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s Jay
Collins remarked: "Laubrock's abilities are on display in the company of a stellar quintet... Perhaps the key here, other than the individual contributions, is Laubrock's compositional restlessness, which proves compelling whether negotiating film noir landscapes, heartfelt introspection, or
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commented: "Laubrock shows an inextinguishable curiosity, testing stylistic boundaries both as composer and interpreter. Her investigative (indeed, forensic) approach to jazz shapes the album from head to toe, dissecting it under a playful scalpel."
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says "Some of the music is spookily dark and sepulchral, some of it delicately eccentric, some spun as slowly and symmetrically as a web, and the cello of Ben Davis is a constant source of both fresh melody and subtle timbres."
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plays like a new take on the noir tradition. It's astringent and shadowy, like you'd expect from noir, but it's also visceral, hot and exhilarating, like you probably wouldn't. A new noir for a new world disorder."
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pulsing improvs... with each journey, Laubrock's finely-crafted, wide-ranging program ends up pulling at your shirtsleeves."
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179:, which was recorded in 2003 and released on the British F-IRE label, a musician-run company associated to the
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All compositions by Ingrid
Laubrock except 5, 8 & 10 which are free improvisations
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review by Chris May states "Mysterious, moody and close to the edge,
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330:... a strong album with a rare coherence and sense of purpose."
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326:wrote: 'There's an ease and confidence about
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16:2005 studio album by Ingrid Laubrock
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175:is an album by German jazz saxophonist
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565:The Penguin Guide to Jazz Recordings
323:The Penguin Guide to Jazz Recordings
288:The Penguin Guide to Jazz Recordings
621:"Ingrid Laubrock: Forensic (F-IRE)"
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595:"Ingrid Laubrock Forensic Review"
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619:Collins, Jay (March 14, 2005).
1:
400:"Monologue Man Pt II" – 8:38
397:"Monologue Man Pt I" – 2:01
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391:"Forensic Experts" – 4:00
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68:Curtis Schwartz Studios,
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831:Ingrid Laubrock albums
752:Roulette of the Cradle
593:Bellini, Lara (2005).
728:The Madness of Crowds
394:"Stone Lions" – 7:20
361:Lara Bellini of the
192:Professional ratings
412:"Stringding" – 6:06
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776:Planktonic Finales
696:Let's Call This...
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156:Let's Call This...
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579:978-0-141-03401-0
450:Karim Merchant –
406:"Forensic" – 8:16
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712:Paradoxical Frog
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568:(9th ed.).
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465:Larry Bartley –
415:"Mirrors" – 7:45
347:In a review for
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181:F-IRE Collective
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673:Ingrid Laubrock
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572:. p. 869.
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530:Fordham, John.
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429:Ingrid Laubrock
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372:One Final Note'
320:The authors of
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177:Ingrid Laubrock
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127:Ingrid Laubrock
120:Ingrid Laubrock
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42:Ingrid Laubrock
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803:Zurich Concert
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625:One Final Note
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517:All About Jazz
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409:"Clara" – 5:14
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336:All About Jazz
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560:Morton, Brian
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556:Cook, Richard
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486:bass clarinet
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482:Julian Siegel
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447:, vocal on 10
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418:"BLT" – 12:28
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379:Track listing
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197:Review scores
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744:Strong Place
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630:November 15,
628:. Retrieved
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604:November 15,
602:. Retrieved
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540:The Guardian
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508:May, Chris.
445:baritone sax
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355:John Fordham
350:The Guardian
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250:The Guardian
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60:May 28, 2003
37:Studio album
826:2005 albums
787:Live albums
768:Serpentines
472:Tom Skinner
467:double bass
433:soprano sax
403:"Us" – 4:49
333:The 5-star
820:Categories
720:Anti-House
704:Sleepthief
493:References
129:chronology
680:As leader
457:Ben Davis
441:tenor sax
423:Personnel
187:Reception
139:Some Time
688:Forensic
562:(2008).
533:Forensic
511:Forensic
437:alto sax
341:Forensic
328:Forensic
172:Forensic
147:Forensic
115:Producer
70:Ardingly
57:Recorded
49:Released
39: by
22:Forensic
760:Ubatuba
570:Penguin
478:, bells
160:(2006)
151:(2005)
142:(2001)
806:(2014)
798:(2012)
779:(2017)
771:(2016)
763:(2015)
755:(2015)
747:(2013)
739:(2012)
731:(2011)
723:(2010)
715:(2010)
707:(2008)
699:(2006)
691:(2005)
576:
535:review
513:review
205:Rating
202:Source
88:Length
65:Studio
795:Haste
736:Union
476:drums
461:cello
452:piano
109:F-IRE
105:Label
77:Genre
632:2023
606:2023
574:ISBN
488:on 4
82:Jazz
52:2005
599:BBC
537:at
515:at
364:BBC
822::
623:.
597:.
558:;
547:^
523:^
501:^
484:–
474:–
459:–
443:,
439:,
435:,
431:–
353:,
183:.
97:37
93:66
665:e
658:t
651:v
634:.
608:.
582:.
95::
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