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is to see the programs given by the artists and to keep track of the new music. I have a most gifted pupil, Adele Corney, a very fine dramatic soprano. However, there are so few public chances here for a young local artist, that Miss Corney has to sing at the restaurant in the Hotel
Grunewald."
138:. Besides being associate president of the New Orleans College of Music, founded by Mrs. Samuel and herself, she was vocal instructor at Sophie Wright's Institute. She believed in the Italian method of vocal culture, and was accounted the best ballad singer of New Orleans.
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when I desired national publicity. At that time, my advertisement was secured by
Fitzhugh W. Haensel, then in the advertising department of that paper, and now the senior partner of Haensel & Jones, the concert managers. Another reason I buy the
58:. Her father's family were of German descent. Her family was connected with the history of New Orleans for many years. Her aunt, Caroline Hubbard, was the most notable and progressive principal of the New Orleans High School, of her time.
79:"Florence Huberwald is a singer and vocal teacher. She does not like to read music papers published in New York, because it is her old home, and it makes her lonesome to see the names of her friends there. “Occasionally I buy the
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was clear, and her method good. The volume of her voice was so great that it filled the largest hall or theatre. It was particularly fitted for star parts in grand opera, a heritage from her mother, a notable church singer of
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Huberwald's first employment was that of teacher in a public school. She made a success of this, and in 1894, went to the legislature to push the measure for the back pay of teachers.
145:; and Equal Rights Party, Louisiana. She was a prominent member of the Woman's Club, did active work for the furtherance of women's progress, and was a charter member of the
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convention was notable. She was the only singer who represented New
Orleans at the Cotton States and International Exposition, and received a perfect ovation. Her
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117:(1895). Huberwald had entire charge of the vocal part of the program that reflected so much credit upon Louisiana. Her speech at the 1895
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83:,” volunteered Miss Huberwald, “to see how well those persons are doing who advertise in your paper. I used to be an advertiser in the
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Some
Notables of New Orleans: Biographical and Descriptive Sketches of the Artists of New Orleans, and Their Work
372:
The Women of the
Suffrage Movement: Autobiographies & Biographies of the Most Influential Suffragettes
55:
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Biographical
Dictionary of Musicians: With a Bibliography of English Writings on Music
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149:. An activist, she was the head of the local dress-reform movement in New Orleans.
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One of the social successes of her life was upon the occasion of her singing in a
38:; and the co-founder and associate president of the New Orleans College of Music.
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34:, and national leader of the women's movement. She was a charter member of the
357:. Vol. 72 (Public domain ed.). The Music Magazine-musical Courier.
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Addams, Jane; Stanton, Elizabeth Cady; Harper, Ida Husted (21 March 2018).
252:. LOUISIANA DEPARTMENT OF CULTURE RECREATION AND TOURISM. 18 September 2013
393:
Concert Life in
Nineteenth-Century New Orleans: A Comprehensive Reference
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Huberwald served as president of the
Teachers' Benevolent Association;
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This article incorporates text from this source, which is in the
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This article incorporates text from this source, which is in the
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This article incorporates text from this source, which is in the
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This article incorporates text from this source, which is in the
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State concert was said to be the grandest concert given at the
65:. She studied vocal music in New York City; in Paris, under
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290:(Public domain ed.). A. Gardner. p.
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54:and her grandmother was a Spanish native of
351:The Music Magazine-musical Courier (1916).
63:Sylvester-Larned Institute for Young Ladies
224:
115:Cotton States and International Exposition
336:(Public domain ed.). May W. Mount.
194:The Music Magazine-musical Courier 1916
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46:Florence Frances Huberwald was born in
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50:. Her maternal grandfather was from
119:General Federation of Women's Clubs
390:Baron, John H. (9 December 2013).
354:The Music Magazine-musical Courier
95:The Music Magazine-musical Courier
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237:Addams, Stanton & Harper 2018
30:was an American singer, teacher,
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69:, the vocalist; and in London.
436:American women music educators
125:voice had a range of over two
61:Huberwald was educated at the
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250:"The Belle Epoque, 1895–1919"
315:. Vol. 5–6. The Bureau.
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451:Activists from New Orleans
441:Suffragists from Louisiana
284:Brown, James Duff (1886).
28:Florence Frances Huberwald
396:. Louisiana State Press.
456:Educators from Louisiana
431:American music educators
426:Singers from New Orleans
42:Early life and education
330:Mount, May W. (1896).
143:Portia (suffrage) Club
99:
56:St. Augustine, Florida
24:
312:Social Service Review
22:
147:Woman Suffrage Party
36:Woman Suffrage Party
421:American contraltos
309:The Bureau (1917).
375:. Musaicum Books.
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23:Florence Huberwald
403:978-0-8071-5083-2
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268:Attribution
136:New Orleans
131:enunciation
52:Connecticut
48:New Orleans
415:Categories
213:Mount 1896
182:Brown 1886
170:Baron 2013
153:References
32:suffragist
446:Clubwomen
256:27 August
158:Citations
123:contralto
111:Louisiana
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127:octaves
97:(1916)
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129:, her
73:Career
398:ISBN
377:ISBN
258:2019
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