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is lengthening. It is perhaps a cautionary tale about the dangers of unrequited passion and uncontrolled emotions. 25 Years earlier
Yoshitoshi published a design of this story in the series “100 Ghost Stories of China and Japan”. Condition: Very good impression, color and condition. Dimensions: ôban (36.5 x 25.1 cm). Publisher: Sasaki Toyokichi. Literature: See Stevenson’s. Yoshitoshi’s Thirty Six Ghosts, plate XI, page 40. Seal: Taiso. Signature: Yoshitoshi.
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Kiyohime emerging from the
Hidakagawa (River) after transforming herself into a (fire-breathing) serpent in order to cross the river to follow her crush, a monk named Anchin. She emerges from the water here, wringing out her hair, partially transformed. Her robes evoke a serpent’s scales and her body
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276: Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may
162:新形三十六怪撰 清姫日高川に蛇躰と成るの図。「道成寺」の清姫の蛇体変形の場面が取り上げられ、蛇体となって男を追う清姫の執念がよく描かれている。「道成寺」は、清姫が美僧安珍を恋い慕い、これを追って日高川で蛇体となり、道成寺の鍾中に隠れた僧を焼き殺してしまうという説話。芳年（1839～92）は歴史上の事象や能楽に取材した作品が多く新聞挿絵に活躍する。制作年代：明治23年(1890)。
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Uploaded a work by
Tsukioka Yoshitoshi (1839-1892), made in 1890. from Egenolf Gallery https://egenolfgallery.com/products/yot670?variant=29584588537938 with UploadWizard
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Yoshitoshi: Kiyohime
Transforming into a Serpent at Hidaka River
304:(known as the Great Patriotic War in Russia) and posthumously
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388:新形三十六怪撰 清姫日高川に蛇躰と成るの図。
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
