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including a knife, a cruet set, a pestle and mortar, and a faience bowl. The same combination of kitchen implements, particularly the knife extending over the table's edge, and the cloth with clearly defined folds, figured in the still-lifes of Bonvin's older half brother François at this time and was also dominant in Manet's paintings of the mid-1860s. These works adhered to a tradition that can be traced to the still-lifes of
Chardin and ultimately to Dutch 17th-century precedents. Distinctive of Léon Bonvin's approach was the humble nature of the fare. Philippe Burty recalls that Bonvin, compelled to paint at night, frequently drew his still-lifes using a lamp enclosed in a box with a small opening as a light source, a practice that sometimes imparted a slightly acid color to the greens (Burty, "Léon Bonvin," in "Harpers New Monthly Magazine," 75, January 1886: 37-51). In this drawing, the artist's obsession with detail is clearly manifested in his treatment of the intricate mass of the celery roots. He often outlined the forms in ink and then applied colored washes.
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In about 1863, Bonvin began to paint still-lifes portraying informal arrangements of commonplace flowers, vegetables, and kitchen implements. In this instance, on the tabletop partly covered by a white cloth, there are three heads of celery, some parsley, several garlic bulbs, and various utensils
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1424:== {{int:filedesc}} == {{Walters Art Museum artwork |artist = Léon Bonvin (French, 1834-1866) |title = ''Still Life on Kitchen Table with Celery, Parsley, Bowl, and Cruets'' |description = {{en|In about 1863, Bonvin began to ...
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watercolor and brush with graphite underdrawing, pen and iron gall ink, and gum varnish on heavily textured, moderately thick, cream wove paper
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In graphite, lower left: Leon Bonvin; In iron gall ink, lower right: Léon Bonvin, 1865; On verso album page (secondary suport): C4 and 20
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This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
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The
Drawings and Watercolors of Léon Bonvin. The Cleveland Museum of Art, Cleveland; The Walters Art Gallery, Baltimore. 1980-1981.
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143:: Still Life on Kitchen Table with Celery, Parsley, Bowl, and Cruets
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Still Life on
Kitchen Table with Celery, Parsley, Bowl, and Cruets
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in its country of origin and other countries and areas where the
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39° 17′ 47.13″ N, 76° 36′ 59.4″ W
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copyrighted, dedicated to the public domain by copyright holder
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The
Essence of Line, French Drawings from Ingres to Degas
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released into the public domain by the copyright holder
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Add a one-line explanation of what this file represents
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1477:Léon Bonvin
1462:Léon Bonvin
1439:Léon Bonvin
785:Credit line
562:Established
534:Coordinates
506:Native name
411:Description
228:Description
222:Leon Bonvin
181:Léon Bonvin
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1430:File usage
1387:Dimensions
1000:македонски
831:Permission
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648:no00096900
565:1934
462:Collection
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1384:Thumbnail
1381:Date/Time
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275:Meudon
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192:
168:Artist
157:
1196:false
1193:false
1140:false
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1121:false
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1050:false
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876:by a
399:Title
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642:LCCN
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616:ISNI
603:VIAF
432:1865
429:Date
353:LCCN
340:ULAN
327:ISNI
314:VIAF
17:File
1112:PDM
1013:+/−
730:by
655:GND
366:GND
1082:.
890:.
809::
749:,
717:,
657::
644::
631::
618::
605::
596::
523:,
368::
355::
342::
329::
316::
307::
63:|
59:|
55:|
51:|
45:.
977:.
969:.
898:.
838:)
834:(
773:.
163:)
116:.
82:)
67:.
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