Knowledge

File:Haridwar Kumbh Mela - 1850s.jpg

Source 📝

873:
Ghuosgarh, Uchet, and Sadwa; the Putteeala rajah and his vakeel, whose attendants were distinguished by their light yellow turbans and sashes; and the Rajah of Balespoor in the mountains: all of whom, the latter especially, making it a point to traverse the fair mornings and evenings. The Balespoor rajah usually appeared seated on a remarkably tall elephant, in a large howdah overlaid with plates of solid silver glistening in the sun, and covered with a pointed dome-like canopy of scarlet, supported on four silver pillars richly embossed. He wore a large white conical turban; and amongst the jewels that adorned his person were two enormous pearls, set as ear-rings, the hoops being of gold three inches in diameter. A servant sat behind him, waving slowly, backwards and forwards over his head, a splendid chowrie, or feather-fan, as an emblem of rank. Many of his relatives followed upon elephants caparisoned in various degrees of splendour, surrounded by horsemen showily dressed and accoutred, capering and curvetting about. Besides these were the usual rabble route on foot (the constant attendants upon Eastern sovereignty), crowding in the rear, heedless of the vicious animals rearing and leaping on all sides, as their riders fired off muskets, matchlocks, and pistols, and made the adjacent hills reverberate with the sound. Among these wild but truly Oriental pageants, Rhutz (four-wheeled carriages) abound at the fair, the roofs covered with white linen or scarlet cloth, and terminating with ornaments of gold or silver: these are chiefly occupied by women, six or eight of whom are crowded into one vehicle; small curtained apertures at the sides, enabling them to snatch hasty glances at the multitude around, without themselves being visible. Troops of dancing-girls also establish themselves at Hurdwar during the fair, and are to be seen performing either in front of the houses, or in the interior of the dwellings of the rich inhabitants.
865:
with shouts of " Mahadeo Boll" which is repeated from front to rear, until the distant echoes take up the note, and the welkin rings with the cry of "Bol! Bol!" The fair and the ghaut divide the attention of persons whom mere curiosity has drawn to the spot. In the ghaut immense crowds succeed each other without intermission; the vast influx of people thronging to the river-side, especially at the auspicious moment in which ablution is considered most efficacious. This ceremony has, until of late years, been generally productive of serious accident. Formerly a narrow avenue led from the principal street to the ghaut; the rush through this was. tremendous, and numerous lives were lost-not fewer than seven hundred having fallen a sacrifice in one day to the enthusiastic zeal with which the devotees pressed forward to the river. The road has, however, been widened, and a convenient ghaut constructed by direction of the government; and the pilgrims at Hurdwar have since been able to perform an essential rite of their religion without danger.
853::It is difficult to convey an adequate idea of the grandeur and beauty that rende: Hurdwar one of the places most worthy of a traveller's attention in India, or to attempt to describe the diversified swarms of animate creation that, in the form of men and beasti of every race and clime, cover the whole ground around the holy station during the annual festival of the pilgrims at Hurdwar, in April. Horse-merchants from Bokhari and Cabool occupy the stony, central portions of the river; while those from Torkistai take up quarters behind the houses of the town. Elephant dealers incline to the suburb for the sake of fodder; but, morning and evening, traverse the roads with their studs, each elephant having a bell attached to its neck to give warning of approach. Buneas or grain-sellers, Hulwaes, or confectioners; cloth, shawl, and toy-merchants, occupy th roadside, close to the town; their dwelling-places being interspersed with enclosure containing piles of barley and straw, heaped up and ready for sale. 857:
canvas, gaily fringed and ornamented with scatlope borflermgs of scarlet cloth. There, also, are the tents of the superior horse-dealers, Arab or Persian merchants, who have brought animals of the purest breed, for which they demand enormous prices. Men are there, too, with bears, leopards, tigers, deer of all kinds, monkeys, Persian greyhounds, beautiful cats, and rare birds for sale. In short, there are collected at this fair, samples of the most rare, beautiful, and costly of the productions of the East, natural and artificial; whiles Europe also contributes largely to the stock of valuable merchandise brought to this great mart for distribution among the swarming races of Hindoostan.
