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There is some uncertainty as to who exactly each person in this image is. The men to
Charles’ left and right are not described in the text of the bible, but it is thought that they might be palace officials. In the center right it is thought that the figure is Vivian. It was originally thought the man with his back turned to the viewer was Vivian, but this is the Pater (the father). There are also guards in this image which are like the guards in David composing the psalms. These guards are representative of Charles's military force.
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of the Vivian Bible. The illumination has the figures arranged in a circle. This makes it look like a procession is occurring in the image. Additionally, Charles seems like a mediator between God and man, evident with the hand of God and the curtains that frame the enthroned
Charles at the center.
244:, depicting David Composing Psalms, and the presentation miniature, in which Charles the Bald receives the book. The psalms frontispiece is said to have connections with the prophet Audradas because of the writing above David's head. This connection can also be seen with the four
69:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge (XXG).
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which are in the corners of the painting. These virtues are depicted as women on clouds with their arms outstretched. We can see David's guards, who also have a symbolic meaning. They are meant to represent two
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The presentation miniature is an illumination of
Charles the Bald receiving the Vivian Bible when he was just 22 years old. The illumination includes both the
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Content in this edit is translated from the existing French
Knowledge (XXG) article at ]; see its history for attribution.
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for disambiguation with the Second Bible of
Charles the Bald, BNF Lat. 2, dated between 871 and 873.
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and
Charles the Bald, showing how the Pope and rulers were becoming reliant on each other during the
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at the end of the book. It is 495 mm by 345 mm and has 423 vellum folia. It is now in the
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families that guarded David. Along with the guards we see David at the center who is playing the
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Codices
Illustres: The world's most famous illuminated manuscripts, 400 to 1600
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It is also thought to be the third illuminated Bible to have been made at
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to the source of your translation. A model attribution edit summary is
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257:, and his four musicians. All these figures are held within a large
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Dutton, Paul Edward; Kessler, Herbert L.; Le Petit, Audrad (1997).
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Dutton, Paul Edward; Kessler, Herbert L.; Le Petit, Audrad (1997).
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Dutton, Paul Edward; Kessler, Herbert L.; Le Petit, Audrad (1997).
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Dutton, Paul Edward; Kessler, Herbert L.; Le Petit, Audrad (1997).
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Dutton, Paul Edward; Kessler, Herbert L.; Le Petit, Audrad (1997).
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period. This illumination replaced the apocalypse miniature as the
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The Poetry and
Paintings of the First Bible of Charles the Bald
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The Poetry and
Paintings of the First Bible of Charles the Bald
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The Poetry and
Paintings of the First Bible of Charles the Bald
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The Poetry and Paintings of the First Bible of Charles the Bald
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The Poetry and Paintings of the First Bible of Charles the Bald
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to this template: there are already 1,482 articles in the
340:(2nd ed.). Colorado: Westview Press. pp. 122–3.
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commissioned by Count Vivian of Tours in 845, the lay
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David Composing Psalms. Vivian Bible. Tours, c. 845.
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a machine-translated version of the French article.
191:in 846 on a visit to the church, as shown in the
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