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Forever Now (The Psychedelic Furs album)

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354:, who was a high-profile Furs supporter and who expressed enthusiasm for working with them. Bowie, however, also had commitments which would have postponed work for what the band felt would be an unacceptably long time. More importantly, there was a belief among some band members that this partnership would not yield much of a change. According to Richard Butler, "the media were already making lots of comparisons between our music and his", and the band did not want to appear too indebted. A last-minute offer by Lillywhite to fit the band into his schedule was politely declined. 197: 453: ... e literally felt like, for the first time as session guys, we were proving ourselves". In the end, however, the band members warmed to the pair, and concluded a successful session. "We did the three or four cuts that Todd had brought us up to do, and we shook hands with everybody", Kaylan recalled, but as they were preparing to leave, Rundgren asked them to listen to the album's planned single. After " 31: 887: 849: 844: 811: 641:, this release used the original UK album cover art (though using the original US release track listing). The CD included six songs previously unavailable on album: "Aeroplane", "Alice's House", "I Don't Want to Be Your Shadow", an alternative version of "Yes I Do" renamed "Mary Go Round", and live versions of "President Gas" and "No Easy Street". Lengthy new 882: 877: 872: 867: 839: 834: 829: 806: 801: 796: 791: 761: 756: 751: 746: 741: 572:; and in a wide variety of genre compilation albums. Ashton specifically accords Buller credit as the creator of the memorable keyboard riff on "Love My Way". This was the riff that would ultimately be played by Rundgren on a marimba, in what's been called the best use of that instrument in rock music "since the Stones' ' 522:
One of the late-coming compositions was "Sleep Comes Down", which was written during pre-album rehearsals. The song incorporated irregular time changes – lilting and "sweetly woozy" – and a surging, psychedelic outro, and became a fan favourite. Other prominent tracks on the album include the overtly
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form before the band arrived at Rundgren's studio, but the producer felt that the first crop of tunes was insufficient. He expected a full working album worth of songs to be ready, whereas the Furs believed that their creative process had always flourished best inside a studio. He postponed recording
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Rundgren also made musical contributions of his own, including the marimba on "Love My Way" and the saxophone on "No Easy Street". But his primary goal as producer was "helping the band focus their potential". His more unorthodox methods included an instance of climbing to the roof of the studio and
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When the time came to return to a recording studio, the band sought out a new record producer. Lillywhite, who had done the work for both of their previous albums, had other commitments, and many in the band felt it was time to chart a new course anyway. Columbia management first attempted to match
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helped to create many of the demos made before the band returned. Although never an official member of the Furs, Buller supplied much-needed musical accompaniment at this stage, and would go on to collaborate frequently with the band over the next six years. When the second batch arrived, Rundgren
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version, available only in the UK. In the US, "Love My Way" – the band's first-ever single in the American market – was held until October to coincide with the kickoff of the band's North American tour, and it was paired with a new non-album B-side, "I Don't Want to Be Your Shadow". In May 1983,
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When it was released in the US in 1982, the record label changed the artwork to a simpler, red-tinted design – "this horrible 'new-wave'-looking generic cover", in Ashton's view. Richard Butler says that when he first saw the replacement cover, he "actually burst into tears". Ostensibly Columbia
675:. The tour included session players Sheldon and Windo, as well as Buller on keyboards. One person who did not come with them was Ely, whose long-simmering dissatisfaction with the band finally led to his departure, just after the album's recording was completed. Ely was replaced as drummer by 378:– was derided by some as the inevitable "pop sellout", but others saw it as a positive development, even a "major production coup". The band members themselves were pleased with Rundgren's assistance, and have all expressed pride in the results and gratitude for the experience. 386:
Rundgren invited the band to move their recording sessions from his commercial space into the private studios in his own home on nearby Mink Hollow Road, Lake Hill, New York. Recording was completed there over a six-week period in April and May 1982.