869:
distortion, or their nakedness, the most disgusting objects imaginable. The utter absorption of every faculty in the duty performed by the bathers, who are only intent upon saturating their bodies with the sacred waters, offers an extraordinary contrast to the listless, indifferent air of the European spectators, who, lazily reposing on their elephants, survey the scene at a convenient distance. A few missionaries distributing copies of the Scriptures translated into the various dialects of the East, are the only types of European intelligence that appear to take an interest in the scene around them.
203: 467: 459: 247: 239: 188: 500: 433: 319: 182: 784: 861:
priests, soldiers, and religious mendicants-half beggar, half bandit; with here and there a cluster of Europeans mounted upon elephants, and affecting to look with supreme contempt upon the scene around them--exhibit altogether a combination of individualities that no other place in the world is capable of presenting. As may be easily imagined, the noise baffles all description.
427: 176: 759: 631: 72: 864:
During the time of the fair, the neighbouring roads are crowded by thousands of travellers in every description of vehicle, and mounted on elephants, bullocks, and camels, on horseback and on foot, arid of fall agefe, 'complexions, and costumes. As they pass the pagodas on their way, the air resounds
868:
The Brahmins are, of course, conspicuous in the throng: they collect the tribute, but do not otherwise exercise their sacerdotal functions, the bathing being performed without any peculiar ceremony: there are also a vast number of mendicants of every description, many being, from their filth, their
880:
At these immense annual gatherings the peace of the promiscuous multitude is usually preserved by a large detachment from the Sirmoor battalion of Goorkas, or hill-rangers, who come down from their quarters at Deyrah Dhoon, and garrison one of the islands in the centre of the river, where they are
876:
As soon as darkness sets in, the whole of the river, the town, and the inhabited portion of the forest, present a continuous blaze of illuminations, the display being varied by occasional bursts of fireworks. Nothing can be more pleasing than the effect of the lamps, sparkling and gleaming between
872:
Frequently, upon this occasion, a large congregation of the magnates of the land is assembled at Hurdwar. The Begum Sumroo, during her lifetime, would often make her appearance, with a retinue of 1,000 horse and 1,500 infantry. Here, also, was wont to assemble the Nawab of Nujibabad, the Rajahs of
860:
The crowding and confusion of buyers and sellers; the native groups in every imaginable variety of costume--some shining in cloth of gold, and surrounded by followers richly arrayed; others less expensively, but picturesquely, dressed, and many half-naked or wildly clad-all mingled together, among
856:
On the sides of the hill to the west, thousands of Seik families are clustered, wit their huts, tents, camels, bullocks, mules, and horses, crowded together in wild confusior Near these are the tents of the better order of visitors, in groups of two or three, an constructed of white or striped
1000: 1168: 1021:
Kumbh Mela - 1850s. ASSEMBLAGE OF PILGRIMS BEFORE HURDWAR, IN THE BENGAL PRESIDENCY. FROM THE ORIGINAL DESCRIPTION: This important city, the principal seat of the government of British India, is situated
881:
out of the way, and yet sufficiently near to prevent disturbance. A considerable body of police, with the civil magistrates, are also present to enforce regulations for the preservation of order.
43: 708: 1133: 1173: 489: 308: 144: 148: 789: 877:
the trees; while the islands and woody shores of the river are distinctly marked by innumerable vessels of oil, kindled and sent floating down the stream.
522: 341: 509: 328: 772: 644: 83: 51: 598: 799:
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
680:
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
670: 541: 360: 1093: 175: 1163: 528: 347: 1196:
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
535: 354: 834: 1083: 931: 914: 1183: 1123: 417: 386: 561: 1103: 1199:
If the file has been modified from its original state, some details may not fully reflect the modified file.
1113: 829:
This photographic reproduction is therefore also considered to be in the public domain in the United States.
1153: 1010: 548: 367: 380: 1073: 1035: 166: 999: 994: 91: 42: 488: 307: 426: 202: 1045: 721: 798: 679: 187: 666: 466: 458: 297: 767: 662: 657: 639: 246: 238: 824:
faithful reproductions of two-dimensional public domain works of art are public domain
730:
work of art. The work of art itself is in the public domain for the following reason:
479: 281: 264: 78: 276: 258: 499: 432: 850: 575: 291: 123: 727: 567: 394: 233: 1040: 275: 257: 318: 181: 145:
ebay Antiques ASSEMBLAGE OF PILGRIMS BEFORE HURDWAR, IN THE BENGAL PRESIDENCY
554: 373: 285: 120: 504: 334: 1018: 134: 515: 792:
to indicate why this work is in the public domain in the United States.
