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794:. The theatre, which was built by Morgan, Walls & Clements, opened in 1926, and was managed by Edward Belasco, another of David's brothers. Many Hollywood stars with theatrical roots, as well as Broadway stars who were visiting the West Coast, appeared at the theatre. The theater declined after the death of Edward Belasco in 1937. After closing altogether in the early 1950s, the theater was used as a church for several decades. In 2010 - 2011, the theater underwent an extensive restoration, and is currently in operation as a nightclub and convention venue.
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Theatre specially constructed with great amounts of flyspace, hydraulics systems and lighting rigs. The basement of the
Stuyvesant contained a working machine shop, where Belasco and his team experimented with lighting and other special effects. Many of the innovations developed in the Belasco shop were sold to other producers.
719:(1925). A drunken visitor in the library of Gatsby's mansion exclaims in amazement that the books are genuine: "See!" he cried triumphantly. "It's a bona-fide piece of printed matter. It fooled me. This fella's a regular Belasco. It's a triumph. What thoroughness! What realism! Knew when to stop, too—didn't cut the pages."
463:. DeMille's father had been close friends with Belasco. After DeMille graduated from the American Academy of Dramatic Arts, he began his stage career under Belasco's guidance. DeMille's later methods of handling actors, using dramatic lighting and directing films, were modeled after Belasco's staging techniques.
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Belasco both embraced existing theatre technology and sought to expand on it. Both of
Belasco's New York theatres were built on the cutting edge of their era's technology. When Belasco took over the Republic Theatre, he drilled a new basement level to accommodate his machinery. He had the Stuyvesant
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Belasco became one of the first directors to eschew the use of traditional footlights in favor of lights concealed below floor level, thereby hidden from the audience. His lighting assistant, Louis
Hartmann, realized Belasco's design ideas. He also used 'follow spots' to further create realism and
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In Los
Angeles, the first Belasco Theatre was located at 337 S. Main St. The theater, which hosted the Belasco Stock Company, opened in 1904 and was operated by David Belasco's brother, Frederick. This theater was renamed twice: as the Republic in about 1913 and as the Follies, circa 1919. The
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By March 1874, he was back at work in San
Francisco, eventually managing Thomas Maguire's Baldwin Theater. When Maguire lost the theater in 1882, Belasco relocated to the East Coast, bringing his practical western experiences with him. The West allowed him to develop his talents as not only a
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I found myself in a dilemma. I planned one of its scenes to be an exact counterpart of a little hall bedroom in a cheap theatrical boarding-house in New York. We tried to build the scene in my shops, but, somehow, we could not make it look shabby enough. So I went to the meanest theatrical
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lodging-house I could find in the
Tenderloin district and bought the entire interior of one of its most dilapidated rooms—patched furniture, threadbare carpet, tarnished and broken gas fixtures, tumble-down cupboards, dingy doors and window-casings, and even the faded paper on the walls.
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often tailored his lighting configurations to complement the complexions and hair color of the actors. He ordered a specially made 1000-watt lamp developed just for his own productions. He was the only director to have one for the first two years after its introduction (1914–1915).
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255:"all the more particular in regard to the psychology of dying on the stage. I think I was one of the first to bring naturalness to bear in death scenes, and my varied Virginia City experiences did much to help me toward this. Later I was to go deeper into such studies."
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Belasco was said to put appropriate scents to set scenes in the ventilation systems of the theaters, while his sets were highly detailed and sometimes spilled out into the audience area. In one play, for instance, an operational laundromat was built onstage.
240:, script copier, or as an extra in small parts. He received his first experience as a stage manager while on the road. He said, "We used to play in any place we could hire or get into—a hall, a big dining room, an empty barn; any place that would take us."
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is located at 111 West 44th Street, between 6th and 7th
Avenues, only a few blocks away from the New Victory. It was constructed in 1907 as the Stuyvesant Theatre and renamed after Belasco in 1910. The theater was built to Belasco's wishes, with
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Belasco demanded a natural acting style, and to complement that, he developed stage settings with authentic lighting effects to enhance his plays. His productions inspired several generations of theatre lighting designers.
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to the
American stage as the first to develop modern stage lighting, along with the use of colored lights, via motorized color changing wheels, to evoke mood and setting. America's earliest stage lighting manufacturer,
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lighting and ceiling panels, rich woodwork and murals. His business office and private apartment were also housed there. The
Belasco is still in operation as a Broadway venue with much of the original decor intact.
2690:"Dramatic and Musical; Mr. Hammerstein's New Theatre Republic Opened Last Night. James A. Herne's New Rustic Drama, "Sag Harbor" – "A Million Dollars" the New Spectacular Piece at the New York"
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750:(the grandfather of the famous lyricist) constructed it. He gave up the theater in 1910 and it was renamed the Republic. Under various owners, it went through a tumultuous period as a
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Belasco's original scripts were often filled with long, specific descriptions of props and set dressings. He has not been noted for producing unusually naturalistic scenarios.
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In his own theatres, the dressing rooms were equipped with lamps of several colors, allowing the performers to see how their makeup looked under different lighting conditions.
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623:. But today he is regarded as "one of the first significant directorial figures in the history of the American theatre," writes theatre historian Lise-Lone Marker.
