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himself from his interest in perspectival space. Lippi painted this work after his return from North Italy, where more consistent contacts with French, German, and
Netherlandish painting can be assumed. The close affinity between Lippi's style in this period and Flemish painting has led some scholars to hypothesize a voyage to Flanders in around 1435. If indeed Lippi did make such a trip, he would have come into direct contact with the work of Robert Campin and Rogier van der Weyden.
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the ponderous, almost exaggerated draperies continue in his art. The perspective is also somewhat forced, but the sharply foreshortened upper shutter of the window is adventurous. Another effective feature of the painting is the vigorous light and shadow used both for building forms and for illumination within the interior space, although the source of light is not consistently distributed.
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The figures are substantial, especially the Child, whose large head, thick limbs, and heavy trunk are almost grotesque, as is the Child's inexplicable pose. The
Madonna, with her nearly round head, a characteristic type for Lippi, her rigid right arm and squarish, stumpy hands with short fingers, and
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Lippi probably received the commission for this painting from
Monsignor Vitelleschi, the Archbishop of Florence from 1435 to 1437. Vitelleschi owned a palace at Corneto, and had close family ties to that city's Augustinian convent of San Marco, where Lippi's Madonna and Child seems to have once been
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The painting is characterized by its spatial and perspectival structure, and a plastic quality in the figures that directly recalls the work of
Masaccio. It documents a precise phase of the artists career before the influence of Fra Angelico became prevalent and before the artist began to distance
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housed. As a dated work it is an important monument for the reconstruction of Lippi's career. (The painting is dated on a card at the base of the throne which reads "A. D. M. MCCCCXXXVII")
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for US works, such as Canada, Mainland China (not Hong Kong or Macao), Germany, Mexico, and
Switzerland. The creator and year of publication are essential information and must be provided. See
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Madonna and Child
Enthroned (also known as Madonna of Tarquinia). Commissioned by Archbishop Giovanni Vitelleschi. Now in the National Gallery, Rome.
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This image might not be in the public domain outside of the United States; this especially applies in the countries and areas that do not apply the
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Author: LIPPI, Fra
Filippo
Title: Madonna with Child (Tarquinia Madonna)
Time-line: 1401-1450
School: Italian
Form: painting
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This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
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Madonna with Child (Tarquinia
Madonna)
1437
Tempera on panel, 151 x 66 cm
Galleria Nazionale d'Arte Antica, Rome
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If the file has been modified from its original state, some details may not fully reflect the modified file.
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This photographic reproduction is therefore also considered to be in the public domain in the United States.
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The following pages on the
English Knowledge (XXG) use this file (pages on other projects are not listed):
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Fra Lippo Lippi; Frate
Filippo del Carmine; Fra Filippo di Tomaso; Fra Filippo di Tomaso Lippi
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occurred prior to January 1, 1929, and if not then due to lack of notice or renewal. See
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faithful reproductions of two-dimensional public domain works of art are public domain
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work of art. The work of art itself is in the public domain for the following reason:
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This is a faithful photographic reproduction of a two-dimensional,
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In other jurisdictions, re-use of this content may be restricted;
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The official position taken by the Wikimedia Foundation is that "
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41° 53′ 35.99″ N, 12° 27′ 59.72″ E
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Commons is a freely licensed media file repository.
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Galleria Nazionale d'Arte Antica di Palazzo Corsini
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Galleria Nazionale d'Arte Antica di Palazzo Corsini
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