329:, was now unavailable to them. Even the drummer Vince Ely's commitment to the band seemed to be in question. Not only had their large ensemble been unexpectedly reduced to a traditional four-piece band, but now the core members of Ashton, 469:
dropping lit firecrackers near the unsuspecting band when "we were sort of playing a little sluggishly", as Tim Butler recalled. By his various means, Rundgren motivated the players to create, and by his well-known personal style of
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The album represented a turning point in the musical maturation of the band, after a turbulent period of personnel changes in which they shrank from a six-man ensemble to a quartet. Working with the Furs for the first time,
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They toured the US in November and December, with a holiday break at the end. When the tour resumed in January, Windo was unable to make the next leg to Australia and New Zealand, so the band arranged for the saxophonist
449:) arrived at the end of recording time when the band thought all the tracks were finalised. When they learned of the vocal duo's purpose, "they weren't really up for it," said Kaylan; the two veterans "represented 530:
The album also includes one of the Furs' most well-known songs, "Love My Way". Although it was critically acclaimed as a "brilliant single", it turned out to be only a moderate hit, peaking at No. 44 on the US
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were called in by Rundgren to round out many of the songs. The instrumentalists had all been accepted by the band willingly, even enthusiastically – the backing vocalists, however, were another matter.
321:, "a bit of a dark period in the band's history". Two of the original members – the saxophonist Duncan Kilburn and the guitarist Roger Morris – abruptly and rancorously left. The band's main patrons at 908:
The album jumped to its peak position of No. 20 on the UK album charts in early October. In the US, it moved more slowly and reached its peak of No. 61 in April 1983, spending 32 weeks on the
361:. The band members gathered for an exploratory visit to his Utopia Sound studio in upstate New York where Rundgren, who was already a fan of the Furs' music, quickly signed onto the project. 1833: 2477: 706:. Additional videos were shot for "Run and Run" and "Sleep Comes Down", and the latter – despite not being released as a single – received considerable MTV airplay as well. 527:
as "the most ferocious, impassioned song the Furs have ever recorded". The album's title track has been cited as a foremost example of Rundgren's "wall of sound" technique.
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shortly after the tour's conclusion, "Run and Run" was selected to be the second US single (backed by a live version of "President Gas") but it did not enter the charts.
1994: 2020: 465:. This is the fucking hit!" The background vocals that Flo & Eddie ultimately contributed ended up being considered one of the highlights of their lengthy career. 1648: 1743: 2790: 295:
placed his own sonic imprint upon the album as producer and guest musician. Rundgren also added new types of instrumentation to the band's sound, including
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The album was reissued on vinyl by Vinyl180 in the UK in 2011 without bonus content. This reissue extended the original Barney Bubbles cover art to a
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praised the Furs for their "increased sophistication" as songwriters and musicians. The album was described as both "alluring and amusing" in
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made major revisions and even dropped some tracks entirely. By necessity then, some songs were revised or fully composed in the studio.
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In support of the album, the Furs launched a concert tour beginning in the UK, with their 10 October 1982 performance at the
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was released on 25 September 1982. The single "Love My Way" had already been released in the UK in July with the non-album
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political rocker "President Gas"; and "Danger" which, with its "headlong pace and slamming beat", was described by critic
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decreed the change to increase legibility of the band's name, and perhaps to mimic the design of the previous album,
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aesthetic with Rundgren's power pop engineering to dramatic effect. Its songwriting style was prototypically
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charts. In Canada, it topped out at No. 83, while in New Zealand it hit No. 4 in its first week of release.
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to sing on this one," Kaylan recalls thinking. "If we don't sing on this one, we're not gonna sing on the
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to take his place. The Furs returned to the US on 6 March 1983 and toured again until the end of April.
317:(1981), the Psychedelic Furs underwent a tumultuous time of change and, in the words of the guitarist 3095: 3040: 2909: 2799: 2372: 2287: 1915: 909: 770: 276: 137: 46: 2998: 2335: 2039: 1206: 407: 391: 3012: 997: 544: 542:. The song has nonetheless had an enduring afterlife – it has appeared in movie soundtracks like 454: 280: 228: 1941: 1919: 1649:"Tim Butler on the Psychedelic Furs being like Roxy Music with the attitude of the Sex Pistols" 631:
was reissued in the US and UK in 2002 by Columbia/Legacy. As with the simultaneous reissues of
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Later assessments of the album have been more positive in their reception. Writing for
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The partnership with Rundgren – an established industry giant, known for his work with
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while the Furs made additional demos. British keyboardist and future music producer
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The original UK album release featured psychedelic cover art by the English artist
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work was contributed by Donn Adams, a longtime player with the American rock band
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had largely left the company by this time, and their successful recent producer,
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for three songs were produced in 1982. The "Love My Way" video was directed by
2818: 2674:(2004). "The Psychedelic Furs". In Brackett, Nathan; Hoard, Christian (eds.). 1829: 1219: 1180: 976: 616: 524: 503: 462: 411: 399: 338: 330: 272: 2516:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 241. 2825: 2592: 2058: 1738: 1210: 940:
Some reviews at the time were less receptive. In a more reserved review for
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world who had in recent years collaborated with major rock acts like
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Rundgren enhanced the Furs' sound by adding new elements to their
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synthesizer until they had developed enough music for an album.