323: 1143: 967:
Click on a date/time to view the file as it appeared at that time.
726:
This is a faithful photographic reproduction of a two-dimensional,
167: 831:
In other jurisdictions, re-use of this content may be restricted;
822:
The official position taken by the Wikimedia Foundation is that "
771:
in its country of origin and other countries and areas where the
643:
in its country of origin and other countries and areas where the
753: 709:
Original Print - 1844, Pilgrims at the Sacred Fair of Hurdwar.
625: 411: 160: 66: 1063: 898:
Add a one-line explanation of what this file represents
110: 90:
Commons is a freely licensed media file repository.
806:https://creativecommons.org/publicdomain/mark/1.0/ 687:https://creativecommons.org/publicdomain/mark/1.0/ 286: 298: 292: 637:The author died in 1851, so this work is in the 56:(740 × 487 pixels, file size: 96 KB, MIME type: 71: 8: 448:British visual artist, engraver and drafter 1201: 969: 894: 733: 605: 465: 457: 245: 237: 1056:The following other wikis use this file: 418: 1203: 1033: 945: 929: 912: 909: 890: 883: 812:Creative Commons Public Domain Mark 1.0 693:Creative Commons Public Domain Mark 1.0 480: 1031:The following 3 pages use this file: 758: 630: 7: 958: 1194: 903: 897: 846:Description of image from Original 103: 49: 902: 888: 782: 757: 629: 498: 431: 425: 317: 201: 186: 180: 174: 70: 31: 21: 885: 790:United States public domain tag 116:Haridwar Kumbh Mela - 1850s.jpg 52:Haridwar_Kumbh_Mela_-_1850s.jpg 46:No higher resolution available. 14: 884: 224:British painter and printmaker 26: 1: 36: 1017:{{Information |Description= 910:Items portrayed in this file 777:life plus 100 years or fewer 649:life plus 100 years or fewer 835:Reuse of PD-Art photographs 1225: 1180:Usage on te.wikipedia.org 1160:Usage on ta.wikipedia.org 1150:Usage on ru.wikipedia.org 1140:Usage on pt.wikibooks.org 1130:Usage on pa.wikipedia.org 1120:Usage on mr.wikipedia.org 1110:Usage on ml.wikipedia.org 1100:Usage on kn.wikipedia.org 1090:Usage on hi.wikipedia.org 1080:Usage on gu.wikipedia.org 1070:Usage on ar.wikipedia.org 1060:Usage on af.wikipedia.org 673:) before January 1, 1929. 959: 797: 756: 732: 678: 588:creator QS:P170,Q18508682 494: 487: 473: 452: 447: 444: 414: 313: 306: 273: 270: 253: 228: 223: 220: 213: 210: 199: 163: 16: 887: 788:You must also include a 669:(or registered with the 126:- 1850s. Steel engraving 77:This is a file from the 1016: 704: 593: 474:Location of birth/death 424: (1795–1844)  407:creator QS:P170,Q159758 254:Location of birth/death 173: (1775–1851)  154: 140: 133: 130: 113: 81:. Information from its 244:19 December 1851  84:description page there 1169:அரித்துவார் கும்பமேளா 671:U.S. Copyright Office 765:This work is in the 655:This work is in the 464:3 January 1844  1144:Hinduísmo/Mitologia 1036:Haridwar Kumbh Mela 453:Date of birth/death 229:Date of birth/death 995:17:51, 23 May 2008 1212: 1211: 1134:ਹਰਿਦੁਆਰ ਕੁੰਭ ਮੇਲਾ 1052:Global file usage 1046:Prayag Kumbh Mela 1024: 896: 843: 842: 804: 803: 793: 752: 751: 714: 713: 685: 684: 624: 623: 602: 599:Reusing this file 585: 584: 404: 403: 211:Alternative names 99: 