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shaded by a tiered royal umbrella, at the grand durbar held in honour of the coronation of Edward VII. The prints are from a collection of 36 stereoscopic views of Burma, one in a series of "stereoscopic tours" of foreign countries published as the ‘Underwood Travel
Library’. Stereoscopic views became enormously popular from the mid-19th century onward as they enabled observers to imagine that they were really “touring” around distant parts of the world. Each pair of views, made using a special camera with two lenses, is mounted on stout card for insertion in a stereoscope or binocular viewer. This device creates the illusion of a single three-dimensional image in the mind of the observer by using the binocular function of human sight to combine the two images, which are seen from fractionally different viewpoints. The photographs in this set are generally of high quality and selected for their clarity and instructive value. A few of the mounts also have a detailed descriptive caption printed on the reverse, with instructions (presumably for the guidance of teachers) as to what general topic the photograph illustrates.
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Anonymous works, photographs, cinematographic works, sound recordings, government works, and works of corporate authorship or of international organizations enter the public domain 60 years after the date on which they were first published, counted from the beginning of the following calendar year
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Stereoscopic pair of photographs taken by
Underwood & Underwood of Burmese princes at the Coronation Durbar held in January 1903 at Delhi in India. The photographs show two Shan rulers (sawbwas) standing with their wives seated between them, the group posed against an ornamental backdrop and
599:{{Information |Description={{en|1=Stereoscopic pair of photographs taken by Underwood & Underwood of Burmese princes at the Coronation Durbar held in January 1903 at Delhi in India. The photographs show two Shan rulers (sawbwas) standing with their wives
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Any kind of work other than the above enters the public domain 60 years after the author's death (or in the case of a multi-author work, the death of the last surviving author), counted from the beginning of the following calendar
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and have copyright terms longer than life of the author plus 60 years. In particular, Mexico is 100 years, Jamaica is 95 years, Colombia is 80 years, Guatemala and Samoa are 75 years, and
Switzerland and the United States are 70
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Posthumous works (other than those above) enter the public domain after 60 years from publication date, counted from the beginning of the following calendar year.
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http://www.bl.uk/onlinegallery/onlineex/apac/photocoll/b/019pho000000180u00003000.html
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Shan saophas (sawbwas) at the Durbar, Delhi, India.jpg
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Shan_saophas_(sawbwas)_at_the_Durbar,_Delhi,_India.jpg
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