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Belasco's contributions to modern stage and lighting techniques were originally not appreciated as much as those of his
European counterparts, such as
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David Belasco was born in 1853 in San Francisco, California, the son of Abraham H. Belasco (1830–1911) and Reyna Belasco (née Nunes, 1830–1899),
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David Belasco, New York and London: Harper & Brothers Publishers, 1919, published Sept. 1919. Also Ayer Co. Publishing (reprint), 1919,
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of Manhattan. Belasco took over management of the theater and completely remodeled it in 1902, only two years after it was constructed by
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in 1913. The two remained in touch after Pickford began working in Hollywood; Belasco appeared with her in the 1914 film adaptation of
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The Shubert-Belasco Theatre, located in Washington, D.C., was purchased by Belasco in September 1905. Originally built in 1895 as the
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Many prominent performers of the late 19th and early 20th centuries sought the opportunity to work with Belasco; among them were
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David Belasco Presents David Warfield in a Grand Army Man, a New American Play by David Belasco, Pauline Phelps and Marion Short
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220:. Belasco pioneered many innovative new forms of stage lighting and special effects in order to create realism and naturalism.
2759:"Republic to Become a Burlesque House; Former Home of 'Abie's Irish Rose,' Now Film Theatre, to Enter Upon New Policy Feb. 12"
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David Belasco was married to Cecilia Loverich for over fifty years. They had two daughters, Reina (who later married producer
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During his long creative career, stretching between 1884 and 1930, Belasco either wrote, directed, or produced more than 100
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Schrader, Fred F. (September 25, 1910). "Producing Week in New York; Many Changes Are Announced: Producing Week in Gotham".
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Belasco is perhaps most famous for two works that were adapted as highly popular operas. He adapted the short story
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theater eventually became a burlesque venue in the 1940s, fell into sharp decline, and was demolished in May 1974.
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Jews who had immigrated to the United States from London's Spanish and Portuguese Jewish community during the
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This article is about the stage producer born in 1853. For his uncle, whose birth name was David Belasco, see
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2549:"Throng at Funeral of David Belasco; Edwin Milton Royle and Rev. Dr. Jonah B. Wise Eulogize Famous Producer"
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651:(1905), with the play opening to a spectacular sunset that lasted five minutes before any dialogue started.
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venue, hosted second-run and, eventually, pornographic films. It was rehabilitated and reopened as the
2666:"Mr. Belasco's New Theatre: He Will Take Charge of the Theatre Republic at the Close of This Season".
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A stage full of trees and sky: Analyzing representations of nature on the New York Stage, 1905 – 2012
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2859:"Light Like Day in New Theatre; Electrics Screened Behind a Ground Glass Ceiling in the Stuyvesant"
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To me, David Belasco was like the King of England, Julius Caesar and Napoleon rolled into one.
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A gifted playwright, Belasco went to New York City in 1882. He worked as stage manager for the
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2349:"David Belasco Dies. Dean Of Theatre, 76, Had Long Been Ill. Stage Genius Who Is Dead At 76"
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https://www.encyclopedia.com/people/literature-and-arts/theater-biographies/david-belasco
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2904:. New York; Milwaukee, WI: Applause Theatre & Cinema Books/Playbill. pp. 27–28.
372:(1923), which played for 340 performances. Belasco discovered and managed the careers of
2931:(Report). New York City Landmarks Preservation Commission. November 4, 1987. p. 14.
643:, began by serving the specialized needs of producers and directors such as Belasco and
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Belasco died on May 14, 1931, at the age of 77 in Manhattan. His funeral was held at
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351:(1919) similarly propelled her career. Belasco wrote a lead part for 18-year-old
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2575:"Actors Eulogize Belasco. At Meeting of Jewish Guild Frohman Recalls Early Days"
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478:. He is credited as giving Pickford her stage name as well. He also worked with
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From late 1873 to early 1874, he worked as an actor, director, and secretary at
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https://www.oxfordreference.com/display/10.1093/oi/authority.20110803095456449
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Developing the Modern Scene Design Process: Cognition and the New Stagecraft
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for the stage. He launched the theatrical career of many actors, including
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380:, both of whom became major stars on Broadway. He launched the career of
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562: in this section. Unsourced material may be challenged and removed.
121:; pioneer of modern stage lighting and stage effects; stage naturalism
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From San Francisco Eastward: Victorian Theater in the American West
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492:, whose Broadway career Belasco launched. Belasco was a member of
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27:
American theatrical producer, impresario, director, and playwright
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Stephen Schwartz collection of David Belasco materials, 1904-1965
3197:, Maryann Chach, Reagan Fletcher, Mark Evan Swartz, Sylvia Wang,
403:. Both of these works were adapted as operas by Italian composer
2821:"An Old Jewel of 42d Street Reopens, Seeking to Dazzle Families"
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The second, and perhaps more well known theatre in Los Angeles,
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kitchen, where actors cooked and prepared food during the play.
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At This Theatre: 100 Years of Broadway Shows, Stories and Stars
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At this Theatre: 100 Years of Broadway Shows, Stories and Stars
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performer, but in progressive production design and execution.
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https://www.jewishencyclopedia.com/articles/2799-belasco-david
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3075:"White House Area - Sites on the East side of Lafayette Park"
2518:"Lenore Ulric, Broadway Star of Belasco Era, Is Dead at 78",
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at 229 West 42nd Street, between 7th and 8th Avenues, in the
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Coe, Robert; Stayton, Richard (July 1994). "LETSMAKEADEAL".
