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File:Maharaja Abhai Singh of Marwar and the Chāran Poet Prithvi Raj Sandu 1727.jpg

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By 1719, Dalchand and his father had moved from Delhi to Kishangarh and from there to Jodhpur, where he signed this painting: “The artist Dalchand painted in the year 1784 on the first day of the light half of the month Chait .”
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Under Maharaja Abhai Singh (1724-1749) the gradual breakdown of the Mughals’ power led many artists to leave Delhi, a situation that benefitted painting in Marwar, among other places.
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Compared with the later, colorful, powerful work done in Marwar, the artist’s style is meticulous, cool, and highly influenced by contemporary Mughal painting.
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This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
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Uploaded a work by Dalchand from https://www.davidmus.dk/en/collections/islamic/dynasties/india/art/6-1983 with UploadWizard
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Miniature. ‘Maharaja Abhai Singh of Marwar Gives a Pearl Necklace to the Chāran Poet Prithvi Raj Sandu.’ Signed Dalchand
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implement the rule of the shorter term. Copyright may extend on works created by French who died for France in
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This photographic reproduction is therefore also considered to be in the public domain in the United States.
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faithful reproductions of two-dimensional public domain works of art are public domain
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work of art. The work of art itself is in the public domain for the following reason:
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Maharaja Abhai Singh of Marwar and the Chāran Poet Prithvi Raj Sandu 1727.jpg
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Maharaja Abhai Singh of Marwar and the Chāran Poet Prithvi Raj Sandu
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File:Maharaja Abhai Singh of Marwar and the Chāran Poet Prithvi Raj Sandu 1727.jpg
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