98: 79:Wikimedia Commons 32:Global file usage 1216: 1202: 1174:நாசிக் கும்பமேளா 1007: 819: 816: 813: 810: 807: 787: 786: 785: 775:is the author's 761: 760: 754: 748: 745: 742: 739: 734: 722: 700: 697: 694: 691: 688: 647:is the author's 633: 632: 626: 620: 617: 614: 611: 606: 596: 578: 571: 570: 558: 557: 545: 544: 532: 531: 529:0000000066577356 519: 518: 502: 491: 482: 469: 461: 439: 435: 429: 423: 420: 412: 397: 390: 389: 377: 376: 364: 363: 351: 350: 348:0000000121454990 338: 337: 321: 310: 300: 294: 288: 278: 260: 249: 241: 235: 206: 205: 194: 190: 184: 178: 172: 169: 161: 136: 117: 111: 95: 74: 73: 67: 61: 59: 1224: 1223: 1219: 1218: 1217: 1215: 1214: 1213: 1190: 1050: 1025: 1013: 1005: 961: 960: 957: 956: 955: 954: 953: 952: 951: 950: 948: 938: 937: 936: 934: 923: 922: 921: 920: 919: 917: 901: 900: 899: 848: 839: 820: 817: 814: 811: 808: 805: 783: 746: 743: 740: 737: 731: 720: 715: 698: 695: 692: 689: 686: 665:because it was 618: 615: 612: 609: 589: 586: 581: 574: 566: 565: 553: 552: 540: 539: 527: 526: 514: 513: 440: 437: 422: 415: 408: 405: 400: 393: 385: 384: 372: 371: 359: 358: 346: 345: 333: 332: 302: 216: 215:J. M. W. Turner 200: 195: 192: 171: 168:J. M. W. Turner 164: 115: 108: 101: 100: 89: 88: 87:is shown below. 63: 57: 55: 48: 47: 12: 11: 5: 1222: 1220: 1210: 1209: 1206: 1193: 1189: 1188: 1187: 1186: 1178: 1177: 1176: 1171: 1166: 1158: 1157: 1156: 1148: 1147: 1146: 1138: 1137: 1136: 1128: 1127: 1126: 1118: 1117: 1116: 1108: 1107: 1106: 1098: 1097: 1096: 1088: 1087: 1086: 1078: 1077: 1076: 1068: 1067: 1066: 1054: 1053: 1049: 1048: 1043: 1038: 1029: 1028: 1023: 1022: 1015: 1011: 1008: 1002: 997: 992: 988: 987: 984: 981: 978: 975: 972: 965: 964: 949: 946: 944: 943: 942: 941: 940: 939: 935: 930: 928: 927: 926: 925: 924: 918: 913: 911: 908: 907: 906: 905: 904: 893: 892: 889: 886: 847: 844: 841: 840: 821: 802: 801: 795: 794: 773:copyright term 762: 750: 749: 725: 719: 716: 712: 711: 706: 705:Other versions 702: 701: 683: 682: 676: 675: 645:copyright term 634: 622: 621: 603: 591: 590: 587: 583: 582: 580: 579: 572: 559: 546: 533: 520: 507: 495: 493: 490:Authority file 485: 484: 477: 475: 471: 470: 462: 454: 450: 449: 446: 442: 441: 436: 416: 410: 406: 402: 401: 399: 398: 391: 378: 365: 352: 339: 326: 314: 312: 309:Authority file 304: 303: 274: 272: 268: 267: 262: 255: 251: 250: 242: 230: 226: 225: 222: 218: 217: 214: 212: 208: 207: 197: 196: 191: 165: 159: 156: 152: 151: 142: 138: 137: 132: 128: 127: 118: 109: 107: 104: 102: 97: 96: 75: 65: 64: 45: 41: 40: 39: 34: 29: 24: 19: 13: 10: 9: 6: 4: 3: 2: 1221: 1207: 1204: 1200: 1197: 1191: 1185: 1182: 1181: 1179: 1175: 1172: 1170: 1167: 1165: 1162: 1161: 1159: 1155: 1152: 1151: 1149: 1145: 1142: 1141: 1139: 1135: 1132: 1131: 1129: 1125: 1122: 1121: 1119: 1115: 1112: 1111: 1109: 1105: 1102: 1101: 1099: 1095: 1092: 1091: 1089: 1085: 1082: 1081: 1079: 1075: 1072: 1071: 1069: 1065: 1062: 1061: 1059: 1058: 1057: 1051: 1047: 1044: 1042: 1039: 1037: 1034: 1032: 1026: 1020: 1014: 1012:Abhishekjoshi 1009: 1003: 1001: 998: 996: 993: 990: 989: 985: 982: 979: 976: 973: 971: 970: 968: 962: 933: 916: 882: 878: 874: 870: 866: 862: 858: 