2610:. Jefferson, North Carolina: McFarland, 2008; reprint 2013.
2607:
Sold on Radio: Advertisers in the Golden Age of Broadcasting
2449:
Gala Days of Piper's Opera House and the California Theater
368:, who would later achieve immortality as Sadie Thompson in
2451:. 1914. Sparks, NV: Falcon Hill Press, 1991: v–vi, 18, 42
1308:, directed by William J. Hanley (1914, based on the play
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refers to Belasco's reputation for realism in his novel
426:
have been made from the many plays that Belasco wrote.
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The Belasco collection of incidental music and musicals
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Belasco Theatres also existed in several other cities.
805:, the theater was razed in 1962 and replaced by the
364:
Other stars whose careers he helped launch included
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The New York Public Library for the Performing Arts
3195:
The Shuberts Present: 100 Years of American Theater
3174:, William Alan Morrison, Dover Publications, 1999,
924:(1900), by David Belasco (based on the short story
198:. He was the first writer to adapt the short story
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3388:https://www.britannica.com/biography/David-Belasco
2393:David Belasco: Naturalism in the American Theater
259:His recollections of that time were published in
3624:20th-century American dramatists and playwrights
3589:19th-century American dramatists and playwrights
3251:Dissertation, Doctor of Philosophy, Theatre Arts
3237:Dissertation, Doctor of Philosophy, Theatre Arts
2492:A Life of Barbara Stanwyck: Steel-True 1907-1940
3341:New York Public Library for the Performing Arts
3332:New York Public Library for the Performing Arts
2438:, (Reno: University of Nevada Press, 2020), 181
1160:(1919), by George Scarborough and David Belasco
429:
182:(July 25, 1853 – May 14, 1931) was an American
3599:American entertainment industry businesspeople
3027:"Historic Belasco Theater Awaits Its Next Act"
738:The first Belasco Theatre in New York was the
3449:
2896:Botto, Louis; Mitchell, Brian Stokes (2002).
952:(1903), by David Belasco (based on the novel
384:, and was responsible for changing her name.
8:
3127:"David Belasco Broadway and Theatre Credits"
1043:(1909), by David Belasco (based on the play
895:(1898), by David Belasco (based on the play
3339:, held by the Billy Rose Theatre Division,
3330:, held by the Billy Rose Theatre Division,
3172:Broadway Theatres: History and Architecture
3619:Jewish American dramatists and playwrights
3456:
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3359:Thomas Albert Curry, Sr. papers, 1918-1933
690:, Belasco relates the following incident:
49:
38:
578:Learn how and when to remove this message
470:at the first Belasco Theatre in 1907 and
3629:American male dramatists and playwrights
3077:. Library.thinkquest.org. Archived from
3013:Historic Los Angeles Theatres - Downtown
2975:Historic Los Angeles Theatres - Downtown
2944:"Belasco Theater Is Burnished, and Back"
2800:. Vol. 11, no. 6. p. 14.
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801:, at 717 Madison Place, across from the
361:(1890), which ran for 200 performances.
3579:American theatre managers and producers
2777:from the original on September 30, 2020
2708:from the original on September 24, 2022
2337:
2198:(1915, Jesse L. Lasky Feature Play Co.)
2186:(1915, Jesse L. Lasky Feature Play Co.)
2174:(1915, Jesse L. Lasky Feature Play Co.)
2162:(1915, Jesse L. Lasky Feature Play Co.)
2150:(1915, Jesse L. Lasky Feature Play Co.)
2138:(1915, Jesse L. Lasky Feature Play Co.)
2126:(1914, Jesse L. Lasky Feature Play Co.)
1166:(1921), by David Belasco with music by
156: 1873; died 1926)
3425:, with 153 library catalog records
3361:at the University of Oregon Libraries.
3107:. Social Networks and Archival Context
2942:Isherwood, Charles (August 24, 2010).
2819:Goldberger, Paul (December 11, 1995).
2600:
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422:In other adaptations, more than forty
3185:Sunshine and Shadow: An Autobiography
2877:from the original on October 26, 2021
2369:Acting: An International Encyclopedia
1197:and David Belasco (based on the play
7:
3614:20th-century American Sephardic Jews
3609:19th-century American Sephardic Jews
2630:"The Theatre through Its Stage Door"
560:adding citations to reliable sources
2839:from the original on March 24, 2017
3634:20th-century American male writers
2085:(France, 1995, based on the opera
1535:(Germany, 1919, based on the play
688:The Theatre through Its Stage Door
25:
2494:, Simon and Schuster (2013) ebook
2460:Eichin, Carolyn Grattan. (2020),
2286:(1926, Belasco Productions, Inc.)
2274:(1926, Belasco Productions, Inc.)
2264:(1925, Belasco Productions, Inc.)
2252:(1924, Belasco Productions, Inc.)
2208:(1923, Belasco Productions, Inc.)
2067:(Italy, 1954, based on the opera
790:is located at 1050 S. Hill St in
3313:
2509:, Hal Leonard Corp. (2002) p. 28
536:
413:1904—twice, after revision) and
169:
3328:David Belasco papers, 1868-1967
3297:Works by or about David Belasco
3243:Bisaha, David (June 17, 2015).
3225:Gulden, Leslie Sue (May 2021).
3212:Theatre through Its Stage Door,
2670:. January 15, 1902. p. 2.
