509:…is finally here and it does the job nicely. Which is to say intelligently, competently, lovingly and, after a fashion, comprehensively ... It's a hell of a subject — a chronicle of magnificent obsessions and magnificent dreams, and a rise-and-fall story covering scores of critics, the entirety of the Hollywood film culture from the '20s to the present, and hundreds if not thousands of movies."
498:: "...this is a meal no one has ever cooked before: an affectionate, knowledgeable overview of film criticism from the silent era to the Internet ... the movie’s a lively and important first step in assaying the worth of a field on the verge of extinction, as more and more professional reviewers are let go from struggling news organizations (nearly 60 in the past 3 1/2 years)."
482:: "Thus the film, which offers an excellent history of American film criticism, also serves as a valentine to a vanishing profession, something Peary could never have foreseen ... It's hard not to feel sad at the end of this movie, about a world that no longer exists, a profession that seems to be dying in front of our eyes."
501:
Chris
Faraone: "... Peary incinerates the barrier between subject and reporter, demonstrating more than mere comprehension of the art he's scrutinized for decades ... his larger challenge was to assemble a story that would entertain not just critics but those pedestrians who don’t know Cinéaste from
462:
Michael
Guillen: "Gerald Peary sharply evaluates the history of critical-analytical writing on moving pictures in this stimulating tour through the rise, fall and reorientation of film criticism in the United States ... a smart look at key figures and how they've changed public consciousness of both
441:
Peary laments, "Today, people select which movies to see based on advertising. Lots of excellent little pictures — foreign, independent, and documentaries — are passing through without being seen. The only way to get people to go to those films, because they have no advertising budgets, is reviews by
411:
Partly due to difficulties in getting financial backing, the documentary took nearly a decade to make. Peary says, "I guess one of the things that happened during that period was the so-called decline of print journalism ... eight years ago, film criticism still seemed a viable profession ... by now,
458:
Victoria Large: "Peary has wisely determined that the best defense of film criticism is, well, film criticism itself. In addition to archive footage and lively interviews, he includes voice-over readings of excerpts of film reviews past, lively passages that remind us that great critics have to be
419:
Filmmaker
Magazine asks: What is the crisis of criticism? Gerald Peary replies: Simply that if you are a print critic you are in danger of losing your job at any moment. As newspapers are worried about dropping dead, it seems like film critics are a particular target. The film begins by saying,
525:
argued that for "all its attempts to offer an expansive and exhaustive historical account, the docu is riddled with glaring gaps and facile transitions. Some notables are extremely conspicuous by their absence. Inexplicably, there’s absolutely no mention of
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is the first feature documentary to tell the rich, colorful, and undeniably controversial story of the
American film critic ... I had to sort of invent what I think is the history of film criticism, because there wasn’t any formally written book on it."
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when we filmed them just a few years ago. Sure, you can work on the web, but if you do that you're not getting paid much, or at all. And critics should be paid — this isn't an amateur thing to do, it's not like Sunday painting.
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Chale Nafus: "Gerald Peary’s seminal cinematic exploration of the wealth of
American film criticism provides a wonderful roadmap of where we have been and observes the many directions the whole endeavor is now
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420:"There are 24 critics who have lost their jobs in the last several years," but since we finished the film, many more have lost their jobs. A lot of people are tagged with a title of
488:: "It’s a lively and thoughtful survey, interspersing interviews with contemporary critics with a chronological account that runs from Frank E. Woods to Harry Knowles ...
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through film clips, historic photographs, and on-camera interviews with many of today’s important reviewers, mostly print but also
Internet. It was produced by
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offers a concise, entertaining account of mass-market movie criticism, and I think a lot of universities would want to use it in film and journalism courses."
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good critics ... We want people to read criticism. One way to motivate people to do that is by showing the critics’ faces and letting their voices be heard."
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Many more critics, journalists, and writers from the present and past appear in film clips and interviews. Among them:
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is a tender and detailed documentary spanning the art form’s beginnings, middle, present and future."
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great writers, astute observers and thinkers who are skilled in expressing themselves."
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Edinburgh
International Film Festival: Interview with Gerald Peary
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Other figures from film history appear in photographs and include
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For the Love of Movies: The Story of
American Film Criticism
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For the Love of Movies: The Story of
American Film Criticism
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For the Love of Movies: The Story of
American Film Criticism
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For the Love of Movies: The Story of American Film Criticism
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For the Love of Movies: The Story of American Film Criticism
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For the Love of Movies: The Story of American Film Criticism
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For the Love of Movies: The Story of American Film Criticism
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For the Love of Movies: The Story of American Film Criticism
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For the Love of Movies: The Story of American Film Criticism
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For the Love of Movies: The Story of American Film Criticism
572:. In addition, it has been shown at the following venues:
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Documentary films about the cinema of the United States
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For the Love of Movies: An Interview with Gerald Peary
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Eugene Hernandez: "Peary spent nearly a decade making
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and TCM Spain, and was shown in February 2011 on the
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564:(SXSW) film festival in 2009. It was broadcast on
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432:"It's a stop-the-bleeding movie," Peary tells
587:Festival Internacional de Cine en Guadalajara
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530:, even though her prominent outlets —
689:Cleveland International Film Festival
679:St. Louis International Film Festival
669:Vancouver International Film Festival
664:Reykjavik International Film Festival
632:Edinburgh International Film Festival
617:Berkshire International Film Festival
582:Hong Kong International Film Festival
412:there are over fifty critics who are
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684:Portland International Film Festival
602:RiverRun International Film Festival
205:, written and directed by long-time
796:For the Love of Movies, DVD release
607:Independent Film Festival of Boston
1223:English-language documentary films
1203:Documentary films about journalism
1058:Journal of the Austin Film Society
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922:San Francisco Film Critics Circle
700:Ashland Independent Film Festival
642:Maine International Film Festival
463:the movies and criticism itself."