854: 852: 845: 838: 836: 830: 827: 825: 800: 796: 791: 781: 780: 778: 774: 770: 769: 768:public domain 763: 755: 741:Public domain 738:Public domain 736: 735: 729: 728:public domain 724: 723: 717: 710: 707: 703: 681: 677: 674: 672: 668: 664: 663:United States 660: 659: 658:public domain 653: 652: 650: 646: 642: 641: 640:public domain 635: 628: 627: 613:Public domain 610:Public domain 608: 607: 604: 600: 595: 592: 577: 573: 569: 563: 560: 556: 550: 547: 543: 537: 534: 530: 524: 521: 517: 511: 508: 506: 501: 497: 496: 492: 486: 483: 478: 476: 472: 468: 463: 460: 455: 451: 443: 434: 428: 421: 419:Thomas Higham 413: 396: 392: 388: 382: 379: 375: 369: 366: 362: 356: 353: 349: 343: 340: 336: 330: 327: 325: 320: 316: 315: 311: 305: 301: 295: 289: 283: 279: 271:Work location 269: 266: 263: 261: 256: 252: 248: 243: 240: 234:23 April 1775 231: 227: 219: 209: 204: 198: 189: 183: 177: 170: 162: 157: 153: 150: 146: 143: 139: 129: 125: 122: 119: 112: 105: 93: 86: 85: 80: 76: 69: 68: 62: 53: 44: 38: 35: 33: 30: 28: 25: 23: 20: 18: 15: 1198: 1195: 1055: 1030: 966: 963:File history 879: 875: 871: 867: 863: 859: 855: 849: 837:for details. 832: 828: 823: 776: 766: 764: 656: 654: 648: 638: 636: 562:Oxford Dict. 409:; Engraver: 92:You can help 82: 50: 22:File history 1154:Кумбха Мела 445:Description 299:Switzerland 221:Description 114:Description 1205:_error 1094:कुम्भ मेला 1074:كومبه ميلا 1064:Kumbh Mela 1041:Kumbh Mela 1027:File usage 1004:740 × 487 980:Dimensions 851:Kumbh Mela 594:Permission 555:no99019558 456:1795  124:Kumbh Mela 58:image/jpeg 27:File usage 1164:கும்பமேளா 1084:કુંભ મેળો 977:Thumbnail 974:Date/Time 932:inception 718:Licensing 667:published 542:500010851 505:Q18508682 481:Islington 374:n79060712 361:500026846 335:100900492 1192:Metadata 1184:కుంభమేళా 1124:कुंभमेळा 1104:ಕುಂಭ ಮೇಳ 1019:Haridwar 891:Captions 576:WorldCat 516:39646196 395:WorldCat 387:35751158 158:Artist: 121:Haridwar 37:Metadata 1114:കുംഭമേള 1006:(96 KB) 991:current 986:Comment 915:depicts 895:English 661:in the 324:Q159758 293:Germany 282:Britain 265:Chelsea 149:details 147:, also 106:Summary 54:‎ 438:  430:  277:London 259:London 236:  232:circa 193:  185:  179:  155:Author 141:Source 818:false 815:false 747:false 744:false 699:false 696:false 619:false 616:false 568:13244 287:Italy 983:User 947:1844 833:see 549:LCCN 536:ULAN 523:ISNI 510:VIAF 368:LCCN 355:ULAN 342:ISNI 329:VIAF 135:1844 131:Date 17:File 809:PDM 690:PDM 381:NLA 826:". 779:. 651:. 564:: 551:: 538:: 525:: 512:: 503:: 383:: 370:: 357:: 344:: 331:: 322:: 296:, 290:, 284:, 280:, 1208:0 601:) 597:( 94:. 60:)

Index

File
File history
File usage
Global file usage
Metadata
File:Haridwar Kumbh Mela - 1850s.jpg
Haridwar_Kumbh_Mela_-_1850s.jpg
Wikimedia Commons
description page there
You can help
Haridwar
Kumbh Mela
ebay Antiques ASSEMBLAGE OF PILGRIMS BEFORE HURDWAR, IN THE BENGAL PRESIDENCY
details
J. M. W. Turner

wikidata:Q159758
q:en:J. M. W. Turner
J. M. W. Turner
Edit this at Wikidata
Edit this at Wikidata
London
Chelsea
London
Britain
Italy
Germany
Switzerland
Authority file
wikidata:Q159758

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.