547:needs additional citations for
466:Pickford appeared in his plays
153:
74:San Francisco, California, U.S.
2503:Botto, Louis; Viagas, Robert.
2395:, Princeton Univ. Press (1975)
32:David James (actor, born 1839)
1:
981:(1905), by David Belasco and
634:He brought a new standard of
528:Influence on American theatre
18:Follies Theatre (Los Angeles)
3249:. University of Pittsburgh.
2410:www.jewishvirtuallibrary.org
2367:Osnes, Beth, and Gill, Sam.
799:Lafayette Square Opera House
3510:The Girl of the Golden West
3502:The Girl of the Golden West
3494:The Girl of the Golden West
3486:The Girl of the Golden West
3466:The Girl of the Golden West
3312:(public domain audiobooks)
3276:New Victory Theater history
3101:"Belasco, David, 1853-1931"
3057:"Bringing Back the Belasco"
2462:From San Francisco Eastward
2131:The Girl of the Golden West
2112:Famous Players Film Company
2020:The Girl of the Golden West
2010:The Girl of the Golden West
1856:The Girl of the Golden West
1846:The Girl of the Golden West
1604:The Girl of the Golden West
1594:The Girl of the Golden West
1361:The Girl of the Golden West
1351:The Girl of the Golden West
989:The Girl of the Golden West
679:Childs Restaurant Scene in
400:The Girl of the Golden West
3650:
3604:Writers from San Francisco
3584:American theatre directors
3414:Internet Broadway Database
3269:December 15, 2017, at the
1830:Du Barry, Woman of Passion
726:
482:, who starred in his play
29:
3061:Los Angeles Downtown News
2535:, Macmillan (2001) p. 21
2434:Eichin, Carolyn Grattan,
2291:Films about David Belasco
2051:(1948, based on the play
2035:(1939, based on the play
2017:(1938, based on the play
2001:(1936, based on the play
1985:(1936, based on the play
1971:The Return of Peter Grimm
1969:(1935, based on the play
1962:The Return of Peter Grimm
1951:(1932, based on the play
1935:(1932, based on the play
1919:(1932, based on the play
1903:(1932, based on the play
1887:(1931, based on the play
1871:(1931, based on the play
1853:(1930, based on the play
1837:(1930, based on the play
1821:(1930, based on the play
1805:(1930, based on the play
1789:(1928, based on the play
1771:(1927, based on the play
1753:(1927, based on the play
1739:The Return of Peter Grimm
1737:(1926, based on the play
1730:The Return of Peter Grimm
1721:(1926, based on the play
1707:(1926, based on the play
1689:(1925, based on the play
1671:(1925, based on the play
1655:(1925, based on the play
1635:(1923, based on the play
1619:(1923, based on the play
1601:(1923, based on the play
1585:(1922, based on the play
1571:(1921, based on the play
1553:(1921, based on the play
1519:(1919, based on the play
1503:(1916, based on the play
1487:(1915, based on the play
1465:(1915, based on the play
1449:(1915, based on the play
1433:(1915, based on the play
1415:(1915, based on the play
1399:(1915, based on the play
1385:The Girl I Left Behind Me
1383:(1915, based on the play
1369:The Girl I Left Behind Me
1358:(1915, based on the play
1342:(1914, based on the play
1324:(1914, based on the play
1289:(1914, based on the play
1079:The Return of Peter Grimm
865:The Girl I Left Behind Me
397:. He also wrote the play
395:a play with the same name
168:
48:
2926:Belasco Theater Interior
1081:(1911), by David Belasco
992:(1905), by David Belasco
940:(1901), by David Belasco
889:(1895), by David Belasco
859:Henry Churchill de Mille
847:Henry Churchill de Mille
839:(1884), by David Belasco
833:(1882), by David Belasco
668:had a reproduction of a
3547:Girl of the Golden West
3380:Encyclopædia Britannica
3264:Belasco Theatre history
2628:Belasco, David (1969).
2371:, ABC-CLIO (2001) p. 34
2143:The Warrens of Virginia
1006:The Warrens of Virginia
649:Girl of the Golden West
621:Constantin Stanislavski
468:The Warrens of Virginia
3383:(12th ed.). 1922.
3374:"Belasco, David"
3306:Works by David Belasco
3288:Works by David Belasco
3133:. Wisdom Digital Media
2696:. September 28, 1900.
2202:Her Accidental Husband
1921:The Honorable Mr. Wong
1213:Milton Herbert Gropper
701:
683:
631:
608:
433:
297:
272:Madison Square Theatre
257:
102:, director, playwright
3529:La fanciulla del West
3233:Texas Tech University
3199:Harry N. Abrams, Inc.
3157:. F.V. Strauss. 1908.
2650:F. Scott Fitzgerald,
2326:William Ziegler House
1807:Ladies of the Evening
1774:The Heart of Maryland
1764:The Heart of Maryland
1556:The Heart of Maryland
1546:The Heart of Maryland
1418:The Heart of Maryland
1408:The Heart of Maryland
1224:(based on a story by
1209:Ladies of the Evening
886:The Heart of Maryland
692:
678:
629:
597:The Heart of Maryland
593:
416:La fanciulla del West
313:The Heart of Maryland
295:
253:
249:Virginia City, Nevada
3594:American impresarios
2765:. January 29, 1931.