905:Not Coming to a Theater Near You
1:
1183:Documentary films about films
1213:2000s English-language films
733:Houston Cinema Arts Festival
694:Green Mountain Film Festival
652:Montreal World Film Festival
391:, who wrote at the time for
900:Interview with Gerald Peary
834:Interview with Gerald Peary
674:Mar del Plata Film Festival
217:. Critics featured include
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1193:American documentary films
920:by Michael Guillen of the
722:Midnight Sun Film Festival
728:New Orleans Film Festival
622:Lake Placid Film Festival
33:Theatrical release poster
26:
716:deadCENTER Film Festival
647:Woods Hole Film Festival
141:March 17, 2009
952:by Eugene Hernandez of
705:Wisconsin Film Festival
637:Jerusalem Film Festival
592:Nashville Film Festival
1188:2009 documentary films
1056:by Chale Nafus of the
771:Gerald Peary interview
507:For The Love of Movies
490:For the Love of Movies
474:For the Love of Movies
405:For the Love of Movies
116:Sabrina Zanella-Foresi
902:by Victoria Large of
865:by Anne Thompson of
836:by Scott Macaulay of
780:by Robin Berghaus of
696:, Montpelier, Vermont
597:Atlanta Film Festival
254:The Los Angeles Times
224:The Chicago Sun-Times
1218:2000s American films
1033:by Jeffrey Wells of
1008:by Chris Faraone of
724:, Sodankylä, Finland
424:, but they were not
403:Gerald Peary says, "
244:Entertainment Weekly
1035:Hollywood Elsewhere
1014:, 03 September 2009
996:, 09 September 2009
718:, Oklahoma City, OK
570:Documentary Channel
1119:TCM Movie Database
1052:2011-07-27 at the
1029:2010-12-10 at the
1011:The Boston Phoenix
958:, 16 November 2009
908:, 10 November 2009
886:2011-06-28 at the
861:2011-07-17 at the
776:2011-06-28 at the
562:South by Southwest
446:Critical reception
384:Ain't It Cool News
325:Jonathan Rosenbaum
234:The New York Times
213:, and narrated by
16:2009 American film
1101:by Chris Fujiwara
1072:by Joe Leydon of
1060:, 01 January 2010
976:Website on Cinema
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560:premiered at the
539:New York Magazine
505:Jeffrey Wells: "
451:Scott Macaulay: "
297:Stanley Kauffmann
263:public radio show
215:Patricia Clarkson
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309:Janet Maslin
277:Manny Farber
273:Jami Bernard
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211:Gerald Peary
209:film critic
189:
188:
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162:Running time
134:Release date
52:Gerald Peary
43:Gerald Peary
467:Roger Ebert
345:Gene Siskel
289:J. Hoberman
219:Roger Ebert
104:Nick Kurzon
89:Narrated by
71:Roger Ebert
57:Produced by
39:Directed by
1178:2009 films
1172:Categories
881:Movie Love
819:Shadowplay
747:References
566:TCM France
523:Joe Leydon
360:James Agee
229:A.O. Scott
203:Amy Geller
193:is a 2009
166:81 minutes
145:2009-03-17
106:Amy Geller
61:Amy Geller
49:Written by
1163:Moviefone
955:indieWIRE
839:Filmmaker
422:ex-critic
393:spout.com
113:Edited by
1152:AllMovie
1050:Archived
1027:Archived
884:Archived
859:Archived
841:Magazine
783:BU Today
774:Archived
545:TV Guide
513:moving."
317:Rex Reed
179:Language
123:Music by
67:Starring
1128:at The
1117:at the
1074:Variety
868:Variety
553:History
518:Variety
496:Ty Burr
435:Variety
182:English
171:Country
143: (
1070:review
1047:review
1024:review
1006:review
988:review
950:review
934:review
918:review
856:review
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542:, and
370:, and
343:, and
257:, and
149: (
968:essay
936:, at
399:Theme
1141:IMDb
760:MUBI
387:and
151:SXSW
1161:at
1150:at
1139:at
970:by
817:of
813:by
521:’s
381:of
251:of
241:of
231:of
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848:^
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