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The most intriguing of these is the motif of two legs, squatting and spread outward. The symbol is cut off at the hip and is usually deployed as a side motif to the larger, more abstract rock reliefs. “Images from later periods depict a goddess called Lajja Gauri who is similarly portrayed, squatting
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and with legs facing outward, though in those cases the rest of the body is also shown. We are exploring a link between the two,” Garge says.
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