2279:The Prince of Pilsen
2206:Dallas M. Fitzgerald
1823:Sweet Kitty Bellairs
1814:Sweet Kitty Bellairs
1505:Sweet Kitty Bellairs
1496:Sweet Kitty Bellairs
1203:Fausto Maria Martini
1000:Richard Walton Tully
950:Sweet Kitty Bellairs
807:U.S. Court of Claims
792:Downtown Los Angeles
556:improve this article
234:California Gold Rush
3423:Library of Congress
3081:on October 15, 2012
2729:The Washington Post
2522:, December 31, 1970
2391:Marker, Lise-Lone,
2155:The Governor's Lady
2103:A Good Little Devil
2083:Frédéric Mitterrand
1967:George Nicholls Jr.
1851:John Francis Dillon
1791:Laugh, Clown, Laugh
1782:Laugh, Clown, Laugh
1735:Victor Schertzinger
1719:Victor Schertzinger
1587:Pawn Ticket No. 210
1569:Chester M. Franklin
1255:(based on the play
1191:Laugh, Clown, Laugh
1170:(based on the play
1113:Un bon petit diable
1111:(based on the play
1105:A Good Little Devil
1086:The Governor's Lady
875:Pawn Ticket No. 210
756:New Victory Theater
711:F. Scott Fitzgerald
681:The Governor's Lady
665:The Governor's Lady
496:from 1893 to 1931.
485:Laugh, Clown, Laugh
476:A Good Little Devil
472:A Good Little Devil
277:Young Mrs. Winthrop
245:Piper's Opera House
184:theatrical producer
100:Theatrical producer
90:New York City, U.S.
2949:The New York Times
2865:. April 29, 1907.
2863:The New York Times
2825:The New York Times
2763:The New York Times
2694:The New York Times
2656:, 1925, chapter 3.
2579:The New York Times
2553:The New York Times
2520:The New York Times
2490:Wilson, Victoria.
2416:on August 20, 2023
2354:The New York Times
2298:Lady with Red Hair
2119:Rose of the Rancho
1987:Rose of the Rancho
1978:Rose of the Rancho
1917:William A. Wellman
1687:William C. deMille
1397:Edoardo Bencivenga
1344:Rose of the Rancho
1335:Rose of the Rancho
1074:William C. deMille
1027:William J. Hurlbut
1010:William C. deMille
996:Rose of the Rancho
684:
632:
630:Belasco's monogram
609:
606:Mrs. Leslie Carter
298:
282:old Lyceum Theatre
3556:
3555:
3292:Project Gutenberg
3191:, Doubleday, 1955
3009:"Belasco Theatre"
2989:"Follies Theatre"
2971:"Follies Theatre"
2911:978-1-55783-566-6
2272:Robert G. Vignola
2191:The Case of Becky
2179:The Fighting Hope
2015:Robert Z. Leonard
1798:Ladies of Leisure
1573:The Case of Becky
1564:The Case of Becky
1451:The Case of Becky
1442:The Case of Becky
1381:Lloyd B. Carleton
1257:Ma este vagy soha
1236:Charles MacArthur
1199:Ridi, pagliaccio!
1133:Roi Cooper Megrue
1096:The Case of Becky
1023:The Fighting Hope
1002:and David Belasco
881:and David Belasco
871:and David Belasco
861:and David Belasco
849:and David Belasco
827:and David Belasco
748:Oscar Hammerstein
686:In his 1919 book
670:Childs Restaurant
602:Maurice Barrymore
588:
587:
580:
522:Ridgewood, Queens
518:Central Synagogue
343:Polly with a Past
304:plays, including
261:Hearst's Magazine
177:
176:
107:Years active
16:(Redirected from
3641:
3539:Related articles
3458:
3451:
3444:
3435:
3384:
3376:
3317:
3316:
3301:Internet Archive
3253:
3239:
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3047:
3046:
3044:
3042:
3037:on July 19, 2009
3033:. Archived from
3031:blogdowntown.com
3023:
3017:
3016:
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2999:
2998:
2994:Cinema Treasures
2985:
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2668:New-York Tribune
2663:
2657:
2653:The Great Gatsby
2648:
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2531:Wallace, David.
2529:
2523:
2516:
2510:
2501:
2495:
2488:
2465:
2458:
2452:
2447:Belasco, David.
2445:
2439:
2432:
2426:
2425:
2423:
2421:
2412:. Archived from
2402:
2396:
2389:
2372:
2365:
2359:
2358:
2345:
2309:as David Belasco
2303:Curtis Bernhardt
2257:Friendly Enemies
2245:Welcome Stranger
2213:The Gold Diggers
2148:Cecil B. DeMille
2136:Cecil B. DeMille
2124:Cecil B. DeMille
2088:Madama Butterfly
2078:Madame Butterfly
2070:Madama Butterfly
2060:Madame Butterfly
1994:Follow the Fleet
1954:Madame Butterfly
1944:Madame Butterfly
1937:The Son-Daughter
1928:The Son-Daughter
1889:Tonight or Never
1880:Tonight or Never
1756:The Music Master
1746:The Music Master
1538:Madame Butterfly
1468:Madame Butterfly
1458:Madame Butterfly
1377:
1356:Cecil B. DeMille
1340:Cecil B. DeMille
1306:
1269:
1245:Tonight or Never
1158:The Son-Daughter
1148:The Gold Diggers
1117:Rosemonde GĂ©rard
1016:A Grand Army Man
983:John Luther Long
969:The Music Master
932:John Luther Long
927:Madame Butterfly
921:Madame Butterfly
915:
744:Theater District
740:Republic Theatre
716:The Great Gatsby
694:When I produced
645:Florenz Ziegfeld
583:
576:
572:
569:
563:
540:
532:
480:Lionel Barrymore
461:Cecil B. DeMille
439:
410:Madama Butterfly
390:Madame Butterfly
382:Barbara Stanwyck
355:in his new play
348:The Gold Diggers
323:Among them were
280:), and then the
218:Barbara Stanwyck
201:Madame Butterfly
173:
157:
155:
143:Cecilia Loverich
132:Madame Butterfly
128:
86:
70:
68:
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43:David J. Belasco
39:
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3271:Wayback Machine
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3166:Further reading
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2731:. p. MT2.