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as "the thick, viscous smear of guitars, drums and vocals".
1870:"Psychedelic Furs: 'Talk Talk Talk'/'Forever Now' reissues" 422:. A classical cellist, Ann Sheldon, was recruited from the 1138:"I Don't Want to Be Your Shadow" (non-LP B-side) – 3:50 337:
mostly had to compose new songs without drums, using a
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In the year after the recording of their second album,
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Much of the album had been composed and committed to
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It was Ely who first suggested the American producer
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Features the US track order, plus six bonus tracks:
210: 185: 136: 124: 112: 96: 84: 76: 68: 53: 40: 23: 2638: 2619:A Wizard, a True Star: Todd Rundgren in the Studio 2476:: CS1 maint: others in cite AV media (notes) ( 2359: 2357: 2283:"Psychedelic Furs; Talk Talk Talk; Forever Now" 279:. The 10-song album, including the hit single " 2564:"Gold & Platinum – RIAA: Psychedelic Furs" 2259: 2257: 2229: 2227: 2138: 2136: 2134: 2124: 2122: 2103: 2101: 2082: 2080: 1971: 1969: 1967: 1893: 1891: 1706: 1704: 1702: 1700: 1698: 738: 2784: 2429: 2427: 1767: 1765: 1763: 1761: 1718: 1716: 1144:"President Gas" (Live) (non-LP B-side) – 5:15 959:looked back on it as "the Furs' masterpiece". 18:1982 studio album by The Psychedelic Furs 8: 2538:"The Psychedelic Furs – Forever Now (album)" 2396: 2394: 1630: 1628: 1549: 1547: 1537: 1535: 1533: 864: 826: 788: 1581: 1579: 1577: 2791: 2777: 2769: 2458: 2456: 2441:. Recorded Music New Zealand Limited. 2017 2330: 2328: 2150: 2148: 1787: 1785: 1783: 1781: 1779: 1777: 713: 195: 29: 20: 2435:"NZ Top 40 Album Charts: 24 October 1982" 2342:. Official Charts Company. 3 October 1982 2202:"The Psychedelic Furs – 'Forever Now' LP" 1948:. Official Charts Company. 31 July 1982. 1824: 1822: 1820: 1818: 1816: 1814: 1642: 1640: 1618: 1616: 1614: 1612: 1610: 1509: 1507: 1505: 1503: 1501: 1499: 1497: 1495: 1261:Chris Andersen, Todd Rundgren – engineers 271:is the third studio album by the English 1493: 1491: 1489: 1487: 1485: 1483: 1481: 1479: 1477: 1475: 1408: 1290: 702:, and was placed in regular rotation on 2006: 2004: 1670: 1668: 1666: 1440: 2680:(4th ed.). Simon & Schuster. 2469: 1997:from the original on 20 December 2017. 1884:from the original on 15 December 2017. 1132:"Alice's House" (early version) – 4:18 2737:The Psychedelic Furs – Danger (Remix) 2700:Beautiful Chaos: The Psychedelic Furs 2578:from the original on 2 February 2017. 2379:from the original on 19 February 2018 1952:from the original on 12 February 2019 1746:from the original on 14 November 2018 719: 7: 2601:(4 ed.). Edinburgh: Canongate. 2046:from the original on 29 August 2017. 1985:Nordine, Michael (3 November 2017). 1794:"Forever Now – The Psychedelic Furs" 1659:from the original on 20 August 2016. 2974:Beautiful Chaos: Greatest Hits Live 2295:from the original on 19 March 2017. 1834:"The Psychedelic Furs: Forever Now" 1732:O'Connell, Sean J. (13 July 2012). 