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Although some scholars retain this traditional attribution (see, for instance, cat. no. 49 in "Hieronymus Bosch: Painter and
Draughtsman" (Brussels, 2016), published by the Bosch Research and Conservation Project), it is more likely that the sheet is a work of a follower. According to Fritz Koreny, the somewhat disorganized hatching, the inconsistent rendering of light and shadow, the way in which figures in the foreground stand out in an almost three-dimensional manner, and the overly descriptive portrayal of clothing, among other features, point to a later follower copying a work in a different medium, perhaps a painting. He dates it to ca. 1530-1540 (see cat. no. 23 in Fritz Koreny, "Hieronymus Bosch: Die Zeichnungen" (Turnhout, 2012)).
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1111:{{Artwork |artist = Follower of{{Creator:Hieronymus Bosch}} |author = |title = Group of Ten Spectators |date = ca. 1510-1540 |medium = Pen and two brown inks on paper; framing line in brown ink |dimensions = 124 mm x 126 mm / 4 7/8 x 4 15/16 inches |institution = {{Institution:Pierpont Morgan Library, New York}} |department = |place of discovery = |object history = |exhibition history = |credit line = |inscriptions = Inscribed at lower right, in brown ink, "Rymsdyk's Museu...
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The overlapping figures in this densely composed sheet are likely to be spectators to one of the events in the
Passion. Known to specialists of Netherlandish art since the early years of the twentieth century, it was universally accepted as an autograph sheet by Hieronymus Bosch until the late 1960s.
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Inscribed at lower right, in brown ink, "Rymsdyk's Museum"; below, in an old hand, in brown ink, "bosch". On verso, at upper center, in
Rymsdyk's hand, in brown ink, "B1FX"; below, in graphite, "lived about 1600"; further below, "9"; at lower edge, illegible fragment of inscription in brown
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This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
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This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
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Dutch-Southern
Netherlandish painter, drawer, architectural draftsperson and visual artist
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to indicate why this work is in the public domain in the United States.
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in its country of origin and other countries and areas where the
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40° 44′ 55.69″ N, 73° 58′ 53.6″ W
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Steven H Crossot, Photographer, The Morgan
Library&Museum
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Pen and two brown inks on paper; framing line in brown ink
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Add a one-line explanation of what this file represents
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83:(2,499 × 2,500 pixels, file size: 1.82 MB, MIME type:
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https://www.wga.hu/html/b/bosch/92graph/01graphi.html
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193:date QS:P,+1450–00–00T00:00:00Z/9,P1480,Q5727902
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1159:Обговорення:Список картин Ієроніма Босха
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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