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2633:
2632:. Benjamin Blom
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2581:. May 20, 1931.
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2406:"David Belasco"
2404:
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2399:
2390:
2375:
2366:
2362:
2357:. May 15, 1931.
2347:
2346:
2339:
2334:
2316:
2293:
2234:Sidney Franklin
2108:Edwin S. Porter
2098:
2065:Carmine Gallone
1912:The Hatchet Man
1896:Girl of the Rio
1819:Alfred E. Green
1633:Sidney Franklin
1583:Scott R. Dunlap
1579:Pawn Ticket 210
1481:Edwin S. Porter
1371:
1300:
1277:
1263:
1253:Frederic Hatton
1226:Gerald Beaumont
1121:Maurice Rostand
1032:The Easiest Way
954:The Bath Comedy
909:
815:
777:
763:Belasco Theatre
736:
731:
729:Belasco Theatre
725:
696:The Easiest Way
641:Kliegl Brothers
584:
573:
567:
564:
553:
541:
530:
514:
508:) and Augusta.
502:
441:
435:
424:motion pictures
405:Giacomo Puccini
335:Madame Du Barry
296:Belasco in 1873
290:
274:(starting with
226:
159:
151:
147:
144:
126:
119:Belasco Theatre
91:
88:
84:
75:
72:
66:
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56:
55:Belasco in 1909
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3350:Music Division
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3259:
3258:External links
3256:
3255:
3254:
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3105:Snacooperative
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2584:
2566:
2555:. May 18, 1931
2537:
2533:Lost Hollywood
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2320:The Auctioneer
2315:
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2311:
2310:
2301:, directed by
2292:
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2288:
2287:
2282:, directed by
2275:
2270:, directed by
2265:
2262:George Melford
2260:, directed by
2253:
2248:, directed by
2241:
2232:, directed by
2225:
2218:Harry Beaumont
2216:, directed by
2209:
2204:, directed by
2199:
2194:, directed by
2187:
2184:George Melford
2182:, directed by
2175:
2172:George Melford
2170:, directed by
2163:
2160:George Melford
2158:, directed by
2151:
2146:, directed by
2139:
2134:, directed by
2127:
2122:, directed by
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2106:, directed by
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2031:, directed by
2024:
2013:, directed by
2006:
1997:, directed by
1990:
1981:, directed by
1974:
1965:, directed by
1958:
1947:, directed by
1940:
1933:Clarence Brown
1931:, directed by
1924:
1915:, directed by
1908:
1901:Herbert Brenon
1899:, directed by
1892:
1883:, directed by
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1867:, directed by
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1849:, directed by
1842:
1833:, directed by
1826:
1817:, directed by
1810:
1801:, directed by
1794:
1787:Herbert Brenon
1785:, directed by
1778:
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1733:, directed by
1726:
1717:, directed by
1712:
1705:Clarence Brown
1703:, directed by
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1542:
1531:, directed by
1524:
1521:La Belle Russe
1517:Charles Brabin
1515:, directed by
1512:La Belle Russe
1508:
1499:, directed by
1492:
1479:, directed by
1472:
1461:, directed by
1454:
1445:, directed by
1438:
1429:, directed by
1422:
1413:Herbert Brenon
1411:, directed by
1404:
1395:, directed by
1388:
1379:, directed by
1365:
1354:, directed by
1347:
1338:, directed by
1331:
1322:James Kirkwood
1320:, directed by
1313:
1310:La Belle Russe
1298:La Belle Russe
1294:
1287:James Kirkwood
1285:, directed by
1276:
1273:
1272:
1271:
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1240:Edward Sheldon
1229:
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1168:Zoel Parenteau
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962:Egerton Castle
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944:The Auctioneer
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882:
879:Clay M. Greene
872:
869:Franklin Fyles
862:
850:
840:
834:
831:La Belle Russe
828:
825:James A. Herne
814:
813:Selected plays
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115:Known for
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3471:David Belasco
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3189:Mary Pickford
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3180:0-486-40244-4
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1983:Marion Gering
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1692:Men and Women
1688:
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1682:Men and Women
1679:
1676:
1675:
1674:Seven Chances
1670:
1669:Buster Keaton
1666:
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1664:Seven Chances
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1128:Seven Chances
1125:
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1109:Austin Strong
1106:
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1091:Alice Bradley
1088:
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1065:Eugene Walter