1526:from the original on 10 April 2017. 740: 645:were added by the music journalist 2956:Should God Forget: A Retrospective 2759:The Psychedelic Furs – Love My Way 2748:The Psychedelic Furs – Run and Run 2641:The New Trouser Press Record Guide 2322:Brackett & Hoard, pp. 660–661. 2057:Hodkinson, Mark (2 January 2012). 2034:Minsker, Evan (20 November 2013). 2023:from the original on 7 March 2016. 1270:Chris Austopchuk – US cover design 1135:"Aeroplane" (non-LP B-side) – 3:26 1122:"Yes I Do (Merry-Go-Round)" – 3:54 402:was a renowned saxophonist in the 14: 2677:The New Rolling Stone Album Guide 2306:"Psychedelic Furs: Forever Now". 2208:. Vinyl 180. 2011. Archived from 1603:from the original on 9 July 2017. 1514:Harris, Will (18 December 2012). 931:graded it with an "A−" rating in 866: 828: 790: 80:Utopia Sound, Lake Hill, New York 3101:Albums produced by Todd Rundgren 2155:Hoffman, Wayne (13 April 2002). 885: 880: 875: 870: 865: 847: 842: 837: 832: 827: 809: 804: 799: 794: 789: 759: 754: 749: 744: 739: 2514:Australian Chart Book 1970–1992 2595:; McLear, Colin, eds. (2007). 2365:"Billboard 200: April 2, 1983" 1277:, Graeme Attwood – photography 1147:"No Easy Street" (Live) – 5:38 1: 2637:Robbins, Ira A., ed. (1989). 2059:"In Search of Barney Bubbles" 1460:. 4 September 1982. p. 8 859:The Rolling Stone Album Guide 1942:"UK Official Singles Charts" 1591:"Christgau's Consumer Guide" 1397: 1383: 1366: 1349: 1332: 1316: 560:; in video games, including 3091:The Psychedelic Furs albums 2410:Library and Archives Canada 1674:Irvin & McLear, p. 472. 1647:Murphy, Tom (6 June 2013). 569:Grand Theft Auto: Vice City 57:24 September 1982 3122: 2702:. London: Helter Skelter. 2645:(3rd ed.). New York: 1428: 1425: 1422: 1417: 1414: 1411: 1394: 1391: 1388: 1377: 1374: 1371: 1360: 1357: 1354: 1343: 1340: 1337: 1327: 1324: 1321: 1313: 1310: 1307: 1302: 1299: 1296: 1293: 2806: 2622:. London: Jawbone Press. 2312:(393): 104. January 2019. 2191:. Retrieved 1 March 2016. 1107:"Sleep Comes Down" – 3:51 1058:"Sleep Comes Down" – 3:51 1009:"Sleep Comes Down" – 3:43 917:A contemporary review in 727: 724: 502:, "firmly planted in the 441:Flo & Eddie (singers 345:Choice of record producer 260: 221: 206: 194: 190: 181: 144: 28: 1908:"The Psychedelic Furs – 3106:Columbia Records albums 2949:All of This and Nothing 2402:"RPM Weekly Top Albums" 1395:Swedish Charts: Albums 1228:Donn Adams – horns 1119:"No Easy Street" – 4:04 1104:"Only You and I" – 4:24 1077:"No Easy Street" – 4:04 1055:"Only You and I" – 4:24 1031:"No Easy Street" – 3:54 1006:"Merry-Go-Round" – 3:44 426:. Lastly, the seasoned 2242:Thompson, pp. 108–112. 1918:. 2016. Archived from 1912:Hot 100 Chart History" 1742:. Duncan McIntosh Co. 1110:"President Gas" – 5:35 1068:"President Gas" – 5:35 1036:Original US LP release 993:"President Gas" – 5:09 983:Original UK LP release 424:Royal College of Music 2011:Soto, Alfred (2007). 1213:on "No Easy Street"; 967:All songs written by 398:to augment the band. 3041:All That Money Wants 2910:Midnight to Midnight 2882:The Psychedelic Furs 2800:The Psychedelic Furs 2616:Myers, Paul (2010). 