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But there was a problem getting the marble block in time, and in the end the gesso version was displayed in the Sala del
Cinquecento (the Great Council Hall) of the
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in
Florence. This work introduces his interest in "the problem of uniting two figures in an action group", which many later works continue.
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intended for the Great
Council Hall in the Palazzo Vecchio to be decorated with depictions of Florentine military triumphs.
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Florence
Triumphant over Pisa, Giambologna (Maquette in clay in the Victoria and Albert Museum)
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was not successful, but probably caused the authorities at
Bologna to invite him to do their
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249:"Florence Triumphant over Pisa | Giambologna | V&A Search the Collections"
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The marble version was done later, by 1570, perhaps by an assistant, and is now in the
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in London has a small wax study, and a small model in clay.
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Giambologna's entry for the competition in 1560 for the
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365:, 1970, John Murray Publishing, ISBN 0719519322
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94:. The first is a full-size modello in
16:16th century sculpture by Giambologna
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487:Equestrian Monument of Ferdinando I
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164:'s painting of scenes portraying
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481:Equestrian Monument of Cosimo I
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510:Fountain of Neptune, Florence
423:Florence Triumphant over Pisa
158:Florence Triumphant over Pisa
121:Fountain of Neptune, Florence
84:Italian Renaissance sculpture
79:Florence Triumphant over Pisa
22:Florence Triumphant over Pisa
504:Fountain of Neptune, Bologna
125:Fountain of Neptune, Bologna
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439:Abduction of a Sabine Woman
415:Samson Slaying a Philistine
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345:www.visual-arts-cork.com
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532:16th-century sculptures
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506:(inaugurated c. 1566)
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407:Sculptures
356:References
309:www.wga.hu
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71:, Florence
497:Fountains
474:Monuments
450:(c. 1585)
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217:Bargello
215:Marble,
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65:Location
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