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1519:{{Painting | Artist = Frans Floris I | Title = {{en|1=''St. Luke the Evangelist''}} {{nl|1=''Heilige Lucas''}} | Year = c 1560 | Technique = {{Oil on panel}} | Dimensions = {{Size|cm|214|197}} | Gallery =
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According to Karel van Mander, the model for St. Luke was the friend of Floris and his fellow in the
Antwerp Guild of St. Luke, the painter Rijckart Aertsz. from Beverwijk.
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This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
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Saint Luke painting the Virgin (c. 1560), by Frans Floris. Rijckaert Aertsz as Saint Luke, and Frans Floris as the pigment grinder
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This photographic reproduction is therefore also considered to be in the public domain in the United States.
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The following pages on the
English Knowledge (XXG) use this file (pages on other projects are not listed):
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Antwerp
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faithful reproductions of two-dimensional public domain works of art are public domain
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Wikidata:WikiProject sum of all paintings/Main subject/Saint Luke painting the Virgin
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work of art. The work of art itself is in the public domain for the following reason:
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In other jurisdictions, re-use of this content may be restricted;
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The official position taken by the
Wikimedia Foundation is that "
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in its country of origin and other countries and areas where the
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Wikidata:WikiProject sum of all paintings/Creator/Frans Floris I
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51° 12′ 31.75″ N, 4° 23′ 39.66″ E
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Flemish painter, drawer, printmaker and tapestry designer
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http://vlaamsekunstcollectie.be/collection/work/data/114
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Commons is a freely licensed media file repository.
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medium QS:P186,Q296955;P186,Q106857709,P518,Q861259
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date QS:P571,+1560-00-00T00:00:00Z/9,P1480,Q5727902
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561:214 × 197 cm (84.2 × 77.5 in)
1059:Items portrayed in this file
956:life plus 100 years or fewer
785:institution QS:P195,Q1471477
449:label QS:Lnl,"Heilige Lucas"
185: (1519/1520–1570)
1023:Reuse of PD-Art photographs
244:1 October 1570 / 1570
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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