Knowledge (XXG)

First inversion

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245: 219: 123: 84: 52: 27: 789: 146: 107: 68: 36: 214:, the bass is E — the third of the triad — with the fifth and the root stacked above it (the root now shifted an octave higher), forming the intervals of a minor third and a minor sixth above the inverted bass of E, respectively. 291:
Inversions are not restricted to the same number of tones as the original chord, nor to any fixed order of tones except with regard to the interval between the root, or its octave, and the bass note, hence, great variety
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in the bass, but it may have any arrangement of the root and fifth above that, including doubled notes, compound intervals, and omission (E-G-C, E-G-C-G', E-C'-G'', etc.)
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Note that any voicing above the bass is allowed. A first inversion chord must have the third
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Hubbard, William Lines (1908). The American History and Encyclopedia of Music, Vol. 10:
1119: 1037: 1032: 872: 867: 774: 578: 565: 386: 170: 1166: 1151: 1115: 941: 887: 859: 815: 788: 728: 723: 683: 482: 444: 429: 354: 320: 195: 187: 183: 175: 1146: 1090: 991: 845: 718: 703: 688: 668: 642: 609: 490: 310: 297: 263: 203: 1095: 1006: 1001: 976: 971: 830: 698: 678: 632: 573: 457: 452: 267: 211: 191: 996: 840: 820: 583: 391: 981: 604: 199: 1022: 849: 754: 825: 759: 1141: 1048: 266:, a first-inversion triad is a chord (not to be confused with an 1052: 402: 398: 250:
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156: 240:, the bass note is B, the third of the seventh chord. 1015: 964: 924: 896: 858: 806: 796: 742: 656: 618: 564: 481: 443: 436: 289: 286:The American History and Encyclopedia of Music: 270:), while a first-inversion seventh chord is a 1064: 414: 8: 1071: 1057: 1049: 803: 440: 421: 407: 399: 210:above it. In the first inversion of a C- 347: 7: 384:, p.103. Irving Squire: London. . 14: 787: 121: 82: 50: 25: 1: 128:Third inversion of F7 chord ( 247: 236:In the first inversion of G- 221: 154: 1199: 511:Dominant seventh flat five 392:HathiTrust Digital Library 1086: 785: 1028:Chord names and symbols 252:download the audio file 226:download the audio file 1101:Close and open harmony 911:Secondary leading-tone 294: 238:dominant seventh chord 916:Secondary supertonic 198:of the chord is the 987:Chord-scale system 906:Secondary dominant 381:Musical Dictionary 89:Second inversion ( 32:Root position (F) 1160: 1159: 1046: 1045: 960: 959: 878:Chromatic mediant 783: 782: 734:Viennese trichord 367:978-0-393-95480-7 316:Inversion (music) 268:added sixth chord 256: 230: 159: 1190: 1080:Voicing in music 1073: 1066: 1059: 1050: 804: 791: 599: 598: 556:Harmonic seventh 526:Diminished major 441: 423: 416: 409: 400: 394: 389: 376: 370: 352: 336:Fourth inversion 326:Second inversion 280: 279: 278: 155: 153: 152: 151: 149: 141: 140: 139: 138: 125: 114: 113: 112: 110: 102: 101: 100: 99: 86: 75: 74: 73: 71: 63: 54: 43: 42: 41: 39: 29: 1198: 1197: 1193: 1192: 1191: 1189: 1188: 1187: 1183:Voicing (music) 1163: 1162: 1161: 1156: 1082: 1077: 1047: 1042: 1011: 956: 920: 892: 854: 792: 779: 770:Synthetic chord 738: 709:Northern lights 674:Complexe sonore 652: 638:Augmented sixth 626: 624: 614: 596: 595: 589:Upper structure 560: 546:Altered seventh 541:Augmented minor 536:Augmented major 521:Half-diminished 477: 432: 427: 397: 385: 377: 373: 353: 349: 345: 340: 331:Third inversion 306: 277: 274: 273: 272: 271: 258: 257: 255: 232: 231: 229: 165: 164: 163: 162: 161: 160: 147: 145: 144: 143: 137: 134: 133: 132: 131: 129: 126: 117: 116: 115: 108: 106: 105: 104: 98: 95: 94: 93: 92: 90: 87: 78: 77: 76: 69: 67: 66: 65: 61: 58:First inversion 55: 46: 45: 44: 37: 35: 34: 33: 30: 21: 20: 12: 11: 5: 1196: 1194: 1186: 1185: 1180: 1175: 1165: 1164: 1158: 1157: 1155: 1154: 1149: 1144: 1139: 1113: 1108: 1103: 1098: 1093: 1087: 1084: 1083: 1078: 1076: 1075: 1068: 1061: 1053: 1044: 1043: 1041: 1040: 1035: 1033:List of chords 1030: 1025: 1019: 1017: 1013: 1012: 1010: 1009: 1004: 999: 994: 989: 984: 979: 974: 968: 966: 962: 961: 958: 957: 955: 954: 949: 944: 939: 934: 928: 926: 922: 921: 919: 918: 913: 908: 902: 900: 894: 893: 891: 890: 885: 880: 875: 870: 864: 862: 