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Zu from the
Muromachi period (1336-1573) shows Fuji-san towering between the sun and the moon. Below the trail leading to the top of the peak is the shrine itself, and further below runs a stream where ablutions were performed. One of the Fuji Mandala dating from the Edo period, meanwhile, features the Amida triad (Amida flanked by the bodhisattvas Kannon and Seishi) on Fuji’s three peaks. At the summit of Fuji-san is a shrine to Konohana Sakuya-hime (Tree Blossom Princess), a Shinto deity who appears in the Kojiki (Records of Ancient Matters). The mountain has thus been the object of syncretic worship in both the Shinto and Buddhist traditions and is an excellent example of the broadminded, nonexclusive nature of the Japanese people’s religious beliefs.
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Fuji Sankei
Mandara (Fuji pilgrimage mandala), hanging scroll, Muromachi period (sixteenth century). Ink and colors on silk, 186.6 x 118.2 cm. From the Fujisan Hongū Sengen Taisha, Shizuoka. There has been a tradition of making religious pilgrimages to Fuji-san since ancient times. The Fuji Mandala
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Uploaded a work by Kano
Motonobu (1476-1559) 狩野元信 from Courtesy of Fujisan Hongū Sengen Taisha (in Fujinomiya, Shizuoka Prefecture) with UploadWizard
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This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
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date QS:P,+1550-00-00T00:00:00Z/7,P1319,+1500-00-00T00:00:00Z/9,P1326,+1559-00-00T00:00:00Z/9,P1480,Q5727902
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162:三峰型富士の例、『絹本着色富士曼荼羅図』 狩野元信（伝）。（重文、富士山本宮浅間大社蔵）。富士山の他、浅間大社・村山浅間神社（村山修験者）・三保の松原、駿河湾、東海道、富士川などが描かれている。
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Courtesy of
Fujisan Hongū Sengen Taisha (in Fujinomiya, Shizuoka Prefecture)
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Fuji Sankei
Mandara from Fujisan Hongu Sengen Taisha.png
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
