Knowledge (XXG)

Four seasons altar of Würzburg

Source 📝

196: 95: 87: 22: 154:
and later an imperial property. The altar was immediately published, but it was soon forgotten. Decades later it turned up in an American private collection. In 1966 it was brought back to Rome, thanks to the artefact trade of
214:
The round altar shows four putti evenly spaced around it, which seem from their attributes to represent the four seasons. Winter is dressed as a farmworker and points to winter activities with a slaughtered animal and a wine
325: 51: 355: 360: 171:
who recognised the lost altar. The Italian state could raise no claim to the work after eighty years. The work was almost taken by the
350: 329: 312: 73: 267:, so there is probably a political significance in addition to the decorative function, which aimed for a prosperous growth of the 187:
aware of the altar. However, despite the larger offer, Fallani sold the altar to Würzburg in accordance with his earlier promise.
390: 207:
had a height of 73 centimetres and a diameter of 56.4 centimetres. Apart from a few nicks, it remains fully intact. The
305:
Begegnung mit der Antike. Zeugnisse aus vier Jahrtausenden mittelmeerischer Kultur im Südflügel der Würzburger Residenz
223:
allude to deities, who are symbolically associated with the four seasons by authors of the literary tradition, such as
34: 44: 38: 30: 375: 370: 55: 160: 123: 195: 94: 86: 211:
representing the winter received some damage during the carving of the deed animal, which was not repaired.
176: 268: 172: 365: 345: 184: 292: 156: 285: 380: 308: 240: 236: 232: 151: 300: 260: 220: 115: 385: 339: 251:. The winter and spring putti face each other, as do the putti of autumn and summer. 143: 103: 296: 280: 180: 168: 164: 127: 259:
The altar was probably intended less for cultic purposes than as an evocative
228: 239:; ears of corn and poppies refer to the goddess of fertility and summer, 107: 263:. Also, in the early imperial period, Imperial princes were depicted as 264: 248: 216: 204: 247:
and holds a basket of grapes, symbolising the wine and autumn god
244: 208: 194: 93: 85: 224: 147: 15: 231:. A girdle of flowers recalls that of the spring goddesses 159:. There it was acquired for the antiquities division of 295:. "Jahreszeitenputten aus der kaiserlichen Villa," in 283:. "Giorgio Fallani und das Martin-von-Wagner-Museum." 203:The four seasons altar made of fine-grained white 106:decorated altar dating from early in the reign of 43:but its sources remain unclear because it lacks 8: 74:Learn how and when to remove this message 7: 356:Archaeological discoveries in Italy 142:The altar was found in 1886 on the 14: 243:. The putto of autumn recalls a 120:Würzburger Vierjahreszeitenaltar 20: 361:1886 archaeological discoveries 110:(around AD 40) is known as the 332:, the archaeological database. 112:Four seasons altar of Würzburg 1: 130:under the inventory number 407: 175:, after Erika Simon made 351:Martin von Wagner Museum 179:and the director of the 161:Martin von Wagner Museum 124:Martin von Wagner Museum 29:This article includes a 307:, Ergon, Würzburg 2001 150:, once the site of the 58:more precise citations. 391:Julio-Claudian dynasty 269:Julio-Claudian dynasty 200: 173:Antikensammlung Berlin 99: 91: 289:26 (1995), S. 404–405 199:Winter cherub at left 198: 177:Friedrich Matz Junior 122:). It is kept in the 97: 89: 326:Four seasons altar 219:. The other three 201: 185:Adolf Greifenhagen 100: 92: 31:list of references 376:Ceres (mythology) 371:Flora (mythology) 152:Horti Sallustiani 84: 83: 76: 398: 221:personifications 79: 72: 68: 65: 59: 54:this article by 45:inline citations 24: 23: 16: 406: 405: 401: 400: 399: 397: 396: 395: 336: 335: 322: 301:Irma Wehgartner 293:Friederike Sinn 277: 261:garden ornament 257: 193: 140: 80: 69: 63: 60: 49: 35:related reading 25: 21: 12: 11: 5: 404: 402: 394: 393: 388: 383: 378: 373: 368: 363: 358: 353: 348: 338: 337: 334: 333: 321: 320:External links 318: 317: 316: 290: 276: 273: 256: 253: 192: 189: 157:Gorgio Fallani 139: 136: 82: 81: 39:external links 28: 26: 19: 13: 10: 9: 6: 4: 3: 2: 403: 392: 389: 387: 384: 382: 379: 377: 374: 372: 369: 367: 364: 362: 359: 357: 354: 352: 349: 347: 344: 343: 341: 331: 327: 324: 323: 319: 314: 313:3-935556-72-1 310: 306: 302: 298: 294: 291: 288: 287: 282: 279: 278: 274: 272: 270: 266: 262: 254: 252: 250: 246: 242: 238: 234: 230: 226: 222: 218: 212: 210: 206: 197: 190: 188: 186: 182: 178: 174: 170: 166: 162: 158: 153: 149: 145: 137: 135: 133: 129: 125: 121: 117: 113: 109: 105: 98:Autumn cherub 96: 90:Summer cherub 88: 78: 75: 67: 57: 53: 47: 46: 40: 36: 32: 27: 18: 17: 366:Venus in art 346:Roman altars 315:, S. 160–161 304: 284: 258: 213: 202: 144:Pincian Hill 141: 131: 119: 111: 101: 70: 64:January 2014 61: 50:Please help 42: 297:Ulrich Sinn 286:Antike Welt 281:Erika Simon 191:Description 183:collection 181:West Berlin 169:Erika Simon 56:introducing 340:Categories 275:References 229:Lucretius 138:Discovery 381:Dionysus 303:(ed.s), 165:Würzburg 128:Würzburg 108:Claudius 330:Arachne 265:cherubs 255:Purpose 249:Bacchus 217:amphora 52:improve 311:  205:marble 132:H 5056 386:Putti 245:satyr 241:Ceres 237:Flora 233:Venus 209:putto 104:Roman 37:, or 309:ISBN 235:and 227:and 225:Ovid 148:Rome 328:in 167:by 163:in 146:in 126:in 342:: 299:, 271:. 134:. 118:: 116:de 102:A 41:, 33:, 114:( 77:) 71:( 66:) 62:( 48:.

Index

list of references
related reading
external links
inline citations
improve
introducing
Learn how and when to remove this message


Roman
Claudius
de
Martin von Wagner Museum
Würzburg
Pincian Hill
Rome
Horti Sallustiani
Gorgio Fallani
Martin von Wagner Museum
Würzburg
Erika Simon
Antikensammlung Berlin
Friedrich Matz Junior
West Berlin
Adolf Greifenhagen

marble
putto
amphora
personifications

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.