2336:"UK Official Charts" 2288:Entertainment Weekly 1832:(11 November 1982). 1562:Thompson, pp. 89–90. 1197:Additional personnel 1157:The Psychedelic Furs 1113:"Run and Run" – 3:48 1098:"Love My Way" – 3:33 1095:"Forever Now" – 5:35 1071:"Run and Run" – 3:48 1049:"Love My Way" – 3:33 1046:"Forever Now" – 5:35 1019:"Forever Now" – 5:25 1003:"Run and Run" – 3:43 771:Entertainment Weekly 715:Professional ratings 634:The Psychedelic Furs 557:Call Me by Your Name 392:musical arrangements 277:the Psychedelic Furs 138:The Psychedelic Furs 47:The Psychedelic Furs 2598:The MOJO Collection 2544:. Hung Medien. 2019 2472:cite AV media notes 2019:. Stylus Magazine. 1771:Myers, pp. 225–226. 1722:Myers, pp. 227–228. 1655:. Denver Westword. 1634:Myers, pp. 229–230. 1589:(25 January 1983). 1273:Antoine Giacomoni, 1231:Ann Sheldon – 927:, and music critic 716: 234:Released: July 1982 2941:Compilation albums 2765:(list of releases) 2754:(list of releases) 2743:(list of releases) 2732:(list of releases) 2340:Officialcharts.com 2017:Stylusmagazine.com 1946:Officialcharts.com 1025:"You and I" – 4:15 714: 681:the Birthday Party 671:broadcast live on 590:album cover design 545:The Wedding Singer 538:and No. 42 in the 3078: 3077: 2709:978-1-900924-47-4 2647:Collier/Macmillan 2629:978-1-906002-33-6 2608:978-1-84767-643-6 2542:SwedishCharts.com 2499:Thompson, p, 208. 2490:Thompson, p, 207. 2412:. 22 January 1983 2272:Thompson, p. 120. 2263:Thompson, p. 214. 2251:Thompson, p. 124. 2233:Thompson, p. 115. 2142:Thompson, p. 125. 2128:Thompson, p. 204. 2116:Thompson, p. 118. 2107:Thompson, p. 200. 2095:Thompson, p. 206. 2086:Thompson, p. 121. 1975:Thompson, p. 212. 1897:Thompson, p. 105. 1846:on 2 October 2007 1710:Thompson, p. 100. 1692:Thompson, p. 104. 1683:Thompson, p. 102. 1596:The Village Voice 1587:Christgau, Robert 1433: 1432: 1402: 1401: 1329:Kent Music Report 1267:– UK cover design 1189:Vince Ely – 1080:"Yes I Do" – 3:54 934:The Village Voice 906: 905: 897:The Village Voice 669:Hammersmith Odeon 396:session musicians 264: 263: 186:Alternative cover 177: 176: 3113: 3058:Related articles 3027:The Ghost in You 2793: 2786: 2779: 2770: 2713: 2691: 2667: 2665: 2663: 2644: 2633: 2612: 2580: 2579: 2560: 2554: 2553: 2551: 2549: 2534: 2528: 2527: 2506: 2500: 2497: 2491: 2488: 2482: 2481: 2475: 2467: 2460: 2451: 2450: 2448: 2446: 2431: 2422: 2421: 2419: 2417: 2398: 2389: 2388: 2386: 2384: 2361: 2352: 2351: 2349: 2347: 2332: 2323: 2320: 2314: 2313: 2303: 2297: 2296: 2291:. 8 March 2002. 2279: 2273: 2270: 2264: 2261: 2252: 2249: 2243: 2240: 2234: 2231: 2222: 2221: 2219: 2217: 2212:on 14 March 2016 2198: 2192: 2185:expanded edition 2179: 2173: 2172: 2170: 2168: 2157:"Vital Reissues" 2152: 2143: 2140: 2129: 2126: 2117: 2114: 2108: 2105: 2096: 2093: 2087: 2084: 2075: 2074: 2072: 2070: 2054: 2048: 2047: 2031: 2025: 2024: 2008: 1999: 1998: 1982: 1976: 1973: 1962: 1961: 1959: 1957: 1938: 1932: 1931: 1929: 1927: 1904: 1898: 1895: 1886: 1885: 1868:(11 July 2002). 1862: 1856: 1855: 1853: 1851: 1842:. Archived from 1826: 1809: 1808: 1806: 1804: 1789: 1772: 1769: 1756: 1755: 1753: 1751: 1729: 1723: 1720: 1711: 1708: 1693: 1690: 1684: 1681: 1675: 1672: 1661: 1660: 1644: 1635: 1632: 1623: 1622:Robbins, p. 447. 