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that survive in the debitage which suggests that the Maya paid particular attention to the faces of deities and royalty when they destroyed stucco façades during renovation projects. In addition, stucco façade heads have been found as offerings in tombs or other ritual caches placed inside buildings. Such special treatment indicates the prestige and likely perceived spiritual power of these stucco portraits among the
Classic Period Maya.
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A fundamental feature of
Mesoamerican formal architecture was the use of molded, modeled, and carved stucco decoration. Painted either monochrome red or in a variety of colors, these façades narrated key precepts of religio-political ideology, displaying the supernatural patrons and worldly authority
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The Maya would often intentionally destroy a building's decorative façade and then collapse the vaulted chambers prior to constructing a new building atop the rubble. Frequently, the rubble contained fragments of the old stucco narrative now buried below the new platform. Most often it is the heads
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The head with intact earflares depicts the maize god, recognized by the tau-shaped tooth, sloping forehead, and tonsured hair. He is adorned with the abundant jadeite jewelry typical of renderings of the deity, including earflares and a tubular bead headband with a large, central diadem.
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of the aristocracy that used the structures. The façade decoration also could reveal a building's function as well as its symbolic identity. This stucco head, which was part of a larger pictorial façade narrative, illustrates the close connection between the gods and Maya aristocracy.
1210:== {{int:filedesc}} == {{Walters Art Museum artwork |artist = Mayan |title = ''Stucco Portrait Head'' |description = {{en|A fundamental feature of Mesoamerican formal architecture was the use of molded, modeled, and carved st...
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