268:, e fu aggiunta da Giorgio nella stampade Giunti , non si ricordando di quanto aveva scrittoin quella di Michelozzo . Se poi lo ripete nesuoi Dia-loghi , il fece perchè lo richiedeva largomento di eflì,avendovi inrraprcso a descrivere turti i lavori che dipittura aveva fatto in quel palazzo . Vero è che quan-tunque egli se ne fosse un poco invanito , sarebbe com-patibile ; perchè veramente in quello che appartieneallarchitettura ha mostrato uneccellenza maraviglio-sa e un ingegno soprumano , e nella pittura una men-te ampia , copiosa e fecondissima , inarrivabile e attaalle più vaste imprese , e una velocità e assiduità al la-voro che arreca stupore a chi si sia. E se si guarderan-no le pitture del soffitto della gran sala e grandi emolte e piene di figure, si vedranno non solamentebene storiate e disposte e inventate con gran mae-stria, ma colorite con tal forza e vaghezza, che piut-tosto che del Vasari , si reputeTanno lavori demiglio-ri mae&cri Veneziani. N.dellEd. diR.
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termine , eh elle si abbattono molte vol-te a essere così buone , che ancorché gli arteficiloro non siano de* rari, elle sforzano gli uominiad averle in somma venerazione e lodarle . E siè veduto già molte volte ed in molti nostri pitto-ri, che coloro fanno lopere loro più vivaci e piùperfette , i quali hanno naturalmente bella manie-ra e si esercitano con fatica e studio continua-mente ; perchè ha tanta forza questo dono dellanatura , che benché costoro trascurino e lascinogli studj deirarte , ed altro non seguano che lusosolo del dipignere e del maneggiare i colori congrazia infusa dalla natura j apparisce nel primoaspetto dellopere loro chelle mostrano tutte leparti eccellenti e mar
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33VITA DI DOMENICO P U L ì G O IMTTORE FIORENTINO. E Cosa maravigliosa, aiui stupenda, che moltineir arte della pittura nel continuo esercita-re e maneggiare i colori, per istinto di naturao per un uso di buona maniera presa senza dise-gno alcuno o fondamento , conducono le cose loroa sì fatto
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In Siena : A spese de' Pazzini Carli e
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