1062:
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1053:Gaston Leroux
1050:
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1036:Eugene Walter
1033:
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974:Charles Klein
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854:Men and Women
851:
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820:Hearts of Oak
817:
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613:
607:
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545:This section
543:
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511:
509:
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487:
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458:
457:Mary Pickford
454:
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440:
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437:Mary Pickford
432:
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391:
385:
383:
379:
375:
371:
367:
366:Jeanne Eagels
362:
360:
359:
358:Men and Women
354:
350:
349:
344:
340:
336:
332:
331:
326:
325:Leslie Carter
321:
319:
315:
314:
309:
308:
307:Hearts of Oak
303:
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210:Mary Pickford
207:
206:James O'Neill
203:
202:
197:
193:
189:
185:
181:
180:David Belasco
172:
167:
162:
140:
136:
133:
130:
124:
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117:
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109:
105:
101:
98:
96:Occupation(s)
94:
82:
78:
71:July 25, 1853
63:
59:
52:
47:
40:
37:
33:
19:
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3378:
3250:
3245:
3236:
3227:
3211:
3194:
3184:
3171:
3153:
3147:
3135:. Retrieved
3130:
3121:
3109:. Retrieved
3104:
3095:
3083:. Retrieved
3079:the original
3069:
3060:
3051:
3039:. Retrieved
3035:the original
3030:
3021:
3012:
3003:
2992:
2983:
2974:
2965:
2953:. Retrieved
2947:
2937:
2920:
2899:
2891:
2879:. Retrieved
2862:
2853:
2841:. Retrieved
2824:
2814:
2797:
2791:
2779:. Retrieved
2762:
2753:
2728:
2722:
2710:. Retrieved
2693:
2684:
2667:
2661:
2651:
2646:
2634:. Retrieved
2623:
2605:
2578:
2569:
2557:. Retrieved
2552:
2532:
2527:
2519:
2514:
2505:
2499:
2491:
2464:, pp.180-182
2461:
2456:
2448:
2443:
2435:
2430:
2418:. Retrieved
2414:the original
2409:
2400:
2392:
2368:
2363:
2352:
2307:Claude Rains
2296:
2277:
2268:Fifth Avenue
2267:
2255:
2243:
2238:Warner Bros.
2227:
2222:Warner Bros.
2211:
2201:
2189:
2177:
2165:
2153:
2141:
2129:
2117:
2101:
2086:
2076:
2068:
2058:
2052:
2042:
2036:
2033:George Cukor
2026:
2018:
2008:
2002:
1992:
1986:
1976:
1970:
1960:
1952:
1942:
1936:
1926:
1920:
1910:
1904:
1894:
1888:
1885:Mervyn LeRoy
1878:
1872:
1862:
1854:
1844:
1838:
1828:
1822:
1812:
1806:
1796:
1790:
1780:
1772:
1762:
1754:
1744:
1738:
1728:
1722:
1714:
1708:
1698:
1690:
1680:
1672:
1662:
1657:Lord Chumley
1656:
1642:
1636:
1626:
1620:
1610:
1602:
1599:Edwin Carewe
1592:
1586:
1578:
1572:
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1526:
1520:
1510:
1504:
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1384:
1367:
1359:
1349:
1343:
1333:
1325:
1315:
1309:
1296:
1291:Lord Chumley
1290:
1282:Lord Chumley
1280:
1261:Lili Hatvany
1256:
1249:Fanny Hatton
1244:
1231:
1222:Willard Mack
1217:
1208:
1198:
1190:
1181:
1176:André Picard
1171:
1163:
1157:
1146:
1142:Willard Mack
1137:
1126:
1112:
1104:
1100:Edward Locke
1095:
1084:
1078:
1069:
1058:
1049:Pierre Wolff
1044:
1040:
1031:
1022:
1014:
1005:
995:
987:
978:
967:
958:Agnes Castle
953:
949:
937:
925:
919:
896:
892:
884:
874:
864:
852:
843:Lord Chumley
842:
836:
830:
818:
796:
785:
781:
778:
775:Other cities
760:
737:
714:
709:
705:
702:
695:
693:
687:
685:
680:
663:
660:
657:
653:
648:
633:
614:
610:
595:
574:
565:
554:Please help
549:verification
546:
515:
503:
490:Lucille Kahn
483:
475:
471:
467:
465:
453:Lillian Gish
442:
434:
430:
421:
414:
408:
398:
388:
386:
374:Lenore Ulric
369:
363:
356:
347:
342:
334:
328:
322:
317:
311:
305:
299:
275:
269:
265:
260:
258:
254:
242:
227:
214:Lenore Ulric
199:
179:
178:
131:
110:1884 to 1930
85:(1931-05-14)
83:May 14, 1931
36:
3574:1931 deaths
3569:1853 births
3085:January 24,
3041:February 7,
2881:October 26,
2284:Paul Powell
2250:James Young
2003:Shore Leave
1803:Frank Capra
1769:Lloyd Bacon
1653:Frank Urson
1644:Forty Winks
1551:Tom Terriss
1501:James Young
1435:May Blossom
1426:May Blossom
1372: [
1301: [
1275:Filmography
1264: [
1247:(1930), by
1234:(1926), by
1220:(1925), by
1211:(1924), by
1195:Tom Cushing
1193:(1923), by
1184:(1922), by
1182:Shore Leave
1151:(1919), by
1140:(1917), by
1131:(1916), by
1107:(1913), by
1098:(1912), by
1089:(1912), by
1072:(1911), by
1063:(1910), by
1060:Just a Wife
1034:(1909), by
1025:(1908), by
1008:(1907), by
998:(1906), by
972:(1904), by
910: [
877:(1894), by
867:(1893), by
857:(1890), by
845:(1888), by
837:May Blossom
823:(1879), by
803:White House
788:The Belasco
761:The second
594:Poster for
506:Morris Gest
449:Helen Hayes
353:Maude Adams
345:(1917) and
341:'s lead in
333:(1898) and
224:Early years
3563:Categories
2955:October 1,
2604:Cox, Jim.