1620: 1605: 1604: 1583: 1572: 1571:Thompson, p. 92. 1569: 1563: 1560: 1554: 1553:Thompson, p. 90. 1551: 1542: 1541:Thompson, p. 89. 1539: 1528: 1527: 1511: 1470: 1469: 1467: 1465: 1453: 1445: 1409: 1314:Official Charts 1291: 1101:"Goodbye" – 3:55 1052:"Goodbye" – 3:55 1028:"Goodbye" – 3:47 929:Robert Christgau 890: 889: 888: 884: 883: 879: 878: 874: 873: 869: 868: 852: 851: 850: 846: 845: 841: 840: 836: 835: 831: 830: 814: 813: 812: 808: 807: 803: 802: 798: 797: 793: 792: 764: 763: 762: 758: 757: 753: 752: 748: 747: 743: 742: 717: 540:UK Singles Chart 494:fused the Furs' 327:Steve Lillywhite 253: 250: 244: 241: 240:"Danger (remix)" 235: 232: 201:US release cover 199: 146: 145: 108: 107: 103: 72:April – May 1982 64: 62: 35:UK release cover 33: 21: 3121: 3120: 3116: 3115: 3114: 3112: 3111: 3110: 3081: 3080: 3079: 3074: 3053: 3048:Until She Comes 3034:Heartbreak Beat 2979: 2961: 2936: 2869: 2802: 2797: 2720: 2710: 2694: 2688: 2670: 2661: 2659: 2657: 2636: 2630: 2615: 2609: 2591: 2583: 2562: 2561: 2557: 2547: 2545: 2536: 2535: 2531: 2524: 2508: 2507: 2503: 2498: 2494: 2489: 2485: 2468: 2462: 2461: 2454: 2444: 2442: 2433: 2432: 2425: 2415: 2413: 2400: 2399: 2392: 2382: 2380: 2363: 2362: 2355: 2345: 2343: 2334: 2333: 2326: 2321: 2317: 2305: 2304: 2300: 2281: 2280: 2276: 2271: 2267: 2262: 2255: 2250: 2246: 2241: 2237: 2232: 2225: 2215: 2213: 2200: 2199: 2195: 2180: 2176: 2166: 2164: 2154: 2153: 2146: 2141: 2132: 2127: 2120: 2115: 2111: 2106: 2099: 2094: 2090: 2085: 2078: 2068: 2066: 2056: 2055: 2051: 2036:"Todd Rundgren" 2033: 2032: 2028: 2010: 2009: 2002: 1984: 1983: 1979: 1974: 1965: 1955: 1953: 1940: 1939: 1935: 1925: 1923: 1922:on 15 June 2016 1906: 1905: 1901: 1896: 1889: 1864: 1863: 1859: 1849: 1847: 1828: 1827: 1812: 1802: 1800: 1791: 1790: 1775: 1770: 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2962: 2960: 2959: 2952: 2944: 2942: 2938: 2937: 2935: 2934: 2927: 2920: 2913: 2906: 2899: 2892: 2889:Talk Talk Talk 2885: 2877: 2875: 2871: 2870: 2868: 2867: 2862: 2859: 2854: 2851: 2848: 2847:Duncan Kilburn 2844: 2843: 2836: 2829: 2822: 2815: 2812:Richard Butler 2807: 2804: 2803: 2798: 2796: 2795: 2788: 2781: 2773: 2767: 2766: 2755: 2744: 2733: 2719: 2718:External links 2716: 2715: 2714: 2708: 2696:Thompson, Dave 2692: 2686: 2672:Sheffield, Rob 2668: 2655: 2634: 2628: 2613: 2607: 2582: 2581: 2555: 2529: 2522: 2501: 2492: 2483: 2452: 2423: 2390: 2353: 2324: 2315: 2298: 2274: 2265: 2253: 2244: 2235: 2223: 2193: 2174: 2144: 2130: 2118: 2109: 2097: 2088: 2076: 2049: 2026: 2000: 1977: 1963: 1933: 1899: 1887: 1874:Popmatters.com 1857: 1810: 1792:Raggett, Ned. 1773: 1757: 1724: 1712: 1694: 1685: 1676: 1662: 1636: 1624: 1606: 1573: 1564: 1555: 1543: 1529: 1471: 1439: 1437: 1434: 1431: 1430: 1427: 1424: 1420: 1419: 1416: 1413: 1406: 1405:Certifications 1403: 1400: 1399: 1396: 1393: 1390: 1386: 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574:Under My Thumb 488: 485: 383: 380: 350:the band with 346: 343: 335:Richard Butler 314:Talk Talk Talk 308: 305: 