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Arts, Palm Beach; Santa
Barbara Museum of Art, Santa Barbara; Meridian International Center, Washington. 1995-1996. Before Monet: Landscape Painting in France and Impressionist Masters: Highlights from The Walters Collection. The Walters Art Gallery, Baltimore. 1998. Vive la France! French Treasures from the Middle Ages to Monet. The Walters Art Gallery, Baltimore. 1999-2000. A Magnificent Age: Masterpieces from the Walters Art Museum, Baltimore. The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte; The Walters Art Museum, Baltimore. 2002-2004.
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Jules Breton and the French Rural
Tradition. The Dixon Gallery and Gardens, Memphis; The Sterling and Francine Clark Art Institute, Williamstown; Joslyn Art Museum, Omaha. 1982-1983. Redefining Genre: French and American Painting 1850-1900. The Dixon Gallery and Gardens, Memphis; Society of the Four
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Two peasant women rest leaning on their rakes as the sun sets. Breton trained in
Belgium and in Paris but remained committed to his birthplace, Courrières in the Pas-de-Calais department of northern France. His early paintings reflect a concern for the plight for the rural poor, but his later works
1701:== {{int:filedesc}} == {{Walters Art Museum artwork |artist = {{Creator:Jules Breton}} |title = ''The Close of Day'' |description = {{en|Two peasant women rest leaning on their rakes as the sun sets. Breton trained in Belgium ...
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175:Jules Breton
135:Jules Breton
109:You can help
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22:File history
801:Credit line
616:Established
588:Coordinates
560:Native name
450:Description
432:Object type
294:–1906
285:Work period
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1664:Dimensions
1186:македонски
874:Permission
822:References
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1194:sicilianu
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371:n82118660
358:500008344
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1182:italiano
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1178:français
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1151:and the
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723:WorldCat
568:Location
437:painting
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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