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She has been a professor at the Paris
Diderot University and a member of the Louis-Gernet Center for Comparative Research on Ancient Societies, which has been part of the research laboratory Anthropology and History of Ancient Worlds (UMR 8210 ANHIMA) since 2010. She is now an emeritus professor and
65:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge (XXG).
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Background
Florence Dupont is a former student of the École Normale Supérieure for Girls (L1962), and she is a qualified teacher in classical letters, specializing in Latin language, literature, and philology.
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analyzes the concept of citizenship in ancient Rome, developing the notion of historical anthropology, particularly through a reinterpretation of Virgil's
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She is the daughter of
Latinist Pierre Grimal, and the half-sister of Sanskritist François Grimal and Egyptologist Nicolas Grimal.
241:. This book invites readers to reconsider the idea of national identity by turning back to the sources of Roman antiquity.
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that theatrical ideology is dependent on a misunderstanding by tradition regarding the status of
Aristotle's
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criticized her for equating scholarly culture with popular culture. She continued this provocative study in
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and the author of numerous works on classical antiquity, focusing on theater and literature in general.
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519:"Florence Dupont : « Faire des Grecs des sauvages comme les autres »"
505:"Lettres, arts : l'éclat (presque) inaltérable du « miracle grec »"
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Pleasure and Law: from Plato's "Symposium" to the "Satyricon," François Maspéro
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Literary
History of Rome: From Romulus to Ovid, A Culture of Translation
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to the source of your translation. A model attribution edit summary is
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In 1975, she defended a doctoral thesis titled
Pleasure and Law: from
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The
Invention of Literature: From Greek Intoxication to Latin Books
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Homer and "Dallas": An
Introduction to Anthropological Critique
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The
Faceless Orator: Essay on the Roman Actor and His Mask
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Aeschylus, The Oresteia. 2, The Choéphores, The Eumenides
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compares the work of Homer to the television series
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362:Aristotle or the Vampire of Western Theater
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326:Seneca's "Medea" or How to Exit Humanity
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350:The King Actor: Theater in Rome
368:Rome: The City Without Origins
356:Ways of Speaking Greek in Rome
340:with Thierry Éloi, Belin, 2001
338:Male Eroticism in Ancient Rome
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187:University of Paris-Sorbonne
405:Plautus, The Pot, Pseudolus
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428:Seneca, Complete Theater
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