2332:References
2229:Tiger Rose
2053:Lulu Belle
2044:Lulu Belle
1869:Sam Taylor
1835:Sam Taylor
1751:Allan Dwan
1649:Paul Iribe
1637:Tiger Rose
1628:Tiger Rose
1617:Allan Dwan
1533:Fritz Lang
1431:Allan Dwan
1232:Lulu Belle
1138:Tiger Rose
809:building.
727:See also:
636:naturalism
568:March 2023
339:Ina Claire
196:playwright
188:impresario
67:1853-07-25
2871:0362-4331
2833:0362-4331
2806:220578129
2771:0362-4331
2745:144999004
2737:0190-8286
2702:0362-4331
2676:571138427
2559:April 25,
2420:March 11,
2167:The Woman
1485:Hugh Ford
1070:The Woman
758:in 1995.
752:burlesque
494:The Lambs
488:opposite
263:in 1914.
230:Sephardic
164:Signature
3310:LibriVox
3267:Archived
3137:July 18,
3111:July 18,
2875:Archived
2837:Archived
2802:ProQuest
2775:Archived
2741:ProQuest
2706:Archived
2672:ProQuest
2636:March 2,
2314:See also
2096:Producer
1905:The Dove
1839:Du Barry
1723:The Lily
1715:The Lily
1528:Harakiri
1401:Du Barry
1218:The Dove
1041:The Lily
938:Du Barry
734:New York
723:Theatres
500:Marriage
419:(1910).
337:(1901).
318:Du Barry
302:Broadway
238:call boy
192:director
3412:at the
3348:in the
3299:at the
2236:(1923,
2220:(1923,
2110:(1914,
1392:DuBarry
768:Tiffany
158:
150:
146:
3521:Operas
3513:(1938)
3505:(1930)
3497:(1923)
3489:(1915)
3322:Papers
3218:
3205:
3201:2001,
3178:
2908:
2869:
2831:
2804:
2769:
2743:
2735:
2700:
2674:
2614:
2322:(1927)
1045:Le Lys
1019:(1907)
946:(1901)
316:, and
288:Career
216:, and
194:, and
138:Spouse
3478:Films
3282:Works
2929:(PDF)
1376:]
1305:]
1268:]
979:Adrea
914:]
600:with
512:Death
152:(
148:
3404:Data
3216:ISBN
3203:ISBN
3176:ISBN
3139:2020
3113:2020
3087:2013
3043:2015
2957:2018
2906:ISBN
2883:2021
2867:ISSN
2845:2022
2829:ISSN
2783:2022
2767:ISSN
2733:ISSN
2714:2022
2698:ISSN
2638:2023
2612:ISBN
2561:2024
2422:2024
2037:Zaza
2028:Zaza
1873:Kiki
1864:Kiki
1709:Kiki
1700:Kiki
1651:and
1621:Zaza
1612:Zaza
1489:Zaza
1483:and
1476:Zaza
1251:and
1238:and
1172:Kiki
1164:Kiki
1119:and
1051:and
960:and
905:and
898:Zaza
893:Zaza
619:and
604:and
459:and
376:and
370:Rain
330:Zaza
80:Died
61:Born
3469:by
3421:at
3352:of
3308:at
3290:at
1259:by
1201:by
1174:by
1115:by
1047:by
956:by
930:by
901:by
558:by
393:as
247:in
3565::
3377:.
3235:.
3231:.
3187:,
3129:.
3103:.
3059:.
3029:.
3011:.
2991:.
2973:.
2946:.
2873:.
2861:.
2835:.
2827:.
2823:.
2773:.
2761:.
2739:.
2704:.
2692:.
2587:^
2577:.
2551:.
2540:^
2469:^
2408:.
2376:^
2351:.
2340:^
1374:it
1303:it
1266:hu
912:fr
524:.
455:,
451:,
447:,
310:,
212:,
208:,
190:,
186:,
154:m.
3457:e
3450:t
3443:v
3141:.
3115:.
3089:.
3063:.
3045:.
3015:.
2997:.
2977:.
2959:.
2914:.
2885:.
2847:.
2808:.
2785:.
2747:.
2716:.
2678:.
2640:.
2618:.
2563:.
2424:.
2240:)
2224:)
2114:)
2091:)
2073:)
2055:)
2039:)
2023:)
2005:)
1989:)
1973:)
1957:)
1939:)
1923:)
1907:)
1891:)
1875:)
1859:)
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1809:)
1793:)
1777:)
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1725:)
1711:)
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1491:)
1471:)
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1403:)
1387:)
1364:)
1346:)
1330:)
1312:)
1293:)
1270:)
1228:)
1205:)
1178:)
1123:)
1055:)
964:)
934:)
916:)
581:)
575:(
570:)
566:(
552:.
407:(
69:)
65:(
34:.
20:)
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