
211:/
187:,
163:,
59:|
55:|
51:|
45:.
657:3
631:8
628:8
625:8
203:(
179:(
112:.
78:)
63:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