262: 261: 258: 257: 255: 254: 252:Released: 1983 245: 243:Released: 1982 236: 222: 219: 218: 208: 207: 204: 203: 200: 192: 191: 188: 187: 183: 182: 179: 178: 175: 174: 165: 156: 151:Talk Talk Talk 142: 141: 134: 133: 128: 122: 121: 116: 110: 109: 98: 94: 93: 88: 82: 81: 78: 74: 73: 70: 66: 65: 55: 51: 50: 45: 38: 37: 34: 26: 25: 17: 13: 10: 9: 6: 4: 3: 2: 3118: 3107: 3104: 3102: 3099: 3097: 3094: 3092: 3089: 3088: 3086: 3071: 3068: 3066: 3063: 3062: 3060: 3056: 3049: 3045: 3042: 3038: 3035: 3031: 3028: 3024: 3021: 3017: 3014: 3010: 3007: 3003: 3000: 2996: 2993: 2992:Sister Europe 2989: 2988: 2986: 2982: 2976: 2975: 2971: 2970: 2968: 2964: 2958: 2957: 2953: 2951: 2950: 2946: 2945: 2943: 2939: 2933: 2932: 2928: 2926: 2925: 2924:World Outside 2921: 2919: 2918: 2914: 2912: 2911: 2907: 2905: 2904: 2900: 2898: 2897: 2893: 2891: 2890: 2886: 2884: 2883: 2879: 2878: 2876: 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1017: 1016: 1015: 1008: 1005: 1002: 999: 995: 992: 991: 990: 989: 982: 980: 978: 974: 970: 963:Track listing 962: 960: 958: 957: 952: 947: 945: 944: 943:Rolling Stone 938: 936: 935: 930: 926: 925:Rolling Stone 922: 921: 920:Trouser Press 915: 913: 912: 901: 899: 898: 894: 893: 863: 861: 860: 856: 855: 825: 823: 822: 821:Rolling Stone 818: 817: 787: 785: 784: 780: 779: 775: 773: 772: 768: 767: 737: 735: 732: 731: 723: 720:Review scores 718: 709: 707: 705: 701: 697: 692: 690: 689:Mars Williams 684: 682: 678: 677:Phill Calvert 674: 673:BBC Radio One 670: 662: 660: 658: 657:record sleeve 655: 650: 648: 647:Tony Fletcher 644: 640: 636: 635: 630: 623: 621: 618: 614: 610: 603: 601: 599: 593: 591: 587: 579: 577: 575: 571: 570: 565: 564: 559: 558: 553: 552: 547: 546: 541: 537: 535: 528: 526: 520: 517: 512: 507: 505: 501: 497: 493: 486: 484: 482: 481: 480:Rolling Stone 476: 475:wall of sound 472: 466: 464: 460: 456: 452: 451:establishment 448: 444: 443:Howard Kaylan 439: 436: 432: 431:backing 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Extra 126:Producer 91:New wave 69:Recorded 54:Released 44: by 2984:Singles 2763:Discogs 2752:Discogs 2741:Discogs 2730:Discogs 2662:24 July 2445:2 March 2069:30 July 2063:Radio 4 1750:3 March 1520:PopDose 1392:Sweden 1381:Albums 1358:Canada 1215:marimba 1176:guitars 604:Release 580:Artwork 536:Hot 100 301:marimba 212:Singles 173:(1984) 164:(1982) 155:(1981) 59: ( 3020:Heaven 2706:  2684:  2653:  2626:  2605:  2520:  2416:7 July 2383:6 July 2346:7 July 2167:7 July 1415:Level 1300:Chart 1282:Charts 1167:vocals 1063:Side B 1041:Side A 1014:Side B 988:Side A 956:Stylus 728:Rating 725:Source 613:B-side 554:, and 500:gothic 97:Length 77:Studio 2761:" at 2750:" at 2739:" at 2065:. 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Index


Studio album
The Psychedelic Furs
Genre
New wave
Label
CBS
Producer
Todd Rundgren
The Psychedelic Furs
Talk Talk Talk
Mirror Moves

Singles
Love My Way
rock
the Psychedelic Furs
Love My Way
Columbia/CBS
Todd Rundgren
cello
marimba
Talk Talk Talk
John Ashton
CBS Records
Steve Lillywhite
Tim Butler
Richard Butler
Casio VL-1
David Bowie

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