903:, album, NGA library) recounted the painting's history. "From this dismal seclusion the old painting was recovered by Mr. Samuel P. Avery, Jr., about a year ago, and after a good scrubbing with soap and water and solvent it was brought to this city. Mr. William F. Havemeyer has recently bought it to add to his extensive Museum of Washingtoniana." Havemeyer owned the painting by 3 January 1893, when collector Thomas B. Clarke wrote to Charles Henry Hart asking whether it would be an appropriate loan for the exhibition of retrospective art they were planning for the World's Columbian Exposition; they were on the advisory committee (New York Public Library, Papers of the Columbian Exposition, Archives of American Art, Washington, D.C.); ultimately the painting was not included in the 1893 exhibition. Havemeyer's dates are in
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This inventory of the contents of Savage's museum in Boston is filed with the inventory of his property in
Princeton and his administrator's accounts at the Worcester County Probate Court, Worcester, Massachusetts (photocopy, NGA curatorial file, photocopy courtesy of Georgia Barnhill, Andrew W. Mellon Curator of Graphic Arts, American Antiquarian Society, Worcester), series A, case 52130; see Louisa Dresser, "Edward Savage, 1761-1817,"
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938:, Exh. cat., Philadelphia Museum of Art, 1928, annotated with information from files of M. Knoedler & Co., NY (copy in NGA curatorial records and in NGA library). The receipt for payment by Art House, Inc., dated 15 December 1922, is signed on behalf of the National Democratic Club by F. Newlin Price (NGA curatorial file).
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York. National
Democratic Club, New York; sold 15 December 1922 to (Art House, Inc., New York); Thomas B. Clarke , New York; his estate; sold as part of the Clarke collection 29 January 1936, through (M. Knoedler & Co., New York), to The A.W. Mellon Educational and Charitable Trust, Pittsburgh; gift 1940 to NGA.
887:(album, NGA library). Kimball said that the painting, which he owned for more than fifty years, came to him "in the collection of the New England Museum that I purchased." Also in the album is a letter of 23 November 1892 from Charles H. Savage, the artist's grandson, to Avery, giving the history of the painting.
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Bill of sale signed by Savage's son Edward Savage, Jr. (1795-1858), Boston, administrator of his father's estate; Ethan Allen
Greenwood Papers, American Antiquarian Society (photocopy, NGA curatorial file, courtesy of Georgia Barnhill). The price of $ 1,000 was for "One Marble Statue of the Venus de
870:
Watkins 1917, 127-128; according to Ryan 1915, 1-2, Moses
Kimball (1809-1895) bought a large part of the collection of the New England museum when he was "about thirty" and opened the new Boston Museum and Gallery of Fine Arts in 1841. A draft of a document written by Greenwood in 1839, which would
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Ethan Allen
Greenwood, John R. Penniman, and William M.S. Doyle, "Inventory of the estate of Edward Savage, late of Princeton in the County of Worcester deceased, lying and being in Boston in the County of Suffolk," 12 September 1817, no. 51 (with his paintings of Christopher Columbus and Liberty).
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The artist; purchased from his estate, 14 November 1820, by Ethan Allen
Greenwood , Boston; sold 1839 to Moses Kimball , Boston, with the contents of the New England Museum and Gallery of Fine Arts; sold December 1891 to (Samuel P. Avery Jr., New York); sold 1892 to William Frederick Havemeyer , New
871:
have transferred ownership of the museum to Robert Gould Shaw and the
Reverend Edward T. Taylor, is in the Ethan Allen Greenwood Papers, American Antiquarian Society, quoted in Barnhill 1993, 101. This transfer did not take place.
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40, no. 4 (Autumn 1952), 157-158, n. 5, and
Georgia Brady Barnhill, "'Extracts from the Journals of Ethan A. Greenwood': Portrait Painter and Museum Proprietor,"
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The original file is very high-resolution. It might not load properly or could cause your browser to freeze when opened at full size.
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This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
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This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
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Portraits by Early
American Painters of the Seventeenth, Eighteenth and Nineteenth Centuries Collected by Thomas B. Clarke
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This photographic reproduction is therefore also considered to be in the public domain in the United States.
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Edward Savage, Painter and
Engraver, and his Unfinished Copper-plate of "The Congress Voting Independence"
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Medicis and the large Painting of the Washington Family." On Greenwood see Barnhill 1993, 91-178.
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faithful reproductions of two-dimensional public domain works of art are public domain
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work of art. The work of art itself is in the public domain for the following reason:
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899:"An Old Portrait of the Washington Family," New York Sun, 31 December 1892 (in
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This is a faithful photographic reproduction of a two-dimensional,
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In other jurisdictions, re-use of this content may be restricted;
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Edward Savage - The Washington Family - Google Art Project.jpg
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38° 53′ 29″ N, 77° 01′ 12″ W
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Add a one-line explanation of what this file represents
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Commons is a freely licensed media file repository.
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429:title QS:P1476,en:"The Washington Family"
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958:National Gallery of Art artwork ID
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919:Charles Henry Hart,
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499:Christopher Sheels
148:Open in ZoomViewer
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1419:Вашингтон, Джордж
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