856: 855: 853: 852: 843: 838: 833: 828: 823: 818: 812: 810: 801: 794: 793: 786: 784: 781: 780: 778: 777: 772: 767: 762: 757: 752: 750:Mixed interval 746: 744: 740: 739: 737: 736: 731: 726: 721: 716: 711: 706: 701: 696: 691: 686: 681: 676: 671: 666: 660: 658: 654: 653: 651: 650: 645: 640: 635: 629: 627: 619: 616: 615: 613: 612: 607: 602: 591: 586: 581: 576: 570: 568: 562: 561: 559: 558: 553: 548: 543: 538: 533: 528: 523: 518: 513: 508: 503: 498: 493: 487: 485: 479: 478: 476: 475: 470: 465: 460: 455: 449: 447: 438: 434: 433: 428: 426: 425: 418: 411: 403: 396: 395: 371: 346: 344: 341: 339: 338: 333: 328: 323: 318: 313: 307: 305: 302: 275: 260: 259: 249: 246: 244: 234: 233: 223: 220: 218: 135: 127: 120: 119: 118: 96: 88: 81: 80: 79: 56: 49: 48: 47: 31: 24: 23: 22: 18: 17: 16: 15: 13: 10: 9: 6: 4: 3: 2: 1195: 1184: 1181: 1179: 1176: 1174: 1173:Chord factors 1171: 1170: 1168: 1153: 1152:Voice leading 1150: 1148: 1145: 1143: 1140: 1137: 1133: 1129: 1125: 1121: 1117: 1116:Root position 1114: 1112: 1109: 1107: 1104: 1102: 1099: 1097: 1094: 1092: 1089: 1088: 1085: 1081: 1074: 1069: 1067: 1062: 1060: 1055: 1054: 1051: 1039: 1036: 1034: 1031: 1029: 1026: 1024: 1021: 1020: 1018: 1014: 1008: 1005: 1003: 1000: 998: 995: 993: 990: 988: 985: 983: 980: 978: 975: 973: 970: 969: 967: 963: 953: 950: 948: 945: 943: 942:Primary triad 940: 938: 935: 933: 930: 929: 927: 923: 917: 914: 912: 909: 907: 904: 903: 901: 899: 895: 889: 886: 884: 881: 879: 876: 874: 871: 869: 866: 865: 863: 861: 857: 851: 847: 844: 842: 839: 837: 834: 832: 829: 827: 824: 822: 819: 817: 814: 813: 811: 809: 805: 802: 800: 795: 790: 776: 773: 771: 768: 766: 763: 761: 758: 756: 753: 751: 748: 747: 745: 741: 735: 732: 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28: 19:F major chord 1123: 1091:Blind octave 846:Leading-tone 623: / 610:Tone cluster 491:Leading-tone 379: 374: 358: 350: 311:Figured bass 298:chord factor 295: 290: 285: 283: 264:figured bass 261: 235: 168: 166: 57: 1138:inversions) 1106:Common tone 1096:Block chord 831:Subdominant 694:Grandmother 551:Nondominant 531:Minor-major 212:major triad 192:ninth chord 1167:Categories 965:Techniques 952:Substitute 947:Subsidiary 883:Neapolitan 841:Submediant 821:Supertonic 594:Dominant 7 584:Thirteenth 516:Diminished 468:Diminished 343:References 1120:Inversion 982:Chordioid 898:Secondary 714:Petrushka 648:Seven six 605:Polychord 473:Suspended 463:Augmented 200:bass note 171:inversion 1111:Doubling 1023:Arpeggio 937:Contrast 873:Borrowed 868:Approach 850:Subtonic 836:Dominant 808:Diatonic 799:function 755:Secundal 657:Specific 597:♯ 579:Eleventh 566:Extended 506:Dominant 304:See also 292:results. 202:and the 888:Passing 860:Altered 826:Mediant 765:Quartal 760:Tertian 743:General 729:Tristan 724:So What 684:Elektra 625:omitted 483:Seventh 437:By form 390:at the 359:Harmony 281:chord. 180:voicing 178:is the 1178:Chords 1142:Octave 1136:higher 1134:, and 1038:Factor 992:Guitar 932:Common 775:Tetrad 719:Psalms 704:Mystic 689:Farben 669:Bridge 643:Lydian 430:Chords 365:  169:first 1147:Voice 1016:Other 1007:Slash 1002:Power 977:Block 972:Barre 925:Other 816:Tonic 699:Magic 679:Dream 664:Alpha 633:Sixth 621:Added 574:Ninth 501:Minor 496:Major 458:Minor 453:Major 445:Triad 208:sixth 196:third 190:, or 184:triad 182:of a 176:chord 174:of a 1118:and 997:Open 387:Also 363:ISBN 204:root 167:The 157:edit 148:Play 109:Play 70:Play 38:Play 1132:3rd 1128:2nd 1124:1st 797:By 262:In 1169:: 1130:, 1126:, 848:/ 357:, 206:a 186:, 142:) 103:) 64:) 1122:( 1072:e 1065:t 1058:v 600:9 422:e 415:t 408:v 369:. 276:5 254:. 228:. 136:2 130:E 97:4 91:C 62:A 60:(

Index

Root position F major chord: F,A,C.
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First inversion F major chord: A,C,F.
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Second inversion F major chord: C,F,A.
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Third inversion F major chord: E-flat,F,A,C.
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edit
inversion
chord
voicing
triad
seventh chord
ninth chord
third
bass note
root
sixth
major triad
download the audio file
dominant seventh chord
download the audio file
figured bass
added sixth chord
chord factor
Figured bass
Inversion (music)
Root position
Second inversion

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